This article seeks to show the effect that Vitruvius’ probable social status had on the contents of the De Architectura. The education proposed for the architect, the receipt of a wage, and pleasure all shape the treatise in significant ways. The article supplements these discussions with a close reading of a section of the De Architectura hitherto neglected in the secondary literature: the cameo appearance of Aristippus in the preface to Book 6. Vitruvius arguably uses the figure of (...) Aristippus, the pleasure-loving philosopher whom Vitruvius offers to the reader as a stand-in for the architect, to focus and negotiate further the issues of status, pay, and pleasure. (shrink)

This article argues that Vitruvius’ description of Julius Caesar's ‘discovery’ of the larch (larix, De arch. 2.9.15–16), previously read as a journalistic account of the author's first-hand experience in Caesar's military entourage, should instead be interpreted as a highly crafted morality tale illustrating human progress thwarted. In the passage, the use of larch wood to construct a defensive tower renders the Alpine fortress at Larignum impregnable to assault by fire; only the fear aroused by siege provokes the inhabitants to surrender (...) to Caesar and his troops (2.9.15–16). Nevertheless, the outcome of this discovery is not a complete victory, because the logistics of importing this remarkable timber to Rome are as yet insurmountable (2.9.16). Once the siege of Larignum is recognized as a diptych to Vitruvius’ narrative of the origins of civilization, in which fire and wood likewise play essential roles (2.1.1–7), and compared with similar aitia and source histories across the De architectura, it becomes clear that Larignum and its resources emblematize obstacles to a Vitruvian conception of imperial success, in which the city of Rome catalogues and indexes architectural knowledge amassed throughout the empire. (shrink)

A finalidade explícita na arquitetura e ênfase na utilidade, no aspecto de uma aplicação prática, intrigou filósofos alemães como Immanuel Kant e August Schlegel. O entrelaçamento entre beleza e finalidade na arquitetura fora notado cedo por Marco Vitrúvio Polião, que aponta utilidade, solidez e beleza como características fundamentais da obra arquitetônica. Segundo Guyer, a partir de Kant, o pensamento filosófico sobre a arquitetura começa a apresentar um distanciamento em relação a Vitrúvio, de modo que, mesmo sem total renúncia à tríade (...) vitruviana no pensamento de Kant, este defende ser a característica principal da arquitetura representar ideias estéticas. A tese de Guyer aponta o desenvolvimento desse ponto de Kant em Schelling, Hegel e Schopenhauer, todavia com uma lacuna: August Schlegel, fundador do primeiro sistema de belas artes com sua Kunstlehre. Buscaremos aprofundar como a tese de Guyer não só é válida, mas ganha mais solidez no caso de August Schlegel e do papel que este confere à imaginação na arquitetura. Após a indicação de elementos vitruvianos e pós-vitruvianos em Kant e Schlegel, indicaremos as divergências entre ambos na apreciação da arquitetura, a partir de suas articulações entre arquitetura e finalidade. (shrink)

Desde la antigüedad hasta hoy, la tradición vitruviana ha dominado los modos en que se ha entendido el oficio de la arquitectura y la figura del arquitecto en Occidente. Esta tradición hace de la arquitectura una práctica necesariamente relacionada con la edificación. Sin embargo, en los tiempos en que Vitruvio escribía su De Architectura, diferentes nociones sobre el oficio permeaban tanto en escritos dramáticos y filosóficos como en el sentido común de la época. En Cicerón y Eurípides, pero sobre (...) todo en Plauto, encontramos arquitecturas cuyos objetivos se alejaban del arte y se acercaban a la política, y arquitectos con habilidades que tenían menos que ver con la técnica, y más con la prudencia. Con ayuda del pensamiento aristotélico, veremos que estas figuras no eran meros caprichos dramatúrgicos ni moralistas, sino que poseían un fundamento epistemológico y práctico, que encontraba en la arquitectura un modo de pen- sar y de actuar más allá de la proyección y construcción de edificios. (shrink)

La « figure vitruvienne », héritée du traité De architectura de Vitruve, et les variations auxquelles elle donne lieu dans les arts à la Renaissance révèlent une grande diversité de formes et un remaniement du canon antique. En s’appuyant sur une méthode historique et conceptuelle, l’article entend mettre à jour les enjeux esthétiques suscités par la représentation du corps humain dans les arts, en tenant compte de la diversité des voies empruntées par les artistes de la Renaissance, influencés qui (...) plus est par la tentation de la mathématisation, la physiognomonie et la recherche de l’expressivité. (shrink)

Vitruvius’ technical text De architectura and Horace’s poetic letter 2.1 are both directed at Augustus. Within the corpus of Augustan literature they alone contain two anecdotes in which Alexander the Great clearly functions as a role model for the princeps. It is striking that in both cases the ruler’s relationship to the arts - architecture and poetry respectively - is addressed. In the following article I shall give a close reading of both passages and place them in their literary (...) and historical context. Although both texts belong to very different genres, remarkable similarities can be observed. Alexander turns out to be an ambivalent figure, to whom Augustus and his artistic advisors cannot but refer back. (shrink)

Vitruvius's De Architectura has long held a special interest for aestheticians. So too, have Wordsworth's Preface to Lyrical Ballads, Tolstoy's What is Art?, an.

The present paper proposes a new reading of one of the most obscure passages of De Architectura; in I, 1,3 Vitruvius claims that in architecture there is always a signifier and a signified, but his approach differs from Quintilian’s as presented in the latter’s Institutio Oratoria. Vitruvius’ is closer to Chrysippus approach, but he fails to mention the third constituent, the tynchanon. This omission is probably due to the fact that Vitruvius speaks of designs rather, than of existing buildings. (...) What can successfully signify a proposed building is, according to my reading, the design and erection of a building that is easily recognized by the public as realizing the intentions of the community to erect the proposed building. Such successful signification constitutes the ultimate criterion for good architecture. (shrink)

We call attention to the historical fact that the meaning of symmetry in antiquity—as it appears in Vitruvius’s De architectura—is entirely different from the modern concept. This leads us to the question, what is the evidence for the changes in the meaning of the term symmetry, and what were the different meanings attached to it? We show that the meaning of the term in an aesthetic sense gradually shifted in the context of architecture before the image of the balance (...) was attached to the term in the middle of the 18th century and well before the first modern scientific usage by Legendre in 1794.Keywords: Symmetry; Vitruvius; Claude Perrault; Charles-Louis de Secondat Baron de Montesquieu; Balance in architecture. (shrink)

In Book II of the ancient architectural treatise, De architectura, Vitruvius gives a mythical account of the conjoined origins of architecture and language: “[I]n ancient times,” he writes, “men were born like wild animals in the forests, caves and woods, and spent their lives feeding on fodder”. One night, while a fierce storm ravaged the woods where these ancient humans lived, a mighty fire broke out. Faced with the flames, the men and women fled in terror. Some, however, recovering (...) from their initial fright, and sensing the warmth emanating from the blaze, moved closer to it and began to throw more wood on it. Using sign language, those feeding the flames communicated to the others the virtues of the... (shrink)

The Origin of Scientific Notions in the Circle of the Roman Accademia della Virtù around 1550. Between c. 1537 and 1555 a group of humanists, clerics, architects and philologists known as the so‐called Accademia della Virtù got together in Rome to work on a program which was formulated in a letter by the Sienese humanist Claudio Tolomei in 1542 and published in 1547. Starting out with the intention to understand the only surviving antique book on architecture and architectural theory – (...) Vitruvius’ De architectura libri decem – the program describes a series of 24 books, eleven containing the classical text and its translation with commentaries, 13 books systematically illustrating and documenting all known and available material remains from Roman antiquity. This program for a scientific classical archaeology in a modern sense was not only intended to serve the intellectual curiosity of some humanist antiquarians but to help architects and their patrons to develop a new architecture of the same high quality as the idealized Roman examples. To achieve this practical as well as theoretical goal it was obviously necessary to re‐create the antique vocabulary of architecture and its rules as well as to unify the contemporary usage of notions and norms in a canon. The first results of this project seem to be the In decem Libros M. Vitruvii Pollionis de Architectura Annotationes by Guillaume Philandrier (Rome, 1544) – up to this day a very valuable explanation of ambiguous parts in the Vitruvian text. Until the 1980s, it was believed that this book was the only outcome of the ambitious project; but then two codices of drawings after antique reliefs were identified as preparations for one of the other 23 volumes – and, because of their systematic approach, regarded as the ‘first systematic archaeological book’. Now it seems that there are some other corpora of manuscripts and drawings documenting antique artifacts that should be regarded as results of the Accademia’s work, too, showing antique buildings, inscriptions and coins. Other results of the unfinished project may be the theoretical and practical works of the two most influencial architects of the sixteenth century: Jacopo Barozzi da Vignola and Andrea Palladio. (shrink)

Represented as the face of Venice, the houses of the Grand Canal were used during the Renaissance to support the portrayal of the Venetian Republic's unique structure of governance. Paolo Paruta's dialogue, Della perfettione della vita politica, a work of political theory on the Venetian Republic, is one such text used here to examine how in a changing context of modernization, architecture has been presented as a representation of state. Paruta's use of architecture as a representation of state was conceptually (...) different from those earlier writers such as Gasparo Contarini who presented the uniqueness of Venice's social qualities through its orderly governance and law. Fundamental to Paruta's incorporation of architecture to the conceptualization of Venice was Daniele Barbaro's interpretation of Vitruvius’ representation of the body-of-state, being reflected in the architectural makeup of the city. However, Vitruvius’ text, De architectura, described the monarch's body reflected in the architecture and urban strategies of the late Roman Republic. Paruta's use of the text and of Daniele Barbaro aimed to transfer these values to the Venetian Republic and its social formations. Subtly forging links between the radicalism of Doge Andrea Gritti's renovatio programmes and the power struggles of the young patricians, Paruta's aim for architecture was to support the preservation of Venetian values as distinct from those of Rome. Indications are that Paruta's message was understood. To examine the comprehensibility of Paruta's political propositions, his terms and arguments are analysed in the context of three different architectural composition types used in Venetian houses of the mid-sixteenth century. (shrink)

O objetivo deste artigo é apresentar a analogia básica entre arquitetura e retórica antiga a partir dos tratados De Architectura, de Vitrúvio, e o De Oratore, de Cícero. A analogia se verifica na definição do artífice, dos gêneros e partes das técnicas e dos fins de cada uma delas. Para tanto, tomaram-se como referência as fontes do tratado vitruviano, que menciona a influência de Varrão na gramática, de Lucrécio na filosofia e de Cícero no método oratório. A analogia com (...) Cícero serve tanto para conferir autoridade ao modelo de arquiteto vitruviano quanto para diferenciar a arquitetura das demais ciências, sobretudo a filosofia, objeto de debate na obra ciceroniana. (shrink)

Summary Exchanges of learning and controversies between engineers and mathematicians were important factors in the development of early modern science. This theme is discussed by focusing, first, on architectural and mathematical dynamism in mid 16th-century Milan. While some engineers-architects referred to Euclid and Vitruvius for improving their education and argued for an institutional reform of their profession, Girolamo Cardano and other mathematicians explained the De architectura and studied the inventions of the arts. Attention is drawn, then, to the entrance (...) in the field of hydraulics of Benedetto Castelli, a Galilean mathematician who criticised some basic engineering methods but also relied on engineering experience. This mix of criticism and appropriation of engineering notions was particularly highlighted by Domenico Guglielmini, who saw in the study of the nature of rivers the key for their control and improvement. A further facet was the growing distinction among the practitioners. In 16th-century Milan professional distinctions appeared in a grand scale cadastral survey of the whole state and in the establishment of a professional body of engineers-architects and land surveyors. It was not a peculiarly Italian trend. In the postscript some remarks are added to show that a partly similar differentiation was also taking place among E.G.R. Taylor's mathematical practitioners of Elizabethan England. (shrink)

This work discusses the origin of the architect and the architecture presented in the treatise _De Architectura_ by Vitruvius and its association with imitation. It is discussed the Vitruvian notion of the progression of humanity and its connections with the architect and the establishment of Architecture as the science of the architect. The proposal of training for professionals from various areas is analyzed, which would guarantee, according to Vitruvius, a generalist training and at the same time specialized in their field. (...) It also discusses the attributes necessary, according to the author, for a good professional, which would allow him to achieve recognition for his authority. (shrink)

Vitruvius has something interesting to say at De architectura 2.8.8: Non enim quae sunt e molli caemento subtili facie venustatis, non eae possunt esse in vetustate non ruinosae. itaque cum arbitrio communium parietum sumuntur, non aestimant eos quanti facti fuerint, sed cum ex tabulis inveniunt eorum locationes, pretia praeteritorum annorum singulorum deducunt octogesimas et ita – ex reliqua summa parte reddi pro his parietibus – sententiam pronuntiant eos non posse plus quam annos LXXX durare.Those structures made of soft rubble, (...) for all their subtle attractiveness, are not the ones that will resist ruin as time passes. And thus when assessors are appointed to evaluate party walls, they never assess soft rubble walls according to their initial cost, but rather, when they look at the price recorded in the original contracts, they deduct 1/80th of that sum for each subsequent year, and the remaining amount is fixed as the current value of the walls. They have rendered judgement, in effect, that such walls cannot last more than 80 years.By contrast, mud-brick walls were not depreciated at all if they were standing when assessed. The calculation performed for concrete walls demonstrates clear understanding of what we call ‘depreciation’ or ‘amortization’ in ancient Roman thought. It appears to have been overlooked to date. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Reviewed by:Gender, Domesticity, and the Age of Augustus: Inventing Private LifeDavid FredrickKristina Milnor. Gender, Domesticity, and the Age of Augustus: Inventing Private Life. Oxford Studies in Classical Literature and Gender Theory. Oxford: Oxford University Press, 2005. xii + 360 pp. Cloth, $99.It is the often-difficult task of social history to explain how a given institution (e.g., marriage, education, the army) changed across different types of cultural expression (e.g., legal (...) and moral prescriptions, representation in visual art and literature) and in lived experience. In this fruitful and sometimes brilliant study, Kristina Milnor explores the repositioning of women during the Augustan period with respect to the distinction between public and private life. Over the course of an introduction, five chapters, and an epilogue, she develops the argument that the Augustan period "invented" private life or, more precisely, new strategies for representing private life, in order to make the imperial system look like a return to traditional Roman family values. In making this argument, Milnor looks back to the Republic and forward to Nero; she assembles a wide range of literary and material evidence and makes judicious use of theory. Milnor is primarily concerned with textual representation; as she puts it at one point, the volume is "a study of representation rather than reality" (40–41). However, she does include substantial sections on architecture and space, and in the end it is not clear whether Milnor sees architecture in the Augustan period as a mode of representation or as something that by reshaping behavior necessarily transformed private life in lived experience.The introduction uses Vergil's simile of the housewife spinning in Aeneid 8 to set up the much-debated distinction between "public" and "private" in Roman culture. Milnor notes that the original meaning of privatus during the republic is narrowly oppositional, "a man without a political or military position," but broadened during the empire to mean more generally, "anyone... who did not hold the ultimate 'public' role of emperor" (20). Hence privatus and "domestic" do not mean the same thing: "privatus is necessarily a political word," while "the domestic... functions as a kind of moralized privacy, a concept whose strength lies in its allegiance to supposedly transcendent and apolitical ethical truths" (27). Women emerge during the Augustan period as the preferred symbols of this "moralized privacy," and while the physical and social circumstances of Roman women were highly disparate, the representation of female virtues remains consistent: "the domestic ideal was a construct which did not 'truthfully' represent any woman's life, even at the same time as it purported to represent them all" (38).In the first chapter ("Reading and Writing Gender on the Augustan Palatine"), Milnor argues that Augustus' Palatine complex is "engendered" by the prominence of Niobe, Cleopatra, and the Danaids in its decorative program, pointing to the problematic display of female virtue in the princeps' house. Because of Augustus' unprecedented political position, the "private" behavior of the women in his house became a kind of public performance, a tension that persists in Augustus' larger treatment of the city. In Tristia 2, Ovid addresses Augustus as a fellow author whose "text" is the city of Rome, and just as women [End Page 605] have misread Ovid's poetry licentiously, they frequently appropriate Rome's temples and porticoes for sexual liaisons. Milnor observes that this disingenuous argument at least recognizes women as active and resisting readers of texts, noting further that imperial women (Octavia and Livia) are paradoxically empowered as "authors" of significant public spaces precisely because they were seen to be expressing politically disinterested virtues. The chapter concludes with a look back at Cicero's de Domo Sua, which casts Clodius as a feminized abuser of public space in his appropriation of the Portico of Catulus for his shrine of Libertas; the restoration of Cicero's house, meanwhile, represents the restoration of the Roman state. Milnor argues that this anticipates Augustus' use of his own house as a symbol for Rome, and thus as the site for a paradoxically public performance of the traditions of Roman domesticity.The second chapter, "Domesticity and Display in Vitruvius' de Architectura," begins with two significant questions. Why, if... (shrink)

L’Encyclopédie méthodique constitue une des entreprises éditoriales les plus imposantes publiées au tournant des Lumières. Conçue par l’éditeur Charles-Joseph Panckoucke, elle s’échelonne sur cinquante ans (1782- 1832). Elle remanie et reprend les volumes de l’Encyclopédie de Diderot et d’Alembert, en substituant à l’ordre alphabétique un ordre des matières. Elle oriente les Lumières vers l’épistémologie positiviste. C’est pourquoi cette encyclopédie, qui demeure pourtant souvent méconnue, revêt aujourd’hui un intérêt considérable, notamment parce qu’elle montre un moment particulier des savoirs qui relient les (...) mots et les choses. Les trois volumes du Dictionnaire d’Architecture, dus à la plume de Quatremère de Quincy, s’inscrivent dans ce cadre éditorial et culturel, et en même temps dans l’histoire longue des théories de l’architecture : ils achèvent une tradition qui remonte à Vitruve. Quatremère de Quincy reprend et corrige Vitruve quand la théorie de ce dernier est démentie par la raison ou par l’histoire. Mais derrière cette critique, Quatremère se bat aussi avec son siècle. En définissant l’architecture par les mots, il retrouve les exigences d’une définition de l’architecture « à l’antique », à savoir par et dans la langue. (shrink)

Não apenas uma vez Nietzsche escreve que o mundo, junto com tudo que nele há, é tão somente vontade de poder. Por meio dessa teoria ele pensa os diversos níveis da existência, indo desde elementos ínfimos e simples até estruturas complexas, com elevado grau de refinamento. Tudo não passa, segundo esse filósofo, do desenrolar de forças em jogo agonístico por um algo a mais de poder. Neste artigo nós analisamos alguns aspectos da teoria da vontade de poder para mostrar como (...) Nietzsche faz uso de um mesmo arranjo conceitual para qualificar toda a existência. Assim, tanto o microscópico quanto o macroscópico, tanto o orgânico quanto o inorgânico, são tomados como exemplos de entes que, não obstante suas diferenças, são todos vontades de poder. (shrink)

En este trabajo se lleva a cabo un estudio filosófico-jurídico del derecho al debido proceso reconocido en el artículo 24 de la Constitución Española, a fin de adaptarlo a la Era algorítmica. Para la consecución de este objetivo, el trabajo se divide en tres puntos. En el primero se hará un repaso por la historia y la fundamentación jurídica del debido proceso en el sistema jurídico español. En el segundo se considerarán las garantías y los principios que habrían de conformar (...) un derecho al debido proceso tecnológico, derecho necesario en esta nuestra Era algorítmica. Por último, a modo de conclusión, se adelantará una propuesta de inclusión constitucional de los principios y garantías tecnológicas descritas. (shrink)

What is it for poetry to be serious and to be taken seriously? What is it to be open to poetry, exposed to its force, attuned to what it says and alive to what it does? These are important questions that call equally on poetry and philosophy. But poetry and philosophy, notoriously, have an ancient quarrel. Maximilian de Gaynesford sets out to understand and convert their mutual antipathy into something mutually enhancing, so that we can begin to answer these and (...) other questions. The key to attuning poetry and philosophy lies in the fact that poetic utterances are best appreciated as doing things. For it is as doing things that the speech act approach in analytic philosophy of language tries to understand all utterances. Taking such an approach, this book offers ways to enhance our appreciation of poetry and to develop our understanding of philosophy. It explores work by a range of poets from Chaucer to Geoffrey Hill and J. H. Prynne, and culminates in an extended study of Shakespeare's Sonnets. What work does poetry set itself, and how does this determine the way it is to be judged? What do poets commit themselves to, and what they may be held responsible for? What role does a poet have, or their audience, or their context, in determining the meaning of a poem, what work it is able to achieve? These are the questions that an attuned approach is able to ask and answer. (shrink)

Estas reflexões se propõem analisar a questão do sujeito e suas relações com o prazer, o desprazer e o gozo na pós-modernidade a partir das perspectivas de Montaigne e Freud. Com efeito, estes dois exploradores da mente e do comportamento humanos revelam várias similitudes entre si, apesar dos mais de trezentos anos que os separam e das diferenças de método de que se serviram para elaborarem suas descobertas. Montaigne centra suas análises sobre os motivos e os móbeis do agir humano (...) a partir do pensamento dos moralistas clássicos e, em especial, dos estoicos e de Plutarco. Quanto a Freud, ele tem em seu favor a teoria e a experiência analíticas que lhe permitiram trazer à tona, simbolizando-a, a linguagem do inconsciente. Ambos os pensadores, porém, souberam captar, nas suas nuanças e gradações, as relações que se dão entre o prazer, o desprazer e o gozo e, assim, anteciparam um dos temas proeminentes da chamada pós-modernidade. (shrink)

Edited collection on Wittgensteinian ethics. With contributions by Oskari Kuusela, Edward Harcourt, Anne-Marie Christensen, Sabina Lovibond, Alexander Miller, Benjamin De Mesel, Cora Diamond, Lars Hertzberg, Jeremy Johnson, Craig Taylor, Alice Crary, Lynette Reid.

The first study, along with edition and translation, of Chrysostomus Javelli’s epitome of the _Liber de bona fortuna_ (1531), a work permitting insight into the early modern understanding of fortune, fate, and free will.

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Es tan sorprendente, concorde con la naturaleza humana, útil y profunda la doctrina de Vitoria sobre la organización universal de los pueblos que aparece como repentinamente en el s. XVI, sin una aparente fuente de continuidad, que cualquier persona con un poco de mentalidad científica no puede dejar de preguntarse: ¿de dónde la ha sacado? ¿De dónde ha extraído esa comprensión tan profunda del mundo, y ese pensamiento tan hermoso? Cualquiera puede pensar que, pensamiento político o jurídico semejante había de (...) derivarse de algún manuscrito empolvado y escondido en algún lugar, como un tesoro, cuya influencia hubiera ejercido, de manera latente, y a este investigador le hubiera tocado descubrir. Pero veremos que no: que el verdadero tesoro escondido es la simple idea de amistad, entendida en su sentido más pleno. (shrink)

A cursory view of the history of ethical thinking shows the presence of a limited variety of 'styles of ethical reasoning', a term used in analogy of Crombie's 'styles of scientific reasoning' for systems of thought that set their own standards and techniques for providing evidence. Each style of reasoning tends to suggest a specific role for ethicists. Styles are appropriate relative to particular contexts of problems and require special institutions to flourish. Herman De Dijn's discussion in Taboes, monsters en (...) loterijen of the problems hybridsproduced in biomedicine and biotechnology pose for the symbolic order is shown to rest on two 'styles of ethical reasoning', viz, 'postulation of principles' and 'hermeneutics'. It is argued that both styles fall short, but for different reasons. 'Postulation of principles' is ill-equipped to answer problems posed by a world of change. Hermeneutics requires a pace of time and institutions not available in current society. Confronted with the problems De Dijn discusses, therefore two separate problems arise. Ethicistsnot only have to learn how to account for the hybrids that biomedicine and biotechnology produce, they also have to think about and contribute to institutional innovation. Rather than opening a space for discussing both tasks, De Dijn's styles of reasoning close off this matter. (shrink)

En este artículo, y desde la sociología del trabajo, argumentamos que los recurrentes antagonismos entre sectores que defienden el medioambiente y los que defienden las fuentes de trabajo son una ficción política. Ello lo sustentamos en una reflexión ontológica-epistemológica desde donde se develan un encadenamiento de jerarquías, desigualdades, dominación y explotación, consagrado en la moderna ideología del desarrollo y progreso ilimitado, bajo cuyo eje se plantea una ficticia comunión de intereses en la que trabajo y capital comparten iguales anhelos de (...) progreso y éxito. Una ficción que resulta ser una estrategia política-ideológica que configura a las/os defensores del medioambiente como antagónicos al desarrollo y creación de fuentes de trabajo, tal como se revela en la industria del salmón del sur de Chile, abordada aquí como un caso “testigo”. Esta estrategia política adquiere pleno sentido en países como Chile, donde hoy se observa un doble y creciente proceso de “precarización de la naturaleza” y “naturalización de la precariedad laboral”. (shrink)

Resumen: El presente documento tiene por objeto indagar en las publicaciones académicas de dos saberes: la filosofía y la literatura. A partir de allí, se identificó la influencia de las ideas del filósofo Slavoj Žižek en esos documentos -artículos y libros-. Esta revisión se centró en dos países de la región latinoamericana tal como lo son Chile y Perú. Se revisaron las producciones académicas que hacen menciones a las hipotesis del esloveno trazando un recorrido histórico que permite identificar cual es (...) el año en que las ideas comenzaron a ingresar a estos países y el contexto teórico-escritural en que se incluyeron, destacando en Chile el de las ciencias sociales y en Perú el del análisis literario. Debido a la falta de investigaciones de este tipo, este artículo pretende actuar como material inaugurador de futuras investigaciones enfocadas en el estudio del impacto de las ideas del filósofo oriundo de Eslovenia en las producciones locales. Palabras Clave : Filosofía; Literatura; Chile; Perú; Latinoamérica; Slavoj Žižek: The present document aims to investigate the academic publications of two knowledge: philosophy and literature. From there, the influence of the ideas of the philosopher Slavoj Žižek on those documents - articles and books - was identified. This review focused on two countries in the Latin American region such as Chile and Peru. The academic productions that mention the Slovenian's hypothesis were reviewed, tracing a historical route that allows identifying which is the year in which the ideas began to enter these countries and the theoretical-scriptural context in which they were included, highlighting in Chile the social sciences and in Peru the literary analysis. Due to the lack of research of this type, this article intends to act as inaugural material for future research focused on the study of the impact of the ideas of the philosopher from Slovenia on local productions. Keywords: Philosophy; Literature; Chile; Peru; Latin America; Slavoj Žižek. (shrink)

A proposta deste artigo é refletir sobre a perspectiva nietzschiana do conhecimento, cujosconceitos principais, como “sujeito”, “objeto”, “coisa”, “matéria”, “átomo”, etc. são apenas construtosantropomórficos para agir no mundo. Essas noções não podem ser consideradas como“conhecimento absoluto”, “objetivo” ou “incondicionado”, são apenas ferramentas vitais,empregadas por um animal inteligente, para sobreviver às contingências da existência. Peranteessas noções há duas perspectivas possíveis: há homens que aceitam o caráter ficcional doconhecimento, entendendo-o como uma “mentira artista” e outros seres humanos que acreditampiamente nas suas ficções, (...) tentando impô-las de qualquer forma, como se fossem uma “mentirasagrada”. (shrink)

A seleção genética de embriões humanos algumas vezes é criticada porque se considera que de alguma maneira ela possa prejudicar os portadores de deficiências que já existem. O artigo defende que essa crítica é injustificada. A primeira seção apresenta as questões morais colocadas pelos portadores de deficiências. Em seguida, são apresentados os três argumentos contra a seleção de embriões baseados nos direitos dos portadores de deficiências – o Argumento do Apoio Social, o Argumento da Diversidade e o Argumento da Ofensa. (...) Dentre eles, o terceiro foi considerado o mais consiste e, por isso, a terceira seção é dedicada a sua análise, cuja conclusão é de que a seleção de embriões é consistente com o respeito aos direitos dos portadores de deficiências. (shrink)