The Middle Ages span a period of well over a millennium: from the emperor Constantine's Christian conversion in 312 to the early sixteenth century. David Luscombe's clear and accessible history of medieval thought steers a clear path through this long period, beginning with the three greatest influences on medieval philosophy: Augustine, Boethius, and Pseudo-Denis, and focusing on Abelard, Anselm, Aquinas, Ockham, Duns Scotus, and Eckhart among others in the twelfth to fifteenth centuries.

Represented as the face of Venice, the houses of the Grand Canal were used during the Renaissance to support the portrayal of the Venetian Republic's unique structure of governance. Paolo Paruta's dialogue, Della perfettione della vita politica, a work of political theory on the Venetian Republic, is one such text used here to examine how in a changing context of modernization, architecture has been presented as a representation of state. Paruta's use of architecture as a representation of state was conceptually (...) different from those earlier writers such as Gasparo Contarini who presented the uniqueness of Venice's social qualities through its orderly governance and law. Fundamental to Paruta's incorporation of architecture to the conceptualization of Venice was Daniele Barbaro's interpretation of Vitruvius’ representation of the body-of-state, being reflected in the architectural makeup of the city. However, Vitruvius’ text, De architectura, described the monarch's body reflected in the architecture and urban strategies of the late Roman Republic. Paruta's use of the text and of Daniele Barbaro aimed to transfer these values to the Venetian Republic and its social formations. Subtly forging links between the radicalism of Doge Andrea Gritti's renovatio programmes and the power struggles of the young patricians, Paruta's aim for architecture was to support the preservation of Venetian values as distinct from those of Rome. Indications are that Paruta's message was understood. To examine the comprehensibility of Paruta's political propositions, his terms and arguments are analysed in the context of three different architectural composition types used in Venetian houses of the mid-sixteenth century. (shrink)

Otto of Freising was one of the most philosophical historians of the Middle Ages who reflected on the position of historical knowledge among the arts. His History of the Two Cities adjusts earlier models of universal history to show, in the light of his interpretation of Daniel’s prophecy in the Old Testament, how far the Roman Empire had declined, a tragedy that nonetheless carried within it signs of progress and divine interventions. His Deeds of Frederick Barbarossa further illustrate Otto’s belief (...) that history teaches philosophical lessons. (shrink)

These essays provide original reflections and new evidence for the lives and work of an outstanding medieval couple, Peter Abelard and Heloise. The main themes of David Luscombe's studies are the careers and the thought of Peter Abelard, his philosophy, theology and monastic teaching, his relationship in marriage and in religious life with Heloise and their correspondence. The essays, now brought together in a single volume, show how much is still to be learned from the presentation of new evidence and (...) the opening of new enquiries about the lives and calamities of Peter Abelard and Heloise. (shrink)