One challenge faced by aesthetics is the development of an account able to trace out the continuities and discontinuities between general experience and aesthetic experiences. Regarding this issue, in this paper, I present an enactive model of some raw cognitive dynamics that might drive the progressive emergence of aesthetic experiences from the stream of general experience. The framework is based on specific aspects of John Dewey’s pragmatist philosophy and embodied aesthetic theories, while also taking into account research in ecological psychology, (...) cognitive sciences, and dynamic systems theory. The model focuses on dynamically relevant nodes at the pre-reflective and the reflective side of experience that would work as nested rhythmic constraints at different cognitive timescales with the potential to shunt experiences toward the aesthetic in everyday situations. My proposal constitutes a way to explore aesthetic experiences from an enactive perspective that regards them as transformative events in which cognitive processes entrain and are entrained by changes taking place in the environment, the brain, and the body. (shrink)

In this paper we investigate some important trends in contemporary naturalist aesthetics in relation to two decisive issues. Firstly, it is important to explicitly clarify what kind of naturalism is at stake within the debate, more specifically whether an account of the topic involves forms of physical reductionism, emergentism, and/or continuistic views of art and culture with nature. Secondly, we argue that it is necessary to define what conception of art is assumed as paradigmatic: whether this conception deals with basically (...) autonomist approaches to art, assuming aesthetic experience to coincide with the disinterested contemplation of formal features, independently of cognitive, practical, and ethical implications, or whether the arts are considered an enhancement of the features of human expe- rience and developments of other human behaviours. The second part of the paper will investigate some recent developments in current neuroaesthetics and fresh enactivist proposals in the aesthetic field which display a tendency toward a non-reductive naturalism, views of the arts as continuous with other modes of behav- iour and more conscious attitudes about the risks of scientism within scientific in- vestigations. Generally speaking, we espouse an idea of culture as the natural development of human organic experience that involves new emerging properties depending on the re-organization of already existing natural resources and favour continuistic and emergentist views as more suited to dealing with specific prob- lems in the field of the arts and as better responding to the criticism of irrelevancy directed against the latter, compared to reductive naturalist approaches. (shrink)

The influence of pragmatism in 4E approaches to cognition is still undervalued. Only certain contemporary researchers from these fields venture beyond William James’s insights and pay attention to philosophers such as John Dewey, George Herbert Mead, or Charles Peirce. Although several from the embodied, embedded, extended, and enacted ranks acknowledge that these frameworks have roots in phenomenology and pragmatism, only a few actually go deep into Mead’s or Peirce’s texts looking for conti...

This paper explores various notions of aesthetic affordance recently developed through embodied, situated and enactive approaches to aesthetic experience by Maria Brincker and Shaun Gallagher, and the similarities and differences between them and the idea of affective affordance put forward by Joel Krueger and Giovanna Colombetti. This discussion is a way to try to offer some answers to the question of what aesthetic affordances particularly afford compared to affective affordances. I will focus on the affordances that we perceive during various (...) aesthetic experiences in which we find ourselves more moved by the object, event or person(s) causing the experience than we had anticipated. I will argue that these experiences emerge as opportunities to carry out an active exploration of aspects of the narrative self that we feel is related to features of the experience; and that one particular brain network likely to be involved in these experiences – i.e. the default network – might help us to understand how these experiences meaningfully change our relationship with ourselves and with the social context of which we are a part. (shrink)

The aim of this paper is to present a process-based ontology of art following John Dewey’s concepts of experience and rhythm. I will adopt a pragmatist and embodied point of view within an adverbialist framework. I will defend the idea of an artistic way of experiencing – a subtype of aesthetic experience – as something which allows us to assign the ontological category of art to an object or event. The adverbial features of this artistic way of experiencing will be (...) characterized as being rhythmic in nature. This goal will be achieved in three steps. First, I will explain and elaborate on the concept of adverbialism. Second, the importance of rhythm in experience will be taken into account through a close reading of Dewey’s philosophy and by incorporating the nuances of the Pre-Socratic idea of rhuthmos, as well as some recent findings about brain and bodily oscillations from cognitive science. Third, to conclude I will propose four necessary but not sufficient features of the rhythmic engagement enacted while an artistic way of experiencing takes place: a necessary degree of object or event awareness, a positive feedback dynamic, a loosening of the sense of agency, and being attentionally demanding. (shrink)

La seducción que irradia el retrato adquiere nuevas significaciones con la llegada de la fotografía. El retrato fotográfico durante el siglo XIX, como imagen de exactitud radical, concretó diversos fenómenos entre el público, entre los cuales se encuentra la negación de la propia imagen. La experiencia de Gérard de Nerval respecto a sus dos retratos muestra su concepción de la fotografía en la última etapa de su vida, así mismo desvela problemas de orden estético en cuanto a la recepción de (...) una nueva forma de representación del cuerpo y la propia imagen. (shrink)

¿Cuál es la distancia mínima entre autor y obra? ¿Pueden unos números sucesivos trazados en un lienzo convertirse en el testimonio de una existencia? Estas y otras muchas preguntas emergen cuando se analizan las obras del pintor polaco Roman Opalka. Su proyecto OPALKA 1965/1-∞ constituye un hito en el arte contemporáneo por su intención de explorar la representabilidad de la duración del tiempo y del ser en su carácter existencial en relación a la muerte. La extrema longitud del proyecto, desarrollado (...) durante más de cuatro décadas, así como su aparente precariedad formal encierran un mensaje pleno de potencia que cuestiona la relación que tenemos con nuestra propia vida. (shrink)

Many pragmatist and non-representational approaches to cognition, such as the enactivist, have focused on the relations between actions, affectivity, and habits from an intersubjective perspective. For those adopting such approaches, all these aspects are inextricably connected; however, many questions remain open regarding the dynamics by which they unfold and shape each other over time. This paper addresses a specific topic that has not received much attention: the impact on future behavior of not fulfilling possibilities for social interaction even though their (...) fulfillment is desirable within a given context. Inspired by Gibson’s theory of affordances and Dewey’s account of habits, these situations will be characterized as events where an agent does not act upon an inviting affordance for social interaction due to a conflict which he or she experiences between given concerns, needs, and social norms. This conflict leads to a sense of unfulfillment that may eventually bring about a crisis and revision of habits. Through specific examples, this work presents the potential impact of the connection between affordances, habits, and affectivity on everyday situations. It therefore represents an exploration of the common ground between pragmatism and enactivism and an attempt to contribute to a process-based approach to social interaction. (shrink)

The aim of this paper is to advance, within the framework of enactivism, towards a more radically embodied and situated theory of emotions and, in general, of affectivity. Its starting point is that of discussing the well-established notion of bodily resonance (Fuchs 2013, Fuchs & Koch 2014, Fuchs 2018) and the primordial affectivity approach (Colombetti 2014). I will incorporate John Dewey’s theory of emotions, and recent models and empirical finding from cognitive science on the relation between perception and bodily activity (...) (Azzalini, Rebollo & Tallon-Baudry 2019; Allen et al. 2019). The novel element proposed in this paper is taking into consideration the role of bodily oscillatory activity in the perceptual side of cognition through phenomena of relative coordination. This concept from dynamical systems theory allows for an enactivist view of emotions as temporal episodes triggered by a tension that affects the rhythmic interaction between brain, body, and environment. By defending the importance of this enacted rhythm, the body emerges as a truly active agent, gating and modulating affectivity during all the stages of the sensorimotor circuit from perception to action. (shrink)

El artículo resume la historia medieval de la Villa de Portillo, lugar de nacimiento de Río Hortega, desde el año 939 -victoria de Ramiro II sobre Abderramán III- hasta el reinado de los Reyes Católicos.

This article integrates John Dewey’s _Art as Experience_, Mikel Dufrenne’s _Phenomenology of Aesthetic Experience_, and phenomenological interviews with museum visitors to answer what it means to be ‘moved by art’. The interviews point to intense affective and existential experiences, in which encounters with art can be genuinely transformative. We focus on Dufrenne’s notion of ‘adherent reflection’ and Dewey’s notions of ‘doing and undergoing’ to understand the intentional structure and dynamics of such experiences, concluding that being moved contains two merged forms (...) of intentionality: one overt aspect of perceptual intentionality directed at the work, and a covert affective intentionality directed back at oneself in one’s situated existence. These are operational simultaneously but can work in loops, one leading to an intensification of the other and vice versa. As such, these analyses emphasize the value of phenomenological interviews and advance the integration of phenomenological and pragmatist thinking in the context of aesthetic experience. (shrink)

Hay libros que nacidos de una expresa voluntad docente, por fortuna logran pronto trascender ese uso para convenirse en fuente de conocimiento más allá de los métodos que impone con excesiva rigidez a veces el quehacer académico ordinario. Y los hay, también, que a pesar de su orientación divulgativa y general, merecen luego usarse en la transmisión de un magisterio. El reciente estudio de J. Vara Martín publicado en Tecnos, pertenece por igual a ambos modelos: sin duda útil y (...) eficaz para la educación de quienes se forman directamente en la praxis jurídica; pero sumamente interesante para quienes, con otras ocupaciones, desearan adentrarse en los fundamentos más sólidos de la tradición jurídica occidental, griega, latina, cristiana y también moderna. (shrink)

Enactivism was born as an epistemological theory of cognition grounded in biology, phenomenology and cognitive science. Assuredly, back in 1991 when the theory was first put forth, a possible application of enactivism to aesthetics would have sounded a bit strange to its creators Francisco Varela, Eleanor Rosch and Evan Thompson, and perhaps far from their original intentions. But today, when various forms of naturalism are taking place in contemporary aesthetics, it is clear, for updated rea...

El presente trabajo investiga las tesis sobre el poder civil de Alonso de la Veracruz que buscan incorporar en la comunidad política española a los habitantes autóctonos del Nuevo Mundo, tesis que suelen relacionarse con F. de Vitoria y el tomismo español, y que últimamente son consideradas parte del republicanismo novohispano elaborado desde la periferia americana. Se busca demostrar que su propósito era aplicar una teoría de derechos naturales, sin que ello implique participación política de los indios americanos. Se analiza (...) la postura del fraile frente a la diversidad cultural y la guerra contra los indios. The paper explores Alonso de la Veracruz's theses on civil power, which sought to integrate the native inhabitants of the New World into the Spanish political community. These theses, which have usually been associated with F. de Vitoria and Spanish Thomism, have recently come to be considered part of a Novohispanic republicanism developed in the American periphery. The article seeks to show that the purpose of such theses was to apply a theory of natural rights that did not entail the political participation of the indigenous population, as well as to analyze Veracruz's position regarding cultural diversity and the war against the indigenous peoples. (shrink)

The Internet of Things (IoT) is a fast-growing technology that connects everyday devices to the Internet, enabling wireless, low-consumption and low-cost communication and data exchange. IoT has revolutionized the way devices interact with each other and the internet. The more devices become connected, the greater the risk of security breaches. There is currently a need for new approaches to algorithms that can detect malware regardless of the size of the network and that can adapt to dynamic changes in the network. (...) Through the use of a multi-agent reinforcement learning algorithm, this paper proposes a novel algorithm for malware detection in IoT devices. The proposed algorithm is not strongly dependent on the size of the IoT network due to the that its training is adapted using time differences if the IoT network size is small or Monte Carlo otherwise. To validate the proposed algorithm in an environment as close to reality as possible, we proposed a scenario based on a real IoT network, where we tested different malware propagation models. Different simulations varying the number of agents and nodes in the IoT network have been developed. The result of these simulations proves the efficiency and adaptability of the proposed algorithm in detecting malware, regardless of the malware propagation model. (shrink)

This paper is concerned with formal aspects of the logic of theory change, and in particular with the process of shrinking or contracting a theory to eliminate a proposition. It continues work in the area by the authors and Peter Gärdenfors. The paper defines a notion of safe contraction of a set of propositions, shows that it satisfies the Gärdenfors postulates for contraction and thus can be represented as a partial meet contraction, and studies its properties both in general and (...) under various natural constraints. (shrink)

In 1929 and 1930 Wittgenstein holds some form of Phenomenology. This is a most surprising development of his thought. His Tractatus Logico-Philosophicus, published in 1921, represents a form of Philosophy radically opposed to Phenomenology. And yet, "Some Remarks on Logical Form," of 1929, and Philosophical Remarks, of 1930, each defends a form of Phenomenology, in the sense that in each one finds that Wittgenstein presents a version of the thesis that the phenomena of immediate experience are in some way central (...) to construal of meaningfulness. I study this period of Wittgenstein's Philosophy with the objective of clarifying his concern with the study of the phenomena. It will emerge that he holds not one, but rather two different forms of Phenomenology. "Some Remarks on Logical Form" gives voice to one conception of the phenomena and of their role in the determination of the rules which stipulate meaningfulness. Philosophical Remarks, on the other hand, contains a criticism of this view, as well as a different conception of the phenomena and of their role with respect to the rules of meaningfulness . It also emerges that the former kind of Phenomenology is very similar to the Phenomenology of Edmund Husserl, the founder of Phenomenology. I will examine Wittgenstein's Phenomenology of 1929, its similarity with the Phenomenology of Edmund Husserl, his rejection of this conception, and his Phenomenology of 1930. (shrink)

La obra de Leo Löwental, destacado representante de la Teoría crítica, se ha ocupado de la destrucción del individuo en el mundo contemporáneo. La «herencia de Calibán» que aquí traducimos es un ejemplo de ese análisis.

El autor describe y comenta la obra literaria de Abraham Maimónides que ilustra con la traducción de dos escritos de Abraham, uno donde el hijo de Maimónides describe sus afanes literarios y otro donde defiende a su padre contra los ataques de los tradicionalistas. Importante es también el testimonio del historiógrafo Yosef Sambari sobre el hijo de Maimónides. En conjunto la obra de Abraham tiene una tendencia racionalista, heredada de su padre, pero con un sesgo de pietismo, que heredó de (...) la familia materna, y que se inspira en las corrientes sufistas islámicas. (shrink)