Accelerationism offers a theoretical stance towards capitalism that takes shape in various rhetorical guises. In general, these writings attempt to push through the boundaries imposed by capital while speeding off into unknown possible futures. While some articulations of this philosophy rely on traditional scholarly argumentation, others proceed along more obscure paths to envision a post-capitalist (and usually post-human) future. In this article, I focus on the latter approach by examining how some accelerationist works embrace occult poetics and subsequently align with (...) what Brad Baumgartner identifies as a communicative praxis of Weird Mysticism. In contrast to more pragmatic approaches, Weird Mysticism provides a worthwhile rhetorical perspective for contemplating accelerationist works that embrace a nihilistic inclination to imagine a world without us. (shrink)

Offering a pointed response to the perennial question of being, those sympathetic to the philosophical posture of antinatalism proclaim the suffering of the world does not ultimately justify bringing life into it, consequently advancing a moral stance towards procreation. As this particular topic of conversation is unlikely to curry favor with a majority of interlocutors, the antinatalist-as-rhetor faces a seemingly Sisyphean task in issuing a harsh alternative to the more pervasive narrative espousing birth as an occasion for celebration. Cautious to (...) dismiss antinatalism as simply a profane social discourse, I first consider its communicative import as type of tragic rhetoric which identifies birth as a phenomenological disaster that warrants more critical appraisal. Additionally, I examine the utility of embracing a performative writing style to explore this topic insofar as it adds rhetorical dimension to the attempt at communicating the horrors of existence. (shrink)

From Arthur Schopenhauer we can glean a characteristically moody perspective on the primordial condition of speaking and being spoken. Focusing on his dualistic view of the embodied subject as having to contend with the forces of both Will and presentation, in this article I argue that his philosophy construes communication as a sort of weird ventriloquism. Drawing on François Cooren’s proposed method of ‘ventriloqual analysis’, I re-examine Schopenhauer’s subject as a being that both animates and is animated by his strange (...) dark noumena. Bearing witness to this eerie metaphysical stagecraft, his concept of Will becomes synonymous with a will to communicate, which manifests itself through the voice of the speech actor and allows us to think about his ontology and ethics from a different rhetorical perspective. (shrink)

This article addresses the challenge philosophical realism poses to the field of rhetoric by exploring the possibility of symbolic communion with nonhuman entities. As a matter of framing, I invoke Timothy Morton’s concept of the hyperobject to better understand the complexities of communicating with and about sublime nonhuman objects such as black holes. I then delineate how the stylistic modality of the weird best exploits the chasm between autonomous thingness and human presentation that is a primary source of consternation for (...) rhetorical realism. Finally, I draw from Kathe Koja’s novel The Cipher to reconsider a bizarre rhetoric of black holes which displays the omnipresent tension of accessible-alterity characteristic of the struggle to rhetorically breach the nonhuman world. (shrink)