Imbert's philosophical writings return time and time again to the question of the image. What follows will explore in what terms she does so. The means I will adopt are a lateral exploration of a series of fragments, an assemblage of sorts, which follows the thread provided by a number of images themselves. Steering a path between logic, anthropology and an expanded aesthetics, I will take up the thread of an ongoing concern in Imbert's philosophical project with what she calls (...) the ‘metamorphoses of the visual’. Philosophically speaking, what is at stake, in these metamorphoses, is the kind of realism for which we opt. This question, as I will show, is also the key to Imbert's understanding of modernism. (shrink)

In a wide-ranging 2007 study of Claude Lévi-Strauss's aesthetic thought, Boris Wiseman demonstrates not only its centrality within his oeuvre but also the importance of Levi-Strauss for contemporary aesthetic enquiry. Reconstructing the internal logic of Lévi-Strauss's thinking on aesthetics, and showing how anthropological and aesthetic ideas intertwine at the most elemental levels in the elaboration of his system of thought, Wiseman demonstrates that Lévi-Strauss's aesthetic theory forms an integral part of his approach to Amerindian masks, body decoration and mythology. He (...) reveals the significance of Lévi-Strauss's anthropological analysis of an 'untamed' mode of thinking at work in totemism, classification and myth-making for his conception of art and aesthetic experience. In this way, structural anthropology is shown to lead to ethnoaesthetics. Lévi-Strauss, Anthropology and Aesthetics adopts a broad-ranging approach that combines the different perspectives of anthropology, philosophy, aesthetic theory and literary criticism into an unusual and imaginative whole. (shrink)