Arpad Szakolczai: Thank you very much, Philippe, for granting me this conversation. The 2018 publication, and now the 2021 English translation of the fourth volume of the History of Sexuality is an opportunity to rethink a bit this important question, which is the following: what was the dynamics of Foucault’s work in the last ten years of his life, before it was cut short? There are a number of reasons why this question is so interesting and important. On the (...) one hand, Foucault was always tapping into the heart of what matters in the present – and not just the concrete, temporary present, but with validity for the entire contemporary period – as a kind of foresight into what will be the central issues coming. Now, two of the central issues of our days, and which Foucault touched centrally in the mid-1970s, just after his prison book (Surveiller et punir, 1975; English edition Discipline and Punish, 1979), were the history of sexuality project, and at the same time the closely connected concern with biopolitics, or the politics of health. These are two of the absolutely central issues of our days, with the recent lockdown on the one hand, or what has been made out of a health emergency, which is a perfectly Foucaldian theme. On the other hand, the politics of sexuality is similarly central in our days. So, in the mid to late 1970s Foucault’s work seems to perfectly anticipate our central current concerns, except that he again changes, and it is this change that you – and Frédéric Gros – are trying to map in a series of publications, because in a series of steps he is taking Antiquity and Christianity more seriously than before, and so he turns to studying that, instead of contemporary biopolitics or governmentality. Or, as it is argued by a series of people, who should know this better, he abandoned his road to study the present, and got side-tracked into obscure historical interests. This is what we have to understand, and this has its own methodological importance, as we should not second-guess major thinkers – as Foucault’s turn to Antiquity can be compared to Max Weber’s, as he did the almost the same thing; or Eric Voegelin. This is rather a crucial issue: how is it that Foucault touches upon so central current issues, ‘the heart of the present’, but then as if realises that, before this could be successfully tackled, we should revisit what happened in this regard in Antiquity and in Christianity? So, what are the deep roots of our modern condition in ancient times – though also very much present, as Christianity is still very much alive? So, these are the questions I’d like to discuss in this and the following conversations. (shrink)

This book reconstructs and brings together the work of a number of social and political theorists in order to gain new insight on the emergence and character of modern Western society. It examines the intersection point of social theory and historical sociology in a new theoretical approach called "reflexive historical sociology". There is analysis of the works of Max Weber, Michel Foucault, Norbert Elias, Eric Voegelin and a number of others. The book is divided into three parts. Part 1 examines (...) the works of Eric Voegelin, Norbert Elias, Lewis Mumford and Franz Borkenau. Part 2 is concerned with the major conceptual tools such as experience, liminality, process, symbolisation, figuration, order, dramatisation and reflexivity, and themes such as the history of forms of thought, subjectivity, knowledge and closed space and regulated time. Finally, the book examines the most important insights of the thinkers discussed, concerning the historical processes that led to modernity. (shrink)

This article argues that the life-works of Norbert Elias and Franz Borkenau can best be understood together, as they were developed in close interaction during the 1930s. Deriving inspiration from Freud, they took up the project formulated by Weber at the end of his `Anticritical Last Word'. However, in two significant respects they went beyond the Weberian problematics. First, overcoming the centrality attributed to economic concerns, they rooted the Western civilizing process in the long-term attempt to harness the violence that (...) was escalated by the emergence and then collapse of the Roman Empire. Second, they emphasized the crucial importance of periods of transition that follow an overall dissolution of order and mark the possible future course of events. (shrink)

This paper attempts to reassess the standard sociological canon and sketch the outlines of a new approach by bringing together a series of thinkers whose works so far have remained disconnected. Introducing a distinction between classics and background figures who were crucial sources of inspiration, it shifts emphasis to the late, reflexive works of Durkheim and Weber. These are sources for two types of reflexive sociology: historical and anthropological. The main background figures of reflexive historical sociology are Marx, Kierkegaard, Nietzsche (...) and Freud, while its protagonists include Foucault, Elias, Voegelin, Borkenau, Mumford, Ariès and Koselleck. A short introduction will be given to the four main fields of interest within the approach: the reconstructive histories of subjectivity, of forms of thought, of forms of knowledge, and of closed space and regulated time. (shrink)

Traces the life of the influential Marxist philosopher, and discusses the formation of his political beliefs.

This book offers a comprehensive sociological study of the nature and dynamics of the modern world, through the use of a series of anthropological concepts, including the trickster, schismogenesis, imitation and liminality. Developing the view that with the theatre playing a central role, the modern world is conditioned as much by cultural processes as it is by economic, technological or scientific ones, the author contends the world is, to a considerable extent, theatrical - a phenomenon experienced as inauthenticity or a (...) loss of direction and meaning. As such the novel is revealed as a means for studying our theatricalised reality, not simply because novels can be understood to be likening the world to theatre, but because they effectively capture and present the reality of a world that has been thoroughly theatricalised - and they do so more effectively than the main instruments usually employed to analyse reality: philosophy and sociology. With analyses of some of the most important novelists and novels of modern culture, including Rilke, Hofmannsthal, Kafka, Mann, Blixen, Broch and Bulgakov, and focusing on fin-de-siecle Vienna as a crucial threshold chronotope of modernity, Permanent Liminality and Modernity demonstrates that all seek to investigate and unmask the theatricalisation of modern life, with its progressive loss of meaning and our deteriorating capacity to distinguish between what is meaningful and what is artificial. Drawing on the work of Nietzsche, Bakhtin and Girard to examine the ways in which novels explore the reduction of human existence to a state of permanent liminality, in the form of a sacrificial carnival, this book will appeal to scholars of social, anthropological and literary theory. ". (shrink)

The discussion on the nature of eros (love as sexual desire) in Plato’s Symposium offers us special insights concerning the potential role played by love in social and political life. While about eros, the dialogue also claims to offer a true image of Socrates, generating a complex puzzle. This article offers a solution to this puzzle by reconstructing and interpreting Plato’s theatrical presentation of his argument, making use of the structure of the plays of Aristophanes, a protagonist in the dialogue. (...) The new image of Socrates, it is argued, signals Plato’s move beyond the way he envisioned so far his master, best visible in his introducing Diotima, a prophetess who takes over the role of guide from Socrates; and by his presenting the truth about Socrates through Alcibiades, cast into the role of a boastful intruder, a central figure in Aristophanes’ comedies. Eros and Socrates are both ‘in-between’ or liminal figures, indicating that Socrates is still entrapped in the crisis of Athenian democracy. The way out, according to the new philosophy of Plato, lies in redirecting eros from the hunting of beautiful objects that are to be possessed, to elevating the soul to the essence of beauty as a primary means for further generating beauty, in particular through engendering and educating children, thus reasserting a harmonious coexistence with the order of the cosmos. (shrink)

Cet article entend examiner l’iconographie d’un bas-relief qui se trouve à Budapest et provient probablement de Naples. Il a été sculpté en lychnites de Paros vers la fin de l’époque hellénistique ou aux tout débuts de l’époque impériale. Il représente une scène unique : Éros se posant sur une roue en train de tourner. Cette scène n’est pas le cliché instantané d’un quelconque jeu d’équilibre, et il n’existe pas non plus de mythe auquel l’associer. Il faut donc l’interpréter de manière (...) métaphorique, pour lui-même. Cette image d’Éros peut évoquer différents types de champs sémantiques, dénués de véritables rapports les uns avec les autres, voire se contredisant. Si l’on passe en revue les multiples significations des motifs composant l’image dans la culture gréco-romaine à partir de sources iconographiques, archéologiques et textuelles, il existe cinq thématiques différentes qui peuvent être rapprochées de la scène du relief. De plus, cet Éros représenté dans une situation d’équilibre précaire est lié au Kairos, le « Moment opportun ». L’objet, œuvre unique d’un sculptor doctus anonyme, montre donc les traits essentiels du dieu. (shrink)

In this paper I examine one of the effects of László Ravasz’s (1882-1975) theological thinking, former professor of Practical Theology at Protestant Theological Institute, Kolzosvár-Cluj-Napoca, namely the development of his spiritual life and its impact on his theological scientific position. Due to the limitations of the scope of this paper, I could present the less well-known views of Ravasz’s work on the mission. John R. Mott’s lecture in Kolozsvár-Cluj-Napoca provides, among others, the certainty that in the modern theoretical approach of (...) the young Ravasz he approached the tasks of pastoral ministry, preaching, dissemination of the gospel, theological education in a modern and actual way. This notion was not perfect, but it helped to bring about a new impetus for the Hungarian Protestant worldview that was stuck in rationalism and liberalism, and for the value theology to constitute a positive transition to the dialectical theology. Ravasz was an authentic representative of this transition. (shrink)

This article argues that Nietzsche’s preoccupation with the figure of Dionysos can be best understood as a visionary insight concerning the distant roots of European culture in Minoan civilization. While the opportunity offered by the discovery of ancient Crete for continuing Nietzsche’s genealogical work into the sources of Greek culture was ignored by the vast archive of literature on Nietzsche, this project was pursued in a book by the mythologist Károly Kerényi, published posthumously. Using the classic work of Henrietta Groenewegen- (...) Frankfort, this article identifies the ‘spirit’ of Minoan Crete with its attempt to manifest the gracefulness of life. The sudden emergence of Minoan Palace civilization, its peaceful character shown by the absence of fortified walls, and the importance of epiphany scenes in various works of art all indicate the centrality of religion for ancient Crete. The article offers the hypothesis that the origins of this culture can be traced to similar transcendental experiences such as those in ancient Judaism. The basic difference is that in the Cretan case epiphanies were connected to female figures, leading not to a prophetic tradition of divine grace through the revealed word and public law, rather the transmission of a secret tradition and the manifestation of its truth through spectacular public rituals and graceful works of art. While direct awareness of Minoan civilization was lost, its central concern survived in the value attributed to the manifestation of radiant, indestructible truth, a central characteristic of European identity, periodically revitalized in a series of renascences. (shrink)

Max Weber and Michael Foucault are among the most controversial and fascinating thinkers of our century. This book is the first to jointly analyse them in detail, and to make effective links between their lives and work; it coincides with a substantial resurgence of interest in their writings. The author's exciting interpretative approach reveals a new dimension in reading the work of Foucault and Weber; it will be invaluable to students and those researching in sociology and philosophy.

In an aticle written in 1917 for the Hungarian journal Nyugat (Occident), Freud speaks of three deep humiliations that scientific investigation had to inflict on the selflove of humanity. The first is cosmological, which is associated with the work of Copernicus, who proved that the habitat of man, the earth, is not at the center of the universe. The second is biological, and it is indebted to the work of Darwin, who destroyed man's belief in his divine descent, thus making (...) it impossible for him to break his bonds of solidarity with the animal world. The third is psychological. (shrink)

This article argues that the dominant role played by intellectuals in East Central Europe was motivated by a deeply felt Enlightenment missionary belief. This establishes affinities between them and the ancient Sophists, and the ambivalence of such a position is illustrated through the case of Georg Lukács. As examples of philosophers in the classical sense of the term, the article provides four short portraits: the Czech Jan Patoc ka, who argued that Europe as a culture is rooted in the care (...) of the soul; the Hungarian one-time friends Károly Kerényi and Béla Hamvas, and the Polish bishop-philosopher Karol Wojtyla, who became Pope John Paul II. The central thrust of the argument is that while Western thought is increasingly trapped in an ever more desperately radicalized critique of metaphysics, in East Central Europe – ironically, to a large extent in the footsteps of Nietzsche – the most important intellectual figures have sparked a return to metaphysics. (shrink)

This paper argues that the phenomenon of globalisation can be best understood as the secularisation and widespread extension of a particular type of life?conduct that originated in Western monasticism. This concerns not substantive content but modality and form, like the self?sustaining methodical regularisation of the everyday conduct of life in closed and partitioned space aiming at rationalisation and perfection. This type of inner?worldly asceticism was a successful response to the challenge of chaotic ?liminal periods of transition, following a wholesale dissolution (...) of order. However, the solution represents a generalisation of liminality into a permanent condition, explaining both the innovativeness and creativity of modern societies, but also their characteristic tempo of hectic change that disrupts stable human relationships and the coexistence with animals and plants, losing balance and measure. (shrink)

Gerade heute, wo sich die Aufmerksamkeit der führenden Philosophen, Logiker und Mathematiker erneut auf die Grundlagen der systematisch-deduktiven Mathematik richtet, ist dieses Buch von zeitnaher und tiefer Bedeutung.

This article argues that the modern world is not only produced by, and is promoting, processes of rationalization and disenchantment, but is also the site of `enchanting' influences that are genuinely `charming' or `magical'. Such modes of influencing rely increasingly on the power of images, and on theatre-like performances of words or discourses. The impact takes place under conditions that, following Victor Turner's work, could be called `liminal', and which can be turned through `imagemagic' into a state of `permanent liminality'. (...) A path-breaking analysis of such influences can be found in Shakespeare's A Midsummer Night's Dream, written at a highly liminal moment in European history, the end of the Renaissance and the unfolding of the Reformation. It is argued that the central problem of the play is the source of the power that motivates, from the inside, human beings. Shakespeare attributes this power to images through which human beings can be incited to act, in particular to fall in love, and assigns a decisive role in the manipulation of such images to the Trickster figure of folk-tales and myths. Such image-magic makes its victims believe that they gained enlightenment, maturing to reason, exactly when succumbing to its influence; while its lasting impact is the confusion of the senses, or the power to distinguish and discriminate. (shrink)

The discussion on the nature of eros (love as sexual desire) in Plato’s Symposium offers us special insights concerning the potential role played by love in social and political life. While about eros, the dialogue also claims to offer a true image of Socrates, generating a complex puzzle. This article offers a solution to this puzzle by reconstructing and interpreting Plato’s theatrical presentation of his argument, making use of the structure of the plays of Aristophanes, a protagonist in the dialogue. (...) The new image of Socrates, it is argued, signals Plato’s move beyond the way he envisioned so far his master, best visible in his introducing Diotima, a prophetess who takes over the role of guide from Socrates; and by his presenting the truth about Socrates through Alcibiades, cast into the role of a boastful intruder, a central figure in Aristophanes’ comedies. Eros and Socrates are both ‘in-between’ or liminal figures, indicating that Socrates is still entrapped in the crisis of Athenian democracy. The way out, according to the new philosophy of Plato, lies in redirecting eros from the hunting of beautiful objects that are to be possessed, to elevating the soul to the essence of beauty as a primary means for further generating beauty, in particular through engendering and educating children, thus reasserting a harmonious coexistence with the order of the cosmos. (shrink)

The study of eros as passionate devotion leads back to the classical foundations of social and political analysis, in particular Plato’s philosophical anthropology, focusing on imitation and not rationality as the moving force of social life.