148 JM GUYAU I51 SMILE BOUTROUX 153 GABRIEL SEAILLES * . . . . l6l JEAN JAURES . ..... 163 ANDRE LALANDE 164 CHARLES DUN AN l6S HENRI BERGSON 1 69 THE ...

If we return to the experiences of our youth, we perceive what had the power to awaken our curiosity and ambitions*. The non-conformism of the Surrealists was fostered by Romantic sources and every conceivable symbolism; even if in a roundabout manner, it was through them that the names of Klee and Kandinsky were first heard. The world of the marvellous, the only one decreed worthy of attention, opened out onto painting. The moderns of the group: Dali, Tanguy, Masson, received first (...) prize for poetic adventure, but they harked back to certain selected precursors—rightly or wrongly—for the same gifts that they had themselves: Uccello, Bosch, Dürer, Blake, and Gustave Moreau. And indeed, by retaining only the unexpected, the fantastic, and (often indulgently) the scandalous, a taste was maintained for emotional shock and association, as exemplified by the sustained style of André Breton, and the more supple prose of Aragon. (shrink)

Plutôt qu’un quatrième pouvoir, les médias constituent un contre-pouvoir à l’ensemble des acteurs sociaux, État inclus. Les relations entre eux sont donc naturellement tendues. Cela n’empêche pas l’État de confier des missions de quasi-« service public » à des instances privées dont il détermine les rôles sans in­ter­venir pour autant dans leur mise en œuvre. En Belgique francophone, c’est le cas du Conseil de déontologie journalistique, initiative d’autorégulation des médias, dont les activités s’articulent à celles du législatif, de l’exécutif et (...) du judi­ciaire. Cette complémentarité constitue non seulement la concrétisation d’un prin­cipe de philosophie politique, la subsidiarité, mais elle est aussi une garantie du respect de l’indépendance de ce contre-pouvoir. (shrink)

Hegel's often-echoed verdict on the apolitical character of philosophy in the Hellenistic age is challenged in this collection of essays, originally presented at the sixth meeting of the Symposium Hellenisticum. An international team of leading scholars reveals a vigorous intellectual scene of great diversity: analyses of political leadership and the Roman constitution in Aristotelian terms; Cynic repudiation of the polis - but accommodation with its rulers; Stoic and Epicurean theories of justice as the foundation of society; Cicero's moral critique of (...) the traditional political pursuit of glory. The volume as a whole offers a comprehensive guide to the main currents of social and political philosophy in a period of increasing interest to classicists, philosophers and cultural and intellectual historians. (shrink)

Le rôle de David Hume dans la philosophie moderne, par A. L. Leroy.--The enlightenment of David Hume, by E. C. Mossner.--Hume and Jurieu: possible Calvinist origins of Hume's theory of belief, by R. H. Popkin.--Hume: philosopher or psychologist? A problem of exegesis, by T. E. Jessop.--L'astrazione nella filosofia di Hume, di M. Dal Pra.--Infinite divisibility in Hume's "Treatise," by A. Flew.--Note a "La rgola del gusto," di E. Migliorini.--Kant, Hamann-Jacobi and Schelling on Hume, by P. Merlan.--Bibliografia humiana dal 1937 al (...) 1966, di E. Ronchetti. (shrink)

本书描述了自中世纪以来,绘画和雕塑所经历的一系列变化;同时说明了现代考古学、现代摄影术和世界文化的传播。在我们艺术知识的丰富过程中所起的作用。作者通过对艺术的深层阐释,把一些观众看来“无法理解”的艺术 品变成一幅幅清晰的图像,使我们对艺术的理解成为可能。.