Individuals often describe objects in their world in terms of perceptual dimensions that span a variety of modalities; the visual (e.g., brightness: dark–bright), the auditory (e.g., loudness: quiet–loud), the gustatory (e.g., taste: sour–sweet), the tactile (e.g., hardness: soft vs. hard) and the kinaesthetic (e.g., speed: slow–fast). We ask whether individuals use perceptual dimensions to differentiate emotions from one another. Participants in two studies (one where respondents reported on abstract emotion concepts and a second where they reported on specific emotion episodes) (...) rated the extent to which features anchoring 29 perceptual dimensions (e.g., temperature, texture and taste) are associated with 8 emotions (anger, fear, sadness, guilt, contentment, gratitude, pride and excitement). Results revealed that in both studies perceptual dimensions differentiate positive from negative emotions and high arousal from low arousal emotions. They also differentiate among emotions that are similar in arousal and valence (e.g., high arousal negative emotions such as anger and fear). Specific features that anchor particular perceptual dimensions (e.g., hot vs. cold) are also differentially associated with emotions. (shrink)

An investigation of the eidetic and transcendental phenomenological reductions as productive (and not merely descriptive) activities, Hence as a praxis generative of meaning. The eidetic reduction is a metaphoric system, Describing the movement from topos to tropes: the primal ontological structure is found to be that of distortion, Of a "coherent deformation," a breaking of forms, Which maintains the phenomenological horizon's openness. This founds a theory of decentered being, Ex-Centric subjectivity, And an anti-Ideologic critique.

In this original work of cultural criticism, Allen S. Weiss explores the meaning of radio to the modern imagination.

A thorough history of the involvement of Australia's Northern Territory in World War II. Includes photos, extensive notes and bibliography.

Possession Trance and Dramatic Perversity Dionysus arrives as a stranger, enigmatic, disquieting, contagious, spreading an epidemic of mania leading to ...