This article examines the disconnect between, on the one hand, the insistence on the part of multiple characters in Thucydides’ first book on the need for the Peloponnesians to invest in naval power to defeat Athens, and, on the other, the failure to act on this in the narrative of books 2–7. It then analyses the numismatic evidence for the way in which Sparta does then act upon this advice in the course of the Ionian War, and suggests that Thucydides’ (...) view that this was done primarily with Persian support may be missing a (brief) Spartan attempt to create a fiscally self-supporting empire. (shrink)

The Periegesis of Pausanias has finally entered the world of serious literature. Long after the way was first shown, the Magnesian has arrived and duly taken his place in the intellectual world of the second century: a pilgrim to the past. Yet he was no bookish, library-bound bore. Recent studies have transformed our opinion of him as a recorder of the sites and treasures of what was, even to him, antiquity, ‘His faithfulness in reporting what he saw has, time and (...) time again, been proven at a large number of sites and could easily be demonstrated at a good many others.’ ‘The very fact that the second-century A.D. traveller Pausanias wrote at such length about the sites and monuments of Greece is itself indicative of his most important attitude towards antiquities. That is, he thought them of sufficient value to be worth recording and thought it worth travelling extensively in mainland Greece over a period of many years to see them for himself.’ And so inevitably, as respect for the author has grown, the desire to lay bare his soul has followed. Critics are unanimous in their view of a man sensitive to the resonance of the ancient and power of the past. On occasion a Herodotean fascination with the mutability of man's lot bubbles to the surface, indeed we may surmise Herodotus to have been an important influence on the Periegesis in several fundamental respects. Above all he was a man of deep learning and keen interest in the past and a faithful recorder of its remains. Archaeologists and art-historians concur. (shrink)