Re-examining the stakes of critique in the twenty-first century, this book contends with the complex socio-political realities of a globalized world and the changing role that critique and the academy have to play.

In this paper I carry out two tasks. First, I account for one of the distinctive uses of thought experiments in philosophy, namely, the fact that just a thought experiment is sufficient to confute a well-established theory. Secondly, I present three arguments to defend the claim that, at least in philosophy, we should remove thought experiments from our metaphilosophical toolkit. The central premise that motivates these arguments is the following: the very methodology of thought experiments permits to construct different scenarios (...) in which philosophical theories are refuted ad infinitum. (shrink)

An exploration of Immanuel Kant's account of war and the controversies that have arisen from its interpretation. This book brings the ideas of Kant's critical philosophy to bear on one of the leading political and legal questions of our age: under what circumstances, if any, is recourse to war legally and morally justifiable?

The article re-examines the Aristotelian backdrop of Arendt’s notion of action. On the one hand, Backman takes up Arendt’s critique of the hierarchy of human activities in Aristotle, according to which Aristotle subordinates action (praxis) to production (poiesis) and contemplation (theoria). Backman argues that this is not the case since Aristotle conceives theoria as the most perfect form of praxis. On the other hand, Backman stresses that Arendt’s notion of action is in fact very different from Aristotle’s praxis, to (...) the extent that Arendt thinks of action as an external to the means-ends scheme, whereas Aristotle ultimately remains caught in this scheme proper to poiesis in thinking of praxis as its own end. According to Backman, Arendt’s concept of action can therefore be understood as a critique, rather than as a rehabilitation, of Aristotelian praxis. (shrink)

The essay explores the philosophical concept of disaster within the Kantian ethical and religious thought. Kant’s notion of a «perverse end of all things» can in fact be seen as a focal point in the entire ethical and moral philosopher reflection, through the link placed in several of his writings between «morality» and «terror». The philosophical meaning of this relationship emerges in all its importance in the analysis of the feeling of the sublime, here analyzed in some Kant’s works, from (...) the pre-critical Observations on the Feeling of Beautiful and Sublime, to his Critique of Judgment, Critique of Practical Reason and The End of All Things, in order to show how this reflection is undergoing a marked revaluation both in the contemporary philosophical debate and in performing arts. (shrink)

While post- and decolonial theorists have thoroughly debunked the idea of historical progress as a Eurocentric, imperialist, and neocolonialist fallacy, many of the most prominent contemporary thinkers associated with the Frankfurt School--Jürgen Habermas, Axel Honneth, and Rainer Forst--have persistently defended ideas of progress, development, and modernity and have even made such ideas central to their normative claims. Can the Frankfurt School's goal of radical social change survive this critique? And what would a decolonized critical theory look like? Amy Allen (...) fractures critical theory from within by dispensing with its progressive reading of history while retaining its notion of progress as a political imperative, so eloquently defended by Adorno. Critical theory, according to Allen, is the best resouce we have for achieving emancipatory social goals. In reimagining a decolonized critical theory after the end of progress, she rescues it from oblivion and gives it a future. (shrink)

Most historical accounts of "the West" take it for granted that the guiding principles of the Western tradition—reason, progress, and freedom—have been passed down directly from ancient Greece to modern Europe, evolving in isolation from all non-Western cultures. Today, many political analysts and cultural critics maintain that the Western tradition is fast approaching its end, for better or worse, as it becomes more and more integrated with non-Western cultures in an increasingly globalized world. But what if we are witnessing something (...) else entirely—not the "end" of the West but rather another historical mutation of the idea of the West itself? This groundbreaking work shows that whether the West is hailed as the source of all historical progress or scorned as the root of all cultural imperialism, it remains a deeply problematic concept that is intrinsically connected to an ethnocentric view of the world. In a critical reading of the continental philosophers Husserl, Heidegger, Levinas, and Derrida as well as the postcolonial thinkers Said, Mohanty, Bhabha, and Trinh, Sean Meighoo strikes at the intellectual foundations of Western exceptionalism until its ideological supports show through. Deconstructing the concept of the West in his provocative interpretations of Martin Bernal's controversial publication Black Athena and the Beatles' second film Help!, Meighoo poses a formidable question to philosophers, writers, political analysts, and cultural critics alike: Can we mount an effective critique of Western ethnocentrism without reinforcing the very idea of the West? (shrink)

Immanent critique has been a defining feature of the programme of critical social theory. It is a methodology that underpins theoretical diagnoses of contemporary society, based on its linking normative and empirical modes of analysis. Immanent critique distinctively seeks to discern emancipatory or democratizing tendencies. However, the viability of immanent critique is currently in question. Habermas argued that it was necessary to revise the normative foundations of critical social theory, late-capitalist developments tended to undermine immanent critique. (...) Although there is a need for critical social theory to incorporate aspects of alternative interpretations of the contemporary period, the logics of influential theoretical perspectives on the present, especially postmodernism, the risk society and globalization, will be shown to be inconsistent with some of immanent critique's presuppositions. The synthetic aspirations of critical social theory nevertheless persist in recent attempts to reconcile positive liberty and social justice. (shrink)

The aim of Dimitris Vardoulakis’s paper, ‘Toward a Critique of the Ineffectual: Heidegger’s Reading of Aristotle and the Construction of an Action without Ends’, is to provide the foundation for a critique of aimless action by tracing its genesis to Heidegger’s putative misinterpretation of Aristotelian phronēsis (practical wisdom) in the 1920s. Inasmuch as ‘the ineffectual’—the name Vardoulakis gives to action devoid of ends—plays a crucial role in post-Heideggerian continental philosophy, he thereby seeks to diagnose and to provide an (...) aetiology of an illness afflicting contemporary thought. In my response, I will first argue that, while Vardoulakis is right to identify an emphasis on the ineffectual in Heidegger, he is mistaken about its origin. Heidegger does not strip phronēsis of instrumentality, nor does he mistranslate Nichomachean Ethics 1139a31–32. Second, I trace an alternative source for the ineffectual, which is not simply a negative alternative to technological machination but stems from a positive experience of what Meister Eckhart, and Heidegger in his wake, called life without why. Finally, I look at a couple of texts, including one discussed by Vardoulakis, in which even the later Heidegger is not entirely dismissive of calculative instrumentality but instead assigns the latter to a secondary, restricted site of competence. (shrink)

Since the advent of democracy in South Africa, there has been a concerted effort at reviving the notion of ubuntu. Variously conceived, it is seen as the authentic African ethical concept, a way of life, an authentic mode of being African, an individual ideal, the appropriate public spirit, a definition of life itself and the preferred manner of conducting public and private business. Thus, among other public displays of the spirit of ubuntu, the government of the day has deliberately chosen (...) its service delivery mantra and its public slogan as Batho Pele to animate, or perhaps pay obeisance to, ubuntu. In this paper we seek to advance arguments that question such a public, widespread, and concerted ‘ubuntu-isation’ of the intellectual, business, public and private lives. Our project follows two main lines of reasoning. We seek to show that the aggressive promotion of ubuntu in post-apartheid South Africa is an elitist project so conceived by the new black elite. It is conceived both as a restorative move that is aimed at securing the dignity of the black masses as well as an attempt at forging a so-called black identity. This line of reasoning will rely on similar historical cases on the continent that sought to aggressively promote an African mode of being, which coincided with both the end of colonialism and the rise of black elitism. We note that such attempts always ended in very public social and political failure. We seek to question the desirability of ubuntu as a mark/guide of the spirit of the nation. Here our critique shall be concentrated on the disjunct that exists between the metaphysical conditions necessary for the attainment of ubuntu and the stark ontological and ethical crisis facing the new elite and ‘our people’. (shrink)

Martin Heidegger is now widely recognized as the most influential philosopher of the Twentieth Century. Until the late 1960's, this impact derived mainly from his early magnum opus, 1927's Being and Time. Many of this century's most significant Continental thinkers---including Sartre, Merleau-Ponty, Arendt, Gadamer, Marcuse, Habermas, Bultmann, and Levinas---acknowledge profound conceptual debts to insights first elaborated in this text. But Being and Time was never finished, and Heidegger continued to extend, develop, and in some places revolutionize his own thinking for (...) another fifty years. This "later" Heidegger's prolific body of work has decisively influenced the next generation of Continental thinkers, shaping the concepts and concerns of important figures such as Derrida, Foucault, Lacan, Blanchot, and Baudrillard. Despite this unparalleled impact, several basic aspects of Heidegger's later philosophy remain shrouded in mystery, confusion, and controversy. ;The End of Onto-Theology: Understanding Heidegger's Turn, Method, and Politics explains four central aspects of Heidegger's later thought: his controversial understanding of metaphysics as onto-theology, his famously recondite Kehre, his heretofore overlooked philosophical methodology, and his appalling misadventure with Nazism. ;Chapter I introduces the basic structure and unifying thesis of the text. Chapter II clarifies and periodizes Heidegger's mysterious Kehre or "turn," the philosophical transformation which distinguishes his "early" and "later" work. Chapter III uncovers another sense of Kehre, connecting this "turning" to Heidegger's infamous political misadventure. Chapter IV reconstructs Heidegger's famous Destruktion of the history of metaphysical foundationalism, showing how this "deconstruction" both disabused Heidegger of his own politically disastrous metaphysical ambition to recover a "fundamental ontology" and provides the necessary philosophical background for understanding Heidegger's later philosophy. Chapter V explicates Heidegger's later methodology, "ontohistorical placement through hermeneutic altercation," using the case of Nietzsche to demonstrate how Heidegger developed and deployed this method to situate other philosophers' contributions to the history of intelligibility. Chapter VI addresses the complex intersection of Heidegger's critique of Nietzsche's nihilistic legacy with his failed bid to assume philosophical leadership of the National Socialist "revolution," isolating its philosophical sources and establishing the important philosophical lessons Heidegger learned from his "great political error.". (shrink)

Amy Allen's The End of Progress: Decolonizing the Normative Foundations of Critical Theory is a careful intervention in the ongoing attempts to establish a critical theory of society associated with the Frankfurt School. Its central concern is the way Critical Theory, particularly in its latter-day incarnations, has been structured by a stadial philosophy of history that presents European modernity as the apex of progress and as a universal standard from which the rest of the world can be judged. Provoked by (...) decolonial and postcolonial critiques of teleological philosophies of history, Allen seeks to decolonize Critical Theory by showing... (shrink)

This book offers a bold challenge to modern liberal ethics by exposing its inability to confront the inexorable advance of technology. Contemporary books on technology generally fall into three categories: those that offer optimist projections of a glorious future, those that provide radical critiques of specific techniques, and those that express alarm about the dehumanizing effects of a culture dominated by technology. The End of Ethics in a Technological Society offers a deeper assessment of the modern West's commitment to technological (...) progress. It argues that modern technology, ethics, and politics are all expressions of the enlightenment view that there are no principles of truth or goodness higher than the free human will. Technological advances are, on this view, merely extensions of the range of human freedom. Modern ethics thus fails to give voice to our often inchoate moral intuition that, in the realm of techno science, some possibilities simply ought not to be pursued. The authors develop their challenge by examining typical ethical approaches to such urgent contemporary concerns as environmental degradation, nuclear energy, high tech militarism, and fetal genetic testing. They relate our social crises to the transformation of ethics that has taken place as technology has become the house in which we all live. (shrink)

More often than not, business ethics textbooks have included sections on "the great economic debate," that is, the discussion of capitalism as a total system, of the criticisms against it and of the proposed alternatives. The reason for such sections is fairly obvious: at some point one has to consider whether or not all the particular problems of employment, of product quality, of environment, of regulation and so on prove beyond solution without a radical change in the basic institutions of (...) society. Since the collapse of real socialism as an alternative in the period 1989–1991, it has become increasingly difficult to have this discussion. Yet we cannot do without the critique of capitalism even if the answer may be that no other economic system is viable at this moment in history. My interest in this paper is to explore how we might now engage in this critique. Francis Fukuyama's "The End of History?" (1989) and Jacques Derrida's Specters of Marx: The State of the Debt, the Work of Mourning and the New International (1993) provide a framework for this renewed engagement. (shrink)

Feminist theory has enhanced and expanded the agency, influence, status and contributions of women throughout the globe. However, feminist critical analysis has not yet examined how the assumption that religion is natural, timeless, universal and omnipresent supports sexist and race based oppression. This book proposes radical new thinking about religion in order to better comprehend and confront the systematic disempowerment of women and marginalized groups. Utilising feminist and post-colonial analysis of access, equity and violence, contributors draw on recent critical theory (...) to collapse accepted boundaries between religion and secularity with the aim of understanding that religion is a technology of governance in its function, meaning and history. The volume includes case studies focusing on how the category of religion is deployed to perpetuate male hegemony and racist inequities in Australia, Mexico, the United States, Britain and Canada. This trenchant feminist critique and academic analysis will be of key interest to scholars and students of Religion, Sociology, Political Science and Gender Studies. (shrink)

Many contemporary thinkers of the Anthropocene, who attempt to articulate a non-modern and relational ontology, all too readily dismiss critical theory inherited from the Frankfurt School for being anthropocentric, failing to acknowledge certain basic similarities. Instead, this article argues that the scaffolding of Anthropocene thinking—the recognition of the origins of the contemporary condition of ‘loss of world’ and the hope of ‘living on in the ruins’—share much with earlier critical theorists’ recognition that the Holocaust necessitated a fundamental break with the (...) past. In reading these two sets of literatures together, we suggest we can get a better grasp of the stakes involved in the contemporary crisis of critique, and in the speculative framings enabling alternative futures to come into being. (shrink)

A notable achievement of T.M. Scanlon's What We Owe to Each Other is its sustained critique of welfarist consequentialism. Consequentialism is the doctrine that one morally ought always to do an act, of the alternatives, that brings about a state of affairs that is no less good than any other one could bring about. Welfarism is the view that what makes a state of affairs better or worse is some increasing function of the welfare for persons realized in it. (...) I shall argue that Scanlon’s critique, though containing much of interest, fails on its own terms. (shrink)

This reply is a refutation of Santiago Vrech’s article “The End of the Case? A Metaphilosophical Critique of Thought Experiments” (2022) which argues that thought experiments used in argumentation cannot hold in All Possible Worlds (APW) modality, and thus should end. Cases are used to justify or refute a philosophical theory, but should not have the power to refute an entire theory, especially ad infinitum. Significant variations in intuitions, he argues, invalidate cases and are not proven. I argue some (...) variation is acceptable and expected, and his bar of criteria is too high—APW validity is unnecessary. Vrech’s three arguments are faulty and/ or too weak, and his thought experiment is of questionable value. Experimental and armchair philosophy (or philosophers) are misnomers, misleading and false dichotomy. (shrink)

Human rights have become an important ideal in current times, yet our age has witnessed more violations of human rights than any previous less enlightened one. This book explores the historical and theoretical dimensions of this paradox. Divided into two parts, the first section offers an alternative history of natural law, in which natural rights are represented as the eternal human struggle to resist opression and to fight for a society in which people are no longer degraded or despised. At (...) the time of their birth in the 18th Century and again in the popular uprisings of the last decade, human rights became the dominant critique of law and society. The radical rhetoric of rights and its apparently endless expansive potential has led to its adoption by governments and individuals alike seeking to justify their actions on moral grounds and has undermined its radical edge. Part Two examines the philosophical logic of rights. The classical critiques of Kant, Burke, Hegel and Marx illuminate traditional aproaches to the concept of human rights. The work of Heidegger, Sartre and psychoanalysis is used to deconstruct the metaphisical essentialism of bothe universalists and cultural relativists. Finally, through a consideration of the ethics of otherness, and with reference to recent human rights violations, it is argued that the end of human rights is to judge law and politics from a moral stand point which both transcends the present and is historically relevant. (shrink)

The argument contained in The End of History and the Last Man consists of an empirical part and a normative part: critics have confused the two and their proper relationship. The assertion that we have reached the "end of history" is not a statement about the empirical condition of the world, but a normative argument concerning the justice or adequacy of liberal democratic political institutions. The normative judgment is critically dependent on empirical evidence concerning, for example, the workability of capitalist (...) and socialist economic systems, but ultimately rests on supra-empirical grounds. The empirical part concerns whether there is something like the Hegelian-Marxist concept of History as a coherent, directional evolution of human societies taken as a whole. The answer to this is yes, and lies in the phenomenon of economic modernization based on the directional unfolding of modern natural science. The latter has unified mankind to an unprecedented degree, and gives us a basis for believing that there will be a gradual spread of democratic capitalist institutions over time. This empirical conclusion, however, does no more than give us hope that there is a progressive character to world history, and does not prove the normative case. The normative grounding of modern liberal democracy has indeed been put in jeopardy by the philosophical "crisis of modernity" inaugurated by Nietzsche and Heidegger. Contemporary postmodernist critiques of the possibility of such a grounding have not, however, adequately come to terms with the destructive consequences of their views for liberal democratic societies. This aporia, discussed most seriously in the Strauss-Kojève debate, is the central intellectual issue of our age. (shrink)

Introduces the criticisms put forward by philosophers such as Donald Davidson and Richard Rorty to the idea that one thing might represent another: that thoughts, utterances, and inscriptions are said to have content by virtue of their power to represent reality; and that those that do the job accurately are true, they correspond to the facts, or mirror reality—they are representations of reality. The author then outlines the deductive proof that he will present in the book to show that Davidson's (...) and Rorty's criticisms are unfounded. The content of the proof is based on the work of Kurt Gödel and W. V. Quine, and demonstrates conclusively that any supposedly non‐truth‐functional operation must satisfy an exacting logical condition in order to avoid collapsing into a truth‐function, and any theory of facts, states of affairs, situations, or propositions must satisfy a corresponding condition if such entities are not to collapse into a unity. The three main sections of the chapter: examine the case against representations made by Davidson and Rorty, including Davidson's notorious argument against facts; discuss Rorty's critique of representational philosophy ; and consider collapsing arguments that discredit the existence of facts, as put forward by Gottlob Frege, and developed by Alonzo Church, Quine, Davidson, and Gödel. The last section of the chapter outlines the structure of the book. (shrink)

The chapter studies the speculative realist critique of the notion of finitude and its implications for the theme of the "end of the world" as a teleological and eschatological idea. It is first explained how Quentin Meillassoux proposes to overcome both Kantian and Heideggerian "correlationist" approaches with his speculative thesis of absolute contingency. It is then shown that Meillassoux's speculative materialism also dismantles the close link forged by Kant between the teleological ends of human existence and a teleological notion (...) of the "end of the world." Speculative materialism no longer sees the end of thought, or the end of the thinking human being, as an insurmountable limit of conceivability, but rather as one contingent and possible event among others. This allows us to conceive an "end of all things" in a positive sense with regard to which the old eschatological hope for the end of the present world of injustice and for the emergence of a new world of perfect, "divine" justice becomes meaningful and legitimate in an entirely new sense. (shrink)

Introduction -- The origins of Western law -- Progress and/or decline? -- The path of reductive neurolaw -- Method in theology and science -- Paleo-law : have we always been human? -- Towards a philosophical critique of neurolaw -- Mind, law, theology -- The soul of the law -- Law, violence, and original sin -- Conclusion.

In _Freedom and the End of Reason_, Richard L. Velkley offers an influential interpretation of the central issue of Kant’s philosophy and an evaluation of its position within modern philosophy’s larger history. He persuasively argues that the whole of Kantianism—not merely the Second Critique—focuses on a “critique of practical reason” and is a response to a problem that Kant saw as intrinsic to reason itself: the teleological problem of its goodness. Reconstructing the influence of Rousseau on Kant’s thought, (...) Velkley demonstrates that the relationship between speculative philosophy and practical philosophy in Kant is far more intimate than generally has been perceived. By stressing a Rousseau-inspired notion of reason as a provider of practical ends, he is able to offer an unusually complete account of Kant’s idea of moral culture. (shrink)

The aim of this paper is to challenge Fred Beiser’s interpretation of Hegel’s meta-aesthetical position on the future of art. According to Beiser, Hegel’s comments about the ‘pastness’ of art commit Hegel to viewing postromantic art as merely a form of individual self-expression. I both defend and extend to other territory Robert Pippin’s interpretation of Hegel as a proto-modernist, where such modernism involves (i) his rejection of both classicism and Kantian aesthetics, and (ii) his espousal of what one may call (...) reflective aesthetics. By ‘reflective aesthetics’, I mean an aesthetic framework which sees art as a form of enquiry, one whose aim is to not merely excite the imagination but to principally focus attention on social and cultural norms. The meta-aesthetical consequences of reflective aesthetics and their Hegelian heritage have both an interpretive and philosophic value: under my account, Beiser’s reading of Hegel is challenged, and my interpretation of how Hegel envisaged the future of art offers a new and engaging way of understanding one of the most notorious claims in the philosophy of art, namely that art has ended. (shrink)

Fifty years ago, in 1961, Feinstein published his first path-breaking articles leading to his seminal work Clinical Judgement and to the establishment of clinical epidemiology. Feinstein had an Aristotelian approach to scientific method: methods must be adapted to the material examined. Feinstein died 10 years ago and few years before his death he concluded that efforts to promote a person-oriented medicine had failed. He criticised medicine for not having recognized that only persons can suitably observe, evaluate and rate their own (...) health status. Feinstein’s position was—as in Clinical Judgement—methodological. He didn’t espouse ethical principles. He pointed to methodological deficiencies in clinical epidemiology and evidence-based medicine. In this article we’ll provide a framework for understanding and justifying Feinstein’s call for a person-oriented medicine which recognizes patients as co-actors in clinical reasoning. It’s argued that craftsmanship and practical wisdom are integrated in clinical judgement and reasoning and that clinical reasoning is not only about means to achieve the end, health. We do also reason and deliberate about ends. The ‘defining end’ of medicine (health) has continuously been negotiated and so been the object of deliberation. For centuries among professionals, in recent years among professionals and patients. These negotiations and deliberations lead to ongoing specifications of health as a ‘guiding end’, i.e. an end guiding clinical reasoning about what to do in particular situations. Feinstein’s self-critical account to clinical epidemiology at the end of his professional career reflects the fact that patients during the last 30–40 years (i.e. in the period after the publication of Clinical Judgement) widely have been recognized as persons with rights to autonomy. Feinstein’s lesson is, however, that espousing and recognizing ethical ideals is not enough. A change of clinical practice and its methods is necessary. His critique also implies that clinical epidemiology and evidence-based medicine as practiced haven’t provided such a turn. (shrink)

This book brings together a collection of social justice scholars and activists who take Foucault’s concept of discipline and punishment to explain how prisons are constructed in society from nursing homes to zoos. This book expands the concept of prison to include any institution that dominates, oppresses, and controls. Criminologists and others, who have been concerned with reforming or dismantling the criminal justice system, have mostly avoided to look at larger carceral structures in society. In this book, for example, scholars (...) and activists question the way patriarchy has incapacitated women and imagine the deinstitutionalization of people with disabilities. In a time when popular sentiment critiques the dominant role of the elites, the state’s role in policing dissenting voices, school children, LGBTQ persons, people of color, and American Indian Nations, needs to be investigated. A prison, as defined in this book, is an institution or system that oppresses and does not allow freedom for a particular group. Within this definition, we include the imprisonment of nonhuman animals and plants, which are too often overlooked. (shrink)

Approximately one trillion, trillion, trillion (101728) years from now, the universe will suffer a “heat death.” What are the existential implications of this fact for us, today? This chapter explores this question through Lyotard’s fable of the explosion of the sun, and its uptake and extension in the works of Keith Ansell Pearson and Ray Brassier. Lyotard proposes the fable as a kind of “post-metanarrative” sometimes told to justify research and development, and indeed the meaning of our individual lives, after (...) credulity in metanarratives has been lost: it replaces the adventure of the subject of history aimed towards the perfection and emancipation of the human with the adventure of inhuman, negentropic processes aimed towards the survival and extension of complexity. Ansell Pearson illustrates how contemporary transhumanists employ such a narrative, and critiques it from a Nietzschean perspective as preserving values which are nihilistic. Brassier employs it to argue against the phenomenological view that thought must be bounded by the horizonal correlate of the body and the earth, and to advance the argument that thought should abandon all meaning and purpose and embrace nihilism. This final chapter seeks to negotiate each of these positions, showing how Lyotard’s thought helps us to reflect on the existential significance of the “deep time” revealed by contemporary science. (shrink)

Over a decade ago, Arthur Danto announced that art ended in the sixties. Ever since this declaration, he has been at the forefront of a radical critique of the nature of art in our time. After the End of Art presents Danto's first full-scale reformulation of his original insight, showing how, with the eclipse of abstract expressionism, art has deviated irrevocably from the narrative course that Vasari helped define for it in the Renaissance. Moreover, he leads the way to (...) a new type of criticism that can help us understand art in a posthistorical age where, for example, an artist can produce a work in the style of Rembrandt to create a visual pun, and where traditional theories cannot explain the difference between Andy Warhol's Brillo Box and the product found in the grocery store. Here we are engaged in a series of insightful and entertaining conversations on the most relevant aesthetic and philosophical issues of art, conducted by an especially acute observer of the art scene today.Originally delivered as the prestigious Mellon Lectures on the Fine Arts, these writings cover art history, pop art, "people's art," the future role of museums, and the critical contributions of Clement Greenberg--who helped make sense of modernism for viewers over two generations ago through an aesthetics-based criticism. Tracing art history from a mimetic tradition through the modern era of manifestos, Danto shows that it wasn't until the invention of Pop art that the historical understanding of the means and ends of art was nullified. Even modernist art, which tried to break with the past by questioning the ways of producing art, hinged on a narrative.Traditional notions of aesthetics can no longer apply to contemporary art, argues Danto. Instead he focuses on a philosophy of art criticism that can deal with perhaps the most perplexing feature of contemporary art: that everything is possible. (shrink)

Modernism remains a complex and complicated term, contested not only with regard to its historical meaning or period boundaries but also with regard to its relevance for aesthetics and, more broadly, for the contemporary understanding of art. Is modernism the culmination of modernity, its crowning moment or perhaps its tipping point toward the purported postmodernity/postmodernism, or is the radical challenge instigated by modernism’s artistic inventiveness—what I call its avant-garde momentum—still extant and current beyond the apparent succession of modernism by postmodernism? (...) This essay approaches these questions through a discussion of various approaches to artworks in modernism and the avant-garde: Adorno, Rancierè, Heidegger, and Lyotard in order to explore the extent to which aesthetics remains both the precondition and the optics for modernism. At the same time, it assesses the implications of the avant-garde’s challenge to the very idea of art. The divergence in the discussions of the split between modernism and avant-garde, as well as the contention between proposals for a new aesthetic and the critique of the notion of art, pivot on the issue of freedom and the role of the human. In its challenge to art, the avant-garde calls into question the centrality of the human and the idea that freedom is a human possession. In doing so, it rethinks the notion of the artwork with regard to the non-human or inhuman. Against the backdrop of this rift between modernism and the avant-garde, the essay discusses the works of Wallace Stevens and Gertrude Stein. While Stein’s avant-garde writing is intensely engaged in its practice with drafting a new poetic rigor of writing and experience, the modernist Stevens uses aesthetic paradigms and reflection to trigger the liminal state at the end of the imagination or the mind. This brief study of Stevens and Stein illustrates the fact that modernism and the avant-garde inhabit the same historical moment yet part ways with regard to aesthetics. As the avant-garde elaborates its new rigor in order to work in tune with the non-human reach of the event, it moves beyond the metaphysical determination of art and aesthetics. In the avant-garde, what is ‘proper’ to humankind comes to be “inhabited by the inhuman,” to paraphrase Lyotard, and is “celebrated” as such. This fissure means also that the momentum of the avant-garde extends beyond the historical boundaries of, for many already closed, chapter of modernism. (shrink)

This is a critique of Peirce, Nietzsche, Wittgenstein, Buchler, Derrida, and Rorty as anti-realists, showing that each of these philosophers affirms some form of self-undermining relativism that cannot account for itself.

In Phenomenology of Spirit (1806) Hegel is often held to have announced the end of history, where 'history' is to be understood as the long pursuit of ends towards which humanity had always been striving. In this, the first book in English to thoroughly critique this entrenched view, Eric Michael Dale argues that it is a misinterpretation. Dale offers a reading of his own, showing how it sits within the larger schema of Hegel's thought and makes room for an (...) understanding of the 'end of history' as Hegel intended. Through an elegant analysis of Hegel's philosophy of history, Dale guides the reader away from the common misinterpretation of the 'end of history' to other valuable elements of Hegel's arguments which are often overlooked and deserve to endure. His book will be of great interest to scholars and advanced students of Hegel, the philosophy of history, and the history of political thought. (shrink)

A popular critique of the kalām cosmological argument is that one argument for its second premise illicitly assumes a finite starting point for the series of past temporal events, thereby begging the question against opponents. Rejecting this assumption, opponents say, eliminates any objections to the possibility that the past is infinitely old and undermines the IFA’s ability to support premise 2. I contend that the plausibility of this objection depends on ambiguities in extant formulations of the IFA and that (...) we may resolve these ambiguities in a way that does not presuppose a finite staring point. I also argue that this disambiguation allows us to construct an argument demonstrating that the concept of an infinite past entails a contradiction. (shrink)

In Foucault’s writing throughout the 1960s, in which he foregrounds the critical function of language and signification, works of art and literature – and works of avant-garde art and literature in particular – appear prominently and are the objects of sustained theoretical investment. In the 1970s, however, as Foucault moves away from his earlier concern with language’s capacity to dissolve “man” and begins to concentrate instead on the ways in which man is governed, works of art and literature no longer (...) possess the same political promise for him and drop out almost completely from his writing. Yet the question of aesthetics does not disappear for him entirely, and, in his final years, he returns to it, though with his analysis now directed at what he calls an “art” or “aesthetics of life.” In this paper, I examine these developments with the aim of drawing out the connections between Foucault’s changing view of aesthetics and the larger transformations that take shape within his overall project. Against this background, I argue that Foucault’s call for an art of life, in which the individual develops techniques for continually reinventing his or her existence, does not necessitate abandoning the avant-garde aesthetic practices that he had previously advocated. Rather, I assert, his conception of an art of life – when read in conjunction with his theorization of critique as a “permanent” questioning of the limits imposed on us – offers a new framework for reimagining both the function of those practices and their legacies in culture today. (shrink)

Luce Irigaray is often cited as the principle feminist who adheres to phenomenology as a method of descriptive philosophy. A different approach to Irigaray might well open the way to not only an avoidance of phenomenology's sexist tendencies, but the recognition that the breach between Irigaray's ideas and those of phenomenology is complete. I argue that this occurs and that Irigaray's work directly implicates a Bergsonian critique of the limits of phenomenology.

This paper critically evaluates institution reconstructing critique—the central methodological strategy employed by Axel Honneth in his latest book Freedom’s Right designed to articulate and justify the normative standards employed by a critical theory of the present. It begins by considering, at a general level, the promises and limits of three ideal-typical normative methodologies of social critique: first principles critique, intuition refining critique, and institution reconstructing critique. It then turns to the details of Honneth’s history and (...) diagnosis of market spheres of society as one key example of institution reconstruction critique. This leads to a consideration of some challenges facing this kind of critique, paying particular attention to problems posed by alternative reconstructions of the same data. It argues, in particular, that there is a troubling indeterminacy in this reconstruction, since alternative teleologies yield substantively different normative analyses of capitalism, and hence substantively different social critiques. In conclusion, the paper suggests some methodological remedies which might need to be adopted in order to make good on the promise of institution reconstructing critique while avoiding some of its most challenging problems. (shrink)

This book offers an interdisciplinary account of the role of science and technology in contemporary culture, culminating in a social-political and philosophical critique of transhumanism. Its central claim is that it is past time to restrain the runaway ambitions of technoscientific knowledge. The author probes the assumptions of leading transhumanist thinkers and reviews the arguments of prominent critics as he develops his own distinctive take on transhumanism. He frames these other discussions within a wider critique of the modern (...) technoscientific impulse, which is seen as the hidden driver of any number of the social pathologies. Crucially, he offers his own naturalistic account of an alternative path for human flourishing, and discusses how philosophy needs to change in order to better contribute to pressing societal questions and to be made relevant to public policy. The interdisciplinary orientation of Transhumanism and Nature makes it relevant to scholars and students across a wide range of disciplines, including social and political philosophy, philosophy of technology, science and technology studies, environmental studies, and public policy. it relevant to scholars and students across a wide range of disciplines, including social and political philosophy, philosophy of technology, science and technology studies, environmental studies, and public policy. (shrink)

The Divide between the prominence of final causes in Aristotelian natural philosophy and the rejection or severe limitation of final causation as an acceptable explanation of the natural world by figures such as Bacon, Descartes, and Spinoza during the seventeenth century has been considered a distinguishing mark between pre-modern and modern science.1 Admittedly, proponents of the mechanical and corpuscular philosophies of the seventeenth century were not necessarily stark opponents of teleology. Pierre Gassendi and Robert Boyle endorsed teleology, Leibniz embraced entelechies, (...) and they creep into Descartes's natural philosophy, despite his adamant attempts to eliminate them.2 Nonetheless, critiques of ends in .. (shrink)

In The End of Progress, Amy Allen connects post- and decolonial concerns about the implications of the concept of progress to contemporary critical theory. In the work of Jürgen Habermas and Axel Honneth, progress—as historical development and sociocultural learning—has taken on the load-bearing role in grounding normativity. Allen seeks to decolonize critical theory “from within” by recuperating Adorno and Foucault’s more ambivalent conceptions of progress. While such a move does not itself amount to “decolonizing” critical theory, Allen helps to inaugurate (...) this important exchange via her convincing critique of some of the leading figures of critical theory today. (shrink)

First published in 1989, Looking Back on the End of the World raises provocative questions about the possibilities of critical knowledge in social systems that seem to have "surpassed history." Unlike recent works that make history end with the consumer, or project the conflict between the capitalist and the oppressed into the future, the writers in these essays perform a much more basic task: they argue that we can now think through the "end of the world." The idea of a (...) "unified world," they claim, has given way to new sensibilities about history. The essays evaluate current negative obsessions such as apocalypse and the elimination of difference, and offer positive approaches to the "gamble of thinking" required in a society without traditional subjects and institutions. Capitalism, the book argues, has changed all the rules of the game, and any nostalgia for "starting" from the familiar in terms of intellectual critique is doomed. Collectively, the authors sketch the unfamiliarity of the new, those moments when our categories dissolve in the face of connections and relations that announce all sorts of "ends." And other things besides. (shrink)

This volume examines the impact of the Trump presidency on development aid. It starts out by describing the rise of national populism, the political landscape and the reasons for rejection of the political establishment, both under Trump and internationally. Next, it gives a historical-political overview of development aid in the post WW-II era and discusses the dominant Washington Consensus doctrine and its failure. It then provides a critique of the Official Development Assistance discourse and reviews the political economy of (...) ODA, the discourse, and the conditionalities that are barriers to socio-economic development. The final chapters explore the question of Trumponomics as an alternative to the global neoliberal ODA, and the potential impact of Trumponomics’ on ODA. The book concludes with thoughts on the potential future directions for ODA within the ‘ideals’ of Trumponomics and national populism. (shrink)