Results for ' style of writing'

960 found
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  1. Sextus Empiricus' style of writing.Stéphane Marchand - 2011 - In Diego E. Machuca, New essays on ancient Pyrrhonism. Boston: Brill.
  2.  10
    The Style of Medical Writing in the Speech of Eryximachus: Imitation and Contamination.Silvio Marino - 2015 - In Gabriele Cornelli, Plato's Styles and Characters: Between Literature and Philosophy. De Gruyter. pp. 241-252.
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  3.  28
    Influence of writing style and categorical information on identification of tactile numerals and letters.Morton A. Heller, Kimberly D. Nesbitt & Danette K. Scrofano - 1991 - Bulletin of the Psychonomic Society 29 (4):365-367.
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  4. Styles of Reasoning, Human Forms of Life, and Relativism.Luca Sciortino - 2016 - International Studies in the Philosophy of Science 30 (2):165-184.
    The question as to whether Ian Hacking’s project of scientific styles of thinking entails epistemic relativism has received considerable attention. However, scholars have never discussed it vis-à-vis Wittgenstein. This is unfortunate: not only is Wittgenstein the philosopher who, together with Foucault, has influenced Hacking the most, but he has also faced the same accusation of ‘relativism’. I shall explore the conceptual similarities and differences between Hacking’s notion of style of thinking and Wittgenstein’s conception of form of life. It is (...)
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  5.  13
    Philosophy and the Art of Writing: Studies in Philosophical and Literary Style.Berel Lang - 1983 - Bucknell University Press.
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  6.  14
    Styles of Discourse.Ioannis Vandoulakis & Tatiana Denisova (eds.) - 2021 - Kraków: Instytut Filozofii, Uniwersytet Jagielloński w Krakowie.
    The volume starts with the paper of Lynn Maurice Ferguson Arnold, former Premier of South Australia and former Minister of Education of Australia, concerning the Exposition Internationale des Arts et Techniques dans la Vie Moderne (International Exposition of Art and Technology in Modern Life) that was held from 25 May to 25 November 1937 in Paris, France. The organization of the world exhibition had placed the Nazi German and the Soviet pavilions directly across from each other. Many papers are devoted (...)
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  7. The New Type of Writing for the Womenfolk in the Early 20th Century.Fei Wang - 2008 - Nankai University (Philosophy and Social Sciences) 6:66-74.
    The early 20th century a new style of Chinese women sector, is in the "revolution in the text," the social context, in Liang "new style" reality show ideas and writing demonstration, with the women's liberation movement since the commencement of the body into its . Revolution in women's Evans into the text, thus producing a unique application of magic; from the women's liberation movement of the actual needs, to break old stereotypes composition, heart open style, so (...)
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  8.  1
    Philosophical Style: Between Philosophy, Poetry, and Aphoristic Writing.Philip Mills - 2024 - In Shunichi Takagi & Pascal F. Zambito, Wittgenstein and Nietzsche. New York, NY: Routledge. pp. 169-186.
    When one first encounters Nietzsche’s or Wittgenstein’s writings, one is generally surprised by their style of writing which seems to depart from the philosophical norm of structured argumentation. And when one attempts to compare Nietzsche and Wittgenstein, their styles seem to be an important common feature. But is this claim only superficial or does it have deeper philosophical roots? This chapter aims to show that Nietzsche and Wittgenstein share a common concern with style that is rooted in (...)
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  9.  11
    An Attempt of Transformation : Writing Style of James Tiptree, Jr’s Feminist SF. 김애령 - 2019 - Korean Feminist Philosophy 31:33-60.
    이 글의 시발점은 해러웨이에게 ‘사이보그 페미니즘’의 상상력을 제공했던, 70년대 페미니스트 SF에 대한 관심이었다. ‘소년들의 과학적 오락물’이라는 게토에서 출발한 SF가 페미니스트 문학의 대안적 서사 전략, 새로운 페미니스트 정치학의 단초가 되기까지, 여성작가들은 장르적 관습에 부응하여 글을 쓰고 또 그것을 변형하면서 활용해 왔다. 이 글은 70년대 그가 사실은 앨리스 셸던(Alice B. Sheldon)이라는 중년여성이었다는 사실이 밝혀지기 전까지, ‘남성적 스타일’로 사랑받았던 ‘제임스 팁트리 주니어(James Tiptree, Jr.)’를 읽어 보려고 한다. 팁트리 주니어는 지금 페미니스트 SF의 대표작가 중 하나다.BR ‘남성적 스타일’과 ‘페미니스트 SF’라는 평가 사이에 놓인 팁트리 주니어의 (...)
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  10.  11
    Outside the Dream : Lacan and French Styles of Psychoanalysis.Martin Stanton - 2016 - Routledge.
    Originally published in 1983, Martin Stanton has written an intriguing and original guide to French styles of psychoanalysis. He describes the development of psychoanalytic technique and shows how it has transformed the contemporary French literary and philosophical thought and writing, as well as making inroads in the English-speaking cultural world. He argues that psychoanalysis has outgrown the individual setting and needs to evolve new methods of group work – in this respect, he believes, it has a special role to (...)
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  11. Fiction, Fiction-Making, and Styles of Fictionality.Kendall L. Walton - 1983 - Philosophy and Literature 7 (1):78-88.
    In lieu of an abstract, here is a brief excerpt of the content:Kendall L. Walton FICTION, FICTION-MAKING, AND STYLES OF FICTIONALITY Both objectsandactions are said to have styles. Styles eire attributed to works of art, bathing suits, neckties, and automobiles. But we also think of styles as ways of doing things. There are styles of teaching, styles of chess playing, styles of travel. The primary notion of style is the one which attaches to actions. When we speak of die (...)
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  12. The Style of the Speaking Subject: Irigaray's Empirical Studies of Language Production.Marjorie Hass - 2000 - Hypatia 15 (1):64-89.
    I argue that Irigaray's linguistic research is not merely supplementary to her theoretical writing, but, in its depiction of sexed linguistic “styles,” illuminates Irigaray's call for a new syntax. I show the effect of this research on her analysis of the unconscious meaning of interrogative expressions. 1 address the question of Irigaray's standing as a social scientist and argue that attention to her method reveals her positive program in this domain.
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  13.  16
    Feminist Styles of Immanent Critique: Judith Butler and Denise Riley.Anna Moser - 2022 - Diacritics 50 (1):90-111.
    Abstract:Taking up the question of style, I argue that this term provides a generative framework for reassessing the historical challenges of feminist writing and politics. To develop my argument, I read Judith Butler's philosophy alongside Denise Riley's poems, historical criticism, and philosophical prose, proposing that both writers are inventive participants in the tradition of immanent critique. I demonstrate how feminist questioning of linguistic conventions and social norms is enfolded in Butler's paratextual reflections on philosophical grammar and in Riley's (...)
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  14.  33
    Observations on the Style of Varro.E. Laughton - 1960 - Classical Quarterly 10 (1-2):1-.
    Ancient and modern scholars are so unanimous in their condemnation of Varro as a writer, that a study of his ‘style’ may seem to be valueless. Cicero paid ready tribute to his great contemporary's learning, but studiously forbore to say anything about his writing, a fact which was observed by Augustine, who admitted Varro's inferiority in this respect. Quintilian, in a guarded way, makes the same criticism; for him Varro is ‘plus scientiae collaturus quam eloquentiae’. In recent times (...)
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  15.  10
    Philosophical Style: An Anthology about the Writing and Reading of Philosophy.Berel Lang - 1980 - Burnham.
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  16.  7
    Auguste Comte.Jane M. Style - 1928 - London,: K. Paul, Trench, Trubner & co..
    PREFACE. THE Author of this very practical treatise on Scotch Loch - Fishing desires clearly that it may be of use to all who had it. He does not pretend to have written anything new, but to have attempted to put what he has to say in as readable a form as possible. Everything in the way of the history and habits of fish has been studiously avoided, and technicalities have been used as sparingly as possible. The writing of (...)
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  17.  16
    Towards a Tibetan Palaeography: Developing a Typology of Writing Styles in Early Tibet.Sam van Schaik - 2014 - In Jörg Quenzer, Dmitry Bondarev & Jan-Ulrich Sobisch, Manuscript Cultures: Mapping the Field. De Gruyter. pp. 299-338.
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  18.  59
    The History of Concepts as a Style of Political Theorizing.Kari Palonen - 2002 - European Journal of Political Theory 1 (1):91-106.
    The history of concepts has partly replaced the older style of the `history of ideas' and can be extended to a critique of normative political theory and, thereby, understood as an indirect style of political theorizing. A common feature in Quentin Skinner's and Reinhart Koselleck's writings lies in their critique of the unhistorical and depoliticizing use of concepts. This concerns especially the classical contractarian theories, and both authors remark that this still holds for work by their contemporary heirs, (...)
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  19.  25
    Philosophical Style: An Anthology about the Reading and Writing of Philosophy.Berel Lang - 1983 - Journal of Aesthetics and Art Criticism 42 (1):104-105.
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  20. Broken Words: Maurice Blanchot and the Impossibility of Writing.Walter Brogan - 2009 - Comparative and Continental Philosophy 1 (2):181-192.
    This essay explains what Blanchot understands as writing and the space of literature. For Blanchot, writing is the place where the impossible interruption of the destiny of things is put into play, an interruption that world-formation needs but negates and conceals. Writing belongs to an excess outside of language, an otherness of language. The need to write is linked to the point at which nothing can be done with words. Writing is contrasted with dialectical language and (...)
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  21.  13
    Medizinische Schreibweisenmedical Ways of Writing: Differentiation and Transfer Between Medicine and Literature : Ausdifferenzierung Und Transfer Zwischen Medizin Und Literatur.Sandra Richter & Nicolas Pethes (eds.) - 2008 - Walter de Gruyter – Max Niemeyer Verlag.
    The volume examines the interrelationships between the history of medicine and literature from the 17th until the 19th centuries. The papers in the volume analyse these interrelationships using the styles of medical and literary texts, which show how the dimensions of knowledge and of representation determine each other – for example in the case of narrative structures in medical case histories or a diagnostic narrative stance in a novel.
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  22.  28
    Collecting airs and ideas: Priestley’s style of experimental reasoning.Victor D. Boantza - 2007 - Studies in History and Philosophy of Science Part A 38 (3):506-522.
    It has often been claimed that Priestley was a skilful experimenter who lacked the capacities to analyze his own experiments and bring them to a theoretical closure. In attempts to revise this view some scholars have alluded to Priestley’s ‘synoptic’ powers while others stressed the contextual role of British Enlightenment in understanding his chemical research. A careful analysis of his pneumatic reports, privileging the dynamics of his experimental practice, uncovers significant yet neglected aspects of Priestley’s science. By focusing on his (...)
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  23.  7
    How Writing Works : From the Invention of the Alphabet to the Rise of Social Media.Dominic Wyse - 2017 - Cambridge University Press.
    From the invention of the alphabet to the explosion of the internet, Dominic Wyse takes us on a unique journey into the process of writing. Starting with seven extraordinary examples that serve as a backdrop to the themes explored, it pays particular attention to key developments in the history of language, including Aristotle's grammar through socio-cultural multimodality, to pragmatist philosophy of communication. Analogies with music are used as a comparator throughout the book, yielding radically new insights into composition processes. (...)
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  24.  78
    Leo Strauss on ''German Nihilism'': Learning the Art of Writing.William H. F. Altman - 2007 - Journal of the History of Ideas 68 (4):587-612.
    The year Leo Strauss published "Persecution and the Art of Writing" (1941), he prepared a lecture ("German Nihilism") that he never published. An analysis of this lecture shows that Strauss hadn't fully mastered the art of writing he'd discovered in others: his secrets are too exposed. In the context of "German Nihilism," it becomes clear that "Persecution and the Art of Writing" is about liberal persecution of authoritarianism, no the reverse, as liberals would assume. In response to (...)
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  25.  37
    Three Steps on the Ladder of Writing.Hélène Cixous & Susan Sellers (eds.) - 1993 - Columbia University Press.
    _Three Steps on the Ladder of Writing_ is a poetic, insightful, and ultimately moving exploration of 'the strange science of writing.' In a magnetic, irresistible narrative, Cixous reflects on the writing process and explores three distinct areas essential for 'great' writing: _The School of the Dead_--the notion that something or someone must die in order for good writing to be born; _The School of Dreams_--the crucial role dreams play in literary inspiration and output; and _The School (...)
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  26.  42
    Writing Cases and Casuistic Reasoning in Karl Philipp Moritz' Journal of Empirical Psychology.Yvonne Wübben - 2013 - Early Science and Medicine 18 (4-5):471-486.
    This paper examines medical writing in Karl Philipp Moritz’ Journal of Empirical Psychology by looking at the alterations Moritz made to his sources. It shows how he rearranged the data in order to introduce a new type of text into psychology: the case or case study. He did so by altering the main parts of a report that had been published a few years earlier. In rewriting the report, Moritz introduced not only a new type of text but also (...)
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  27.  15
    The Effects of Planning and Handwriting Style on Quantity Measures in Secondary School Children’s Writing.Gareth J. Williams, Rebecca F. Larkin, Emily Coyne-Umfreville & Toni C. Herbert - 2019 - Frontiers in Psychology 10.
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  28.  11
    Berel Lang, Ed., Philosophical Style: An Antho Logy About The Reading and Writing of Philosophy.John Hospers - 1983 - Journal of Aesthetics and Art Criticism 42 (1):104-105.
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  29.  1
    Some Remarks upon the Memorial Writing of W.G. Sebald.Marco Franceschina - 2024 - Approaching Religion 14 (3):88-102.
    In two well-known passages from Paul Ricœur’s work (Ricœur 1990b, 187; 2006, 260), the author proposes approaching memorial writing of the Holocaust not necessarily in the same terms as historiography. On the basis of these passages, the aim of this article is to further explore Ricœur’s intuition by suggesting a comparison with the prose of a contemporary author who intentionally seeks to create a hybrid between history and fiction: W. G. Sebald. Although Sebald never considered himself a novelist, his (...)
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  30.  32
    Comprehending the Cultural Causes of English Writing Plagiarism in Chinese Students at a Western-Style University.Mark X. James, Gloria J. Miller & Tyler W. Wyckoff - 2019 - Journal of Business Ethics 154 (3):631-642.
    The purpose of this quantitative study of 401 students is to identify common motivations for Chinese students to plagiarize on written English assignments and ultimately to demystify and understand the mindset of Chinese students who do plagiarize. According to a regression analysis of these data, the most significant factor relating to likelihood to self-report plagiarism for Chinese students is the belief in a “standard answer,” which represents the correct answer to a given question. The regression results also suggest that students (...)
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  31.  24
    Difficult Articulacy: Rhetoric, Disability and Early Modern Styling of Bodymind.Jennifer E. Row - 2024 - Paragraph 47 (1):90-107.
    In early modern theories of ‘proper’ style, ambiguously, difficulty could convey a sense of excellence on one hand (of national belonging, imperial ambition or manly ‘virility’) while also being deployed to denigrate unseemly (too feminine or foreign) speech. Difficulty erupts precisely in the points of friction: when boundaries around ablebodymindedness are drawn or when the available forms of expression are insufficient. Instead of eradicating difficulty altogether, I sift through early modern French, English and Italian writing on rhetoric to (...)
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  32.  14
    Writing with Style.Arturo Fontaine - 2021 - In Lydia Goehr & Jonathan Gilmore, A Companion to Arthur C. Danto. Hoboken: Wiley. pp. 26–32.
    Arthur Danto believed that “style has to be expressed immediately and spontaneously.” Danto writes that “the question of when is a thing an artwork becomes one with the question of when is an interpretation of a thing an artistic interpretation”. His extensive art criticism focuses, then, on the way artworks are about. The presence of a metaphor and the demand for interpretation are insufficient to draw the demarcation line between art and not‐art. A work of art ought to be (...)
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  33.  52
    Some problems in interpretation: The early and late writings of dōgen.David Putney - 1996 - Philosophy East and West 46 (4):497-531.
    There are inconsistencies in Dōgen's writing over his career, especially between the twelve-fascicle and the seventy-five-fascicle Shōbōgenzō. The nature of the twelve-fascicle edition, the hermeneutic of interpreting Dōgen's kōan style of writing, and the problems in relating the twelve-fascicle edition to the earlier kōan style of the seventy-five-fascicle edition are examined.
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  34. Substance is subject is style: On the speculative poetics of Gillian Rose.Gregory Marks - forthcoming - Thesis Eleven.
    This article proposes a reading of philosopher Gillian Rose's works as predominated by the question of literary style. In contrast to Rose's professed antipathy for the linguistic and structuralist turns in 20th-century philosophy, this article contends that her thought makes recourse to distinctions of literary form (i.e. poetics) to resolve problems of philosophical expression. The contours of this poetics are traced from Rose's first works on the respectively ‘ironic’ and ‘severe’ styles of Adorno and Hegel, through to her final (...)
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  35. Style and the "Idea" of the Sophist after Plato: the impact of form typology on sophistic teaching and writing on interdisciplinary scholarly work.Fee-Alexandra Haase - 2008 - Sapientia 64 (224):81-94.
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  36.  10
    The Writings of Jean-Paul Sartre Volume 2: Selected Prose.Michel Rybalka, Richard McCleary & Michel Contat (eds.) - 1974 - Northwestern University Press.
    The writings published here are not so much an epitome as episodes. But most do not digress. They mark the turns and turning points of a human style, the tropes of an expressive life embodying the changing tempos of an age. Until we fall silent, all of us are trying to say. These fragmentary efforts to speak to, rejoin, and help create a new community of liberated human beings constitute the epigraphs of Sartre's historical inscription.
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  37.  19
    Master of Adab about Art of Writing: Preface to Publication of Translation of Abu Hayyan al-Tawhidi’s Manuscript “An Epistle on Penmanship”.Mikhail S. Palenko & Паленко Михаил Сергеевич - 2023 - RUDN Journal of Philosophy 27 (2):280-286.
    There is given a short review of the most important biographical information about Abū Ḥayyān al-Tawḥīdi (d. ca. 1023), an outstanding representative of the Adab literature. Amongst his creative heritage it is emphasized the importance of the «Epistle (on Penmanship)». The conclusion is made that Adab style served in the best way the author’s intention. He was the first one who succeeded to exhaustively summarize the primary (defining) stage of the Arabic script formation, to clearly formulate the technique for (...)
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  38.  8
    Novel Style: Ethics and Excess in English Fiction Since the 1960s.Ben Masters - 2017 - Oxford University Press.
    Marrying lyrical close reading with critical awareness, Novel Style argues for the ethical value of elaborate styles of writing and demonstrates that artistic excessiveness can provide dynamic responses to the moral complexities of our times.
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  39.  17
    A Philosophy of the Essay: Scepticism, Experience, and Style.Erin Plunkett - 2018 - London, UK: Bloomsbury Academic.
    Erin Plunkett draws from both analytic and continental sources to argue for the philosophical relevance of style, making the case that the essay form is uniquely suited to address the sceptical problem. The authors examined here-Montaigne, Hume, the early German Romantics, Kierkegaard and Stanley Cavell-bring into relief the relationship between scepticism and ordinary life and situate the will to know within a broader frame of meaningful human activity. The formal features of the essay call attention to time, subjectivity, and (...)
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  40.  10
    Crisis style: the aesthetics of repair.Michael Dango - 2022 - Stanford, California: Stanford University Press.
    In this expansive and provocative new work, Michael Dango theorizes how aesthetic style manages crisis--and why taking crisis seriously means taking aesthetics seriously. Detoxing, filtering, binging, and ghosting: these are four actions that have come to define how people deal with the stress of living in a world that seems in permanent crisis. As Dango argues, they can also be used to describe contemporary art and literature. Employing what he calls "promiscuous archives," Dango traverses media and re-shuffles literary and (...)
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  41.  70
    Cramping our style? Gender and philosophical writing.Helen Steward - 2021 - Think 20 (59):77-93.
    In this article, I argue that we need to reconsider some of the stylistic principles that govern writing in analytic philosophy. I suggest that the rules are much more difficult to justify than might be thought at first sight; and may possibly be gendered, given what we know about the reading preferences and writing styles of men and women.
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  42.  21
    The writing of Aletheia: Martin Heidegger in language.Martin Travers - 2019 - New York: Peter Lang.
    Martin Heidegger was engaged in a continual struggle to find words - new words, both descriptive and analytical - for his radical form of philosophy. This tendency can be traced from Being and Time, where he elaborated an entirely new vocabulary for his ontological enquiry; to Contributions to Philosophy, which saw him committed to a transformation of language; to later essays on poets such as Rilke and Trakl in On the Way to Language. The Writing of Aletheia is the (...)
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  43.  20
    Combinations of Simple Mechanisms Explain Diverse Strategies in the Freehand Writing of Memorized Sentences.Peter C.-H. Cheng & Erlijn van Genuchten - 2018 - Cognitive Science 42 (4):1070-1109.
    Individual differences in the strategies that control sequential behavior were investigated in an experiment in which participants memorized sentences and then wrote them by hand, in a non‐cursive style. Thirty‐two participants each wrote eight sentences, which had hierarchical structures with five levels. The dataset included over 31,000 letters. Despite the deliberately constrained nature of the task and stimuli, 23 patterns of behavior were identified from the durations of pauses that occurred before the inscription of letters at four chunk levels, (...)
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  44.  52
    William J. Scheick, "The Writings of Jonathan Edwards: Theme, Motif, and Style". [REVIEW]Paul J. Nagy - 1977 - Journal of the History of Philosophy 15 (2):229.
  45. (1 other version)The Origin and Growth of Plato's Logic, with an Account of Plato's Style and of the Chronology of His Writings. [REVIEW]Wincenty Lutoslawski - 1898 - Ancient Philosophy (Misc) 8:621.
  46. Ten commandments of philosophical writing.Adrian M. S. Piper - 1992 - Adrian Piper Research Archive Foundation Berlin.
    Ten commandments of philosophical writing.
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  47.  79
    The Status of Style.Nelson Goodman - 1975 - Critical Inquiry 1 (4):799-811.
    Obviously, subject is what is said, style is how. A little less obviously, that formula is full of faults. Architecture and nonobjective painting and most of music have no subject. Their style cannot be a matter of how they say something, for they do not literally say anything; they do other things, they mean in other ways. Although most literary works say something, they usually do other things, too; and some of the ways they do some of these (...)
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  48.  40
    Goblet words and indeterminacy : a writing style that is free of commitment.Wai Wai Chiu - unknown
    The Zhuangzi is a collection of ancient Chinese anecdotes and fables that serves as a foundational Daoist text. The style in which it is written is significant because it obscures rather than reveals the text’s philosophic positions. If the text cannot be translated into plain language while preserving its content, as the Mozi or the Mencius generally can be, then the writing style is not merely rhetorical. The style is itself indispensable to the content. In this (...)
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  49.  13
    The Writing Tools Used by Clerks of Abbasid State.Selahattin Polatoğlu - 2022 - Fırat Üniversitesi İlahiyat Fakültesi Dergisi 27 (1):119-130.
    In addition to being a means of communication between people, writing is the only way of recording government affairs. Writing has an important place in the preservation of knowledge and its transmission to future generations. Writing is an activity that occurs through processing meaningful words on a certain surface with a pointed object. As understood from the archaeological data, the first examples of writing were created by engraving on a clay tablet with a pointed object. Throughout (...)
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  50. Writing the exotic”: a pastiche of Marilyn Strathern.Terence Rajivan Edward - manuscript
    This paper presents an attempted pastiche of the writing and thinking style of the distinguished anthropologist Marilyn Strathern. The claim about the consequence of avoiding the charge of exoticism resembles the paradox of analysis.
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