Jonathan Stoltz’s Illuminating the Mind: An Introduction to Buddhist Epistemology is an excellent book that will be valuable to those familiar with analytic epistemology but unfamiliar with, and curious about, Indian philosophical traditions. It is also a valuable book for those seeking to teach Buddhist epistemology to advanced philosophy students. Philosophers interested in cross-cultural philosophical methodology will also find this book an interesting case study.With respect to cross-cultural methodology, Stoltz aims to demonstrate the philosophical legitimacy of Buddhist epistemology to a (...) “Western” audience by presenting the epistemological themes and arguments of various Buddhist thinkers in terms he thinks... (shrink)

This textbook will give students a clear understanding of the connection between faith and reason. Illuminating Faith gives students a clear and accessible introduction to some of the major ways faith and the relationship between faith and reason have been understood within Western Christianity. In twenty-six short and easy to digest units it covers different accounts of faith beginning with Scripture, moving through the history of Christian thought, and ending with contemporary views. Along the way it explores some of the (...) decisive theological and philosophy accounts of faith, such as faith seeking understanding, faith and supernatural virtue, faith and skepticism, and faith and science. Yet it also includes significant issues and movements not typically covered in introductory texts, such as documents from church councils, faith as knowledge, assent, and trust in the Protestant scholastics, faith and the heart in pietism, secularized accounts of faith, faith after Auschwitz, and faith and liberation. The goal of each unit is to introduce students to topical issues surrounding the nature of faith, to provide historical background for each topic, and to generate further discussion and reflection on the nature of faith. The result is a well balanced and unique introduction to various understandings of faith. Designed specifically with classroom use in mind, Illuminating Faith includes a glossary of words, an update-to-date bibliography, and each chapter ends with questions for discussion as well as suggestions for relevant reading material. (shrink)

The past seven centuries of scholarly attention to and debate over the Roman de la Rose bear strong witness to the fact that the allegorical figure Faus Semblant presents us with an interpretive crux—one of many such in the poem—that we are not likely to resolve in the coming centuries. Perhaps it should come as no surprise that a character who so embodies paradox—a profane friar who is openly honest about his intent to deceive—should be so difficult to pin down; (...) it is his singular talent, after all, to dissemble and confuse. The last century has seen a significant increase in criticism centered upon Faus Semblant that seeks to understand what he signifies within the larger allegory of the poem and how he relates to Jean de Meun's purported satire and antifraternalism. But this struggle to understand and explain the character began centuries earlier and, like him, has taken many forms. As early as the thirteenth century, the passage of Jean's poem in which Faus Semblant explains his craft and guile had begun to attract a diverse group of revisers: scribes, who added or deleted passages in order to shape a reading of the poem or avoid offending readers; remanieurs, such as Gui de Mori, who substantially rewrote the passage in efforts to reshape the poem into a more cohesive form; readers, whose marginal inscriptions and notae often accompany the passage; and illustrators , as images of Faus Semblant are frequently included in illuminated copies of Rose manuscripts. Even Jean himself seemed to feel the need to gloss and contain Faus Semblant, offering an apology and clarification in lines 15213–30. (shrink)

In this publication, we will use the principal concepts of John of the Cross, the famous mystic of the XVI th century, as a framework to go over, in a non-reductionist way, three challenges in contemporary neuroscience of decision-making. Firstly, the dark night and the purgative paths will be related to discontinuity in decision-making. Secondly, the passive and active paths will be associated to brain plasticity, architecture, and levels of decision. Thirdly, the illumination, which can be felt when a (...) solution is reached, has to do with positive emotions and can be inspired by the science of love of John of the Cross. We shall lastly conclude by emphasizing the usefulness of his work to illuminate the neuroscience of decision-making. (shrink)

¿It is more important to me to explain a [philosophical] principle than any other thing that I teach.¿ (Rambam, Mishna Berachot, 9:7)Illuminating Jewish Thought is a contemporary, multi-volume series that surveys the theological foundations of Jewish faith. With the approach and scope of a master educator for undergraduate and rabbinical students at Yeshiva University, Rabbi Wiederblank brings together a wide array of Jewish texts ranging from philosophical to Kabbalistic, ancient to modern, in a clear and accessible source book. In this (...) volume, the author shows the richness of the Jewish scholastic tradition relating to three fundamental yet esoteric topics: free will, the afterlife, and the messianic era. Primary sources are presented in their original language with modern English translation, enabling readers to analyze the texts independently, while the author illuminates and contextualizes these complex concepts. Altogether, Illuminating Jewish Thought reveals the bedrock on which lies the nexus of Jewish belief and practice. (shrink)

Hannah Arendt's well-known examinations of the problem of evil are not contradictory and they are central to her corpus. Evil can be banal in some cases (Adolf Eichmann) and radical (the phenomenon of totalitarianism) in others. But behind all expressions of evil, in Arendt's formulations, is the imperative that it be confronted by thinking subjects and thoroughly historicized. This led her away from a view of evil as radical to one of evil as banal. Arendt's ruminations on evil are illuminated, (...) in part, by concerns that she shared with her fellow New York intellectuals about the withering effects of mass culture upon individual volition and understanding. In confronting the challenges of evil, Arendt functioned as a suggesting profitable ways that historians might look at history from a moral perspective. Indeed, her work may be viewed as anticipating a currently afoot in the historical profession. (shrink)

This book takes readers on a fascinating journey to the very heart of Tantra: its key teachings, foundational lineages, and transformative practices. Since the West's discovery of Tantra 100 years ago, there has been considerable fascination, speculation, and more than a little misinformation about this spiritual movement. Now, for the first time in the English language, Tantra Illuminated presents an accessible introduction to this sacred tradition that began 1,500 years ago, in the far north of India. The book uses translations (...) from primary Sanskrit sources, offers a profound look at spiritual practice, and reveals Tantra's rich history and powerful teachings. (shrink)

Victor Fan's dialogue between Buddhism and Euro-American philosophy is the first of its kind in film and media studies. From Chinese queer cinema to a reexamination of Japanese master Ozu's work and its historical reception to Christian Petzold's 2018 existential thriller Transit, Cinema Illuminating Reality forges a remarkable path between Buddhist studies and cinema studies, casting vital new light on both of these important subjects.

When people in Sweden are sentenced and handed over to forensic psychiatric care (FPC), the authorities have overall responsibility for their health recovery. How nursing staff construct gender through their relations in this context affects their understanding of health promotion activities. The aim of this study was to illuminate, using a gender perspective, the understanding of nursing staff with respect to health promotion activities for patients. Four focus group interviews were conducted with nursing staff in two FPC clinics in Sweden. (...) The study has a qualitative inductive design with an ethnographic approach. This study sheds new light on FPC in which its dual goals of protecting society and providing care are viewed from a gender perspective. When relationships within the nursing staff group and the nurse–patient relationship are justified by the goal of protecting society, gender becomes invisible. This might cause patients' individual conditions and needs for certain types of activities to go unnoticed. One of the implications of ignoring gender relations in nursing staff health promotion activities is that it risks contributing to gender stereotypes which impact on the nurse–patient relationship and the quality of care. (shrink)

Though al-Ghazalı is often superficially compared to Descartes, Ghazalı’s epistemological project echoes—in consonance or dissonance—Augustine’s, warranting a clear exploration of the depths of these echoes. For both Augustine and Ghazalı the epistemological and theological quest starts with an interior turn, and divine illumination provides the tools for and content of knowledge. Both recount skeptical leanings resolved by divine illumination; both employ philosophy as a tool in theological disputes; both see knowledge as dynamic and transformative; and both assert that (...) God’s direct illumination is a necessary precursor to and a final capstone upon knowledge. Ghazalı’s use of illumination is more circumscribed and specified than Augustine’s. I argue that Ghazalı and Augustine take similar approaches to the role of divine illumination and the importance of interiority or the subjective grasp on knowledge, but despite these differences, Ghazalı and Augustine deal distinctly with the question of authority and certitude of knowledge. (shrink)

: Philosophers in the Indian and Western traditions have developed and defended a range of sophisticated accounts of self-awareness. Here, four of these accounts are examined, and the arguments for them are assessed. Theories of self-awareness developed in the two traditions under consideration fall into two broad categories: reflectionist or other-illumination theories and reflexivist or self-illumination theories. Having assessed the main arguments for these theories, it is argued here that while neither reflectionist nor reflexivist theories are adequate as (...) traditionally formulated and defended, the approaches examined here give important insights for the development of amore adequate contemporary account of self-awareness. (shrink)

We all get caught up or stuck in patterns that can be unhelpful and create more suffering for ourselves and others. In yoga philosophy, these patterns are known as the five kleshas-and we're encouraged to work through them in our practice to benefit ourselves and the world. Illuminating our true nature is a wise, practical guide to help us develop a deeper understanding of the kleshas and how they hijack us emotionally. Michelle Johnson also offers us the good news: you (...) can find freedom with an action plan to work through them one-by-one using the tools of asana, pranayama, mudra, mantra, journaling prompts, and meditation. (shrink)

오늘날의 과학기술 문명 하에서 우리는 개인, 가정, 학교, 사회, 국가 수준 모두에서 수시로 무속신앙적 행위나 활동들을 직간접으로 체험하면서 살아간다. 본 연구는 한국 巫俗信仰을 實踐倫理 차원에서 조명하기 위해, 1) 지금까지의 한국 巫俗信仰과 관련된 연구 분야와 동향을 살펴보고, 2) 한국 巫俗信仰이 한국 생활문화 및 종교문화의 원형적 기반이 될 수 있는 근거를 추적하였다. 그리고 3) 한국 巫俗儀禮 중에서도 가장 핵심적인 ‘굿’에 내포되어 있는 원리가 ‘調和’의 원리임을 밝히고, 4) 이것이 개인윤리 및 사회윤리 차원에서 지니는 실천적 의의를 평가하였다. 1)과 2)는 주로 ‘이론적 논의’와 관련되고, 3)과 (...) 4)는 주로 일상생활에서의 ‘실제적 적용’과 관련된다. 우리의 巫俗信仰은 M. Eliade가 설명하는 북방식 샤머니즘의 亞流가 아니라 한반도에서 독자적으로 형성되고 발전한 원시 종교의 형태이며, 더 나아가 3-5세기 경 한반도에 유입된 佛敎, 儒敎, 道敎에 습합되어 현재까지 전승되어 왔다는 점에서 우리의 생활문화 및 종교문화의 원형적 기반이 될 수 있다고 하겠다. 그리고 한국 巫俗信仰에서 시행되고 있는 儀禮 중에서 가장 핵심적인 ‘굿’을 개인 굿과 마을(공동체) 굿으로 구분하고, 양자에서 공통적으로 지향하는 원리가 ‘調和’의 원리임을 밝혔다. ‘굿’에서의 ‘調和’ 원리는 個人倫理 차원에서 개인의 怨恨을 풀어주고 정신을 치유하며, 그리고 社會倫理 차원에서 공동체의 연대와 번영을 촉진하고, 天地人 합일을 통해 세계의 평화적 공존과 생태계 보존에도 기여할 수 있게 한다. 우리의 무속신앙은 現世 祈福的이고, 가족 이기주의적이며, 주술에 의존하고, 운명론적 체념이 강하고, 제도 종교에서 중시하는 초월성과 정신성, 그리고 윤리에서의 자기-부정이 상대적으로 미흡하다는 등의 지적을 받기도 한다. 그럼에도 불구하고, 우리의 일상적 생활문화나 종교문화의 심층부에 엄연히 巫俗信仰의 형태들이 내재하면서 직간접으로 영향을 끼치고 있고, 더욱이 分析的이고 合理的인 가치체계와 행위규범만을 지나치게 추구하는 데서 파생되는 여러 가지 윤리적 문제들을 有機的이고 感性的인 巫俗信仰에서의 ‘調和’ 원리를 통해 보완할 수 있다고 한다면, 巫俗信仰이 지니는 실천적 의의를 긍정적으로 평가할 수 있다고 생각한다. 흔히 西洋 윤리사상의 원류로서 헬레니즘과 헤브라이즘, 東洋 윤리사상의 원류로서 儒家의 孔孟사상이나 道家의 老莊 사상 등을 쉽게 떠올리면서도, 정작 韓國 윤리사상의 원류의 실체를 떠오르기가 쉽지 않은 여건임을 감안한다면, 우리의 고유사상이자 원시종교에 해당하는 巫俗信仰을 더욱 긍정적으로 이해하고 적극적으로 연구하는 자세가 요청된다고 하겠다. (shrink)

Roman B. J. Kwasniewski, a son of Polish immigrants, used his camera to document life in this neighborhood shortly after the turn of the twentieth century. The photographs in this book are representative of the Polish American experience in Milwaukee prior to World War II. Kwasniewski's photographs document this critical time when the children and grandchildren of Milwaukee's Polish immigrants established themselves fully as American citizens. The photographs in this collection depict what life was like in Kwasniewski's Lincoln Avenue/Mitchell Street (...) neighborhood. Many images such as family portraits and wedding pictures are from the time when Kwasniewski operated Park Studio between 1913 and 1947. Kwasniewski also took his camera out into the community to capture scenes of life on the streets, local businesses, homes, classrooms, and cultural, social, and recreational activities. With an introduction by well-known Milwaukee historian John Gurda, this book provides a visual picture of the growth of Milwaukee's second largest ethnic group and the distinctive community that developed on Milwaukee's South Side. (shrink)

The proposal regarding rules and similarity is considered in terms of ability to provide insights regarding previous work on reasoning and categorization. For reasoning, the issue is the relation between this proposal and one-process as well as two-process accounts of deduction and induction. For categorization, the issue is how the proposal would simultaneously explain both similarity-to-rule and rule-to-similarity shifts.

This chapter contains sections titled: Distinguishing Different Kinds of Egalitarianism Equality, Fairness, Luck, and Responsibility Equality of What? The Subsistence Level, Sufficiency, and Compassion Prioritarianism and the Leveling Down Objection19 Equality or Priority? Illustrating Egalitarianism's Distinct Appeal Conclusion Notes.

Views from one of the most original cultural critics of the twentieth century, Walter Benjamin.

This paper provides a structured response to Jingkai Liang’s On Forward Time Travel, focusing on forward time travel paradigms: “stretched-out streaks,” where travelers experience slowed passage of time, and “broken streaks,” representing instantaneous leaps forward. Using the Philosophy of Ethical Empirical Rationalism, we introduce three key insights—termed Hume’s Beacons—to examine continuity of identity, the measurability of time, and the ethical considerations involved in skipping time. Each insight is explored through hypotheses rooted in empirical observation, rational justification, and ethical application, offering (...) Liang a framework for further analysis of forward time travel. Visual models accompany each hypothesis to provide clarity. This paper aims to expand the discourse on temporal metaphysics by grounding theoretical time travel concepts in empirical rationalism and ethical reasoning. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Ancient Drama Illuminated By Contemporary Stagecraft:Some Thoughts on the Use of Mask and Ekkyklēma in Ariane Mnouchkine's Le Dernier CaravansÉrail and Sophocles' AjaxPeter W. MeineckIn July 2005, the Lincoln Center Festival presented Théâtre du Soleil's epic production of Le Dernier Caravansérail, a six-hour performance divided into two parts that articulated the plight of contemporary refugees from predominantly Muslim countries and their attempts to seek refuge in the West. Conceived (...) and created by the French auteur Ariane Mnouchkine, the production split audiences, critics, and commentators. 1 Always controversial, Mnouchkine's bold theatricality and collaborative creative process with her metamorphic Théâtre du Soleil brought a work to New York with a sweeping sense of on-stage dynamics, scenic movement, and visual dexterity that evoked Athenian staging devices of the fifth century b.c.e. and created astute parallels between the ancient and modern stage. Focusing on the use of the mask and the ekkyklēma in the suicide scene of Sophocles' Ajax, I will discuss the ways in which an understanding of the creative process of a contemporary dramatist such as Mnouchkine offers another paradigm for the comprehension of ancient texts.Mnouchkine's connection to the dramatic form of ancient Greece seems, at first sight, to be marked. In 1992 the Brooklyn Academy of Music [End Page 453] presented her version of the myth of the House of Atreus, Les Atrides, where Euripides' Iphigenia at Aulis was staged prior to the three parts of Aeschylus' Oresteia. Rehearsed and refined over several years, Les Atrides ran for over ten hours in the non-traditional space provided by the vast Park Slope Armory in Brooklyn. But Mnouchkine's method was not a recreation of Greek tragic theatre or even an updating to accommodate a contemporary audience; rather, it was a theatrical attempt to discern the nature of one of the great foundation myths of the West and to extrapolate the meaning of the myth as it relates to modern political and social institutions. In a 1990 interview, when Mnouchkine was asked if she drew inspiration from Greek theatre space, she responded, "Not at all! First of all, I wasn't familiar with it, and didn't want to be. I prefer to work by confirmation, to have my work confirmed by documents after the event." 2 Mnouchkine adopted an approach to Greek tragedy that was markedly Brechtian, a process of verfremdung (defamiliarisation), utilizing the dramatic styles of Asian theatre. In the case of Les Atrides, she adapted the Indian Kathakali tradition, which deeply infused the production's impressive choral work. Yet Mnouchkine believed that total alienation was a misnomer; her version of Greek tragedy must not become self-reflective or derisive, or use aesthetic realism to "sterilize" the imagination of the audience. In "translating" the techniques of Asian theatre to distance her audience from their preconceived notions of Greek drama, Mnouchkine may have brought us closer to an understanding of staging ancient theatre in her use of masks, scenic devices, stage machinery, choral delivery, and physical acting techniques. 3Théâtre du Soleil's intensive work in Kabuki, Kathakali, and Commedia (whose origin she also sees in the East) has been influenced by the physical theatre movement encapsulated by artists such as Jacques Lecoq and the expression of the mythic elements of drama inspired by directors like Peter Brook. These elements, combined with a refashioning of some of the fundamental staging traditions inherent in Eastern theatre, have infused Mnouchkine's work with a mise en scene that not only transports her own drama but also can help form a greater appreciation of similar theatrical devices employed by the Athenians. After all, Greek drama was created, first and foremost, as a performative craft; any subsequent [End Page 454] life as a written text was a secondary effect of the presentation of the drama to a live audience in the theatre at one given time and place. With this in mind, what can Le Dernier Caravansérail reveal about a play such as Sophocles' Ajax?Ajax is a good choice for this discussion because the staging issues of the play continue to confound. 4 Ajax... (shrink)

Higher plants must undergo a major developmental switch, the transition to flowering, if they are to successfully complete their life cycle. In many plants, the crucial decision of when to begin to produce flowers is primarily controlled by environmental signals. The process of floral induction involves the integration of the activities of two types of genes: those that control flowering time as a response to the environment as well as an endogenous clock, and those that determine the floral identity of (...) the cells. The first direct link between these two classes of genes has now been demonstrated(1). Forced expression of CONSTANS, a flowering‐time gene, promotes flowering through the transcriptional activation of LEAFY, a flower‐meristem‐identity gene. (shrink)

Illuminated Mirrors and “No Rights” concerns the peregrinations of El Greco, from Crete to Spain, and various influences acquired along the way. The primary argument is that El Greco suffered a double exile: 1/ voluntary exile from Crete; and 2/ involuntary exile from Renaissance art and its humanist biases. As such, much of the art-historical record is a confused and often-doctored record of El Greco’s manufactured persona—i.e., he is not assimilable to the usual categories of art and art history.

Illuminated Mirrors and “No Rights” concerns the peregrinations of El Greco, from Crete to Spain, and various influences acquired along the way. The primary argument is that El Greco suffered a double exile: 1/ voluntary exile from Crete; and 2/ involuntary exile from Renaissance art and its humanist biases. As such, much of the art-historical record is a confused and often-doctored record of El Greco’s manufactured persona—i.e., he is not assimilable to the usual categories of art and art history.

In the profession of nursing, whiteness continues to be deeply rooted because of the uncritical recognition of the white racial domination evident within the ranks of nursing leadership. White privilege is exerted in its ascendency and policy-making within the nursing discipline and in the Eurocentric agenda that commands nursing pedagogy. While attention to antiracism has recently increased, antiracism pedagogy in nursing education is nascent. Pedagogical approaches in the nursing profession are essential. Because it encompasses the strategies used to transmit the (...) science in how nurses practice and teach, which has predominantly been informed using a Eurocentric lens. This paper presents a literature review on antiracist pedagogy in nursing education, discussing how nurse educators can integrate antiracism pedagogy in nursing education, highlighting examples presented by the authors. Key terms related to antiracism are reviewed. The resultant themes from the literature review include resistance to antiracist pedagogy, managing emotional responses, and supporting transformative learning using an antiracist approach. The primary implementation of Eurocentric pedagogical approaches whiteness pervasive in nursing education must be uprooted. Antiracist and other antioppressive learning approaches must be embraced to understand the insidiousness of racial inequities and its power in sustaining structural oppression in nursing academia. (shrink)

God revealed to man during the history of his salvation in two ways: through word and through image. In other words, the divine message was addressed to the hearing and seeing of man. In the second case, revelation was achieved in a complete form. Man was part of a theophanic act, he was enveloped by the divine light and with the help of his spiritual eyes he was able to see, as much as it was permitted, God who is light. (...) This light was not completely strange to man, even though he could not see it with his physical eyes. The uncreated light that God made even from the first day of creation did not disappear when the great light were put in the sky. It had the purpose to arrange creation and to be the environment within which man could meet God and talk to Him face to face. Even though the fall took man out of sight, God established that from time to time this bright environment should be revealed to man in order to call him back to the life within light. These presentations of the Lord in the light of His glory continued after His incarnation. The mystical experiences of the Fathers of the Church constitute a testimony to this respect. But seeing this divine light is not reserved exclusively to the mystics, but may be experienced, partly, by the faithful nowadays. The present study endeavours to provide contemporary man with the necessary premises to experience the sight of the deifying light by means of religious imagery. Whether we have in view icons painted on wood or walls or stained glass imagery, they all contain, hidden within, the kind of light which, once experienced, illuminates man and fills him with light. (shrink)

The illumination of African philosophy offered in this volume leads to the illumination of philosophy in general. Illuminating arises as an essential task of philosophy, whether African or not. What is illuminated is not already there, but is constituted at the moment of illumination. This book invites the reader to participate in the illuminating work of philosophy and necessarily, thereby, to contribute to his or her own self-constituting self-illumination. Although the focus is on African philosophy, the (...) book also bridges the gap between African philosophy and other branches. Today more than ever, a bridging philosophy is called for, and this book helps to meet that need. This book poses philosophical questions such as who is an African and what Africa is, and seeks philosophical answers. In doing so, it contributes to the ongoing discourse on African philosophy. It addresses such issues as the African grounding of philosophy, the difference between African and Black philosophy, the African body, African art as expressed in and by Chiwara, the plight of African trees as the plight of Africans, and the symbolic meaning of Robben Island. (shrink)

ArgumentTalk of “reason” and “rationality” has been perennial in the philosophy and sciences of the European, Latin tradition since antiquity. But the use of these terms in the early-modern period has left especial marks on the specialties and disciplines that emerged as components of “science” in the modern world. By examining discussions by seventeenth-century philosophers, including natural philosophers such as Descartes, Pascal, and Hobbes, the practical meanings of, specifically, inferential reasoning can be seen as reducing, for most, to intellectual processes (...) deriving from foundations that required intuitional insight that was owing to God. Mechanical reasoning, or artificial intelligence, was a contradiction in terms for such as Pascal, whose views of his own arithmetical machine illustrate the issue well. Hobbes’ analysis of reason, however, replaced the ineffable authority of God with the authority of the civil power, to reveal the social reality of “reason” as nothing other than authorized judgment. (shrink)

This paper explores two different but intimately linked concepts. First, there is "reciprocal illumination," or the relation of interdependence of the object of knowledge and its subject. Second is the "irreversibility" which characterizes the process of applying constitutive rules, which causes institutional facts to become facts, and to be even stricter and more epistemologically constant than brute facts.

Throughout 1994 remarkable progress was made with molecular and genetic studies on signal transduction pathways of photomorphogenesis, the lightdependent development of plants. Analysis of Arabidopsis DET and COP genes suggests that they are involved in suppression of photomorphogenic development in the dark and that this is then reversed by light. Studies with COP1 indicate that this is achieved by redistribution of COP1 from the nucleus, in the dark, to the cytosol in the light(1). Overexpression of COP1 in the light, however, (...) was able to partially suppress photomorphogenic development, confirming its role as a light‐inactivatable repressor(2). Evidence also suggests that some of the COP gene products may interact directly to form a large complex(3). (shrink)

Examining the Danish poultry industry in a time of rising outbreaks of infectious disease (the so-called ‘pandemic era’) including avian influenza, this study documents the often-unseen harms resulting from current dominant forms of response. Inspired by multispecies studies and ethnography, we pay attention to entangled human and more-than-human worlds. Specifically, we document the multifarious ways in which responses to worsening avian influenza alter the everyday lives of birds in production, their farmers, and public veterinarians. We also show how such changes (...) are distributed in ways that further slant the playing field against smaller scale and organic poultry production, under the hegemony of globalized capitalist agriculture. Throughout, we shed light on the analytical purchase of two key concepts in feminist scholarship and science and technology studies respectively: care and repair. While understood as integral to human and more-than-human wellbeing, care’s tendency to summon pleasant associations is challenged by the reality of embodied care practices in complex and compromised socio-ecological contexts. Repair has been wielded conceptually to interrogate activities that stabilize systems at risk, while largely ignoring or even exacerbating the drivers of instability. Mobilized together, we can better understand how hegemonic logics delimit possibilities for care, but also the limits and limitations of dominant response repertoires. Finally, we illuminate farming practices of care beyond repair, which may help chart alternatives for Danish agriculture within, and perhaps beyond, the pandemic era. (shrink)

This chapter shows that Augustine’s “divine illumination theory of knowledge” is merely his belief that the human mind is capable of intellectual cognition because it naturally “participates” in the Divine Mind, as its image. Consequently, Bonaventure's and Gilson's claim that Augustine thought the human mind must be enlightened by special divine assistance in ordinary (non-mystical) intellectual cognition is erroneous. That is true of the whole of Augustine's writing career: earlier works such as On the Teacher and the Confessions agree (...) with his presentation in On the Trinity 12. This resolution of a long-standing debate about how to interpret Augustine becomes possible when we pay careful attention to the ancient philosophical problems “illumination” is meant to resolve, and when we use Plotinus and the early Christian Neoplatonist Marius Victorinus to interpret his vocabulary and claims. The recovery of this late antique context greatly clarifies Augustine’s epistemological theory and reveals its explanatory power. For the Plotinian basis of the account is a synthesis of Aristotelian and Platonic elements that can explain why our minds are uniquely suited to abstracting intelligibility from sensory data, and how they do so. (shrink)

Margaret Cohen's encounter with Walter Benjamin, one of the twentieth century's most influential cultural and literary critics, has produced a radically new reading of surrealist thought and practice. Cohen analyzes the links between Breton's surrealist fusion of psychoanalysis and Marxism and Benjamin's post-Enlightenment challenge to Marxist theory. She argues that Breton's surrealist Marxism played a formative role in shaping postwar French intellectual life and is of continued relevance to the contemporary intellectual scene.

In lieu of an abstract, here is a brief excerpt of the content:Contemporary IlluminationsReading Donne's "A Nocturnall upon S. Lucies Day through Three Twenty-First-Century PoemsTheresa M. DipasqualeIn his contribution to the 2017 volume John Donne and Contemporary Poetry, edited by Judith Scherer Herz, Jonathan F. S. Post explores "a nearly endless landscape of comparisons and contrasts" that unfolds between Stephen Edgar's 2008 poem "Nocturnal" and Donne's "A nocturnall upon S. Lucies day, Being the shortest day."1 Post's essay illuminates what Calvin (...) Bedient, in the same volume, calls the "great glacier-gloom" of Donne's "Nocturnall," its devastated "solemnity."2 In doing so, Post renders largely moot many questions that have preoccupied critics of Donne's poem: whether or how this poem reflects Donne's experience; whether the woman lamented by the speaker is a fiction or a historical person lamented by the poet; and if the latter, whether the poem mourns the 1617 death of John Donne's wife, Anne More Donne; the 1627 death of Donne's patroness Lucy, Countess of Bedford; or the Countess' near-fatal illness in 1612–13.3 These biographical and historical questions are not without value, but they draw the critic's attention away from more compelling questions regarding the "I" of the poem—a persona who claims not to be a person at all, but an inscription, a grave, "A quintessence" derived or "expresse[d]/... even from nothingnesse."4In this article, I widen and intensify the pool of light cast on Donne's "Nocturnall" by Post's presentist and intertextual analysis of Edgar's poem, examining three of the many other twenty-first-century poems that tap into Donne's poem, allude to it, quote it, adopt its structure, or respond to the anguish it expresses.5 Each of the three I discuss is [End Page 1] luminous in its own right but also a potent critical response to Donne's five-stanza poem. Each teaches something different about Donne's lyric. The poets whose work I consider—Liz Lochhead, Jay Wright, and Meena Alexander—all address twenty-first-century concerns; they grapple with questions and sorrows beyond the scope of Donne's conscious imagining yet latent in his poem. Each picks up where critics leave off when they "assume," as Alison R. Rieke notes, "that the speaker... is a husband or lover, possibly Donne, who experiences grief upon his wife's or mistress' death."6 Each takes up the challenge that Donne's persona issues when it denies that it is either "a man" (30) or any other living thing.In the first stanza of "A Nocturnall upon S. Lucies Day," this anti-persona observes that "all" other things around it are "Dead and enterr'd" and "yet" that "all these seeme to laugh, / Compar'd with mee, who am their Epitaph" (8–9). If it is an incised text rather than a human being, the poem's "mee" can no more speak than laugh; it is as silent as the grave it marks or as the dead flesh interred there. Indeed, it goes on to claim that it is "every dead thing" and that love's alchemical "art" has "expresse[d] / A quintessence even from" this mass of nonliving objects, this "nothingnesse" (12, 14–15). Struggling to define its anti-essential essence, it declares itself a mass burial site: "I, by loves limbecke, am the grave / Of all, that's nothing" (21–22). An epitaph, dead things, nothingness, a grave: all these are silent. And yet, in Donne's poem, they strenuously assert their nonbeing; they pulse with a paradoxically audible sense of self. After "Compar'd with mee" in the final line of the opening stanza, the reader encounters sixteen additional instances of the first-person singular in the poem's forty-five lines: "my" appears once, "mee" five times, and "I" eleven times. And the "I" issues a directive to readers: commanding, in the opening line of stanza 2, "Study me then, you who shall lovers bee" (10). But those who obey this order, making themselves students of the poem's inscribed nothingness, find themselves dismissed in the poem's final stanza. Having insisted that its "Sunne" will never "renew... (shrink)

Even though considerable resources have been allocated to the study of obesity, there is no consensus on its definition, causes, or solutions. Amidst ongoing debates over understandings of obesity, Obesity Canada (OC) was established to enhance the quality of life of Canadians with obesity through the advancement of anti-discrimination, policy change, and obesity prevention and treatment. Drawing upon a transdisciplinary social justice framework, we use critical thematic analysis to examine the OC website, which is the organization’s primary knowledge mobilization platform. (...) We will address the following research question: To what extent does OC serve social justice goals that promote the best interests of larger people? We argue that the social justice potential of OC ultimately falls short and conclude with some recommendations on how the site content could be enhanced with social justice principles. (shrink)

Takes an original approach to reading Augustine's theory of divine illumination and shows how the theory was transformed and reinterpreted in medieval ...

The paper aims to relocate Bonaventure within the paradigm shift towards the Aristotelian conception of philosophy, which also had a deep impact on theology.But the standard narratives of a mere antagonism overlook to what extend the meeting of both the Aristotelian and the Augustinian tradition led to a mutualinfluence and transformation. This is especially true in epistemological matters, as I will show in this paper dealing with the central question of the foundation ofknowledge and its certainty. The paper focusses on (...) three topics: the rationes aeternae, illumination and exemplarism, and analysis (reductio) vis-à-vis the question of the first known. While Bonaventure’s claim for a foundation of our understanding based on natural reasoning goes beyond the Aristotelian standard model, he also displays the critical attitude of the Augustinian epistemology with respect to natural human understanding, which reveals the boundaries of philosophical wisdom. His epistemological criticism leads to a fundamental critique of a metaphysics of the Aristotelian type from the point of view of an exemplaristic metaphysics, which goes hand in hand with a renewed concept of a sapientia christiana. (shrink)