The object of the present work is to rectify the neglect that pleasure and displeasure have been suffering from in the philosophy of mind, and to give an account of pleasure and displeasure which reveals a striking degree of unity and theoretical tractabiliy underlying the diverse phenomena: a representationalist account.

Globally, there are calls to increase physical activity levels in relatively sedentary populations, including via physical activity programmes, often targeted at those body-selves deemed at risk of ‘sedentariness’. Despite the salience of sensory pleasures and displeasures in engagement with (and abandonment of) these programmes, the sensory, embodied experiences of participation remain under-researched. Here, we draw on findings from a two-year ethnographic study of a national programme in Wales, which used the aesthetic attractions of ‘natural’ outdoor environments to encourage and sustain (...) physical activity. Employing insights from phenomenological sociology, we explore the programme participants’ (n=146) lived experiences, analysed via a phenomenological lens, cohering around a panoply of sensory pleasures and displeasures, and somatic learning that is shaped and reshaped by weather encounters. (shrink)

Pleasure and displeasure are phenomena so familiar that there seems no need for a summary of everyday knowledge of them. This chapter describes the folk psychology of hedonic tone and the evidence on neuroscience of pleasure. In addition, the four incorrect theories of pleasure are shown. It also provides the three brief arguments to defend the thesis that pleasure and displeasure are distinctive types of conscious events rather than behavioral styles. Moreover, a representational theory of pleasure and the (...) objections to the theory are discussed. Lastly, pleasure and theories of desire are explained. (shrink)

Listening effort helps explain why people who are hard of hearing are prone to fatigue and social withdrawal. However, a one-factor model that cites only effort due to hardness of hearing is insufficient as there are many who lead happy lives despite their disability. This paper explores other contributory factors, in particular motivational arousal and pleasure. The theory of rational motivational arousal predicts that some people forego listening comprehension because they believe it to be impossible and hence worth no effort (...) at all. This is problematic. Why should the listening task be rated this way, given the availability of aids that reduce its difficulty? Two additional factors narrow the explanatory gap. First, we separate the listening task from the benefit derived as a consequence. The latter is temporally more distant, and is discounted as a result. The second factor is displeasure attributed to the listening task, which increases listening cost. Many who are hard of hearing enjoy social interaction. In such cases, the actual activity of listening is a benefit, not a cost. These people also reap the benefits of listening, but do not have to balance these against the displeasure of the task. It is suggested that if motivational harmony can be induced by training in somebody who is hard of hearing, then the obstacle to motivational arousal would be removed. This suggests a modified goal for health care professionals. Don’t just teach those who are hard of hearing how to use hearing assistance devices. Teach them how to do so with pleasure and enjoyment . (shrink)

Pleasure is more than a mere sensory event, but rather it can be conceptualized as a complex, multiform experience involving memory, motivation, homeostasis, and, sometimes, negative affects. According to Freud, affect is a perceptual modality that registers the internal drive state of the subject rather than the objective experience of the external world, and the quality of this perceptual modality is calibrated in degrees of pleasure and displeasure. Within this conceptual framework, the aim of drive is always pleasure, and (...) objects become significant in so far as they provide a way of discharging drives pressure. Subsequent conceptual psychoanalytic developments have partially rejected such metapsychological theorizations, postulating that other intrinsic motivations that are independent from libido can be observed in humans. Intrinsic motivation broadly refers to a set of psychological concepts including the inherent propensity to pursue one’s choices, to seek out novelty and challenges, to satisfy curiosity and competence, and to extend one’s capacities and control over events. What these concepts have in common is an inner endorsement of one’s action, which is the sense that action is self-generated and is one’s own. The notions of pleasure, drives, and affects are all of utmost importance for a neuropsychoanalytic understanding of mental functioning, due to their capability to explain desire, thought, and behavior from the perspective of human subjective experience. The purpose of this paper is thus to discuss psychoanalytic conceptual developments that have addressed pleasure, drives, and affects, in the light of recent findings coming from neurosciences. In particular, we will explore for insights from Panksepp’s theory of primary-process emotional feelings, including the notion of “wanting” and “liking” as dissociable components of reward. In the last part of the paper, we will indicate possible theoretical implications for a neuropsychoanalytic understanding of libido-independent intrinsic motivations and their relationship with the self, including neuroscientific observations on self-related processes, agency, body-ownerships, and attachment. (shrink)

To desire something is a condition familiar to everyone. It is uncontroversial that desiring has something to do with motivation, something to do with pleasure, and something to do with reward. Call these "the three faces of desire." The standard philosophical theory at present holds that the motivational face of desire presents its unique essence--to desire a state of affairs is to be disposed to act so as to bring it about. A familiar but less standard account holds the hedonic (...) face of desire to reveal to true nature of desire. In this view, to desire something is to tend to pleasure if it seems that the desired state of affairs has been achieved, or displeasure if it seems otherwise, thus tying desire to feelings instead of actions. In Three Faces of Desire, Schroeder goes beyond actions and feelings to advance a novel and controversial theory of desire that puts the focus on desire's neglected face, reward. Informed by contemporary science as much as by the philosophical tradition, Three Faces of Desire discusses recent scientific discoveries that tell us much about the way that actions and feelings are produced in the brain. In particular, recent experiments reveal that a distinctive system is responsible for promoting action, on the one hand, and causing feelings of pleasure and displeasure, on the other. This system, the brain's reward system, is the causal origin of both action and feeling, and is the key to understanding the nature of desire. (shrink)

In this commentary, I briefly present in chronological order several historical developments which can explain some of the confusions with respect to arousal that have become entrenched in the contemporary debate. These historical developments include: Immanuel Kant's eighteenth-century division of the affects into sthenic vs. asthenic; the emergence of modern conceptions of pleasure and displeasure in the West; the nineteenth-century alignment of pleasure and displeasure with “sthenic” and “asthenic” in psycho-physiology; the early-twentieth-century disruption of this nineteenth-century alignment; the (...) establishment of a new-physiological order of emotions; and the emergence of “emotional excitement” as the new feeling of the new emotion order of physiology. (shrink)

Why is pain bad? The most straightforward theory of pain's badness,dolorism, appeals to the phenomenal quality of displeasure. In spite of its explanatory appeal, the view is too straightforward to capture two central puzzles, namely pain that is enjoyed and pain that is not painful. These cases can be captured byconditionalism, which makes the badness of displeasure conditional on an agent's attitude. But conditionalism fails where dolorism succeeds with explanatory appeal. A new approach is proposed,reverse conditionalism, which maintains (...) the explanatory appeal of dolorism, but gives attitudes a value-defeating role. It is argued that this view does best in fulfilling the desiderata and capturing the cases. (shrink)

At the heart of ethics reside the concepts of good and bad; they are at work when we assess whether a person is virtuous or vicious, an act right or wrong, a decision defensible or indefensible, a goal desirable or undesirable. But there are many varieties of goodness and badness. At their core lie intrinsic goodness and badness, the sort of value that something has for its own sake. It is in virtue of intrinsic value that other types of value (...) may be understood, and hence that we can begin to come to terms with questions of virtue and vice, right and wrong, and so on. This book investigates the nature of intrinsic value: just what it is for something to be valuable for its own sake, just what sort of thing can have such value, just how such a value is to be computed. In the final chapter, the fruits of this investigation are applied to a discussion of pleasure, pain, and displeasure and also of moral virtue and vice, in order to determine just what value lies within these phenomena. (shrink)

Olga Plümacher (1839–1895) published a book entitled Der Pessimismus in Vergangenheit und Gegenwart in 1884. It was an influential book: Nietzsche owned a copy, and there are clear cases where he borrowed phraseology from Plümacher. Plümacher specifies philosophical pessimism as comprising two propositions: ‘The sum of displeasure outweighs the sum of pleasure’ and ‘Consequently the non-being of the world would be better than its being’. Plümacher cites Schopenhauer as the first proponent of this position, and Eduard von Hartmann as (...) the thinker who has developed it to its fullest potential. She heavily criticizes Schopenhauer in many respects, not for being a pessimist, but rather for not achieving as good a pessimism as he might have done, on the following major grounds: that his account of pleasure as merely privative is implausible, that he has a confused account of individuation, that his retention of a Christian notion of guilt is gratuitous, that he lapses into the self-pitying subjectivity of the condition she calls Weltschmerz, and that his philosophy leads to quietism, and is thus inferior to von Hartmann’s combination of pessimism and optimism, which allows for social progress. (shrink)

The theory of emotions as affective position-takings (PT) is investigated from the perspective of a computational model of the belief-desire theory of emotions (CBDTE) proposed by the author. Both theories assume that a core subset of typical emotion episodes are the products of an evaluation process in which cognized states of affairs are evaluated for their congruence with the person's desires; and that emotions are, on the conscious level, feelings of pleasure and displeasure. However, according to PT the evaluation (...) is a concern-based construal and emotional feelings are intrinsically object-directed, whereas according to CBDTE, the evaluation is performed by a hardwired mechanism that produces nonintentional feelings. Furthermore, CBDTE suggests that hedonic feelings are simultaneously reactions to the detection of value, and representations of the detected value. (shrink)

So just what Dante scorns as unworthy alike of heaven and hell, Botticelli accepts, that middle world in which men take no side in great conflicts, and decide no great causes, and make great refusals.In what follows, I examine a notion of desire that, I shall claim, is implicit in Immanuel Kant's theorization of aesthetic judgment in the Critique of Judgment.1 At first, this undertaking is likely to seem misguided. After all, Kant grounds his attempt to provide an a priori (...) foundation for judgment on the tripartite distinction between the faculty of cognition, the feeling of pleasure and displeasure, and the faculty of desire. Only the second of the three pertains to aesthetic judgment; and it... (shrink)

Do usual commercials elicit the full spectrum of emotions? For this perspective paper, we posit that they do not. Concepts and measures related to the adaptive functions and well-being areas of emotion research cannot simply be transferred for use in advertising research. When a commercial elicits emotions, the emotions staged in the commercial must not be directly associated with the emotions felt by consumers when exposed to those commercials. This is why “aesthetic” emotions seem more appropriate than “utilitarian” emotions in (...) advertising research, with the former generally felt more significantly than they are acted upon. Aesthetic emotions elicit limited physiological change, and they rely on the intrinsic pleasantness appraisal of commercials. Accordingly, pleasure and displeasure—as observed through expressive and subjective components of aesthetic emotion—often form the first and only step of commercial appraisal, and they are directed toward attitude formation rather than overt behaviors. Our preliminary psychophysiological study shows this by investigating the contributions of psychophysiological and self-reported measures of aesthetic emotions induced by commercials to explain attitudes toward advertisements. The results show that only two components of aesthetic emotion positively influenced attitudes toward the advertisements: expressive (measured by facial electromyography) and subjective (measured by the self-assessment manikin scale). Also, the subjective component of aesthetic emotion partially mediates the effects of the expressive components on attitudes toward the ads. Our exploratory study illustrates the relevance of focusing on aesthetic emotions in advertising research. It also shed new light on the contributions of the physiological, expressive, and subjective feelings components of aesthetic emotions in advertising effectiveness. (shrink)

Successfully navigating the norms of a society is a complex task that involves recognizing diverse kinds of rules as well as the relative weight attached to them. In the United States, different kinds of rules—federal statutes and regulations, scientific norms, and professional ideals—guide the work of researchers. Penalties for violating these different kinds of rules and norms can range from the displeasure of peers to criminal sanctions. We proposed that it would be more difficult for researchers working in the (...) U.S. who were born in other nations to distinguish the seriousness of violating rules across diverse domains. We administered a new measure, the evaluating rules in science task, to National Institutes of Health-funded investigators. The ERST assessed perceptions of the seriousness of violating research regulations, norms, and ideals, and allowed us to calculate the degree to which researchers distinguished between the seriousness of each rule category. The ERST also assessed researchers’ predictions of the seriousness that research integrity officers would assign to the rules. We compared researchers’ predictions to the seriousness ratings of 112 RIOs working at U.S. research-intensive universities. U.S.-born researchers were significantly better at distinguishing between the seriousness of violating federal research regulations and violating ideals of science, and they were more accurate in their predictions of the views of RIOs. Acculturation to the U.S. moderated the effects of nationality on accuracy. We discuss the implications of these findings in terms of future research and education. (shrink)

In this paper, I take Philip Rossi’s robust interpretation of critique as an interpretive guide for thinking generally about how to interpret Kant’s texts. I reflect first upon what might appear to be a minor technical issue: how best to translate the term Fähigheit when Kant utilizes it in reference to the human experience of pleasure and displeasure. Reflection upon this technical issue will, however, end up being a case study in how important it is when we are interpreting (...) Kant’s texts to have Rossi’s focus on human finitude in the background. The terrain for these reflections on human finitude will be the realm of feelings of pleasure and displeasure. And the result will be that, counter to recent interpreters, like Elizondo, who have suggested that Kant could welcome a thoroughly active conception of rational feeling, we must instead, as guided by Kant’s commitment to human finitude, remember that every feeling for Kant—even the most rational of feelings, like the moral feeling of respect, or the pleasure he notes that we take in the proper functioning of one’s virtuous rational self—must be understood within the purview and constraints of the finite and sensibly-affected human being. I hope, then, that this brief reflection can be taken as one small piece of that larger story Rossi so aptly describes in his book, the story which answers the question of “What is critique?” in a way that insists upon but also simultaneously celebrates the centrality of finitude in human existence. (shrink)

A reading of Kant’s viewpoint on objectivity is suggested that finds inspiration in the second part of the third Critique, on living systems. It develops the idea that the need to articulate the distinction between objectivity and subjectivity only emerges to the extent that something resists the anticipative procedures of a living, actively engaged being. The possibility of objective knowledge, so it is argued, rests on the possibility of developing an adequate orientation in a phenomenal world, i.e., the possibility of (...) actively distinguishing an “outside” from an “inside”—this not on the basis of an a priori principle, but by taking into account the punctual resistances and disappointments that appear within contingent encounters leading to pleasure and displeasure. We consider negation as a constitutive factor in the emergence of this very basic distinction, as well as in more elaborate and complex differentiations between objectivity and subjectivity. (shrink)

Contrary to common assumptions, appeals to rewards and punishments play a central role in Scripture. We find these appeals in both the Old and New Testaments, and in every major biblical genre. Moreover, these appeals almost always presuppose that the one addressed by a promise, threat, or inducement will respond out of some self‐referential desire to enjoy something good or to avoid an evil. Similarly, they take for granted that such desires provide legitimate motives for obedience or fidelity. In short, (...) appeals to rewards and punishments, with their implied endorsement of a kind of self‐referential desire, play a central part in scriptural depictions of the divine‐human relationship. They strongly suggest that men and women naturally and properly expect good things from their Creator, and fear the consequences of divine displeasure. These observations do not necessarily commit us to some version of eudaimonism. Nonetheless, eudaimonism, considered broadly as a positive normative perspective on happiness, will always be relevant to Christian ethics, insofar as it offers starting points and theoretical tools for addressing unavoidable theological questions. (shrink)

The current article discusses the distinction between affective valence—the degree to which an affective response represents pleasure or displeasure—and semantic valence, the degree to which an object or event is considered positive or negative. To date, measures that reflect positivity and negativity are usually placed under the same conceptual umbrella (e.g., valence, affective, emotional), with minimal distinction between the modes of valence they reflect. Recent work suggests that what might seem to reflect a monolithic structure of valence has at (...) least two different, confounding underlying sources, affective and semantic, that are fundamentally distinct, dissociable, and that obey different, recognizable rules. The current work discusses this distinction and provides implications for affective science from both the theoretical and the empirical perspective. (shrink)

Kant and the Unity of Reason is a comprehensive reconstruction and a detailed analysis of Kant's Critique of Judgment. In the light of the third Critique, the book offers a final inter­pretation of the critical project as a whole. It proposes a new reading of Kant's notion of human experience in which domains, as different as knowledge, morality, and the experience of beauty and life, are finally viewed in a unified perspective. The book proposes a reading of Kant's critical project (...) as one of the most sophisticated attempts in the history of philosophy to articulate a complex notion of human "sensi­bility" as an alternative to both eighteenth-century empiricism and rationalism. The fun­damental contribution of rationality to human experience cannot be fully appreciated if the sensuous component of experience is not adequately taken into account. For Kant, "sensibility" includes functions as different as sensation, intuition, perception, emotion, passion, drive, moral feeling, and feeling of pleasure and displeasure. Kant's idea of "reflective" judgment is the peculiar discovery of the third Critique. Re­flective judgment articulates the interplay between sensibility and rationality, the world of nature and the human mind, in order to constitute human experience and the sphere of human intersubjective relationships. In the act of reflection, Kant's philosophy fi­nally comes to reflect upon itself and the meaning of its critical endeavor. (shrink)

Unlike Yiddish (_fargin_) and Sanskrit (_muditā_), English has no single word to describe the practice of sharing someone else’s joy at their success. Sympathetic joy has also escaped attention in philosophy. We are familiar with schadenfreude, begrudging, envy, jealousy, and other terms describing either (a) pleasure at someone else’s misfortune or (b) displeasure at someone else’s good fortune. But what, exactly, is sympathetic joy? I argue that it is a short-term or long-term feeling of great delight at another’s good (...) fortune, requiring no more than minimal understanding of the relevant person and event. It is intensified relative to understanding, sharing, and positive disposal. It is importantly different from empathetic emotions and also from vicarious pride. It may be group-directed. Empirical research suggests it occurs fairly often, activates the brain in the same way as does sympathetic sadness, and may increase our well-being. It is primarily not a reactive attitude (an emotional reaction to good or bad will), but, rather, a sign of good will toward another. (shrink)

A lot of qualitatively very different sensations can be pleasant or unpleasant. The Felt-Quality Views that conceive of sensory affect as having an introspectively available common phenomenology or qualitative character face the “heterogeneity problem” of specifying what that qualitative common phenomenology is. In contrast, according to the Attitudinal Views, what is common to all pleasant or unpleasant sensations is that they are all “wanted” or “unwanted” in a certain sort of way. The commonality is explained not on the basis of (...) phenomenology but by a common mental, usually some sort of conative, attitude toward the sensation. Here I criticize both views and offer an alternative framework that combines what is right in both while avoiding their unintuitive commitments. The result is the reductive (psychofunctionalist) adverbial sensory modification view of pleasure and displeasure. (shrink)

A survey of Kant's philosophical writings reveals an ongoing concern with the problem of moral motivation. The problem is expressed thusly: How can a judgment of the understanding provide a motive sufficient to move the will to an action? ;Kant provides one line of argument in his formal writings on moral theory. The feeling of respect that follows from the recognition of the nobility of the universal moral law provides the motivation or incentive. Through this feeling we are aware that (...) we are beings that belong to an intelligible world that is independent of the mechanism of the sensible world. We are made aware of a higher, supersensible vocation and thus the sublimity of our own nature. ;There is another line of argument, however. A survey of Kant's philosophical writings also reveals a connection between the moral and the aesthetic. In the second Critique duty is called sublime; in his lectures on Ethics from the mid-1760's the feeling that results from free moral action is described as beautiful or sublime. In the Observations on the Feeling of the Beautiful and the Sublime the sublime is described as a "finer" feeling that moves us as we see the dignity of our own nature displayed in presentations of virtue. In the Critique of Judgment the feeling of the sublime is an experience that makes us aware of our supersensible vocation. Awareness of our supersensible nature through the feeling of pleasure and displeasure provides additional moral motivation and supports the incentive provided by the cognitive faculty's formulation of the moral law. ;A survey of Kant's philosophical writings and especially the unpublished lectures on Ethics, Logic and Metaphysics reveals a continuity in Kant's thought in terms of the relation between the moral and the aesthetic and in terms of concern with the problem of moral motivation. The third Critique was intended as the "keystone of the critical arch," but Kant apparently was not satisfied. The Opus postumum reveals the unity Kant was seeking: the supersensible and the sensible are united in the human person through the feeling of pleasure and displeasure. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Philosophy, Psychiatry, & Psychology 12.3 (2005) 195-198 [Access article in PDF] Implicit and Explicit Temporality Thomas Fuchs Keywords implicit/explicit temporality, embodiment, intersubjectivity, desynchronization, melancholia, schizophrenia Since Minkowski (1970), Strauss (1966), v. Gebsattel (1954), and Tellenbach (1980), temporality has been a main subject of phenomenological psychiatry. Drawing on philosophical concepts of Bergson, Husserl, and Heidegger, these authors have analyzed psychopathologic deviations of time experience, mainly from an individual point of (...) view, for example, as a slowing down or inhibition of lived time in depression or obsessive–compulsive disorder. Their analyses are still most valuable today, but may be carried further by introducing concepts such as embodied and intersubjective temporality into psychopathology. Martin Wyllie (2005), by opening up a wide scope of temporal phenomena and related concepts, makes a laudable effort to contribute to such a progress.In my commentary, I would like to propose a distinction that is suggested by much of Wyllie's analysis and may shed further light on psychopathology, namely between implicit and explicit temporality. If we look at a child while obliviously playing with his toys, lost to the world, we may assume that there is no sense of the time passing. Lived time runs with the movement of life, implicit in the child's experience of being engaged in his play and directed toward his goals. It "unfolds through the processes of bodily activity" (Wyllie 2005). Future and past do not stand out against the pure presence of "becoming." This implicit mode of temporality is retrieved every time that we are absorbed in what we are doing, and may even reach the climax of "flow experiences" (Csikszentmihalyi 1988) where the sense of time is lost in unimpeded, fluent performance.However, this changes when a gap arises between need and satisfaction, desire and fulfillment, or plan and execution. Now the future appears as a "not yet" or "yet to come," experienced as the temporality of awaiting, striving, or longing for. Time is felt as passing by and refusing the desired fulfillment; it becomes conscious or explicit. A similar gap arises between the present and something irretrievably lost, bringing the past to consciousness as a "no more." Again time is experienced explicitly, but now as moving on relentlessly and separating us from the lost object. The gap to the past may not be bridged any more: this is the temporality of missing or mourning. In both cases, explicit time arises as a negation of implicit or lived time (here my use of the term is a bit divergent from Wyllie's); it is experienced as a "not yet" or "no more," often with a component of displeasure or suffering (Fuchs 2001a, 2003)."Implicit" versus "explicit time" thus come near to another distinction well known in phenomenology, namely between the "lived" and [End Page 195] the "corporal body" (Leib versus Koerper). The first term refers to the body functioning in the tacit mode, as the medium of everyday performance. The second term points to the body as turning into the object of attention, for example, when it puts up resistance to our purposes, or is used as an instrument deliberately (Fuchs 2001b). In fact, implicit temporality and tacit performance of the body are nearly synonymous: Lived time may be regarded as a function of the lived body, opened up by its potentiality and capability. The more we are engaged in our tasks, the more we forget time as well as the body; we are, as it were, "inside time." On the other hand, in explicit temporality the body often appears in the corporal or explicit mode as well. For example, when falling ill, we experience our body no more as a tacit medium but rather as an object or obstacle, while we notice the slowing down of time and may even feel excluded from the movement of life. Thus, embodiment and temporality have a parallel background–foreground structure.I now try to carry these considerations further by including the intersubjective dimension of time. In an earlier paper, I describe the attunement of the living being to its environment as a continuous synchronization on the biological as... (shrink)

Put briefly: perhaps the entire evolution of the spirit is a question of the body; it is the history of the development of a higher body that emerges into our sensibility. The organic is rising to yet higher levels. Our lust for knowledge of nature is a means through which the body desires to perfect itself. Or rather: hundreds of thousands of experiments are made to change the nourishment, the mode of living and of dwelling in the body; consciousness and (...) evaluations in the body, all kinds of pleasure and displeasure, are signs of these changes and experiments. In the long run, it is not a question of man at all: he is to be overcome (Nietzsche 1967: 358). (shrink)

A correct understanding of what Freud means by “pleasure” and what he thinks of the possible ways to obtain pleasure requires an examination of his conceptions of the drive and of the libidinal body. Both theories are built on a variety of traditional philosophical views, the examination of which can help to overcome some of their obscurities. The reference to Leibniz and his Aristotelian understanding of the relation between pleasure and the force (vis activa) which animates the substance and maintains (...) it in constant movement allows an account of what in the drive preserves it from total exhaustion and a consequent reversal of pleasure into displeasure. Similarly, an examination of Schopenhauer's conception of the human body clarifies what Freud says about the “pleasure of the organ”. The necessity for the drive to invest a body is given thereby a metaphysical foundation. Furthermore Schopenhauer's phenomenological description of the manner in which this driven body is experienced differently in the affect of pleasure or displeasure, and in an objective representation sheds new light on the relation between the libidinal body and the objective body. (shrink)

There have been some studies about spoken natural language dialog,and most of them have successfully been developed within the speci ed task domains. However,current human-computer interfaces only get the data to process their programs.If the dialog processing has emotion comprehensive faculties, it should lead us to more human-like performance.In this paper,we present a method for constructing an emotion-handling dialog system in order to facilitate more confortable interaction with the users. We describe how to calculate emotions from the utterances,focusing on the (...) similarities between the grammar structures and the semantic structures within the case frame.We made emotion generating calculationsto generate pleasure/displeasure emotion from an event.We also calculate the degree of the pleasure/displeasure from an opposite angle's length of the rectangular parallelepiped consisting of the all the terms in the EGC.EGC uses 8 type calculations for 12 event classi ed type by Okada. Word impressions about like/dislike are used for their calculations.Furthermore,we apply these calculations to the negatives and the noun phrases.To verify the e ectiveness of the proposed method,we tested some conversations using WWW-based health service system for elderly. We applied our method to 80 event in the conversations and calculated emotions almost corresponded to human-generating emotions. (shrink)

ABSTRACTI ask whether there is a place for apparently displeasurable experiences in a hedonistic aesthetics. Building on an ambiguity in Mohan Matthen's account of facilitating pleasures, I examine how avant-garde artists can use the ‘perverse’ or ‘difficult’ pleasures to force cognitions that are critical in the Marxist sense.

Saturday Night Live (SNL) has no obligation to avoid political bias, but it provides a valuable service when it reaches beyond its core audience, as arguably it has when effectively lampooning Sarah Palin and Donald Trump. There is no obligation for comedians to pass the Ideological Turing Test, but it is possible. “The Bubble” passes the Ideological Turing Test. Everyone thinks political bubbles are bad, but no one thinks they are in one. In fact, there is nothing wrong with SNL (...) exhibiting a political bias. Joe Piscopo has supported Donald Trump and voiced displeasure with Trump's portrayal on SNL, but Piscopo remains a Democrat. If SNL attempted to integrate conservative cast members and writers, the result might have more integrity but find fewer viewers. If SNL put out the word that they were looking for conservatives, there would probably be no shortage of applications and audition tapes. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Buddhist-Christian Studies 20 (2000) 249-255 [Access article in PDF] News and Views World Parliament of Religions, Cape Town, South Africa Jim Kenney The Council for a Parliament of the World's Religions is pleased to offer this summary report of the 1999 Parliament of the World's Religions, held in Cape Town, South Africa, December 1-8, 1999. Nestled against Table Mountain and overlooking the Atlantic Ocean, Cape Town is home to (...) many races, religious traditions, and cultural varieties. Religious, spiritual, cultural, and civic leaders, groups, and communities there worked enthusiastically in partnership with CPWR to make the 1999 Parliament an unforgettable gift to the world.At the 1999 Parliament over 7,000 people from around the world--teachers, scholars, leaders, believers, and practitioners--came together to experience astonishing spiritual and cultural variety, to exchange insights, to share wisdom, to celebrate their unique religious identities; in short, to be amazed, delighted, and inspired. At the same time, participants wrestled with the critical issues facing the global community, learning about the world situation, and seeking the moral and ethical convergence that leads to shared commitment and action.The 1999 Parliament of the World's Religions was a celebration of hope and a vision of possible futures. It also gave powerful testimony to the good hearts and goodwill of the many thousands of people--from every part of the world, and from almost every religious and spiritual tradition--who believed that this gathering could indeed be the harbinger of a new day dawning.It was not the intention of those who gathered in Cape Town to create a new religion, or to diminish in any way the precious uniqueness of any path. Instead, they came together to demonstrate that the religious and spiritual traditions and communities of Cape Town, of South Africa, and of the larger world can and should encounter one another in a spirit of respect, and with an openness to new understanding. They joined with one another in a spirit of dialogue and cooperation, seeking to discover new ways to rise to the challenges and the opportunities of life at the threshold of a new century. And they came with the realization that as each of us reaches out to the transcendent in her or his own way, somehow, we are no longer strangers to one another.In commemoration of International AIDS Day, the Parliament began with the formal unveiling of the International AIDS Quilt in the picturesque area known as the Company's Garden. Each one of hundreds of handsewn panels commemorates a victim of the disease, yet the Quilt project itself is a symbol of hope and life's triumph. [End Page 249] The founder of the quilt, Cleve Jones, joined with several religious and spiritual leaders from around the world to engage in dialogue about the role of religious and spiritual communities in fighting the disease that has claimed the lives of so many people. The quilt was an especially poignant reminder of both the epidemic of AIDS in South Africa, and the role that religious and spiritual traditions play in confronting the critical issues that face the world at the end of the millennium.Participants then proceeded down Government Avenue to Darling Street and on to District Six. Costumes, religious garb, banners, and wonderful cultural variety made for a colorful and moving experience for marchers and spectators alike. With over 10,000 marchers, the procession was a highlight for many Parliament participants. The presence of protesters demonstrating their displeasure with the Parliament and its commitment to interreligious dialogue and cooperation did not diminish the spirit or the enthusiasm of the marchers.When the procession arrived in District Six, an area symbolic of both dispossession and of the human spirit, those who had once lived in this lovely spot under Table Mountain welcomed the marchers. Past residents of District Six described to those gathered how their once vibrant community was displaced when the apartheid-era government designated the area as "white only," and removed the residents to distant, underresourced townships. In the moving ceremony that followed, religious and spiritual leaders... (shrink)

This study explores Kant's accounts of acting from inclination and pursuing happiness. It culminates in two findings. First, Kant fails in his attempt to prove a central tenet of his ethics, namely that there can be no practical law of happiness. Second, Kant's critics have unfairly condemned his account of the role pleasure plays in acting from inclination. Chapter I, devoted to Kant's theory of agency, offers readings of his notions of willing, acting, and acting on a maxim. The chapter (...) rejects the orthodox interpretation of the will as the capacity for choice, arguing that Willkur is actually the capacity to act-on-choice. Chapter II focuses on Kant's account of the role pleasure plays in actions performed from inclination. According to the traditional interpretation, defended by T. H. Green and others, Kant holds that whenever an agent acts from inclination, she has pleasure as her only ultimate end. The chapter offers an alternative to this radically hedonistic reading, arguing that, with equal plausibility but more charity, we may interpret Kant to hold the following: whenever an agent acts from inclination, she has pleasure or the avoidance of displeasure as an ultimate end, but not necessarily as her only one. Chapter III offers a reading of Kant's views on happiness. It argues that his two main conceptions, i.e., his hedonistic and his inclination-based one, are not equivalent. Chapter IV shows that not one of Kant's six arguments for the claim that there can be no practical law of happiness succeeds. Chapter V also begins on a critical note, questioning the plausibility of Kant's conceptions of happiness. It ends by arguing that Kant's account of the role pleasure plays in acting from inclination stands up well to criticisms, including those advanced by Bernard Williams and Phillips Griffiths. With the help of this account, Kant is able to rebut the serious charge that his practical philosophy does not allow for the possibility of genuine friendship. (shrink)

“Consonance” and “dissonance” can be shown to denote a syndrome of relative characteristics falling within three distinct dimensions of experience: 1) tension-repose, 2) pleasure-displeasure, 3) coherence-incoherence. There is a demonstrable, complex relationship between the specific degree of each of those characteristics associated with a particular tonal interval and the degree of complication of the ratio of that interval. No extant theory is able to explain that correlation, including the currently popular theory of psychological expectation. Using micro-phenomenology, I hypothesize that (...) a consonant tonal interval is simply one that can be subliminally discriminated with relative ease and a dissonant interval is one that is relatively indiscriminable. Predictions implied by the hypothesis can be shown consistent with musical experience. If the theory is true, the affective character of harmonic progression is more the result of the need to discriminate tonal proportionality than the effect of expectation. (shrink)

Wittgenstein talks in his Philosophical Investigations of a pupil engaging in a repetitive series continuation who suddenly begins to apply a different rule than the one instructed to him. This hypothetical example has been interpreted by a number of philosophers to indicate either a skeptical attitude towards rules and their application, an implicit need of knowledge and understanding of a rule accessible to those engaged in a given practice, or a certain normativity that guides our actions but is not cognitive, (...) but processual in nature. I wish to support and extend Ginsborg’s account of primitive normativity from a novel perspective in a twofold manner: 1) by describing the mechanism of primitive normativity via Kant’s concept of aesthetical and epistemic pleasure and displeasure; 2) by applying the conceptual pair of expected and unexpected uncertainty from adaptive learning theories, which describe the fluctuation of learning rates under uncertain circumstances.I am grateful to Dr. Romain Ligneul's help in better understanding the subtleties of this conceptual pair. (shrink)

As topics in the philosophy of emotion, pleasure and displeasure get less than their fair share of attention. On the one hand, there is the fact that pleasure and displeasure are given no role at all in many theories of the emotions, and secondary roles in many others.1 On the other, there is the centrality of pleasure and displeasure to being emotional. A woman who tears up because of a blustery wind, while an ill-advised burrito weighs heavily (...) upon her digestive tract, feels an impressive number of the sensations felt by someone who is gut-wrenchingly sad. Yet, unless she feels bad, the way she feels is only a pale echo of the feeling of sadness. If she feels good in spite of the burrito and the wind, then she does not feel at all the way she would if she were sad. Likewise, a man falling asleep can hardly fail to feel his muscles relax, his heart rate fall, and so on, but unless he feels good his state is only a shadow of feeling content. This paper will begin with a sketch of the nature of pleasure and displeasure, and the relation between them and the feelings that are characteristic of emotions. It will then argue that the capacity to feel pleased and displeased is, quite literally, a sense modality: one allowing us to perceive net change in the satisfaction of our intrinsic desires. As with any sense modality, the capacity to feel pleased and displeased displays substantial modularity. The paper concludes by considering the ways in which the modularity of pleasure and displeasure contributes to effects that might reasonably be called “the modularity of the emotions.”. (shrink)

Previous evidence has shown that excessive valuing happiness may relate to lower psychological wellbeing across cultures. Considering the lack of data with Spanish population, we examined the relation between tightly holding happiness emotion goals and subjective wellbeing in a sample of Spanish women, and explored the mediation role exerted by psychological inflexibility components in the relation between valuing happiness and subjective wellbeing. A female adult sample filled out measures of excessive valuing happiness, psychological inflexibility, positive affect, negative affect, and life (...) satisfaction. Valuing happiness only showed positive total effects on negative affect and strong direct effects on both cognitive fusion and experiential avoidance. Analyses revealed the mediating roles exerted by psychological inflexibility components, with experiential avoidance leading to lower pleasure; and cognitive fusion leading to greater displeasure and lower life satisfaction. Psychological inflexibility components explained between 40 and 80% of the total effect of valuing happiness on our outcome variables. Our findings highlight the need for further research on the benefits of hedonic vs. values-based approaches to happiness. (shrink)

The sublime (das Erhabene) in Kant is a feeling that elevates (erhebt)! the soul and results in an aesthetic judgment. While aesthetic judgments of beauty involve a feeling of pure pleasure (Lust), aesthetic judgments of the sublime rest on a feeling of pleasure and displeasure (Lust und Unlust) at the same moment. Kant describes the sublime at one point rather paradoxically as involving a" negative pleasure"(Critique 0/Judgment, Ak. V: 245). 2 The feeling of the sublime is brought about by (...) experiences where one has a sense of the infinity (Unendlichkeit) of nature. This sense of infinity can be brought about by the sheer size (Grofle) of an object. Kant would call this a feeling of the mathematically sublime. A mountain so large that one cannot take it in at a single glance causes a feeling of the mathematically sublime. One gets a different sense of the infinity of 'Kant's deliberate connection of the noun for the sublime. (shrink)

Ugliness is a neglected topic in contemporary analytic aesthetics. This is regrettable given that this topic is not just genuinely fascinating, but could also illuminate other areas in the field, seeing as ugliness, albeit unexplored, does feature rather prominently in several debates in aesthetics. This paper articulates a ‘deformity-related’ conception of ugliness. Ultimately, I argue that deformity, understood in a certain way, and displeasure, jointly suffice for ugliness. First, I motivate my proposal, by locating a ‘deformity-related’ conception of ugliness (...) in aesthetic tradition, offering examples in support, and rejecting related alternative suggestions. Second, I argue that the proposal boasts considerable merits. Not only does it capture much of what we ordinarily think of as ugly, but it also comprises an objective criterion for ugliness, offers unity and comprehensiveness, and is informative and explanatorily potent. Third, I discuss a number of objections, thereby demonstrating that the proposal withstands reflective scrutiny. (shrink)

Feeling, for any animal, is a faculty of comparing objects or representations with regard to whether they promote its vital powers or hinder them. But whereas these comparisons presuppose a species-concept in non-rational animals, nature has not equipped the human being with a universal principle or life-form that would determine what agrees or disagrees with it. As humans, we must determine our mode of life for ourselves. Contrary to other interpretations, I argue that this places the human capacity for pleasure (...) and displeasure outside of nature and in a realm of spirit. (shrink)

Food has savour: a collection of properties (including appearance, aroma, mouth-feel) connected with the pleasure (or displeasure) of eating. After explaining this concept, and outlining a theory of aesthetic pleasure, I argue that, like paradigm examples of art, savour can be assessed relative to a culturally determined set of norms. Also like paradigm examples of art, the assessment of savour has no objective basis in the absence of such cultural norms. My argument in this paper is part of a (...) larger project in which I develop an account of the pleasure of art. It is a virtue (I claim) of my approach that it permits a much greater diversity of artforms than traditional philosophical aesthetics is inclined to allow. This includes food. (shrink)

Kierkegaardovo misaono nadahnuće motivirano je dvama nezadovoljstvima: prvo se tiče spekulativne filozofije i njezine nemogućnosti da zahvati zbiljnost pojedinca u njegovoj egzistencijalnoj danosti, a drugo se tiče građansko-kršćanskog svijeta njegova doba koji je u rasulu i gdje je »individua« posve dokinuta prevlašću »gomile«. Kako postati samim sobom, »jedan jedini«, odnosno »individua« , pitanje je koje Kierkegaard postavlja u središte svog filozofskog interesa. Put od običnog opstanka do zbiljskog egzistiranja, odnosno od »gomile« do »individue« ostvaruje se kroz tri stadija. To su (...) estetski, etički i religiozni stadij egzistiranja. U ovom se radu analiziraju njihovi ključni konstituensi i suodnos iščitavanjem primarno tri Kierkegaardova djela: Ili-ili, Bolest na smrt, Strah i drhtanje. I dok je odnos između estetskog i etičkog stadija dijalektički, religiozno stoji naspram estetskog i etičkog u naddijalektičkom odnosu. Taj se nad-dijalektički odnos pokazuje ključnim za interpretaciju Kierkegaardova mišljenja. -/- Kierkegaard’s philosophical inspiration was motivated by two displeasures: The first one concerns speculative philosophy and its incapability to grasp the reality of an individual in their existential givenness, and the second one has to do with the contemporary bourgeois-Christian world that had been falling apart and in which the “individual” was quite abrogated by the domination of the “crowd”. How to become one’s self, “unique”, or an “individual”, is the question Kierkegaard places into the center of his philosophical interest. The path from a common survival to a real existence, i. e., from the “crowd” to the “ndividual” is realized in three stages, through the esthetic, ethical, and the religious stages of exiastence. This paper analyzes their key constituents and their interrelation with an analysis of thre of Kierkegaard’s works: Either/Or, The Sickness unto Death, and Fear and Trembling. While the relation between the esthetic and ethical stages is a dialectical one, the religious is in a supradialectical relation to the esthetic and the ethical. This supradialectical relation is the key to the interpretation of Kierkegaard’s thought. (shrink)

In this paper, we discuss how phenomenology might cogently express the way painful experiences are layered with complex intersubjective meaning. In particular, we propose a critical conception of pain as an intricate multi-levelled phenomenon, deeply ingrained in the constitution of one’s sense of bodily self and emerging from a web of intercorporeal, social, cultural, and political relations. In the first section, we review and critique some conceptual accounts of pain. Then, we explore how pain is involved in complex ways with (...) modalities of pleasure and displeasure, enacted personal meaning, and contexts of empathy or shame. We aim to show why a phenomenology of pain must acknowledge the richness and diversity of peculiar painful experiences. The second section then weaves these critical insights into Husserlian phenomenology of embodiment, sensation, and localisation. We introduce the distinction between Body-Object and Lived-Body to show how pain presents intersubjectively. Furthermore, we stress that, while pain seems to take a marginal position in Husserl’s whole corpus, its role is central in the transcendental constitution of the Lived-Body, interacting with the personal, interpersonal, and intersubjective levels of experiential constitution. Taking a critical-phenomenological perspective, we then concretely explore how some people may experience structural conditions which may make their experiences more or less painful. (shrink)

As topics in the philosophy of emotion, pleasure and displeasure get less than their fair share of attention. On the one hand, there is the fact that pleasure and displeasure are given no role at all in many theories of the emotions, and secondary roles in many others.1 On the other, there is the centrality of pleasure and displeasure to being emotional. A woman who tears up because of a blustery wind, while an ill-advised burrito weighs heavily (...) upon her digestive tract, feels an impressive number of the sensations felt by someone who is gut-wrenchingly sad. Yet, unless she feels bad, the way she feels is only a pale echo of the feeling of sadness. If she feels good in spite of the burrito and the wind, then she does not feel at all the way she would if she were sad. Likewise, a man falling asleep can hardly fail to feel his muscles relax, his heart rate fall, and so on, but unless he feels good his state is only a shadow of feeling content. This paper will begin with a sketch of the nature of pleasure and displeasure, and the relation between them and the feelings that are characteristic of emotions. It will then argue that the capacity to feel pleased and displeased is, quite literally, a sense modality: one allowing us to perceive net change in the satisfaction of our intrinsic desires. As with any sense modality, the capacity to feel pleased and displeased displays substantial modularity. The paper concludes by considering the ways in which the modularity of pleasure and displeasure contributes to effects that might reasonably be called “the modularity of the emotions.”. (shrink)

Sympathy (Sympathie, Mitgefühl, Mitleid, Mitfreude, Theilnehmung). Kant defines sympathy in his 1797 Metaphysics of Morals as follows: “Sympathetic joy [Mitfreude] and sympathetic sadness [Mitleid] (sympathia moralis) are sensible feelings of pleasure or displeasure (which are therefore to be called “aesthetic”) at another’s state of joy or pain (shared feeling, sympathetic feeling).” (MM, 6:456/CEPP:574-5).

Revenge is universal in human cultures, and is essentially personal and retributive. Its moral status is contested, as is its rationality. Revenge is traditionally associated with pleasure, but this association is not accounted for in contemporary philosophical treatments of revenge. Here I supply a theory of normal narcissistic functioning that can explain this association. Normal narcissism is an adaptive form of inter-psychic processing which has to do with the regulation of a coherent set of meta-representations of the agent. It can (...) be given a general account by integrating views drawn from clinical traditions, empirical psychology, and contemporary cognitive neuroscience. I explore the neural correlates of normal narcissism, its characteristic accompanying emotions and pleasures/displeasures, and its fundamental dynamics. It is proposed that this allostatic regulatory system plays a prominent role in retributive behavior, including revenge. Revenge is understood as a form of narcissistic repair, and a variety of puzzles concerning revenge are solved from this point of view. (shrink)

According to epiphenomenalism, our behavior is caused by events in our brains that also cause our mentality. This resulting mentality reflects our brains¿ organization, but does not in turn cause anything. This book defends an epiphenomenalist account of philosophy of mind. It builds on the author¿s previous work by moving beyond a discussion of sensations to apply an epiphenomenalist outlook to other aspects of mental causation such as beliefs, desires, pleasure, and displeasure. The first four chapters of the book (...) argue for a dualistic theory of sensations and develop an epiphenomenalist version of dualism. The remaining chapters discuss propositional attitudes and valence. The author also responds to potential objections to epiphenomenalism by considering how sensations, intelligence, or understanding might be built into a robot. This book will be of interest to scholars and students in philosophy of mind who are interested in consciousness, mental causation, and how our mentality is situated in the world. (shrink)

It may soon be possible for neurotechnology to connect two subjects' brains such that they share a single token mental state, such as a feeling of pleasure or displeasure. How will our moral frameworks have to adapt to accommodate this prospect? And if this sort of mental-state-sharing might already obtain in some cases, how should this possibility impact our moral thinking? This question turns out to be extremely challenging, because different examples generate different intuitions: If two subjects share very (...) few mental states, then it seems that we should count the value of those states twice, but if they share very many mental states, then it seems that we should count the value of those statesonce. We suggest that these conflicting intuitions can be reconciled if the mental states that matter for welfare have a holistic character, in a way that is independently plausible. We close by drawing tentative conclusions about how we ought to think about the moral significance of shared mental states. (shrink)

Paul Edwards' October 1989 essay, ‘Heidegger's Quest for Being’ illustrates the wisdom of the dictum that the only legitimate criticism of a philosopher's position is a constructive criticism. His negative critique amounts to no more than expressions of distaste, dislike, and displeasure, and nothing of philosophical interest follows from his assertions, as the discourse is primarily an argument ad hominem . He grossly misinterprets Heidegger on some elemental and fundamental matters as well. In particular, he sorely misinterprets what he (...) refers to as the ‘Quest for Being’, which only further contributes to the objectionable character of the essay. (shrink)