The Gathas, a corpus of seventeen poems in Old Avestan composed by the ancient Iranian poet-priest Zarathushtra (Zoroaster) ca. 1200 B.C.E., is the foundation document of Zoroastrian religion. Even though the dualistic axiology of the Gathas has been widely noted, it has proved very difficult to understand the meaning and genre of the corpus or the position of Zarathushtra’s ideas with regard to other religious philosophies. Relying on recent advances in translation and decryptions of Gathic poetry, I shall here develop (...) a philosophical interpretation of the Gathas, including, as shall be discussed here in detail, explication of the revelation he reports in the poem known as Yasna 30. I argue that, similarly to Marx, Henry, and Schutz, Zarathushtra connects social criticism with an original philosophy of (inter)subjectivity and existential reflection, placing his account in the context of a fully developed metaphysics which includes the human-divine sharing of mental properties. I show that in order to accommodate this complicated problematic, Zarathushtra uses the vehicle of multiple realities. Reflecting the spontaneity of life, the dynamics of various ontological modes in the text create a reference to subjectivity. A description of the dream in Yasna 30 is sufficiently within the limits of possibility for a dream experience, and thereby delivers three original phenomenological reductions. The reductions initiate a genetic account of the phenomenalization of invisible impulses which give rise to moral choices, and define the human-divine relationship. The opposing moral choices open into a reverse axiological intentionality in the sphere of intersubjectivity, and are said to plot life for the rightful and lifelessness for the wrongful. It can be concluded that Zarathushtra’s theism and views of the social world are “the first philosophy”, with a unique and original phenomenological ontology of intersubjectivity at its core. (shrink)

This article represents the first of a projected series of annotated translations of the Mahārthamañjarīparimala of Maheśvarānanda, a Śaiva Śākta author active in Cidambaram around the turn of the fourteenth century of the Common Era. The present translation includes excerpts from the text’s presentation of two of the levels of reality ( tattvas ), puruṣa and prakṛti . These two tattvas , the apex of the older Sāṃkhya scheme incorporated centuries earlier by the Śaivas, provide for Maheśvarānanda the centerpiece and (...) climax of his understanding of the structure of the Śaiva cosmos. Fundamental to the rhetoric of Maheśvarānanda’s idiosyncratic presentation is his reliance upon a simultaneous strategy of integration and distinction of his argument within the wider world of Śaiva doctrinal common sense. He seeks to integrate the characteristic meditative structure of his Krama or Mahārtha system within a theological framework shared by all Śaiva theists. It can be seen that Maheśvarānanda’s interpretation of the junction between these two reality levels delineates a picture of what it is to be a human being, equipped with an inner life and a personality. The article also reviews the quality of the published editions of the Mahārthamañjarī , discusses its textual history, and offers a number of suggested emendations to the passages translated. (shrink)

CHAPTER 1 Subdivisions in the Relevant Canonical Works References, dvara-gathas , subdivisions, titles, and colophons are technical devices which need not ...

Resumen: Las dinastías Tang y Song fueron una época en la que prevaleció el budismo zen, y también fue un periodo crítico para el rápido desarrollo de la literatura china antigua. En esta época, las ideas literarias eran omnicomprensivas y ricas en estratos. Se introdujeron poemas en la gāthā budista para explicar los principios budistas. La infiltración del budismo zen dio a la poesía un ámbito zen claro y significativo, por lo que brilla en la historia de la literatura (...) china antigua. Este artículo partirá de los antecedentes de la época y del análisis de los textos, y se centrará en la relación entre el pensamiento del budismo zen y la poesía en las dinastías Tang y Song para explorar cómo ambos se combinan e influyen mutuamente. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Who Hears?A Zen Buddhist PerspectiveRobert AitkenWestern psychologists and neurologists have attempted to use their concepts to explain East Asian religions for more than seventy-five years. Carl Jung (1875–1961) wrote a long foreword to Richard Wilhelm's The Secret of the Golden Flower back in 1931, which gave many readers in Europe and the Americas their first glimpse of philosophical Daoism.1 A generation later, Erich Fromm's conversations with D. T. Suzuki (...) were recorded in Zen Buddhism and Psychoanalysis.2 In our own time, the Dalai Lama's collaborative work with neuroscientists and psychologists has received widespread attention,3 while academia has given James H. Austin's Zen and the Brain hearty approval.4The process of mutual understanding between Western scientists and teachers of East Asian religion is still incomplete, however, and in earlier times it had barely begun. I remember my amusement back in the 1970s, watching a video of monks trailing streams of wires attached to biofeedback instruments while they were walking formally and solemnly. Even in those early days it was apparent to me that for all their academic credentials, the scholars had started with an ignorance of the subject of their study. They were successful in measuring something in the brain relating to a samādhi condition, but while the monks may have grounded themselves more or less in a settled practice, who is to measure their appreciation of the mejiro chirping in the camellia bush just outside? Great masters of Zen, Zhaozhou, and Deshan and their successors did not talk about being settled, any more than neuroanataomists discuss the importance of the alphabet.The chirping of the mejiro might have reminded the monks of a case, a case that would lie in a dimension even further from the world of wires and dials. "Who is the master of hearing that sound?"5 This was the gist of a question by Bassui Tokushō Zenji—a question that became a public case, one kōan among many other kōans that have not been studied by science. It is time for such a study.My directory of Chinese kōans holds more than 5,500 neatly framed traditional stories set forth to guide the student.6 The modern Zen teacher is conversant with some 550 of these kōans, a number that is sufficient if... if.... There are several caveats. If the teacher treats kōans as historical artifacts, then the stories are no [End Page 89] longer kōans, and the teaching is perniciously misleading. Sometimes the teacher has gone only part way in kōan study. The great house of conventional wisdom has fallen, but he or she doesn't know it is ruined and holds forth in the old explanatory way. Sometimes the teacher has completed the long course of study, but elects to pontificate from within the wreckage of the old manor. Finally there are those who abandon the ruins completely for practice on the open road. Here is my gāthā pointing to that way:Stepping forth on the open road,I vow with all beingsTo distinguish the voices of birds,And make good use of my time.Bassui Zenji's kōan "Who is the master of hearing that sound?" could be paraphrased here at the Pālolo Zen Center as "Who is hearing that thrush singing on the railing outside?" If, in the days before I retired, a student were to respond, "I hear the thrush," I would not have approved. Bassui would not have approved. Intimacy would be missing, and intimacy is the Dao. Intimacy is the way of all the Buddhas. There is no Zen without intimacy; intimacy with what? Both the self and the thrush. That was Bassui's intention, you can be sure.Fayan met Dizang while on pilgrimage. Dizang asked, "What are you up to these days?"Fayan said, "I'm going around one pilgrimage, wherever my feet will carry me."Dizang asked, "What to you expect from pilgrimage?"Fayan said, "I don't know."Dizang said, "Not knowing is most intimate." Fayan underwent great realization. 7Zen Buddhism stresses intimacy, while in... (shrink)

Attachment -- Awake -- Awareness -- Actions -- Breath -- Buddha -- Chakras -- Change -- Compassion -- Control -- Conversion -- Criticism -- Divinity -- Emotions -- Empathy -- Forgiveness -- Gatha -- Generosity -- Generosity (part 2) -- Happiness -- Humility -- Identifying -- Illusions -- Judging -- Karma -- Karma (part 2) -- Kindness -- Lessons -- Loving-kindness -- Meditation -- Mind -- Namaste -- Nonattachment -- Nonharming -- Nonharming (part 2) -- Openness -- Possessions -- Practice (...) -- Quest -- Reincarnation -- Religion -- Requiring more -- Reverence -- Scripture -- Seeing -- Self -- Spirituality -- Suffering -- Teachers -- Thoughts -- Tonglen -- Transcending -- Treasure -- Tumo -- Understanding -- Virtues -- Worlds -- The mathematic symbol for the unknown -- Xenophilia -- Yoga -- Yoga (part 2) -- Yuga -- Zen. (shrink)

In most Western university studies, Greek philosophy is considered the most ancient kind of wisdom, but the Zoroastrian way of life can be traced back to the second millennium BC. The Gathas, hymns or songs attributed to Zarathustra, hold an existential and practical philosophy avant la lettre. It is based on mental exercises and on rituals that have survived thanks to the Zoroastrian religious communities. Not only does the Persian thinker unveil a mental wisdom for us; he also introduces us (...) to an ecological concern and a social practice. There is a cosmopolite dimension to Zarathustra's proto-philosophy that we can all apply in a personal way. (shrink)

Studies of the form and textual history of various Buddhist texts show that they tend to undergo three types of developmental processes. First, some texts, especially verse compilations, are expanded by the insertion of pattern variants, sometimes at great length. Second, shorter texts such as sūtras are prone to be absorbed into larger compilations and thus lose their status as independent texts. Third, voluminous texts sometimes come to be represented in manuscripts in abbreviated forms, for example containing only the first (...) text unit, which are evidently considered to sufficiently represent the entirety of the text. These patterns are discussed with reference to texts such as the Udānavarga, Anavatapta-gāthā, and Mahāvastu, and on the basis of evidence from Sanskrit and Gāndhārī manuscripts. (shrink)

The presence of Persian sources in Nietzsche’s Thus Spoke Zarathustra has been a topic of debate for decades. This paper summarizes the main results of a comparative study of Nietzsche and the ancient Persian scripture Avestā. In addition to several secondary sources Nietzsche repeatedly encountered, there is strong evidence that he read Johann Friedrich Kleuker’s German translation of the Avestā texts reconstructed by Abraham Hyacinthe Anquetil-Duperron. Analyzing Nietzsche’s diverse sources of Zoroastrianism as well as his knowledge of this religion, this (...) paper shows that many metaphors, references and claims in both Thus Spoke Zarathustra and in Nietzsche’s notebooks can be traced back to Zoroastrianism. Taking these sources into consideration contributes significantly to our understanding of one of Nietzsche’s major works. (shrink)

This paper makes a number of observations on soteriology, asceticism and the female body in two Indian Buddhist narrative. The first story examined is about the enlightenment of the Buddhist saint Yasas from a collection of verses know as the Anavatapta-gatha, or Songs of Lake Anavatapta. This narrative graphically describes a rotting female corpse and associates this physical corruption with the female body in general. The second story is about a mythical girl from the ancient past found in the Mahayana (...) scripture, the Gandavyuha-sutra. The female protagonist is described as exceedingly beautiful and her beauty functions as a sign of her spiritual superiority and as a means to aid beings. After a summary of these two tales, their soteriological presuppositions are discussed. Next,the effect of Buddhist soteriology upon the construction of gendered bodies in Indian Buddhism is considered. The author argues that the first story represents an ascetic soteriology that sees the female body as corrupt, while the second story displays an alternative devotional soteriology that extols female beauty as linked to virtue and as efficacious for religious development. The paper concludes with the suggestion that the narratives employing the image of the corrupt female body were meant for a male monastic audience; while the Gandavyuha with its devotional soteriology may have been composed with a royal female audience in mind. Thus target audience should be considered when studying Indian Buddhist narratives. (shrink)

How did the universe come to exist? What is the nature of its creator? Is there a purpose to human existence? What is it to live a good life? The Routledge Dictionary of Religious and Spiritual Quotationsoffers not just one, but many, answers to these questions. Geoffrey Parrinder has drawn on all the great books of world religions - the Bible, the Qur'an, Zoroastrian Gathas, Hindu Vedas, Bhagavad Gita, Jewish Mishnah, Sikh Adi Granth and Chinese Tao Te Ching - in (...) this collection of over 3000 quotations. Discover the words of prophets, scholars and mystics on matters spiritual and moral, as well as Plato on sexuality, Freud on religion and Gandhi on violence. Originally published in 1990, The Routledge Dictionary of Religious Quotationsis now reissued with a new preface by Geoffrey Parrinder. (shrink)