Abstract

To the extent of contesting visions of AI technology, both utopian and dystopian views of AI and humanoid technology resonate particular assumption of human subjectivity originated from modern enlightenment philosophy (i.e., Descartes, Kant). Accordingly, the series of transhumanism including Kurzweil, Moravec and Harrari envision evolution of human capability through the advancement of AI technology while assuming human subjectivities based on Cartesian dualism. As transhumanism is critically viewed by diverse perspectives including from philosophical, technological, cultural and religious stand points, post-humanism address issues of human subjectivities and human/environmental relations with regard to evolution of AI technology. This article delves into media representation of futurist vision of AI technology in different regions in the world. Em(dis)bodiment of AI and humanoids in Hollywood and Asian SF (science fiction) films, for example, resonates philosophical and cultural debates between transhumanism and posthumanism. This article addresses theoretical discussions in relation to the development of AI technology and design of humanoid by comparing liberal views of human subjectivities (i.e., Descartes and Kant) with critical views against it (i.e., Heidegger and Foucault). The issues of cultural diversity in relation to the development of AI technology is particularly highlighted by introducing theories of non-Western scholarship and examining distinctive media representation of AI in the East and the West.