Abstract

This three-part publication series presents the epistemological processes and outcomes of an international arts-based research project titled Big Blue Ball : Pictures, people, place. The project uses the creative function to investigate the nature of meaning-making. In particular, through collaborative engagement with adversity of cultures, it explores the significance of creativity and creative practice in setting up sites for shared understanding in a contemporary and globally interactive world. The project was developed and carried out by Donna Wright during her PhD Candidature at Southern Cross University, Lismore, Australia, between 2004 and 2007. Making use of practice-led research strategies, and drawing on creative arts practice, the project has exploited the inherent capacity of the creative function to support innovation. The project design offers a new model of intertextual processes of creativity that opens up spaces for intercultural negotiation, by linking spatial conceptions and processes for semiotic mediations, to multiple, interconnected mediums for the production and reception of new information. This in turn provides a context in which to support knowledge discovery that may facilitate intercultural awareness and understanding.