Abstract

The topic of this paper is the concept of originality as it relates to the concept of genesis developed by Deleuze in his early essay ‘The Idea of Genesis in Kant's Esthetics’. Using the exhibition of Tim Bennett's as a starting point, it brings together two accounts of originality, the first postmodern one represented by Rosalind Krauss's ‘The Originality of the Avant-garde’ and the second genetic kind found in Deleuze's aforementioned essay, to show how originality and genesis might correspond, paying close attention to the transcendental innovations of Kant's aesthetic tradition to which both concepts belong.