Charlie Chaplin Version of Judas

Abstract

According to Borges' "Three Versions of Judas": The Redeemer could feel fatigue, cold, confusion, hunger and thirst; it is reasonable to admit that he could also sin and be damned. The Redeemer, the infinite ascetic, lowered himself to a man completely, a man to the point of infamy, a man to the point of being reprehensible—all the way to the abyss. In order to save us, He could have chosen any of the destinies which together weave the uncertain web of history; but He chose an infamous destiny: He was Judas. Who with a terrible lucidity premeditated his offense. ·------- Lets agree with everything EXCEPT that there was no lucidity involved. Because the Redeemer must have no regrets, no guilt (Nietzsche: "likewise sinners and bad consciences! the sting of conscience teaches one to sting"). No guilt, no regret just forgetfulness means that Judas' act of identifying Christ involved a causally deviant chain, an awkward nervous non-intentional gesture, a comic-tragic act. So it merely appeared as dishonorable but internally or psychologically was not dishonorable.

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References found in this work

Anomalous monism.Steven Yalowitz - 2005 - Stanford Encyclopedia of Philosophy.
The Self Under Siege.Rick Roderick - 1999 - Teaching Co..
Ficciones.Jorge Luis Borges - 1999 - Alianza. Madrid.
The lives of literature: reading, teaching, knowing.Arnold Weinstein - 2021 - Princeton: Princeton University Press.

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