Abstract

ABSTRACT: Taine aspired to place his philosophical project in the synthesis of the two major theoretical tendencies of the nineteenth century: positivism, on the one hand, giving preference to the English tradition, and German metaphysics, mostly Hegelianism, on the other. What does this attempt mean in the field of aesthetics? Taine based his interpretation of the production of art on a series of objective laws, following the naturalist method, as he clearly stated at the École des Beaux-Arts de Paris where he taught for several years from January 1864.