La Machine À Dessiner / Espaces En Folie

Multitudes 15 (2004)
  Copy   BIBTEX

Abstract

We tend to dispose of the senses, of the concrete, art redisposes us towards the senses, it hones our attention for what goes unnoticed, unheard, unseen, what stays unread. Olivier Nottellet draws by placing this medium under the sign of a paradoxical reversibility. He brings in mobility, decomposition and the instability of space and of the gaze of those who cross it. Line, volume, contour, sign. Drawing block, white page space, ink black, objects, persons, organic and abstract forms, wall, room, architecture. The workplace of Olivier Nottellet is all the means and elements of drawing through which he frees all these components from constraint

Other Versions

No versions found

Links

PhilArchive



    Upload a copy of this work     Papers currently archived: 101,795

External links

  • This entry has no external links. Add one.
Setup an account with your affiliations in order to access resources via your University's proxy server

Through your library

Similar books and articles

The Space of Sensory Modalities.Fiona Macpherson - 2014 - In Dustin Stokes, Mohan Matthen & Stephen Biggs (eds.), Perception and Its Modalities. New York, NY: Oxford University Press.
Chrysippus on Imagination in Aetius 4.12.Pavle Stojanović - 2020 - Classical Quarterly 70 (1):332-346.
Artists Draw A Blank.Tim Gilman - 2011 - Continent 1 (3):208-212.
A Postmodern Aquinas: The Oeuvre of Olivier-Thomas Venard, O.P.C. David Burrell - 2009 - American Catholic Philosophical Quarterly 83 (3):331-338.

Analytics

Added to PP
2015-01-31

Downloads
0

6 months
0

Historical graph of downloads

Sorry, there are not enough data points to plot this chart.
How can I increase my downloads?

Citations of this work

No citations found.

Add more citations

References found in this work

No references found.

Add more references