What Is to Be Dead?

In Lois Holzman (ed.), Performing psychology: a postmodern culture of the mind. New York: Routledge. pp. 197 (1999)
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Since 1996, Newman has written short plays expressly for presentation at American Psychological Association Annual Conventions. The impetus for these “psychology plays” was Kenneth Gergen's invitation to Newman and me to participate in an innovative symposium he was putting together for theAPA's 1996 convention. Entitled “Performative Psychology. [REVIEW]Fred Newman - 1999 - In Lois Holzman (ed.), Performing psychology: a postmodern culture of the mind. New York: Routledge. pp. 33.
Ever since Newman left academia some 30 years ago, philosophy, psychology, politics and theatre have been inseparable activities for him. In this, his mostly explicitly philosophical play, a series of autonomous philosophical dialogues gracefully unfold into a play with political and psychological impact. Yet, the activity of the conversation is what dominates. [REVIEW]Fred Newman - 1999 - In Lois Holzman (ed.), Performing psychology: a postmodern culture of the mind. New York: Routledge. pp. 197.
Life as performance.Lois Holzman - 1999 - In Performing psychology: a postmodern culture of the mind. New York: Routledge. pp. 49--69.
After reading the script Newman had written for the third consecutive convention of the American Psychological Association, I told him that “The Story of Truth (A Whodunit) or Philosophie dans la Théâtre” might well be the most unenlightening play ever written. Newman, of course, took that as the compliment I intended. Like some. [REVIEW]Fred Newman - 1999 - In Lois Holzman (ed.), Performing psychology: a postmodern culture of the mind. New York: Routledge. pp. 143.
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