Abstract

This chapter begins by outlining several kinds of relativism in the two fields that concern us here: philosophy of art and moral philosophy. It then turns to a brief review of the recent literature in experimental folk moral psychology which suggests the folk are meta-ethical pluralists—objectivists in some contexts and relativists in others. Taking the case of ancient Greek art that celebrates pederasty as a touchpoint, the author suggests that empirical work on the moral appraisal of art is likely to mesh with and lend additional support to this idea. The chapter concludes with a discussion of Bernard Williams’s “relativism of distance,” and the argument that there are, independent of the empirical findings, good meta-ethical reasons for considering a limited form of relativism about the moral standing of artworks.