Abstract

In 1967 Macedonio Fernández proposed new perspectives to read and write the Latin American novel with El museo de la novela de la Eterna. This article will analyze some of the metafictional games which the Argentinean writer played in his great work. At the same time, it will show how these games developed –with their unique style– foundational concepts of Literature Studies, presented in theory streams such as Formalism, Structuralism and Postmodernism