Abstract
In 1998, Richard Rorty drew attention to a cultural tendency, most obvious in the contemporary novel, toward self-mockery or disgust. Citing the recent novels of Neal Stephenson (Snow Crash) and Leslie Marmon Silko (Almanac of the Dead), Rorty observed in this late twentieth-century writing a palpable condescension toward national pride. This was a literature in which it was no longer considered appropriate to take pride in one’s citizenship or nation, a writing “of rueful acquiescence in the end of American hope.”2 Rorty’s fondness for binary oppositions led subsequently to a contrast between this contemporary writing and the socialist novels of the early twentieth century. Books by John Steinbeck, Upton ..