Abstract

In this paper I take a critical look at Judith Jarvis Thomson famous violinist analogy for abortion. I argue that while the violinist example does show that a right to life does not entail a right to be given the means of life, the violinist cast is relevantly different from the pregnancy case. I also argue that Thomson's positive argument in favor of the permissibility of abortion fails because it is based on a false conception of bodily self-ownsership. Finally, I offer an argument against abortion built not on the child's rights, but the mother's obligation to the vulnerable.