Abstract

Shankman holds that Derek Freeman “trashed” Margaret Mead’s reputation as a public intellectual by portraying her as a naïve and gullible anthropologist who perpetrated a serious error about adolescence in American Samoa. Shankman concedes that Mead’s Coming of Age in Samoa was factually in error but argues that her reputation in anthropology did not rest on it but rather on her extensive works on other societies. Ostensibly about Samoa, her book was rather a critique of American society and should be judged as such. It is unjust that its factual errors undermine her status as a public intellectual. Fieldwork method and the lingering influence of inductivism are shown to underlie the controversy