Abstract

ABSTRACT Stanley Cavell rarely gets to the point, and his winding sentences and frequent asides are a favorite target for detractors. This essay follows a different path, however, proposing that we listen carefully to Cavell's voice as an author and consider the philosophical significance of these twists and turns in his writings. After exploring the intellectual basis for Cavellian indirectness, the essay examines an exemplary passage from Must We Mean What We Say? linking it to the political unrest of the 1960s. It shows how Cavell used the indirectness of his writing to mount a necessarily subtle social critique of American society on the issue of race.