Abstract

In this article I investigate D. H. Lawrence's influence on the development of Gilles Deleuze and Félix Guattari's aesthetics, by focusing on the notion of doxa and its relation to art. Deleuze and Guattari's understanding of art as a struggle against opinion emerges from their engagement with Lawrence and gives rise to a form of cultural elitism dating back to Plato. After historically contextualizing their negative attitude toward doxa, I identify a different, Aristotelian tradition, which stresses the positive functions of doxa and offers more nuanced understandings of art, as well as opportunities for the formation of a more inclusive canon.