“From Museum Walls to Facebook Walls”*. A new public space for art

In Gizella Horváth, Rozália Klára Bakos & Éva Bíró-Kaszás (eds.), Ten Years of Facebook, The Third Argumentor Conference. Partium Press, Debrecen University Press. pp. 73-88 (2014)
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Abstract

The ‘museal’ approach to art has been attacked from many angles in the last decade; the main issue raised by most of these attacks was that such an approach would promote a certain idea of art which has little to do with real-life or the layman’s interest. Some artists have protested by stepping out of the museum space with projects deliberately designed as non-museum items (performance, land-art, public art etc.). Art, however, is always meant for a public, so, as an “unfortunate” consequence, those artists who wished to become famous were not able to avoid certain art institutions, such as museums, galleries, curators or critics. Until now. The internet, especially Facebook, provide genuinely new options/ opportunities for the virtual display of art pieces, an option that artists are eager to take advantage of. In the following, I will present the process of expansion of the public artistic sphere, I will attempt to show why Facebook serves well as a public artistic arena, and finally, I will present some salient Facebook-art-projects. The presented projects will include works by a street artist (Banksy), a performance artist (Gusztáv Ütő) and a graphic designer (Dan Perjovsky). These three artists are intrigued by current social issues, which are usually reflected in their works, also they all wish to spread their messages to the widest possible public. On of their favorite channels is the Facebook Wall.

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Gizela Horvath
Partium Christian University, Oradea, Romania

Citations of this work

A RELÁCIÓESZTÉTIKA IDEIGLENES KÖZÖSSÉGEI.Horváth Gizella - 2016 - In Gizela Horvath & Rozália Klára Bakó (eds.), Közbeszédaktusok. Partiumi Kiadó, Debfeceni Egyetemi Kiadó. pp. 179-195..

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Art as experience.John Dewey - 2005 - Penguin Books.

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