Dual Place of Street Art – the City vs the Internet

Acta Universitatis Lodziensis. Folia Philosophica. Ethica-Aesthetica-Practica 30:99--109 (2017)
  Copy   BIBTEX

Abstract

Street art, as the name suggests, has its own specific place, which is the street. However one would be mistaken to think that this type of art can only be seen there. Most street art lovers know the works of their favourite artists primarily through the Internet, not only because this kind of art is ephemeral or not easily accessible, but because it is perhaps the best documented art that has been created in the world. For artists and lovers of street art, the Internet has become a common space to share photos. More often than not, the Internet also becomes the only place where artistic ideas exist. Paradoxically, such art, which was supposed to be the nearest to the viewer in the physical sense, has become the nearest in the virtual sense. One can, however, hope that neither consumers of art. nor artists will have to give up their direct experience of art that builds our polysensory sensitivity.

Other Versions

No versions found

Links

PhilArchive



    Upload a copy of this work     Papers currently archived: 101,394

External links

Setup an account with your affiliations in order to access resources via your University's proxy server

Through your library

Similar books and articles

Urban Values in the Digital Space. The Street Art Roots of NFTs as a Problem.Anita Błażejewska - 2022 - Acta Universitatis Lodziensis. Folia Philosophica. Ethica-Aesthetica-Practica 41:65-81.
Street Art, the Discontinuity Thesis, and the Artworld.Jeanette Bicknell - forthcoming - Journal of Aesthetics and Art Criticism.
Street Art and the New Status of the Visual Arts.Graziella Travaglini - 2019 - Aisthesis. Pratiche, Linguaggi E Saperi Dell’Estetico 12 (2):177-194.
“From Museum Walls to Facebook Walls”*. A new public space for art.Gizela Horvath - 2014 - In Gizella Horváth, Rozália Klára Bakos & Éva Bíró-Kaszás (eds.), Ten Years of Facebook, The Third Argumentor Conference. Partium Press, Debrecen University Press. pp. 73-88.
The Conservation of Murals – A New Trend in Protecting Works of Art.Tytus Sawicki - 2022 - Acta Universitatis Lodziensis. Folia Philosophica. Ethica-Aesthetica-Practica 40:81-95.
Capitalist and anti-capitalist placemaking through street art.Quill R. Kukla - 2024 - Journal of Aesthetics and Art Criticism 82 (3):330-352.
Street Art and Consent.Sondra Bacharach - 2015 - British Journal of Aesthetics 55 (4):481-495.
Philosophy of Digital Art as Collaboration.Andrew J. Corsa - 2019 - Hyperrhiz: New Media Cultures 19.
What Is Street Art?Andrea Lorenzo Baldini - 2022 - Estetika: The European Journal of Aesthetics 59 (1):1-21.

Analytics

Added to PP
2021-03-04

Downloads
6 (#1,695,973)

6 months
4 (#1,249,987)

Historical graph of downloads
How can I increase my downloads?

Author's Profile

Citations of this work

Urban Values in the Digital Space. The Street Art Roots of NFTs as a Problem.Anita Błażejewska - 2022 - Acta Universitatis Lodziensis. Folia Philosophica. Ethica-Aesthetica-Practica 41:65-81.

Add more citations

References found in this work

No references found.

Add more references