Abstract

Sebbah’s noteworthy book is perhaps the first sustained inquiry into the relationship between three thinkers in the French phenomenological tradition, two of whom are well known in the Anglophone world (Levinas, Derrida) and one of whom (Henry) is gradually better understood by English-speaking audiences. That all three are arrayed together in this study makes it a pioneering enterprise and one that allows the English reader to apprise the worthiness of Henry’s association with his better-known compatriots.The strongest and most extensive portions of the text focus on the three named figures in its subtitle, and in Part I Sebbah justifies his focus on these three in terms of a “family resemblance” (6–7) that they bear: Each in his own way practices phenomenology in the mode of excess, an excess that not only emerges in the style of each man’s writing but more fundamentally betrays a testing “of the limit, the limit through whose transgression alone excess can be what it is” (4). Rather