Abstract

This study adopts qualitative research methods, and the research texts are three Zhang Yimou films that reflect the history and social culture of the Republic of China, namely Red Sorghum, Ju Dou, and Raise the Red Lantern, also known as the Red Trilogy. This study explores the phenomenon of consuming history through the art form of films. The study finds that history is not only concerned and used by historians and archaeologists but can also be used by artists and consumed by the audience. The consumption (use) of history by artists and audiences is not consuming its complete authentic history. In Zhang Yimou's Red trilogy films, the history and social culture of the Republic of China are arranged and designed. The audience can get a feeling that goes straight to the heart by watching these artfully processed. Re-made history, which is different from the historical knowledge read through words in history books, this kind of consumption is more intuitive, attractive, and acceptable to the audience. By watching these films, the audience colloquially learns about history, and although it is not a serious and complete history, it gains cultural value just as much.