Abstract

From 1978 to 1985 there was a craze for aesthetics in China. This was anticipated by a "great aesthetics discussion" between 1956 and 1962, but its cause lay more in its significance for Chinese society immediately after the Cultural Revolution. It played an important part in the ideological liberation movement, which transformed the minds of the Chinese; it encouraged the spread of Western ideas in China, and it broke up the ossified Zhdanovist system in Uterary and artistic theory, making the Chinese reflect on their own tradition, recognize Western culture and thus try to develop an aesthetics of both China and the world.