Abstract

There is no better time than the present to be studying the intersections of drama, theater, and philosophy. Since 2000, numerous monographs have been published on the interrelation between those subjects, and organizations such as the Performance Philosophy Network continue to promote innovative research by theater professionals and academics alike. However, a lacuna remains in this bustling scholarly enterprise. This scholarship, by and large, tends to draw from either ancient philosophy or from Continental European thought. As is often the case in...