Abstract

I had imagined this article beginning quite straightforwardly, if somewhat hyperbolically, with the following assertion and answer: The critical essays of Maurice Blanchot constitute one of the twentieth century's profoundest and most significant philosophical reflections on literature and literary language. This is, after all, not only what I believe to be the case but also an assertion and a belief whose plausibility this article would like to demonstrate. What makes it impossible simply to begin in this fashion is the manner in which such an opening seems to require that the conceptions of literature, of philosophy, and of the relations and tensions between them be fixed in advance. If Blanchot's writing is, to an arguably interesting degree, marginal to and deliberately other than philosophy, then our account of it would seem to require an account of that marginality and its significance. To consider Blanchot in relation to philosophy is to find oneself in danger of being faced with two unsatisfactory and constricting ways of proceeding, although neither is obviously wrong.