Towards a Phenomenological Analysis of Fictional Emotions

Phainomenon 29 (1):57-81 (2019)
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Abstract

What are fictional emotions and what has phenomenology to say about them? This paper argues that the experience of fictional emotions entails a splitting of the subject between a real and a phantasy ego. The real ego is the ego that imagines something; the phantasy ego is the ego that is necessarily co-posited by any experience of imagining something. Fictional emotions are phantasy emotions of the phantasy ego. The intentional structure of fictional emotions, the nature of their fictional object, as well as the process of constituting the phantasy ego in representificational acts of consciousness are further elaborated to provide the groundwork for a phenomenological analysis of fictional emotions.

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original Cavallaro, Marco (2019) "Towards a Phenomenological Analysis of Fictional Emotions". Phainomenon. Journal of Phenomenological Philosophy 29():57-81

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Marco Cavallaro
University of Cologne

References found in this work

The expression of feeling in imagination.Richard Moran - 1994 - Philosophical Review 103 (1):75-106.
How Can We Be Moved by the Fate of Anna Karenina.Colin Radford & Michael Weston - 1975 - Aristotelian Society Supplementary Volume 49 (1):67 - 93.
The Phenomenon of Ego-Splitting in Husserl’s Phenomenology of Pure Phantasy.Marco Cavallaro - 2017 - Journal of the British Society for Phenomenology 48 (2):162-177.

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