Medium Specificity

In Noël Carroll, Laura T. Di Summa & Shawn Loht, The Palgrave Handbook of the Philosophy of Film and Motion Pictures. Springer. pp. 29-47 (2019)
  Copy   BIBTEX

Abstract

This chapter critically explores the notion of medium specificity both in its classical form, as represented by figures such as Rudolf Arnheim and André Bazin, and in its current revised versions as proposed by philosophers such as Berys Gaut, Dominic Lopes, and Ted Nannicelli. The thesis of this entry is that the idea of medium specificity is flawed in all of its variations.

Other Versions

No versions found

Links

PhilArchive

    This entry is not archived by us. If you are the author and have permission from the publisher, we recommend that you archive it. Many publishers automatically grant permission to authors to archive pre-prints. By uploading a copy of your work, you will enable us to better index it, making it easier to find.

    Upload a copy of this work     Papers currently archived: 104,101

External links

Setup an account with your affiliations in order to access resources via your University's proxy server

Through your library

Similar books and articles

Analytics

Added to PP
2020-06-17

Downloads
115 (#195,577)

6 months
34 (#115,940)

Historical graph of downloads
How can I increase my downloads?

Author's Profile

Noel Carroll
CUNY Graduate Center

Citations of this work

Cinema, Displayed.Trevor Ponech - 2024 - British Journal of Aesthetics 64 (4):543-562.
Picture-Reading the Complexities of Transgender Experience.Ley David Elliette Cray - 2023 - Canadian Journal of Philosophy 53 (7-8):600-609.
Categorizing Art.Kiyohiro Sen - 2024 - Dissertation, University of Tokyo

Add more citations

References found in this work

No references found.

Add more references