The Philosophy of Motion Pictures

Oxford: Wiley-Blackwell (2007)
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Abstract

_Philosophy of Motion Pictures_ is a first-of-its-kind, bottom-up introduction to this bourgeoning field of study. Topics include film as art, medium specificity, defining motion pictures, representation, editing, narrative, emotion and evaluation. Clearly written and supported with a wealth of examples Explores characterizations of key elements of motion pictures –the shot, the sequence, the erotetic narrative, and its modes of affective address

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Noel Carroll
CUNY Graduate Center

Citations of this work

Robust Immoralism.A. W. Eaton - 2012 - Journal of Aesthetics and Art Criticism 70 (3):281-292.
Photographic Representation and Depiction of Temporal Extension.Jiri Benovsky - 2012 - Inquiry: An Interdisciplinary Journal of Philosophy 55 (2):194-213.
Empathy and Identification in Cinema.Berys Gaut - 2010 - Midwest Studies in Philosophy 34 (1):136-157.
The Limits of Photography.Jiri Benovsky - 2014 - International Journal of Philosophical Studies 22 (5):716-733.

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