Are we “experienced listeners”? A review of the musical capacities that do not depend on formal musical training

&
Cognition 100 (1):100-130 (2006)
  Copy   BIBTEX

Abstract

This article has no associated abstract. (fix it)

Categories

Keywords

Reprint years

DOI

10.1016/j.cognition.2005.11.007

Other Versions

No versions found

Links

PhilArchive



    Upload a copy of this work     Papers currently archived: 101,880

External links

Setup an account with your affiliations in order to access resources via your University's proxy server

Through your library

My notes

Similar books and articles

Remembering melodies from another culture: Turkish and American listeners demonstrate implicit knowledge of musical scales.Timothy Justus, Charles Yates, Nart Bedin Atalay, Nazike Mert & Meagan Curtis - 2019 - Analytical Approaches to World Music 7 (1).
Effects of musical training and culture on meter perception.Charles Yates, Timothy Justus, Nart Bedin Atalay, Nazike Mert & Sandra Trehub - 2017 - Psychology of Music 45 (2):231–245.
Musical understanding, musical works, and emotional expression: Implications for education.David J. Elliott - 2005 - Educational Philosophy and Theory 37 (1):93–103.
Recognition of short tonal compositions by connectionist models and listeners: Effects of feature manipulation and training.Catherine Stevens & Cyril Latimer - 1993 - In Mojsej Grigorévić Boroda (ed.), Fundamentals of musical language: an interdisciplinary approach. Bochum: Universitätsverlag Dr. N. Brockmeyer.
Exploring the musical taste of expert listeners: musicology students reveal tendency toward omnivorous taste.Paul Elvers, Diana Omigie, Wolfgang Fuhrmann & Timo Fischinger - 2015 - Frontiers in Psychology 6:154078.
The Metaphoric Logic of Musical Motion and Space.Arnie Walter Cox - 1999 - Dissertation, University of Oregon
Form and meaning in music: Revisiting the affective character of the major and minor modes.Timothy Justus, Laura Gabriel & Adela Pfaff - 2018 - Auditory Perception and Cognition 1 (3–4):229–247.
Musical friends and foes: The social cognition of affiliation and control in improvised interactions.Jean-Julien Aucouturier & Clément Canonne - 2017 - Cognition 161:94-108.
The playing now : A philosophical investigation of present time in music.Sven Bjerstedt, Fossum Hanne, Susanna Leijonhufvud & Lia Lonnert - unknown
Music cognition: a developmental perspective.Stephanie M. Stalinski & E. Glenn Schellenberg - 2012 - Topics in Cognitive Science 4 (4):485-497.

Analytics

Added to PP
2014-01-20

Downloads
75 (#282,769)

6 months
16 (#200,250)

Historical graph of downloads
How can I increase my downloads?

Citations of this work

Enacting Musical Experience.Joel Krueger - 2009 - Journal of Consciousness Studies 16 (2-3):98-123.
Implicit Learning and Acquisition of Music.Martin Rohrmeier & Patrick Rebuschat - 2012 - Topics in Cognitive Science 4 (4):525-553.

View all 31 citations / Add more citations

References found in this work

View all 10 references / Add more references