CyberTouch: An interdisciplinary research on Dance, Music and Live Coding

Performance Philosophy 8 (1) (2023)
  Copy   BIBTEX

Abstract

“CyberTouch” is an experimental audiovisual performance which combines dance and music with live coding, and a prototyped wearable interactive technology to create audiovisual experiences. It is is the outcome of an interdisciplinary research informed by Cybernetics, a structured improvisation between two individuals a composer and a performer. Our goal is to explore and propose new relationships and strategies in performing practices and interactive audiovisual arts, while expanding the potential of the human body.

Other Versions

No versions found

Links

PhilArchive



    Upload a copy of this work     Papers currently archived: 101,597

External links

Setup an account with your affiliations in order to access resources via your University's proxy server

Through your library

Similar books and articles

Music Video Transformed.Mathias Bonde Korsgaard - 2013 - In John Richardson, Claudia Gorbman & Carol Vernallis (eds.), The Oxford Handbook of New Audiovisual Aesthetics. Oxford University Press USA.
Classical Music for the Posthuman Condition.Lawrence Kramer - 2013 - In John Richardson, Claudia Gorbman & Carol Vernallis (eds.), The Oxford Handbook of New Audiovisual Aesthetics. Oxford University Press USA.
Dance Improvisational Cognition.Klara Łucznik & Frank Loesche - 2017 - Avant: Trends in Interdisciplinary Studies 8 (T):227-238.

Analytics

Added to PP
2023-07-05

Downloads
5 (#1,753,584)

6 months
2 (#1,689,094)

Historical graph of downloads
How can I increase my downloads?

Citations of this work

No citations found.

Add more citations

References found in this work

No references found.

Add more references