Abstract

The status and limits of science are the focus of urgent public debate. This paper contributes a philosophical analysis of representations of science and the supernatural in popular culture. It explores and critiques a threefold taxonomy of supernatural narratives: (1) reduction of the supernatural to contemporary science; (2) reduction to a `future science' methodologically continuous with contemporary science; (3) the supernatural as irreducible. The means by which the TV series Buffy the Vampire Slayer adroitly negotiates the borderlines between these narratives is related to the `science wars', the two cultures debate, and the ancients vs. moderns dispute.