Nos proponemos, en este artículo, sentar las bases necesarias para investigar la correlación entre algunas formas de epojé y las reducciones a las que dichas suspensiones abren, y que corresponden a una concreción cada vez más rica. Nuestra aproximación de la concreción fenomenológica se apoya, abiertamente, en la mereología. Tras un breve repaso de algunos conceptos mereológicos aplicados al giro transcendental de la fenomenología, trataremos de apresar, mereológicamente, la especificidad de la problemática finkeana en su VIª Meditación Cartesiana. Habremos pues (...) de diseccionar las partes de la correlación transcendental cruzándolas con el particular lugar que, en esa concreción, ocupa esa “parte” no concrescente que es el yo fenomenologizante. Ella conformará la “parte” antecedente del “todo” de la cinestesia fenomenologizante que tratamos de elucidar, y cuyo consecuente será el todo de la correlación transcendental. Intentamos así contribuir al esclarecimiento del proceso de reducción fenomenológica, sentando las bases para una investigación sobre las articulaciones concretas entre epojé y reducción.The aim of this paper is to lay the ground for understanding the correlation between some forms of epochè and the reduction they open to, which corresponds, each time, to a richer type of concreteness. Our approach of phenomenological concreteness is mereological. Therefore, after remembering some basic concepts of the husserlian mereology and their possible use within transcendental phenomenology, we try to grasp the specificity of the questions posed by Eugen Fink in his 6 th Cartesian Meditation. We shall expose the parts of the transcendental correlation and then account for the particular role played, “within” this concretion, by this particular “part” which is the phenomenologizing ego. The phenomenologizing ego will be the antecedent “part” or term within this “whole” consisting on the phenomenologizing kinesthesis. Thereafter, the consequent term of such a kinesthesis corresponds to the whole of the transcendental correlation. We thus intend to throw some light on the process of phenomenological reduction and set the basis for further investigations regarding the concrete articulation between epochè and reduction. (shrink)

Esta conversación tuvo lugar durante una visita de varios días de Pablo Posada Varela a la casa de Marc Richir en Haut-Vaucluse en junio de 2012. He aquí tres extractos (de extensión variable) de una conversación del 8 de junio, y algunos otros fechados el 10 de junio.

『三太郎の日記』による栄光の後に襲ってきた波乱。同時代の知識人との関係や教育制度から、大正教養派の代表者に迫る社会史的評伝。.

오영환 교수 회갑기념 논문집. 과학과 형이상학의 관 계를 공동주제로 한 논문들이다.

v. 1. T'oegye, Kobong Yulgok, Ugye ŭi Sadan ch'ilchŏng nonjaeng ŭl chungsim ŭro -- v. 2. Sach'il nonbyŏng ihu Chŏng Kae-ch'ŏng esŏ Chŏng Yag-yŏng kkaji.

1. Pitʻŭgenstʻain kwa ŏnŏ -- 2. Hyŏndae ŏnŏ chʻŏrhak.

According to Mednick’s (1962) theory of individual differences in creativity, creative individuals appear to have a richer and more flexible associative network than less creative individuals. Thus, creative individuals are characterized by “flat” (broader associations) instead of “steep” (few, common associations) associational hierarchies. To study these differences, we implement a novel computational approach to the study of semantic networks, through the analysis of free associations. The core notion of our method is that concepts in the network are related to each (...) other by their association correlations - overlap of similar associative responses (“association clouds”). We began by collecting a large sample of participants who underwent several creativity measurements and used a decision tree approach to divide the sample into low and high creative groups. Next, each group underwent a free association generation paradigm which allowed us to construct and analyze the semantic networks of both groups. Comparison of the semantic memory networks of persons with low creative ability and persons with high creative ability revealed differences between the two networks. The semantic memory network of persons with low creative ability seems to be more rigid, compared to the network of persons with high creative ability, in the sense that it is more spread out and breaks apart into more sub-parts. We discuss how our findings are in accord and extend Mednick’s (1962) theory and the feasibility of using network science paradigms to investigate high level cognition. (shrink)