The third volume of The Cambridge Translations of Medieval Philosophical Texts will allow scholars and students access in English, to major texts that form the debate over mind and knowledge at the center of medieval philosophy. Beginning with thirteenth-century attempts to classify the soul's powers and to explain the mind's place within the soul, the volume proceeds systematically to consider the scope of human knowledge and the role of divine illumination, intentionality and mental representation, and attempts to identify the (...) object of human knowledge in terms of concepts and propositions. The authors included are Henry of Ghent, Peter John Olivi, William Alnwick, Peter Aureol, William Ockham, William Crathorn, Robert Holcot, Adam Wodeham as well as two anonymous Parisian masters of arts. This volume will be an important resource for scholars and students of medieval philosophy, history, theology and literature. (shrink)

An appealing to original texts, a comparing linguistic variations in the forms of their offsprings (translations), a research of processes of branching of meanings, a reconstruction of the first-sense of texts, and especially those that were created centuries ago in ancient languages, that is enabling to improve translation or understanding of the history of the mentality of native and modern na- tive speakers — will always be relevant for any philological, linguistic and philosophical studies. This article is an attempt to (...) analyze and show how different the form and meaning of the same text can be in different languages and what can be common between different translations. For the first time, the comparison of the original fragments of Plato’s “The Republic” in Ancient Greek with their translations into Japanese and Korean translations has been done. Also, some fragments of Lithuanian, Latin, Latin and English translations are included. For the analysis, I propose the following two fragments of the text of the seventh book, namely the replica numbered 514a-514b of the dialogue of Socrates with Glaucon and the replica numbered 517b-517c. After all, in my opinion, there is the greatest concentration of philosophical terms associated with the myth of the cave, which interests me. (shrink)

This article questions a common reading of Section 230 of Beyond Good and Evil as containing a canonical statement of Nietzsche’s naturalism. The section cannot be read simply as the programmatic statement of an investigative task, and is relatively vague as to its nature. Nietzsche’s aim is aporetic. He presents the naturalist task as involving mental self-cruelty and a struggle with unconscious vanity, suggesting that thinkers have found no way to justify why they choose this task, unless they invoke (...) self-descriptions which are false and belong to a metaphysical conception of truth and inquiry that naturalism must resist. In the Genealogy, Nietzsche revisits this theme and announces his task as that of calling into question these justifications of naturalist inquiry. (shrink)

The third volume of The Cambridge Translations of Medieval Philosophical Texts will allow scholars and students access in English, to major texts that form the debate over mind and knowledge at the center of medieval philosophy. Beginning with thirteenth-century attempts to classify the soul's powers and to explain the mind's place within the soul, the volume proceeds systematically to consider the scope of human knowledge and the role of divine illumination, intentionality and mental representation, and attempts to identify the (...) object of human knowledge in terms of concepts and propositions. The authors included are Henry of Ghent, Peter John Olivi, William Alnwick, Peter Aureol, William Ockham, William Crathorn, Robert Holcot, Adam Wodeham as well as two anonymous Parisian masters of arts. This volume will be an important resource for scholars and students of medieval philosophy, history, theology and literature. (shrink)

This article questions a common reading of Section 230 of Beyond Good and Evil as containing a canonical statement of Nietzsche’s naturalism. The section cannot be read simply as the programmatic statement of an investigative task, and is relatively vague as to its nature. Nietzsche’s aim is aporetic. He presents the naturalist task as involving mental self-cruelty and a struggle with unconscious vanity, suggesting that thinkers have found no way to justify why they choose this task, unless they invoke (...) self-descriptions which are false and belong to a metaphysical conception of truth and inquiry that naturalism must resist. In the Genealogy, Nietzsche revisits this theme and announces his task as that of calling into question these justifications of naturalist inquiry. (shrink)

Literary translation, especially poetic translation, is one of the rare domains where aesthetic, literary, and technical fields meet. This characteristic makes it the sort of work where a number of theoretical and practical problems converge. It is necessary to approach the issue on three essential planes. The first is theoretical: translation is an operation defined by rules; the second, functional: translation is a practical procedure, which is to say an a posteriori task; the third, specific: poetic translation is itself a (...) poetic activity.Let us begin with the last. From the point of view of literary creation, there is actually no specific difference between the original text and that of the translation. For poet and translator alike take part in a creative act, each laboring according to his means and tastes. For each of them linguistic competence and poetic competence are essential. Indeed, the act of translating is based on a “task of purification of words and ideas” which requires the application of mental effort on the one hand to the problems and the constraints of the poetic art as such, and on the other hand, to the descriptive and analytic nature of language, which is also music. Which is to say that one should not see translation as a simple operation of a lexical order. Nor should one forget that each language requires a specific lexical classification. (shrink)

Dating from about the third century A.D., the Yoga Sutra distills the essence of the physical and spiritual discipline of yoga into fewer than two hundred brief aphorisms. It is the core text for any study of meditative practice, revered for centuries for its brilliant analysis of mental states and of the process by which inner liberation is achieved. Yet its difficulties are legendary, and until now, no translation has made it fully accessible. This new translation, hailed by (...) Yoga Journal for its "unsurpassed readability," is by one of the leading Sanskrit scholars of our time, whose Bhagavad Gita has become a recognized classic. It includes an introduction to the philosophy and psychology underlying the Yoga Sutra, the full text with explanatory commentary, and a glossary of key terms in Sanskrit and English. (shrink)

English translation by Glenn H. Shepard Jr. Revision by Matthew MeyerThis article reports on the recent “International Congress of Traditional Medicine, Interculturality, and Mental Health” held by the Takiwasi Center in Tarapoto in the Peruvian Amazon. The event united 218 researchers and indigenous and religious representatives from 22 countries to present results of scientific discussions and engage in political and ethical debates surrounding the increasingly globalized, transnational, and biomedicalized reach of indigenous medical practices, especially ayahuasca-based therapy and religious practice. (...) The author interviewed several key researchers and representatives present at the event, and presents several important controversies in the field of ayahuasca and traditional medicine. She also reports on the colorful and eclectic nonacademic sessions at the event which included Inca chiropractics, ayahuasca sessions, and various forms of indigenous medicine. The text also reflects on the tragic events that unfolded in nearby Bagua, Peru, on the evening of the meeting, bringing a special urgency to the event's focus on indigenous cultural heritage. (shrink)

The spoliation of the Egyptians is an exodus theme whose interpretation is difficult and often controversial. The great cleavage lies between the thesis of a secret and dishonest action and that of an operation of definitive donations within the framework of the expulsion. The addition of the adverb ‘κρυφη’ in the Septuagint has been used to support the exit from Egypt by a secret escape with fraudulently borrowed objects. This article re-evaluates this variant by showing the limits of the status (...) that several critics hastily attributed to it. It, therefore, appears that the choice of the Greek translator corresponds to its own interpretation that does not agree with the source text from which it derives.Contribution: This article contributes to illustrate the overlap between the transmission of the text, its composition and its reception. We also discover how semantic analysis can be decisive in the evaluation of variants in the Septuagint. (shrink)

Phenomenological understanding is implemented as a two-phased act of attribution and identification of symbolic meanings. The theming of understanding as a mental process is engaged in semantics. On the formal side it looks so that signs - the associations, populations of abstract symbols - must be ‘translated‘ into substantive language in order to gain semiological, substantial, and meaningful identity. It is the task of semantics to work out the rules for such translation of symbolic expressions from symbolic to lexical-substantive-conceptual (...) language - a responsible movement from the abstract symbolization to specific identification. The identification has thee aspects: semiological, substantive, and semantic. The procedure of establishing the meaning is not semiotic; meaning, the truth of the characteristics of linguistic expressions constituents by appealing to non-linguistic values accumulating ‘supertext‘ information about the world. This procedure is defined by material coherence of the symbolicalness and the substantiveness, providing the link between language and objective thinking. (shrink)

The monk Rodulfus Glaber is best known for his Five Books of Histories, a major source for events in the first half of the eleventh century, and valuable above all for revealing the mental furniture of an eleventh-century monk - for his account of the millennium, of relics genuine and false, of church-building, and visions of saints and demons. This edition, the first since 1866, presents the only critical text of the Histories, accompanied by a complete translation and (...) a full historical commentary. Glaber also wrote a Life of his mentor, St William of Dijon, the renowned monastic reformer. The Life is reprinted after the Histories, again with translation and notes. The evidence for Glaber's life, and the value of his work are discussed in a Historical Introduction. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Reviewed by:Of Body and Brush: The Grand Sacrifice as Text/Performance in Eighteenth Century ChinaR. Kent GuyOf Body and Brush: The Grand Sacrifice as Text/Performance in Eighteenth Century China. By Angela Zito. Chicago: University of Chicago Press, 1997. Pp. xix + 311. Hardcover $45.00. Paper $17.95.It may be best to think of the argument of Angela Zito's enormously stimulating book Of Body and Brush: The Grand Sacrifice as (...) Text/Performance in Eighteenth Century [End Page 623] China as a series of concentric circles. At its core is a careful and satisfyingly annotated translation of the chapters of the Comprehensive Rites of the Qing (Da Qing tong li) (1756) that concern the grand sacrifice, the most important ceremonial moment in the life of a Qing emperor. From her careful and original analysis of these materials, Zito is able to bring new life not only to the Qianlong Emperor himself but also to the worlds of which he was, or sought to be, the center. These included the officials who served him, the community of scholars and editors who wrote about ritual, and the people who looked to the state for models of the centering process. In so doing, she rescues the eighteenth century from the accusation that it was the "graveyard of modernity." But she also examines the nature of Chinese ritual itself, in a way that explodes Western assumptions and explores Chinese subjectivities.There are far too many implications of this book to deal with in a short review, and any choice of themes is somewhat subjective. Zito's suggestion that we refer to the community of Chinese officials as an "imperium" rather than a "bureaucracy" (à la Weber) is a convincing one that will certainly influence our narrative practice. I was most impressed, however, with what I found to be the triumphant demonstration that this book achieves of the vitality of ritual in the eighteenth century. We have always known, at some level, that ritual was important in China, but we have not always known what to do with this fact. Like contemporary undergraduates who respond with blank stares when asked if they have ever participated in a ritual (I have tried this), we have stood mute before the mountain of Chinese primary source materials dealing with ritual. In showing us a way to read ritual texts, Zito reminds us that these provided for the Chinese a way of "making manifest" (p. 79) the power of heaven in human affairs, and re-actualizing past words in present ceremonial. In short, eighteenth-century students of ritual texts were hardly antiquarians; they were actually optimists, pursuing the possibility that the realities of the golden age of the past could actually be recovered in the present. And they were not only this, of course, for Zito offers the fascinating suggestion that in a world where literacy was becoming more common, the analysts of ritual were attempting to recuperate their social and political positions as "interpreters and creators of authority" by reconnecting writing and obscure ancient ritual practice.This comment, however, is really an aside in an argument that is mainly concerned with how ritual was acted out in the eighteenth century. The details of the Grand Sacrifice—the various prostrations, placements, and profferings—are compellingly described and interpreted here. One waits—to say "breathlessly" may be a bit strong, but certainly with mounting anticipation—to see what historical associations or symbolic statements will come next in this most theatrical of imperial performances. One of the most interesting questions is whether the emperor sacrificed as a filial son—human, like the officials who surrounded him on the lower steps of the altar, or like a sage whose access to the heavenly realm was of a qualitatively different character than that of any other mortal. Of course the emperor was both, and it was the function of ritual, as Zito argues, to negotiate the differences between the two. [End Page 624]What is at stake in this volume is nothing less than an attempt to recover the mentality of those who were engaged in ritual practices. What did it mean when the emperor clothed his body in ceremonial... (shrink)

This sourcebook explores how the Middle Ages dealt with questions related to the mental life of creatures great and small. It makes accessible a wide range of key Latin texts from the fourth to the fourteenth century in fresh English translations. Specialists and non-specialists alike will find many surprising insights in this comprehensive collection of sources on the medieval philosophy of animal minds. The book’s structure follows the distinction between the different aspects of the mental. The author has (...) organized the material in three main parts: cognition, emotions, and volition. Each part contains translations of texts by different medieval thinkers. The philosophers chosen include well-known figures like Augustine, Albert the Great, and Thomas Aquinas. The collection also profiles the work of less studied thinkers like John Blund, Peter of Spain, and Peter of Abano. In addition, among those featured are several translated here into English for the first time. Each text comes with a short introduction to the philosopher, the context, and the main arguments of the text plus a section with bibliographical information and recommendations for further reading. A general introduction to the entire volume presents the basic concepts and questions of the philosophy of animal minds and explains how the medieval discussion relates to the contemporary debate. This sourcebook is valuable for anyone interested in the history of philosophy, especially medieval philosophy of mind. It will also appeal to scholars and students from other fields, such as psychology, theology, and cultural studies. (shrink)

The intersemiotic space: Adrianopol in F. Dostoevsky's "Crime and punishment" St. Petersburg. The article focuses on the peculiarities of the intertextual space of culture and the means of its analysis. Level analysis, compositional analysis and chronotopical analysis are juxtaposed in the paper. Textual and intertextual chronotopical analyses are considered separately. Two aspects of textual processuality are juxtaposed: the history of text production and the role of the manuscript page structure as a reflection of the writer's style and mode of (...) thinking (especially in the interserniotic relationship between picture, drawing andword); the history of text reception, its intersemiotic translation into different sign systems and its existence in culture in a scattered state. In this connection the notions of the individual and mental text are juxtaposed. As an example a page of F.Dostoevsky's notebook is taken, where an intricate combination of picture, calligraphy and text offers an interesting infonnation on the methods of formation of text conception. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Journal of the History of Philosophy 40.1 (2002) 121-122 [Access article in PDF] Book Review Humanism and Early Modern Philosophy Jill Kraye and M. W. F. Stone, editors. Humanism and Early Modern Philosophy. New York: Routledge, 2000. Pp. xii + 270. Cloth, $75.00 Early-modern philosophy begins in the seventeenth century. This book, based on a colloquium at the Warburg Institute, London in 1997, strives at extending the limits of (...) this period into the sixteenth and fifteenth centuries. Thus "the long-standing exclusion of the Renaissance from the standard philosophical curriculum" (xii) should come to an end by acknowledging its being an integral part of early modern philosophy and its relevance for an understanding of modern thought. The distinctive element of the Renaissance was, according to the editors, humanism, understood as the revival of ancient sources from the fourteenth century on, and its impact on the shaping of modern thought by these sources.One can identify the following types of argument offered in the twelve contributions to this book: (1) Renaissance humanists mediated classical sources into the seventeenth and following centuries either by translating Greek texts into Latin (Lohr on Aristotle commentaries) or by offering new interpretations that were to become standard (Hankins on Ficino and Galileo, and Mercer on the German Platonists). (2) Ancient modes of thought, mediated through the Renaissance, shaped modern philosophy (Stone on Aristotelian and Reformed ethics, Levi on Stoicism in Justus Lipsius, Kraye on Marcus Aurelius editions, and Osler on Gassendi and Aristotle). (3) Humanist literary forms and mentalities survived in modern thought (Bianchi on dialogue, Vickers on rhetoric in Bacon, and James on 'grandeur' and scientific argument).Two papers do not fit into this scheme: in "The Theology of Lorenzo Valla," the only paper dealing directly with a Renaissance humanist, Monfasani wants to prove that "Valla was no theologian." Monfasani does this on the basis of a very narrow concept of dogmatic correctness, blaming Valla continuously for being banal, to the effect that the paper does not contribute to the topic of the book. One could well connect Valla's theological issues (free will, summum bonum, trinity, etc.) with his provocative stirring up of philosophy in general and show his influence on Protestant theology and on modern ethics.The other paper is by J. R. Milton, which is enlightening because it summarizes the prejudices against humanism in modern philosophy ("'Delicate learning,' erudition and the enterprise of philosophy"). He endorses "one of the most familiar narratives in European philosophy" (161), namely that Descartes's breakthrough was due to his total rupture [End Page 121] with the philosophical tradition, especially with contemporary humanist and scholastic thought. Thus Descartes's triumph was that of the myth of the irrelevance of history to philosophy as evident in Galileo, Locke, and even Hume. If antecedents are acknowledged, e.g., in Berkeley, then accepting that they "provide us either with an irreplaceable source of wisdom or with equally irreplaceable models for imitation, or indeed both" (167), still fails to recognize that the history of a philosophical problem is a part of that problem rather than just some general "wisdom" or a model for imitation. Of course, Milton repeats the myth of Bacon's anti-humanism, masterly refuted in this very book by Brian Vickers, and Milton believes that Valla "enthroned" "custom and example" and therefore for him "it would be difficult if not impossible to state Hempel's Raven Paradox" (169). One might wonder whether the conclusion: "All ravens are black --all non-black things are non-ravens," is the paramount of modern philosophy. But a thorough reader of Valla's logic might discover similarities to pragmatism, which are fostered by his deep criticism of language with the tools of Renaissance humanism. However, Descartes's indebtedness to Renaissance method and rhetoric is handbook knowledge today.The audience for this collection of samples are specialists either in seventeenth- or eighteenth-century philosophy, or in Renaissance thought, or even philosophers in the narrow sense of the disciplines. The latter are difficult to convince of the usefulness of historic studies or "erudite activity" (Milton... (shrink)

Certain philosophical problems occur in biblical interpretations where concepts that belong to the scriptural world – full of references to demonic forces and miraculous events including raisings from the dead – have to be translated into meaningful concepts in our twenty-first-century western world. A crucial issue that arises is that any interpretation of a text can, at best, be probable and can never be absolutely final and certain. This in turn has implications for the act of faith that any (...) believer makes. Church traditions, the teachings of the Church on matters of faith and morals, and papal dictates are also subject to interpretation and are equally problematic. Attempts by Kant and others to avoid these difficulties by arguing that biblical texts are not descriptive but quasi-performative are also considered and rejected. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:The Journal of Aesthetic Education 38.1 (2004) 23-34 [Access article in PDF] Mind Ahead of the Tone:Integration of Technique and Imagination in Vocal Training at Tanglewood Summer Institute Svetlana Nikitina The use of the body and the mind at the same time is one of the most fascinating things and magic things about music. 1The purpose, indeed the sole purpose, of training for the profession of singing is to (...) improve the connection between the imagination and the sounds that eventually issue from the singer's mouth. 2The utmost goal of art is achieving unity between form and content, the subjective idea and the medium, technique and imagination. Success and livelihood of dancers, actors, and musicians depends on their ability to translate mental ideas into bodily actions and, at its height, merge technical bodily and mental wisdom so seamlessly that we would forget the path that led to it.What is this path? How do individual singers mesh, melt, and marry the technical rigor coming from years of musical training and their ability to imagine and express themselves with those tools? How is the unity betweentechnique and imagination achieved and experienced? And, what is the pedagogy that could support the connection? These are the core questions that guided the study.The goal here is not to propose a conclusive theory of connection, biological or psychological. My hope is to open the curtain for discussion of what is generally considered an "undiscussable" topic in art and music education books because it deals with what is thought of as implicit knowledge that no one could or should teach. Through my observation of Phyllis Curtin's classroom and conversations with her students, some general thoughts and principles of building unity between the technical and artistic selves of a singer emerged. I would like to share those insights and strategies.While this essay does not offer simplistic how-to strategies of fostering creative synergy, it also does not suggest that the connection just happens, [End Page 23] regardless of whether we think or teach about it. What it aspires to do is create a space for thinking about the complexity of integrative experienceand ways in which bridge-building could be facilitated. As such, it could offer insights to both beginning vocalists and voice teachers, as well as be of interest to a broader range of educators and public concerned with core issues on the integrative nature of arts education. Method To serve the goal of presenting complex experiences of creative artists, Ichose to combine analytical and descriptive elements in my research method. Building an analytical argument about the ways integration between imagination and technique could be achieved and supported, I tried to stay close to student stories of connection and disconnection, employing a qualitative rather than a quantitative method of inquiry. This takes the form of large amounts of direct interview data and personal vignettes, from which I traced general patterns of meaning. Research Context A very brief and in no way exhaustive survey of literature on voice education points to a large volume of text spent on training vocal technique. Breath control, charts depicting the larynx and the thyro-arytenoid muscle at work far outnumber chapters on interpretation or "The Work of Imagination" in musical education literature. 3There are precious few books, however, that do not keep the technical and the mental concerns separate, and give the work of imagination an explicit and central role in training of performing artists. Two of those books, Thomas Hemsley's Singing and Imagination and Michael Chekhov's On the Technique of Acting, have not fallen in my lap by chance. 4 Curtin referred to them several times in her classes as books of "singular" resonance to her own singing and teaching.Chekhov's book conceptualizes the basic processes that are involved in the actor's work on character development. These processes include extensive work on the text and its interpretation (understanding, living the text, and essentializing it in performance), in parallel with developing the body... (shrink)

In lieu of an abstract, here is a brief excerpt of the content:BOOK REVIEWS 187 Later Medieval Philosophy (1150-1350): An Introduction. By JOHN MARENBON. London and New York: Routledge & Kegan Paul, 1987. Pp. xi, 230. $35.00. Later Medieval Philosophy (LMP), the sequel to John Marenbon's 1983 Early Medieval Philosophy 480-1150 (EMP), aims to be not a historical account of later medieval philosophy but an " introduction... intended... to help " the reader " begin his own study of the subject (...) " (p. 1). To this end "Part One examines the organization of studies in medieval universities, the forms of writing and techniques of thought, the presuppositions and aims of thirteenth- and fourteenthcntury scholars. Part Two examines in detail the way in which some important later medieval thinkers discussed a difficult and central question : the nature of intellectual knowledge" (p. 1). Marenbon justifies his two-fold approach in the "Conclusion to Part One: What is Medieval Philosophy? " (pp. 83-90). Surveying three current approaches to medieval philosophy, Marenbon notes (1) a ' separationism ' between philosophy and theology provoked by ' rationalists ' like V. Cousin and B. Haureau and preserved in Catholic philosophical circles by such exponents as Fernand von Steenberghen; (2) a view that agrees " that it is right to consider the history of medieval philosophy as a separate subject from the history of medieval theology; but it is a philosophy which, nonetheless, depends on Christian revelation and cannot be understood in abstraction from certain funda· mental tenets of the faith," viz. that of Etienne Gilson who maintains the existence of a 'Christian philosophy'; and (3) the 'modern analytic approach' advocated by Norman Kretzmann and others in the Cambridge History of Later Medieval Philosophy ("to end the era in which it has been studied in a philosophical ghetto"). The third ap· proach de-emphasizes " the theological context " of " the particular philosophical arguments they isolate " and " the origin and literary form of texts " (p. 87) to " concentrate on the philosophical problems which they believe they share with medieval scholars " and " to translate medieval texts so far as possible into modern terms..." (pp. 8687 ). The arguments for these three approaches, however, are "based, not on historical evidence about medieval attitudes to philosophy, hut on different conceptions of what philosophy should he" (p. 88). These hermeneutical presuppositions affect the selection and arrangement of evidence by the various sorts of historian. Marenhon offers a fourth approach: ' historical analysis ', which " aims both to bridge the distance between the interests and assumptions of a modern reader and 188 BOOK REVIEWS the writings of later medieval thinkers, and yet to take account of it " (p. 89). Two restrictions are involved; historical analysts must not make " anachronistic assumptions about the identity of the problems discussed in their texts" (p. 89) and must restrict the scope of their investigations " to a single topic (or a set of individual topics) " rather than" writing... comprehensive Histories" (p. 90). Marenhon seems to recognize that there may he " patronizing " ways to take account of the difference between " medieval scholars " and " ourselves " hut such " limitations " are inescapable " conditions of disciplined thought " (p. 191). Fortunately Marenhon has moved away from the parochial assumption governing his Early Medieval Philosophy "that any thinker who appeared to share the methods and interests of ·modern British philosophers was a philosopher, and that all other thinkers were theologians, mystics, poets, scientists or whatever, hut not philosophers." He now holds "that there is no single, identifiable subject-' philosophy'which has been studied from Plato's time to the present day" (EMP, 1988 rev. ed., p. vii). Thus, Marenhon does not explicitly entertain the grand thesis that all or the most important forms of medieval philosophy are actually superior to all or the most important kinds of modern philosophy to justify the importance of studying medieval philosophy today (cf. Leo Strauss, Philosophie und Gesetz). Instead Marenhon, noting that " philosophia has a wide range of reference " (LMP, p. 66) and tacitly assuming that philosophy is an important activity, focuses on the problem of intellectual knowledge. The selection of exactly this problem, however, is not incompatible with the view that the epistemological turn characteristic of modern philosophy is still taken as normative. Accordingly, Marenhon provokes in us such questions as, Is philosophy today as good as philosophy in the hands... (shrink)

The first English translation with commentary of three classic Taoist texts on immortality • Translates The Jade Emperor’s Mind Seal Classic, The Immortals, and The Three Treasures of Immortality • Defines the Taoist concept of immortality and examines the lives and practices of Taoists who achieved this state • Reveals the steps needed to achieve immortality in our modern society Taoist mystics claim that it is possible to achieve immortality: “Within each of us dwells the medicine to cure the affliction (...) of mortality.” Now Western readers can access the wisdom of Taoist masters on the subject of immortality through the first English translations of three classic Taoist treatises: The Jade Emperor’s Mind Seal Classic; The Immortals, from the Pao P’u Tzu by Ko Hung of the Sung Dynasty; and The Three Treasures of Immortality, from the Dragon Gate Sect. The Jade Emperor’s Mind Seal Classic teaches that one can attain immortality through the cultivation of the three treasures of Taoism: ching (sexual and physical energy), qi (breath and vital energy), and shen (spirit and mental energy). Chinese history is sprinkled with accounts of individuals who applied the lessons of the Jade Emperor and lived up to 200 years. Drawing on his extensive knowledge of Taoism, martial arts, and Chinese history and culture, Stuart Alve Olson accompanies his translations with informative commentary that explains the historical context of the texts as well as demonstrates the practical applications of their teachings in contemporary life. (shrink)

The article focuses on Hryhorii Skovoroda’s philosophical dialogue dedicated to the nature of human and happiness as a bright example of a harmonious fusion of philosophical ideas and individual style. A comparative analysis based on a hermeneutic approach helped to assess the equivalency in representing the lexical, syntactical, and emotional levels of the reconstructed Ukrainian version of Skovoroda’s dialogue via English translation, and thus contribute to clarifying the reliable strategies of translating a chronologically remote text of philosophical discourse. The (...) research stresses the importance for a translator of philosophical works of Hryhorii Skovoroda to thoroughly consider the contextual meaning, inseparability of the concepts and style, and unique syntactic and emotive patterns of the source text conflating explicit and implicit semantics. In addition to deep understanding by translators of key philosophical terms, charged with contextual connotations, an equivalent translation of philosophic texts also demands sufficient knowledge of the related historical, cultural, and linguistic background to ensure a comprehensive perception of the intended senses and vectors of the mental activity by a reader. (shrink)

This is a translation of "Socialite et argent", a text by Emmanuel Levinas originally published in 1987. Levinas describes the emergence of money out of inter-human relations of exchange and the social relations - sociality - that result. While elsewhere he has presented sociality as "non-indifference to alterity" it appears here as "proximity of the stranger" and points to the tension between an economic system based on money and the basic human disposition to respond to the face of the (...) other person. Money both encodes and effaces sociality, both designates and disguises social relations. It arises from the way that needs and interests are manifested in exchange relations, in what he calls the "interestedness" of economic life. But interests are always already cut through by the fact that being is always "being with others". Being is always "inter-being". Interestedness is always confronted by disinterestedness, that is, by a sociality marked by the "goodness of giving", attachment to and concern for the poverty of the other person. Levinas concludes with a discussion of sociality and justice, posing questions about the tension between the demand to respond to an Other immediately before me and at the same time to respond to the demands of an other Other (the third person) who also invites a response. (shrink)

"Nietzsche versus Wagner", sometimes translated "Nietzsche against Wagner", is a critical examination of the composer Richard Wagner, whom Nietzsche praised in his early years and later declared his enemy. Nietzsche was close to the entire Wagner family, even Wagner's wives, but later had a falling out and spent a significant amount of energy attacking him. In this work, Nietzsche distances himself from Wagner's music and ideology, criticizing the composer's embrace of German nationalism and his turn to Christianity. Nietzsche contrasts Wagner's (...) decadent, pessimistic art with his own vision of a life-affirming, Dionysian aesthetic. The book reflects Nietzsche's broader concerns about the role of art and culture in society and his ongoing exploration of the tensions between Apollonian and Dionysian forces. Nietzsche also addresses the psychological and philosophical implications of Wagner's music, arguing that it represents a retreat from the complexities of reality into the comforting illusions of myth and religion. He sees Wagner's work as symptomatic of a broader cultural malaise characterized by a loss of vitality and authenticity. Through his critique of Wagner, Nietzsche seeks to reaffirm the values of individualism, creativity, and the joyful affirmation of life that he believes are essential to the rejuvenation of culture and the realization of human potential. This is one of three major works attacking Wager's music and legacy Nietzsche issued. This work was assembled and published at the end of 1888 under the title Nietzsche contra Wagner, shortly before his final mental collapse in January 1889. The text was published in December 1888 by C. G. Naumann in Leipzig. This new 2024 translation of the original 1888 German manuscript includes a new afterword by the translator, a timeline of Nietzsche's life and works, an index with descriptions of his key concepts, and summaries of his complete works. This translation is designed to allow the armchair philosopher to engage deeply with Nietzsche's works without having to be a full-time Academic. The language is modern and clean, with simplified sentence structures and diction to make Nietzsche's complex language and arguments as accessible as possible. This Reader's Edition also contains extra material that amplifies the manuscript with autobiographical, historical and linguistic context. This provides the reader a holistic view of this very enigmatic philosopher as both an introduction and an exploration of Nietzsche's works; from his general understanding of his philosophic project to an exploration of the depths of his metaphysics and unique contributions. This edition contains: • An Afterword by the Translator on the history, impact and intellectual legacy of Nietzsche • Translation notes on the original German, Latin and Greek manuscript • An index of Philosophical concepts used by Nietzsche with a focus on Existentialism and Phenomenology • A chronological list of Nietzsche's entire body of works • A detailed timeline of Nietzsche's life and works. (shrink)

In the eleventh of his Antiquarian Letters, Gotthold Ephraim Lessing discusses a phrase from Lucian's description of the painting by Zeuxis called A Family of Centaurs: ‘at the top of the painting a centaur is leaning down as if from an observation point, smiling’. ‘This as if from an observation point, Lessing notes, obviously implies that Lucian himself was uncertain whether this figure was positioned further back, or was at the same time on higher ground. We need to recognize the (...) logic of ancient bas-reliefs where figures further to the back look over those at the front, not because they are actually positioned above them but because they are meant to appear as if standing behind.'1 · 1. The passage is in George Lessing, Briefe, antiquarischen Inhalts, p. 81. Panofsky's discussion does not note that the original text of Lucian makes clear that what is described is a copy of the original painting. This means that some of the issues of misunderstanding situated by Lessing and Panofsky in Lucian's court may in principle be attributable to the copyist. This makes no difference to the conceptual thrust of Panofsky's case.—Trans. (shrink)

SUMMARYAs the Enlightenment drew to a close, translation had gradually acquired an increasingly important role in the international circulation and transmission of scientific knowledge. Yet comparatively little attention has been paid to the translators responsible for making such accounts accessible in other languages, some of whom were women. In this article I explore how European women cast themselves as intellectually enquiring, knowledgeable and authoritative figures in their translations. Focusing specifically on the genre of scientific travel writing, I investigate the narrative (...) strategies deployed by women translators to mark their involvement in the process of scientific knowledge-making. These strategies ranged from rhetorical near-invisibility, driven by women's modest marginalization of their own public engagement in science, to the active advertisement of themselves as intellectually curious consumers of scientific knowledge. A detailed study of Elizabeth Helme's translation of the French ornithologist François le Vaillant's Voyage dans l'intérieur de l'Afrique [Voyage into the Interior of Africa] allows me to explore how her reworking of the original text for an Anglophone reading public enabled her to engage cautiously – or sometimes more openly – with questions regarding how scientific knowledge was constructed, for whom and with which aims in mind. (shrink)

This text gives an account of the experience of reading Clarice Lispector’s Água Viva in the form of a brief dialogue with the text. It foregrounds the writing voice’s address of a second person and the attention this address brings to the acts of writing and reading that hold the two pronouns in relation, producing at once an infinite and nonexistent distance from being to being. The dialogue observes Lispector’s insistent return to the formulation “atrás do pensamento,” which (...) has been translated into English as “beyond thought” and can also be translated as “behind-thought” or as the background of thought, in a more spatial sense. Nancy reads the translation into French, where this spatial nuance is preserved, in consultation with Lusophone interlocutors about the specificities of the Portuguese original. The dialogue interrogates the link across this dimension, the recurrence of the pronoun it in the original Portuguese version of Água Viva, and the acts of writing and reading a text that brings awareness to a living, pulsing, ongoing, and escaping instant beyond meaning that is nonetheless the cause of the address in the first place. The dialogue follows the thread of this movement as it slips out behind thought, where Água Viva meets other books attuned to the instant and in which the dialogue’s “I” feels their vitalizing effects. (shrink)

Using the notion of a transfiguration of sexed bodies, this text deals with the stratifications of the gender-specific imaginary. Starting from the figurative-thus creative-force of the psyche-soma, its interaction with the configurations of a collective body will be developed from the perspectives of social philosophy and philosophy of history. At the center of my discussion is the interdependence between the individual psyche-soma, the socialized individual, and a collective bodily imaginary, on the one hand, and the strata of a gender (...) imaginary on the other. The ontological metaphor as well as the dimension of political action will be highlighted as playing a crucial role for these processes. (shrink)

This is the English translation of a speech Bergson made at Lycée Henri-IV on July 30, 1892. This is an interesting text because it anticipates Bergson’s last book, his The Two Sources of Morality and Religion. Like the distinction in The Two Sources between the open and the closed, “Politeness” defines its subject matter in two ways. There is what Bergson calls “manners” and there is true politeness. For Bergson, both kinds of politeness concern equality. Manners or material politeness (...) amount to the ritualized greetings and formalities by means of which we usually define politeness. Unfortunately and like The Two Sources, Bergson attributes this formalized relation to other human beings with primitive and “inferior races.” Nevertheless, Bergson sees in these formalities an attempt, in the name of equality, to ignore other people’s talents and merits so that one can dominate morally superior people. In contrast, true politeness or “spiritual politeness” consists in “intellectual flexibility.” When one meets a person of superior morality, one is flexible in one’s relation to him or her; one abandons the formalities in order to really live her life and think her thoughts. Here we find equality too: “what defines this very polite person is to prefer each of his friends over the others, and to succeed in this way in loving them equally.” After making a comparison to dance, Bergson defines spiritual politeness as “a grace of the mind.” Since both kinds of politeness concern equality, Bergson associates both with justice. However, beyond these two kinds of politeness and justice there is “politeness of the heart,” which concerns charity. In order to indicate politeness of the heart, Bergson describes the kind of person, a sensitive person, who anxiously awaits a word of praise in order to feel good about herself but who also, when she hears a word of reproach, is thrown into sadness. Although Bergson calls the sensibility of this person “a bit sickly,” he also claims that the sensibility is found in the heart of each of us. It indicates a fundamental sympathy with others. For this person such a word from another makes every power of one’s being vibrate in unison. So in this short speech, one will find Bergson distinguishing between material politeness, mental or spiritual politeness, and politeness of the heart. Politeness of the heart is true openness to others. And, for Bergson, it opens up to a society exemplified by ancient philosophy: true friends of each other and of ideas. (shrink)

Xuantong 玄同 (tentatively translated as dark oneness) is a unique Daoist idea that represents an ideally mental and physical state as a result of cultivation. However, owing to limited context in the Laozi, there is no consensus on the interpretation of xuantong. Contemporary studies have also neglected xuantong’s evolution in early texts and assumed a homogeneous understanding, and hence, failed to provide a nuanced account. In this article, I investigate how xuantong evolves from the Guodian Laozi to the Huainanzi (...) and Wenzi. I argue that although xuantong may originate from the Laozi, it is in the Wenzi that a coherent theory of xuantong is accomplished. This theory advocates an orderly process of cultivation that covers internal mental states, external acts, and integration with the whole universe. The cultivation would eventually lead people to adopt an undifferentiated perspective on, and reach oneness with, all things in the universe. (shrink)

Patañjali’s Yoga Sutra (second century CE) is the basic text of one of the nine canonical schools of Indian philosophy. In it the legendary author lays down the blueprint for success in yoga, now practiced the world over. Patañjali draws upon many ideas of his time, and the result is a unique work of Indian moral philosophy that has been the foundational text for the practice of yoga since. The Yoga Sutra sets out a sophisticated theory of moral (...) psychology and perhaps the oldest theory of psychoanalysis. For Patañjali, present mental maladies are a function of subconscious tendencies formed in reaction to past experiences. He argues that people are not powerless against such forces and that they can radically alter their lives through yoga—a process of moral transformation and perfection, which brings the body and mind of a person in line with their personhood. Accompanying this translation is an extended introduction that explains the challenges of accurately translating Indian philosophical texts, locates the historical antecedents of Patañjali’s text and situates Patanjali’s philosophy within the history of scholastic Indian philosophy. This is explicitly a philosophical translation of the text. (shrink)

Jiren (畸人), literally translated as irregular (Ji) person (ren), is a critical concept in the classical Daoist text the Zhuangzi (5th–3rd century BC.).1 The concept refers to individuals with atypical body shapes. Some of them lack body parts of the standard human body, like a leg or toes. Some others have an atypical anatomy, like having a chin stuck down their navel; and some of them are, by social standards of the time, considered to be extremely ugly.1 These individuals (...) are described as incredibly virtuous. The description of Jiren individuals as virtuous does not simply aim to show there may be hidden virtues that social conventions blur. The point is not to show that we should also care for those with atypical bodies who have a hidden virtue. Rather, the point is to show that all human beings have an unconditional intrinsic value and moral worth. So, Jiren prescribes that an atypical body shape does not reflect inferiority. The variation of body anatomies should be understood as how the world is, not a value hierarchy. The concept of Jiren encourages, therefore, to consider one’s own and others’ value beyond their physical appearance. What’s more, Jiren encourages individuals to resist social pressures to fit a standard and to search inward for who they really are and accept it. This ethical groundwork set by the Jiren aims at freeing people from existing physical and mental boundaries to their well-being and helping them rethink …. (shrink)

‘Language and End Time’ is a translation of Sections I, IV and V of ‘Sprache und Endzeit’, a substantial essay by Günther Anders that was published in eight instalments in the Austrian journal FORVM from 1989 to 1991 (the full essay consists of 38 sections). The original essay was planned for inclusion in the third (unrealised) volume of The Obsolescence of Human Beings. ‘Language and End Time’ builds on the diagnosis of ‘our blindness toward the apocalypse’ that was advanced in (...) the first volume of The Obsolescence in 1956. The essay asks if there is a language that is capable of making us fully comprehend the looming ‘man-made apocalypse’. In response to this, it offers a critique of philosophical jargon and of the putatively ‘objective’ language of (nuclear) science, which are both dismissed as unsuitable. Sections I, IV and V introduce this core problematic. The selection of this text for inclusion in this special journal issue responds to present-day realities that inscribe Anders’s reflections on nuclear science and the nuclear situation into new contexts. The critique that ‘Language and End Time’ advances resonates with the way in which the (undemocratic) decisions of a few companies and individuals are shaping the future of life on earth. At the same time, the wider stakes of Anders’s turn against the language employed by (weapons) scientists are newly laid bare by the realities and politics of climate change and fake news. In this new context, the language of science is all too readily dismissed as if it were a mere idiom that can be ignored without consequence. It is against the backdrop of a future that is, if anything, more uncertain than at the time of Anders’s writing, that the essay’s reflections on popularisation, the limits of language and the nature of truth gain added significance. (shrink)

Professor Strawson was interviewed on video on location at King's College, London during the Spring of 1992. Professor Strawson discusses his thoughts on a variety of topics on which he has written previously, providing some illuminating insights into how his thoughts has progressed. The text published here is en excerpt from this interview, translated with kind permission of Mr Rudolf V. Fara, the producer, in which prof. Strawson discusses his philosophical views with Martin Davies, Wilde Reader in Mental (...) Philosophy at Oxford University, and Mark Sainsbury, Susan Stebbing Professor of Philosophy at King's College, University of London. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Reviewed by:Perjury and Pardon, Volume 1 by Jacques DerridaRalph ShainDERRIDA, Jacques. Perjury and Pardon, Volume 1. Translated by David Wills. Edited by Ginette Michaud and Nicholas Cotton. Chicago: The University of Chicago Press, 2022. 368 pp. Cloth, $45.00This is the translation of a volume in the posthumously published series of Derrida's lecture courses. The most important of these are the early Heidegger: The Question of Being and History (1964–65) (...) and Theory and Practice (1975–76), no parts of which were published by Derrida. Substantial portions of the first volume of the lectures on Perjury and Pardon were published as separate essays, so the main question concerning this book is what it adds to the published portions.For those readers who are familiar with Derrida's most famous work and are curious about his deconstructive ethics ("ethics beyond ethics") and have not read any of the essays drawn from this book (such as "To Forgive: the Unforgiveable and the Imprescriptible," "Literature in Secret," and "Typewriter Ribbon"), this is a good place to approach the topic. One will find here many of Derrida's classic moves, such as the deconstruction of texts, concepts, and traditions. One will find conditions of possibility that are also conditions of impossibility, concepts that are contaminated from within by their opposites, and appeals to the experience of the impossible and to the distinction between a general and restricted economy.One will also find here those points that seem to be Derrida's weakest, such as the insistence on the privacy of the mental, a rather wobbly treatment of the separation between intending and causality, and the [End Page 545] claim, important for Derrida's "poetico-performative" theory of truth, that all constatives depend on a prior performative—a promise to tell the truth, always already contaminated by failure and hence a "perjury." (The first and third of these are also found in Derrida's published work.)The topics in this book are helpful in situating Derrida vis-à-vis other thinkers, especially those in the Frankfurt School. Derrida's concept of an impossible, paradoxical pardon might be compared with Adorno's concept of utopian moments. The promise of truth implicit in every constative might be compared with Habermas's quasi-transcendental ideal speech situation.Even if one has read one or more of the published portions, if one is unsure how they fit together, these lectures will allow one to see how they cohere. In the third session Derrida provides an outline of the project, which he qualifies with the comment that "I am aware of the grossly schematic character of this outline." Grossly schematic, yes, but grossly schematic outlines are very helpful. Here's the gist of the outline: "stubbornly tracking down in the Biblio-Koranic tradition a logic of economy, an economy, a sublime ruse which... comes to contradict and undermine a demand for finite-infinite forgiveness, forgiveness without condition, the aneconomic forgiveness that is nevertheless at the heart of this same thinking... showing that on the supposed Greek side, the aneconomic notion of forgiveness comes to organize the aneconomic logic and 'syngnomic' rationality of a so-called Greek culture." In short, the concept of forgiveness that is derived from the monotheistic traditions of forgiveness claims not to be pragmatic or goal oriented, but Derrida shows that it is, whereas the Greek concept that is the closest equivalent, and is supposed to be entirely pragmatic, has moments that exceed any limited economy. (If this still sounds opaque, see Derrida's essay on Bataille and general economy in Writing and Difference.)Even those who are well versed in deconstructive ethics and have read the published parts of this book may still find it quite interesting. Derrida's verbal elucidations of the typescript are transcribed from recordings and placed in footnotes. There are quite a few of these, and some of them are interesting. The editorial apparatus will allow one to confirm that one has indeed read all of the published parts, which one should not take for granted since a couple of them are in relatively obscure venues. The readings of texts are of variable interest, but even in the... (shrink)

In lieu of an abstract, here is a brief excerpt of the content:BOOK REVIEWS 337 Quodlibetal Questions. By WILLIAM OF OcKHAM. Vol. 1 trans. Alfred J. Freddoso and Francis E. Kelley; vol. 2 trans. Alfred J. Freddoso ; pref. Norman Kretzmann. Vol. l of the Yale Library of Medieval Philosophy. New Haven and London: Yale University Press, 1991. Pp. 391 and 305. $100.00 for both (cloth). In these handsome volumes, Professor Alfred J. Freddoso and the late Professor Frank E. Kelley (...) have provided the scholarly community with an English translation of William of Ockham's Quodlibeta septem (hereafter QS). The volumes constitute the first volume in the new Yale Library of Medieval Philosophy, and both the new series and this first contribution within it will add generously to the growing num· her of medieval philosophical texts available in English. Using the critical edition of Ockham's Latin text established by the Rev. Joseph C. Wey (Opera theologica, vol. 9, Franciscan Institute: St. Bonaventure, NY, 1980) as the basis for their work, the translators offer to readers of English an accurate translation of one of Ockham's mature theological works, treating a wide variety of philosophical and theological topics. Indeed, thanks to their efforts, the broad range of Ockham's thought in natural and revealed theology, ontology, epistemology, and ethics becomes available in English for the first time. The purpose of the Yale series is to translate into English " complete works of philosophical and historical importance". In deciding which work of Ockham to translate for the series, the translators faced two potential hazards: the danger of translating one of Ockham's earlier works that might contain ideas which he subsequently reconsidered; and the danger of translating a work that focused upon a narrow range of topics, something which would give readers the false impression that Ockham's philosophy was concerned only with those topics. The translators have adroitly managed to avoid both of these potential hazards. The translators certainly steered clear of the first hazard by deciding to translate Ockham's QS. These quodlibetal questions are believed to represent the substance of disputations Ockham held at the Franciscan studium in London during the years 1322-1324, although the final written form of the work probably was not established until 1325 or shortly thereafter at Avignon. Hence the QS represent to a large extent Ockham's final word on the topics discussed, since in the period after 1325 up until the time of his death in 1347 Ockham was too heavily embroiled in ecclesiological and political controversies in Avignon and Munich to give much consideration to more speculative concerns. Yet the translators also avoided the second hazard by choos- 338 BOOK REVIEWS ing to translate the QS. True, the QS is akin to numerous other medieval quodlibetal questions in that it treats an array of questions; hut, in the case of Ockham's work, the range of topics is so broad and the issues broached therein so fundamental to his personal thought that one has, in effect, a compendium of Ockham's major philosophical and theological ideas. A brief glance at the table of questions indicates the breadth of the questions and their relevance to perennial philosophical discussions. In the area of philosophical theology, Ockham asks whether it can be proved by natural reason that there is only one God; whether it can be proved by natural reason that God's power is infinite; whether God could have made the world from eternity. In regard to ethical theory, Ockham asks whether the exterior act has its own proper moral goodness, and whether there can be a demonstrative science about morals. In fields of epistemology and the philosophy of mind, Ockham asks whether the human intellect knows its own acts intuitively in this life; whether it knows sensible things intuitively; and whether there can be an intuitive cognition of a non-existent object. Closer to the area of logic and semantics, Ockham raises several questions about the status of propositions and their components: whether a mental proposition is composed of things or concepts; whether mental names are divided into concrete and abstract names in the manner of spoken names; whether the object of a definition is an extra-mental reality or a concept. Finally, readers... (shrink)

Compiled by scholars at the court of Liu An, king of Huainan, in the second century B.C.E, _The Huainanzi_ is a tightly organized, sophisticated articulation of Western Han philosophy and statecraft. Outlining "all that a modern monarch needs to know," the text emphasizes rigorous self-cultivation and mental discipline, brilliantly synthesizing for readers past and present the full spectrum of early Chinese thought. _The Huainanzi_ locates the key to successful rule in a balance of broad knowledge, diligent application, and (...) the penetrating wisdom of a sage. It is a unique and creative synthesis of Daoist classics, such as the _Laozi_ and the _Zhuangzi_; works associated with the Confucian tradition, such as the _Changes_, the _Odes_, and the _Documents_; and a wide range of other foundational philosophical and literary texts from the _Mozi_ to the _Hanfeizi_. The product of twelve years of scholarship, this remarkable translation preserves _The Huainanzi_'s special rhetorical features, such as parallel prose and verse, and showcases a compositional technique that conveys the work's powerful philosophical appeal. This path-breaking volume will have a transformative impact on the field of early Chinese intellectual history and will be of great interest to scholars and students alike. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Reviewed by:Prayer in Greek ReligionFrances Hickson–HahnSimon Pulleyn. Prayer in Greek Religion. Oxford: Clarendon Press, 1997. xvi + 245 pp. Cloth, $75.The study of prayer in ancient Greece faces rather daunting obstacles. Only four brief texts remain which scholars agree may represent authentic examples of cultic prayer: the twoword prayer of Eleusinian initiates, the Athenian [End Page 632] prayer to Zeus for rain, a prayer to Demeter for the barley (...) sheaf, and the dithyramb of Elis, for a grand total of forty words. In addition, there are three fifth–century hymns from Epidaurus, a form not universally agreed to be prayer. In the area of epigraphic evidence, the largest body of prayer–like addresses derives from curse tablets which mostly postdate the classical period and which arguably belong not to the study of religion but to that of magic. Votive inscriptions, while plentiful, are rarely in prayer form. Thus, of necessity, the scholar is largely dependent on literary evidence, most of which is poetic.Thus it is a challenging task which Simon Pulleyn took on in this revised version of his doctoral thesis: to describe and interpret the mentality of all types of prayer in archaic and classical Greece in a relatively slight volume (216 pages plus appendices, etc.). The resulting monograph, "the first book–length study of Greek prayer to appear in English" (jacket), will prove a useful introduction to the body of evidence and major lines of research on Greek prayer. His work will be especially welcome to those not competent in the ancient languages, for Pulleyn translates all of the prayers proffered as examples, as well as modern foreign–language quotations. He also includes a brief glossary of fifteen Greek words especially important in the study of prayers. While he quotes an abundance of illustrative prayers, both literary and epigraphic, and devotes considerable space to lexicographic discussions, nevertheless he produces a quite readable text.Rejecting the broader definition of prayer as any address or appeal to supernatural powers, used by Aubriot–Sevin (Prière et conceptions religieuses en Grèce ancienne, Lyon, 1992), Pulleyn defines Greek prayers as "articulate requests directed toward the gods" and proposes a four–part classification of (1) prayers based on ξενία (2) curses (), (3) entreaties (λιταί), and (4) supplications ().While there is considerable ancient evidence to support the association of prayer with petition, such a narrow description leaves in limbo other types of address to the gods, such as thanksgivings and greetings, which are too important to be left out of this or any comprehensive study of prayer. And so Pulleyn is forced to devote much space to the discussion of material which he does not technically consider prayer. In fact, he himself varies between the technical use of the term "prayer" and the more common modern definition, a practice which naturally leads to some confusion. On occasion, he resorts to the term "prayer–like" to describe nonpetitionary addresses to gods.Perhaps the reason for this emphasis on petition is the author's main thesis that is the primary characteristic of the relationship between the ancient Greeks and their gods, and thus of prayer as well. Pulleyn explains thus: "it refers to a whole nexus of related ideas that we would call reciprocity. When one gives something to a god, one is giving in the sense that the offering is pleasing; but equally one is storing up for oneself a feeling of gratitude on the part of the god, which is also The whole two–way relationship can be called one of " (4). [End Page 633]This thesis, which is prominent in the first half of the book, is most fully developed in the second chapter, where Pulleyn examines prayers of the type, known particularly from the Homeric epics. He is especially concerned with the da quia dedi(t) model, which presents an argument for fulfillment of the accompanying request based on sacrifices previously offered. Numerically, in Homer and elsewhere, this is not a common prayer type. Although it would seem to violate the typical pattern of sacrifice offered in conjunction with prayer requests, Pulleyn argues convincingly for interpretation of this prayer type within the context of reciprocity. The connection with... (shrink)

_Time, Space, and Phantasy_ examines the connections between time, space, phantasy and sexuality in clinical practice. It explores the subtleties of the encounter between patient and analyst, addressing how aspects of the patient’s unconscious past are actualised in the present, producing new meanings that can be re-translated to the past. Perelberg’s analysis of Freud’s Multi-dimensional model of temporality suggests that he always viewed the constitution of the individual as non-linear. In Freud’s formulations, the individual is decentred and ruled by different (...) temporalities, most of which escape their consciousness. Perelberg identifies the similarities between this and Einstein’s theory of relativity which states that rather than being absolute, time depends on the relative position and speed of the observing individual suggesting that rather than being a reality, time is an abstraction, connecting objects and events. Throughout this text, Perelberg draws together connections between time, mental space, and phantasy showing how time is constantly reshaped in the light of new events and experiences. This book will be of interest to psychoanalysts, psychotherapists, psychologists, and social workers. (shrink)

This paper examines the efficacy of three pedagogical approaches for teaching English-Chinese translation strategies, specifically applied to religious texts for intermediate-level EFL (English as a Foreign Language) learners. The participants were randomly divided into three groups, each trained with a distinct methodological framework: Explicit-Method-Chain (EMC), Explicit-Task Method Chain (ETMC), or Implicit Task Method Chain (ITMC). Utilizing a mixed methods approach, this study gathered quantitative and qualitative data in its formative stage to assess the effectiveness of each strategy, followed by a (...) comparative analysis of their outcomes. The findings indicate that while all strategies significantly enhance the translation skills of intermediate EFL learners, the Explicit-Task Method Chain (ETMC) proved more effective, particularly in the accurate and culturally sensitive translation of complex theological concepts and sacred language. This suggests that explicit task-focused training better prepares translators to handle the nuanced aspects of religious texts, thereby facilitating a deeper understanding and respect for cultural and spiritual nuances in translation practices. (shrink)

My book comprises a lengthy introduction and a complete translation of Laozi's classic, with comments and notes on individual chapters. The introduction covers Daoism as the counterculture in China and beyond; the originality and distinctiveness of Laozi's psychological and sociopolitical thoughts; the influence and contemporary relevance of the classic to life in the 21st century; and insights on bilingualism I have gained in the process of translation. This is the very first interpretation of Daoism from a psychological perspective. The topics (...) covered include Laozi's thoughts and their points of contact with modern psychology, the psychology of actions and nonactions, the cognitive and emotional aspects of the classic, psychological applications, difficulties of translation from a linguistic viewpoint, bilingualism-biculturalism, and a case study of my own bilingual experiences. My book contains the first translation of the Beida Laozi (Peking University Laozi), which predates the current received text by several centuries. I have renamed the classic as The Classic of Virtue and the Dao (DeDaoJing) to acknowledge that, in the Beida Laozi, the chapters on De (virtue) precede those on the Dao (Way). The target audience comprises scholars, college students, as well as educated adults interested in psychology and religion or spirituality; mental health professionals interested in holistic health. Courses that may adopt the book include comparative religion, cultural or Asian studies, translation, bilingualism, and multiculturalism. (shrink)

Some of the foremost living scholars in Islamic thought have come together to create a standard and definitive work on the subject of Islamic thought. Noted scholars from North America, Europe, and the Middle East offer new and generative interpretations of major themes in the field. They address perennial theological and philosophical questions: the nature of the God-head, the ultimate constitution of matter, the world's origin, causality, divine providence and the existence of evil, freedom and determinism, political wisdom, and the (...) reaches of human knowledge, The contributions include historical and analytical expositions of these issues in medieval Islam as well as discussions of individual thinkers, translations of Arabic texts with commentary, comparisons of Greek and Islamic thought, and bibliographical and textual sources. As a whole, these essays offer a wealth of philosophical, theological, bibliographical, philological, and historical information. Among the outstanding contributions are: an article by Charles Butterworth on Aristotle's rhetoric and how it was understood by al-Farabi, Avicenna and Averroes; Richard M. Frank's essay on the concepts of atoms and bodies, one of the most complex subjects in Islamic theology; and an article by Shams Inati on Ibn Sina and single expressions that discusses how language relates to mental processes and the unknown. Michael E. Marmura develops a new perspective on the subject of efficient causality, emphasizing the paradigmatic position of God's relationship to the world; Muhsin Mahdi analyzes a treatise of Averroes' that deals with the relationship between philosophy and law. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:American Journal of Philology 123.4 (2002) 587-599 [Access article in PDF] Isto Vilius, Immo Carum:Anecdotes About King Romulus J. Linderski ISTO VILIUS. Lovers of words will love A. S. Gratwick's recent piece (2000) on this idiom. Yet this is only part of the puzzle. There exists a complement at the other end of the scale: Immo carum.A brief introduction: At the conclusion of Terence's Adelphoe, in a comical reversal (...) of roles, the stingy Demea goads the generous Micio into headlong spendthrift spending. Micio drags his feet, and when Demea suggests that in addition to freeing the crafty slave, Syrus, and his female companion, he should also provide them with a loan so that they may start a business, Micio responds, istoc vilius (line 981). This choice of words to express a petulant demurral has for centuries (or rather for millennia, if we begin with the scholia) intrigued philologists, and Gratwick guides us expertly through all the meanders of the argument. He points out that—surprisingly—the commentators of Terence have generally neglected the testimony of Suetonius preserved by the late fourth-century grammarian Charisius. It is to this text that we ought now to direct our attention. We read under the lemma Isto vilius: 1 rex qui vocabat ad caenam, 2 si sibi ea res exhibenda indiceretur quam exhibere non posset, respondit (respondebat), 3 ut Tranquillus refert, isto vilius hominis erit caena. [End Page 587]Gratwick (2000, 85) gives the following translation: A rex who regularly entertained, if a thing were stipulated (for him to provide) which he was unable to provide, would reply, as Suetonius reports, isto vilius hominis erit caena. It has long been recognized, indeed, since the time of the Renaissance scholars, that the main textual problem resides in the word hominis, which (so it might appear) can hardly be forced into any sensible construction or meaning. Emendations were considered, and here Gratwick's proposal (2000, 88) nihilo minus deserves acknowledgement. Following in the footsteps of several earlier erudites, and in opposition to Bentley, 4 he takes hominis (or whatever hides in it) as belonging to the quotation itself. We thus receive the text: Isto vilius, nihilo minus erit caena or (tortuously) "by that (much) the more meanly, but (by) none the less will it be a feast."But who is the rex who uttered this quip? Certainly not any real king, says Gratwick (2000, 88-91), but rather a man of influence, a "boss," a "padrone," as defined by OLD s.v. rex 8. At a dinner, an impudent guest makes an outrageous demand (e.g., in addition to food, he would also wish to have dancing girls; "caviar and striptease," as Gratwick puts it). The host gives a witty response. "The dictum has to be taken as a specific quotation of Terence's Micio, but a quotation given a deliberate twist." The twist would reside in the addition of nihilo minus and a play on the [End Page 588] causal 5 and comparative interpretation of istoc. The ill-mannered person will miss the subtlety (for a boor must ex definitione be also ill-educated) and will take this Micio-like petulant refusal for a conciliatory bon mot. "The more cultivated bystanders" will knowingly sneer at the illiterate boor and mentally applaud the refined host.In sum, a perfect donnish joke that would fare very well indeed at an Oxonian high table. "The point of Suetonius' anecdote... was to illustrate the witty comitas of some specific famous eques or senator of the past." Gratwick concedes that this person must remain anonymous for us, but his preferred urbane padrone who entertained boorish guests is none other than Atticus. Rex Atticus? Why not Maecenas, who also loved to entertain and claimed a royal lineage? In point of fact, this is not at all a likely context of the anecdote.The perusal of evidence for rex in the sense of "patron" seemingly strengthens Gratwick's conceit, for in several passages, the rex appears in a convivial context. But on closer scrutiny, the rex reveals himself as... (shrink)

This paper seeks to explore the various verbal (linguistic) interactions within the intersemiotic environment of the museum exhibition space. Drawing on notions of intertextuality in the social semiotic tradition such as those developed by Lemke, it begins with a theoretical account of intertextuality in the bilingual museum, before focusing more specifically on two case studies from museums in the PRC and Hong Kong in which Chinese language Source Texts are accompanied by corresponding English language Target Texts. In each case the (...) paper considers the particular relations that obtain between these co-spatially situated Source Texts, the strategies through which such intertextual usage is mediated in translation, and how the intertextual relationships of the Source Text cluster are reconfigured in the correspondent Target Text cluster. A number of factors are identified in the translation process, including discoursal shifts, re-prioritization and redistribution of Source Text material across different Target Texts, and the use of alternative types of lexicogrammatical repetition that seek to create a different form of recapitulation in translation, whether to correct perceived shortcomings in the original ST relationships, or for reasons of cultural or museological convention. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Reviewed by:Prayer in Greek ReligionFrances Hickson–HahnSimon Pulleyn. Prayer in Greek Religion. Oxford: Clarendon Press, 1997. xvi + 245 pp. Cloth, $75.The study of prayer in ancient Greece faces rather daunting obstacles. Only four brief texts remain which scholars agree may represent authentic examples of cultic prayer: the twoword prayer of Eleusinian initiates, the Athenian [End Page 632] prayer to Zeus for rain, a prayer to Demeter for the barley (...) sheaf, and the dithyramb of Elis, for a grand total of forty words. In addition, there are three fifth–century hymns from Epidaurus, a form not universally agreed to be prayer. In the area of epigraphic evidence, the largest body of prayer–like addresses derives from curse tablets which mostly postdate the classical period and which arguably belong not to the study of religion but to that of magic. Votive inscriptions, while plentiful, are rarely in prayer form. Thus, of necessity, the scholar is largely dependent on literary evidence, most of which is poetic.Thus it is a challenging task which Simon Pulleyn took on in this revised version of his doctoral thesis: to describe and interpret the mentality of all types of prayer in archaic and classical Greece in a relatively slight volume (216 pages plus appendices, etc.). The resulting monograph, "the first book–length study of Greek prayer to appear in English" (jacket), will prove a useful introduction to the body of evidence and major lines of research on Greek prayer. His work will be especially welcome to those not competent in the ancient languages, for Pulleyn translates all of the prayers proffered as examples, as well as modern foreign–language quotations. He also includes a brief glossary of fifteen Greek words especially important in the study of prayers. While he quotes an abundance of illustrative prayers, both literary and epigraphic, and devotes considerable space to lexicographic discussions, nevertheless he produces a quite readable text.Rejecting the broader definition of prayer as any address or appeal to supernatural powers, used by Aubriot–Sevin (Prière et conceptions religieuses en Grèce ancienne, Lyon, 1992), Pulleyn defines Greek prayers as "articulate requests directed toward the gods" and proposes a four–part classification of (1) prayers based on ξενία (2) curses (), (3) entreaties (λιταί), and (4) supplications ().While there is considerable ancient evidence to support the association of prayer with petition, such a narrow description leaves in limbo other types of address to the gods, such as thanksgivings and greetings, which are too important to be left out of this or any comprehensive study of prayer. And so Pulleyn is forced to devote much space to the discussion of material which he does not technically consider prayer. In fact, he himself varies between the technical use of the term "prayer" and the more common modern definition, a practice which naturally leads to some confusion. On occasion, he resorts to the term "prayer–like" to describe nonpetitionary addresses to gods.Perhaps the reason for this emphasis on petition is the author's main thesis that is the primary characteristic of the relationship between the ancient Greeks and their gods, and thus of prayer as well. Pulleyn explains thus: "it refers to a whole nexus of related ideas that we would call reciprocity. When one gives something to a god, one is giving in the sense that the offering is pleasing; but equally one is storing up for oneself a feeling of gratitude on the part of the god, which is also The whole two–way relationship can be called one of " (4). [End Page 633]This thesis, which is prominent in the first half of the book, is most fully developed in the second chapter, where Pulleyn examines prayers of the type, known particularly from the Homeric epics. He is especially concerned with the da quia dedi(t) model, which presents an argument for fulfillment of the accompanying request based on sacrifices previously offered. Numerically, in Homer and elsewhere, this is not a common prayer type. Although it would seem to violate the typical pattern of sacrifice offered in conjunction with prayer requests, Pulleyn argues convincingly for interpretation of this prayer type within the context of reciprocity. The connection with... (shrink)

Berenicen statim ab urbe dimisit invitus invitam.As for Berenice, he immediately dismissed her from the city against his will, against her will. Suetonius' laconic description of Titus' dismissal of his consort, the Herodian Berenice, after his accession to the Principate has attracted the attention of readers across the centuries. The biographer's use of polyptoton, invitus invitam, to describe the mental states of the Roman princeps and Judaean princess has been read as particularly moving. Perhaps most notably, Racine turned the (...) emperor's banishment of his lover into the central dilemma of his tragedy Bérénice. At the start of his preface to the text of the play, the dramatist amalgamates this sentence with another from earlier in the chapter, retaining the striking repetition, ‘Titus reginam Berenicen cui etiam nuptias pollicitus ferebatur, statim ab Urbe dimisit invitus invitam’. Racine claims that this account of the dismissal of Berenice provides appropriate subject matter for tragic poetry and, to support his case, he compares Virgil's treatment of the separation of Aeneas and Dido to the situation of Titus and Berenice. Suetonius is not normally read as a literarily sophisticated writer, but we should take a cue from Racine's response to this sentence. In this article, I argue that Suetonius himself chose to compare Titus and Berenice with Dido and Aeneas by an allusion in this sentence to Virgil's Aeneid and to Catullus' translation of the Coma Berenices. Within a rather matter-of-fact presentation of the relationship between the Flavian emperor and his Herodian consort, Suetonius evoked a more dramatic model. (shrink)

Compiled in the second century B.C.E, the _Huainanzi_ clarifies a crucial period in the development of Chinese conceptions of the cosmos, human nature, and the social order. Outlining "all that a modern monarch needs to know," the text emphasizes rigorous self-cultivation and mental discipline, attributing successful rule to a balance of broad knowledge, diligent application, and penetrating wisdom. In 2010, the editors of this volume completed the first complete English-language translation of the _Huainanzi_, opening exciting new pathways in (...) the study of philosophy, Asian studies, political science, and Asian literature. This abridgement contains essential selections from each of the _Huainanzi_'s twenty-one chapters and adds a new introduction and chapter descriptions. The text represents a remarkable synthesis of Daoist classics, such as the _Laozi_ and the _Zhuangzi_; works associated with the Confucian tradition, such as the _Changes_, the _Odes_, and the _Documents_; and a range of other foundational philosophical and literary works, from the _Mozi_ to the _Hanfeizi_. The abridgement preserves the _Huainanzi_'s special rhetorical features, such as its parallel prose, verse, and unique compositional techniques. For decades, Western scholars overlooked the _Huainanzi'_s sophisticated structure, creative content, and rich historical value, yet all that changed with the translation of the full text. Designed for classroom use and general readers, _The Essential Huainanzi_ continues to increase awareness of this brilliant work and change our understanding of early Chinese history. (shrink)

In this forgotten treatise, preserved largely in medieval translations into Arabic and Latin, the greatest medical scientist of antiquity investigates the relationship between conscious and unconscious movements. He looks at the structure of the tongue and the oesophagus, and asks why mental perceptions can have physical effects on the body. Some of his questions still trouble modern scientists, although they would not accept most of his answers. The extensive Introduction and Commentary explain the medical background for non-medical specialists, and (...) discuss the place of this treatise and of anatomy in medieval medicine down to Leonardo da Vinci. As well as being the first English translation of this important work, this is also the first comparative study of medieval translations of the same ancient text, and is based on new editions and collations of all three. The Commentary pays special attention to the linguistic elements involved in making these translations. (shrink)

[ita] Il testo cerca di attualizzare la filosofia medioevale, traducendo il suo linguaggio, spesso incomprensibile per la nostra mentalità antimetafisica, in termini il più possibili esistenziali e pertinenti con le domande di senso, che caratterizzano l'uomo in quanto tale. La seconda edizione, del 2023, è puramente digitale (Amazon KDP). -/- [eng] The text tries to show the topicality of medieval philosophy, translating its language, often incomprehensible for our antimetaphysical mentality, in terms as existential as possible and relevant for meaning (...) issues, which characterize man as such. The second edition, since 2023, is purely digital (Amazon KDP). (shrink)

16. The General Subject Matter of Husserl's Phenomenology 45 17. General Thesis and Epoche 46 18. Doubt 47 19. Hyle and Noema 48 49 BIBLIOGRAPHY TRANSLATION OF SELECI'ED TEXTS REFERRED TO IN THE FOOTNOTES 51 INTRODUCTION SECTION I PREFACE Meinong was one of the great philosophers who stand at the beginning of Analytic Philosophy and Phenomenology. He was a contemporary of Husserl, Frege, Mach, and Russell who were either originally or physicists, except Meinong. Meinong was a historian mathematicians and always (...) a philosopher who became increasingly interested in experi mental psychology, under the influence of Franz Brentano. He, as each of his contemporaries, developed his own philosophy. It grew, in a profound fashion, into a very rich realism which was, curiously enoug- based on a staunch empirical attitude. Of all these philosophers, Meinong and Husserl were most closely associated: both of them were students of Brentano and dealt, each. with his own philosophical tools, with the same subject matter, presentations and their objects. Meinong concerned himself, in short critical notes, with Husserl's phenomenology, that is, the first volume of Ideas . . . which was trans 1 lated by W. R. Boyce Gibson. The last section of this Introduction will be devoted to Meinong's criticism of Husserl. It is done in the last section because some of Meinong's theory is presupposed for the understanding of his critique of Husserl. (shrink)