U psihoanalizi ocinstvu nije pridata velika analiticka paznja i vrlo se malo zna o njegovom aktualnom uticaju na razvitak odredjene psihopatologije. Ovaj tekst pokusava da pazljivo ispita i kriticki razmotri uticaj ocinstva na psihoticne individuume. On razradjuje vaznost oca u zdravom razvitku dece, kao i posledice koje njegovo odsustvo ima za njihovu psihu. Oslanjajuci se na lakankovski analiticki okvir, tvrdi se da je danas ocinska figura umnogome izgubila status koji je prethodno imala. Postepeno nestajanje ocinske funkcije unutar savremenog kulturnog okruzenja, (...) uglavnom je uzrok vaznih drustvenih i zakonskih promena u porodicnoj strukturi, kao sto su povecanje broja porodica s jednim roditeljem i zakonodavstvo koje omogucava da gej-parovi usvajaju decu. (shrink)

"Brilliant and innovative, Jacques Lacan's work lies at the epicenter of modern thought about otherness, subjectivity, sexual difference, the drives, the law, and enjoyment. This new translation of his complete works offers welcome, readable access to Lacan's seminal thinking on diverse subjects touched upon over the course of his inimitable intellectual career." This English edition is translated by Bruce Fink, in collaboration with Héloïse Fink and Russell Grigg.

Using Jacques Lacan's work as a key, this groundbreaking work reassesses the philosophical significance of Freud's most ambitious general theory of mental functioning: metapsychology. Richard Boothby forcefully argues that this theory has been misunderstood, and that therefore Freud's impact on philosophy has been unjustly muted. Freud as Philosopher illuminates in a fresh and newly accessible way the central points of Freud's metapsychology-including the guiding metaphor of psychical energy and the final, enigmatic theory of the (...) twin drives of life and death-through the three cardinal Lacanian categories of the Imaginary, the Symbolic, and the Real. This exciting and brilliant book will have a definitive impact on how psychoanalysis is conceived in relation to philosophy. (shrink)

In this essay and the next, on Foucault, Derrida reencounters two thinkers to whom he had earlier devoted important essays, which precipitated stormy discussions and numerous divisions within the intellectual milieus influenced by their ...

This text is an innovative exploration of philosophy and madness in the context of the critical engagement of Heidegger's phenomenological ontology with Freudian psychoanalysis. Included is a play in which, after a mental breakdown, Martin Heidegger undergoes psychoanalytic treatment from Dr. Medard Boss. Boss is essentially caught between two intellectual giants: his patient, Heidegger, who challenges him to evolve beyond traditional Freudian psychoanalysis, and his mentor, Freud, who acts as a “ghostly” consultant in facilitating Heidegger's return to health. (...) The dialogue of the play consists of actual quotes taken from the major thinkers themselves, which enhances the authenticity of this fictitious production. In addition, the theoretical perspectives of Freud, Heidegger, Boss, and Ludwig Binswanger are included to enhance the readers' background knowledge. In the process of disclosing these brilliant theorists, this book uncovers what each orientation has to offer the others. (shrink)

The following article presents an analysis of the conflict that occurs between philosophy and psychoanalysis in both the works of Sigmund Freud and Jacques Lacan; This conflict is conveyed from the alienated condition of the subject that arises from the thesis of the unconscious. The subject deconstructs himself as consciousness and reveals the impossibility of him in the very act in which he presents himself through his saying. In this way, language configures the Freudo-Lacanian idea of the (...) unconscious in the form of an act of performative iteration, not so much at the level of consultation, but as the founding cogito of philosophical and scientific reflection. (shrink)

Nuestro propósito es dar a conocer la importancia y el influjo de la cultura y el pensamiento oriental y Japón en la obra de Lacan, para cuya tarea hemos tomado el eje del viaje que realizó al archipiélago en la primavera de A partir de esta coordenada de tiempo hemos retrocedido hasta la presencia del país oriental en la obra de Sigmund Freud y hemos referido la mención del mikado y de los ainus en Tótem y tabú. En (...) cuanto al budismo, centro del interés de Lacan en este primer viaje a las islas, Freud se mostró cauto, reticente, incluso hostil. Lacan, en cambio, se entusiasma por oriente y se interesa por el budismo, en especial por el zen. Hemos seleccionado los comentarios que hizo a su regreso de Japón. En los mismos, el psicoanalista francés pone el dedo en la llaga y nos habla del escamoteo que sufre la sexualidad femenina en el budismo, lo que le sirve de aviso para orientar la práctica del psicoanálisis. My aim in this paper is to make known the importance and influence of Eastern culture and thought and of Japan on Lacan’s works. I have taken as a starting point the trip he made to this country during the spring of 1963. After this I have gone backwards to consider the presence of Japan in Sigmund Freud’s works, calling attention to his mention of the Mikado and the Ainu in Totem and Taboo. Towards Buddhism, which was the focus of Lacan’s interest in this first trip to the archipelago, Freud was cautious, reticent and even hostile. Lacan, on the other hand, was enthusiastic about Orient and interested in Buddhism, especially in Zen. I have made a selection of the comments he made on his return from Japan, in which he pointed out weaknesses and commented on how feminine sexuality is eschewed in Buddhism, which he took note of in order to direct his practice in psychoanalysis accordingly. (shrink)

This text is an innovative exploration of philosophy and madness in the context of the critical engagement of Heidegger’s phenomenological ontology with Freudian psychoanalysis. Included is a play in which, after a mental breakdown, Martin Heidegger undergoes psychoanalytic treatment from Dr. Medard Boss. Boss is essentially caught between two intellectual giants: his patient, Heidegger, who challenges him to evolve beyond traditional Freudian psychoanalysis, and his mentor, Freud, who acts as a “ghostly” consultant in facilitating Heidegger’s return to health. (...) The dialogue of the play consists of actual quotes taken from the major thinkers themselves, which enhances the authenticity of this fictitious production. In addition, the theoretical perspectives of Freud, Heidegger, Boss, and Ludwig Binswanger are included to enhance the readers’ background knowledge. In the process of disclosing these brilliant theorists, this book uncovers what each orientation has to offer the others. (shrink)

The Seductions of Psychoanalysis reflects on the history of psychoanalysis, its conceptual foundations and its relation to other disciplines. John Forrester probes the origins of psychoanalysis and its most beguiling concept, the transference, which is at once its institutional axis and experimental core. He explores the most seductive of all recent psychoanalytic traditions, that inspired by Jacques Lacan, whose radical questioning of psychoanalytic effects has been continued implicitly by Michel Foucault and explicitly by Jacques Derrida. Other key questions (...) addressed include the significance of speech in the talking cure, and the relationship between the 'real' of psychoanalysis and the fictionality of the 'truth' it offers. Dr Forrester also focuses on the relationship between psychoanalysis and the feminine, on analysis and gossip, on the borderline of seduction and rape, and on the women who have played such a crucial role in the history of psychoanalysis, as patients, analysts or both. (shrink)

The philosophical manifestos of the past few decades involving attempts to go beyond constructs, discourses, and structures to the things themselves and a return to ontology and materialism often address the problems of the Anthropocene. Criticism of anthropocentrism and the introduction of the nonhuman into the focus of philosophy opened up new perspectives in solving the problems of idealism. This escape from the discursive aspect and the human factor, which is intended to break out philosophical projects to the outside, to (...) what is on the other side of culture and language, to the planet, to matter, is accompanied by sequences of negations. Exploring the outer edge of philosophy, the periphery of culture, dark and marginal subjects, these authors try to construct a kind of anti-discourse, a nonphilosophy. In order to unlock the nonthinkable, what is being proposed to us is an exploration of objects that philosophical thought has heretofore ignored. The path to the nonhuman and nonthinkable lies through nonphilosophy. This article attempts to analyze such negations. It analyzes the function of negation by turning to psychoanalytic theory, in which the examination and modification of negation is one of the key themes. The principal mechanism of analysis is the modified logic of the psychoanalyst Jean Michel Vappereau. But the classical modifications of negation of Sigmund Freud and Jacques Lacan are also considered. The article’s central question—how does one interpret the negation in a human’s turning to the nonhuman, of philosophy to nonphilosophy, of an act of thought to the nonthinkable—is resolved in two ways, which constitute the two sections of the article. The results of the analysis open up obscure ways of interpreting such philosophical manifestos. (shrink)

Philosophy had either ignored or attacked psychoanalysis: such responses are neither warranted nor helpful. One hundred years after its inception, isn't it time to find out what psychoanalysis has to offer us? In Passion in Theory Robyn Ferrell does just that, and returns with some surprising answers. Concentrating on the work of Freud and Lacan, Robyn Ferrell asks why their work had been so influential in European philosophy yet so marginal in the Anglo-American circles. Passion in Theory explores their (...) conception of the relationship between mind and body, and how it provides a key to many current philosophical questions. Passion in Theory is designed for students and researchers in psychoanalysis, traditional and continental philosophy. (shrink)

What is object-relations theory and what does it have to do with literary studies? How can Freud's phallocentric theories be applied by feminist critics? In Psychoanalysis and Gender: An Introductory Reader Rosalind Minsky answers these questions and more, offering students a clear, straightforward overview without ever losing them in jargon. In the first section Minsky outlines the fundamentals of the theory, introducing the key thinkers and providing clear commentary. In the second section, the theory is demonstratedn by an anthology (...) of seminal essays which include Femininity by Sigmund Freud; Envy and Gratitude by Melanie Klein; an extract from Transitional Objects and Transitional Phenomena by Donald Winnicot; The Meaning of the Phallus by Jacques Lacan; an extract from Women's Time by Julia Kristeva; and an extract from Speculum of the Other Woman by Luce Irigaray. Psychoanalysis and Gender:An introductory Reader is designed especiallyfor students and written with unpretentious prose and carefully selected material. It is an invaluable guide to this major field. (shrink)

A Lacanian approach to murder scene investigation. What if Jacques Lacan—the brilliant and eccentric Parisian psychoanalyst—had worked as a police detective, applying his theories to solve crimes? This may conjure up a mental film clip starring Peter Sellers in a trench coat, but in Lacan at the Scene, Henry Bond makes a serious and provocative claim: that apparently impenetrable events of violent death can be more effectively unraveled with Lacan's theory of psychoanalysis than with elaborate, technologically advanced forensic (...) tools. Bond's exposition on murder expands and develops a resolutely Žižekian approach. Seeking out radical and unexpected readings, Bond unpacks his material utilizing Lacan's neurosis-psychosis-perversion grid. Bond places Lacan at the crime scene and builds his argument through a series of archival crime scene photographs from the 1950s—the period when Lacan was developing his influential theories. It is not the horror of the ravished and mutilated corpses that draws his attention; instead, he interrogates seemingly minor details from the everyday, isolating and rephotographing what at first seems insignificant: a single high heeled shoe on a kitchen table, for example, or carefully folded clothes placed over a chair. From these mundane details he carefully builds a robust and comprehensive manual for Lacanian crime investigation that can stand beside the FBI's standard-issue Crime Classification Manual. (shrink)

Sigmund Freud sempre expressou uma profunda admiração por figuras emblemáticas do Renascimento italiano. Seu interesse por Roma e pela antiguidade romana – referências importantes em sua obra – pode ser constatado, inclusive, pela grande quantidade de viagens que Freud realizou rumo a cidades italianas entre os anos de 1876 e 1923. É nesse período, então, que o fundador da Psicanálise publica Eine Kindheitserinnerung des Leonardo da Vinci (1910) e Der Moses des Michelangelo (1914). Este fato chamou a (...) atenção de autores como Eric Fromm e Jacques Lacan, os quais, na década de 60 do século XX, teceram considerações completamente divergentes acerca da complexa relação de Freud com o humanismo renascentista. Este artigo objetiva, portanto, examinar a oposição radical que se pode estabelecer entre essas duas interpretações. (shrink)

Despite being what is commonly regarded as major influence on Michel Foucault, Freud and psychoanalysis are rarely directly addressed in his works. A notable exception, often cited, is towards the very end of ‘Madness & Civilization’ . Where the early Foucault ends his thesis proposing the conception of madness as social structure with back handed praise by of Freud’s re-engagement with madness via dialogue. Madness, from the mid 1600’s onwards was ignored or 'silenced’ from its ‘zero-point’ of separation (...) as a distinct group from the social mainstream. Foucault’s hand swings quickly back however, as mere lines later Freud is criticized for; maintaining- in fact amplifying- the unbalanced power of the physician-patient relationship, reinforcing the ‘judging’ and ‘alienating’ figure of the doctor essential to psychoanalytic practice; and retaining much in its conception from religious and medical tradition. Foucault sees these traditions as means of exercising social control, and psychoanalysis is regarded as consistent with them in this disciplining respect. We will look at two aspects of psychoanalytic thought addressing this continuance of traditional authority, and conclude with a comparison of the two philosopher’s differing conceptions of the object of psychoanalysis- human mentality. (shrink)

This essay synthesizes the place of biological evolutionism in the early history of psychoanalysis, and shows the implicit significance of German Darwinism in Sigmund Freud’s whole psychoanalytical works. In particular, Freud, together with Sándor Ferenczi (1873–1933), applied to mental disorders hypotheses inspired by August Pauly’s (1850–1914) psychological Lamarckism and Ernst Heckel (1834–1919) theory of recapitulation. Both of these theories rested upon the principle of inheritance of acquired characteristics, and were disproved by biological discoveries during the interwar (...) period. However, despite these scientific progresses, Freud never gave up his idea of inherited unconscious memories, and we try here to sketch out what would have cost him a renunciation to such outdated biological principles. Notwithstanding, Sigmund Freud was the first to elaborate on evolutionary causes of mental syndromes, which makes of him the forerunner of current neo-Darwinian psychopathology, with few continuators to date within the psychoanalytic field. Nowadays, the extended neo-Darwinian synthesis and affective neuroscience may pave the way for a rational Darwinian approach to human mental disorders, which would take into account the whole neurological and psychological evolution of species, and be centered on emotions and their vicissitudes. (shrink)

This essay examines how psychoanalytic conceptions of the subject and the object in the works of Freud and Lacan may contribute to a re-examination of the vexed issue of the subject–object relationship in science, philosophy and epistemology. For Freud, the ego is the essential subject, yet he regarded it as an always already objectified subject, which is objectively thinkable yet never subjectively knowable qua subject. Lacan conceptualised this Freudian principle of subjectivity with his notion of the divided (barred) (...) subject, which he initially designated as an effect of the symbolic order of language. As to the object, both Freud and Lacan emphasized its constitutive partiality, which explains why no object is ever fully capable of providing full satisfaction and why each and every object is flawed and cracked, thus triggering desire. Extending Freud’s idea of the ‘shadow of the object,’ Lacan captured the fundamental inadequacy of the object with his concept of the object a. As such, for Freud and Lacan, the subject–object relationship is problematic, because it concerns a relationship between a divided subject and a non-object (object a). In this relationship, the subject is not purely object and the object is not merely subject (in the Kantian sense), nor is the Hegelian subject–object identity more than an idealist aspiration. For psychoanalysis, the subject is always traversed by the object, yet the object can never be fully integrated into a subjectified structure of knowledge. The only way to conceive of an adequate subject–object relationship is at the level of fantasy. (shrink)

Impostors, confidence artists, and artful deceivers seem to have achieved a strange kind of popularity and even prestige in our contemporary political landscape, for reasons that remain elusive, especially given how harmful and socially unwanted such behaviors ostensibly are. Herman Melville’s 1857 novel, The Confidence-Man: His Masquerade, helps us shift our perspective on this seemingly irrational phenomenon because it points out how being susceptible to dupery is linked to the enjoyment of fiction itself. This insight also highlights the importance of (...) epistemological failure in the recent “return to aesthetics” in literary studies, where the positive dimension of unconsciously “willing one’s dupery” directly links aesthetic form to politics. The logic that connects aesthetics to unconscious enjoyment is then elaborated in the work of psychoanalytic thinkers such as Sigmund Freud, Jacques Lacan, Helene Deutsch and others to raise particular questions about how and why the enjoyment of being duped has been associated with feminine sexuality. Reading Melville’s novel while considering psychoanalytic concepts such as the “as if” personality, imposture, and interpassivity illuminates how confidence games play upon the ruses of sexuality, which have profound implications for why the public remains in thrall to the workings of known deceivers. (shrink)

Sport and Psychoanalysis: What Sport Reveals about Our Unconscious Desires, Fantasies, and Fears explores the intersection of sport and psychoanalysis, emphasizing the often-overlooked psycho-social dimensions underpinning the experience of sport. By challenging the idea that sport offers an “escape” from reality—a realm separate to the politics of everyday life—each chapter critically considers the unconscious desires, fantasies, and fears that underpin the sporting spectacle for both participants and spectators. Indeed, beyond simply applying psychoanalysis to sport, this book proposes how sport can (...) be used to pose questions to psychoanalysis, thus using sport as a medium to elucidate key psychoanalytic ideas and concepts. This volume addresses a diverse range of theorists, including Sigmund Freud, Jacques Lacan, Lou Andreas-Salomé, Norman O. Brown, and Frantz Fanon, and applies them across a variety of topics and sports, including NFL coaching, Manny Pacquiao, play, football, basketball, baseball, poker, and the 2023 FIFA Women’s World Cup, therefore providing a unique understanding of the cultural, social, and psychic significance of sports. A timely and relevant collection, this book will appeal to scholars and practitioners interested in understanding sport from both the cultural and clinical application of psychoanalytic theory as well as academics and practitioners in sport studies, psychology, sociology, education, and cultural studies. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Philosophy, Psychiatry, & Psychology 12.4 (2005) 343-348 [Access article in PDF] Doomed by Nature: The Inevitable Failure of our Naturally Selected Functions Andreas De Block Keywords psychoanalysis, Darwinism, evolutionary psychiatry, pathogenic metaphysics In their very thoughtful and stimulating replies, the three commentators foreground several topics crucial for both psychoanalysis and philosophical psychiatry. In my short response, I focus primarily on what the commentators believe to be the paper's main (...) shortcomings. The first critique reads as follows: Freud never claimed that the Homo sapiens is a fundamentally sick animal, but in fact thought that normalcy is possible and that normal behavior need not be interpreted as neurotic, perverse or psychotic. The second is that current Darwinian psychiatry does not substantiate the view that Homo sapiens is essentially an ill animal, whatever Freud's position might be. Third and last, the proposal that all human beings are ill to the core seems to be more of a religious slogan than a scientifically useful description. What Freud Really Said A transhistorical approach to Freud's work is far from simple, considering that it spans a period of over forty years and that it underwent considerable changes during that time. Not only did Freud introduce some radically new concepts during that time, such as narcissism and the death drive. Also, he regularly changed his position on the aim of psychoanalytic therapy, the ontogenesis of anxiety, and the nature of human sexuality. That Freud sometimes saw homosexuality as an inborn drive did not keep him on other occasions from thinking that homosexual desire was a result of the repression or projection of an oedipal (heterosexual) drive. Examples like these show that any exegesis of Freud's writings inevitably has to deal with some tensions. Freud's work contains numerous apparent, as well as real, contradictions, so that it is no surprise at all that Katherine Morris can produce textual evidence "proving" that Freud never held the view I attribute to him. According to her, Freud thought that we are not all neurotics and that normalcy is possible.I do not deny that several passages in Freud's work underscore the possibility of non-neurotic normalcy. Indeed, Freudian theory even describes processes—sublimation, the transformation from Id to Ego, the resolution of the oedipal complex, among others—that explain how human beings can escape neurosis and other mental disorders. But Freud's illustrations of these mechanisms or processes make clear that he could not conceive [End Page 343] of a nonpathogenic psychodynamics. Consider, for instance, how Freud emphasizes throughout his study of Leonardo da Vinci that Leonardo's sublimations make him extremely vulnerable to psychic exhaustion or "neurasthenia" (1910). Freud never tires of repeating that there is only a gradual difference between a neurotic patient and Leonardo da Vinci, the sublimating ("healthy") artist and scientist.Morris (2005) is right, of course, in arguing that a gradual difference between normality and mental illness does not imply that there is no difference at all. Quantity should not be thought the opposite of quality, because small quantitative differences can transform an "articulation" into a "breach." To use Hegel's famous example, there is a continuum between 110° C and -10° C, but everybody knows that that water evaporates above 100° C and freezes below 0° C. Applied to mental disorders, quantitative differences in levels of testosterone and serotonin may lead to qualitative differences in behavior; in other words, categorical and dimensional approaches to mental illnesses are not mutually exclusive. Having established that, we now need to take a closer look at how Freud articulated the differences between seemingly normal individuals and the mentally ill.Freud held that neurosis, psychosis, and perversion are caused by the interplay between instincts and defense mechanisms. Further, he thought that the pathogenic instincts were almost exclusively sexual. Now, although it is true that he sometimes recognized that the fear of death and the death drive are important factors for psychic life (Deeley 2005) and for the etiology of psychosis, more often than not he interpreted the fear of death as a symbolization of... (shrink)

This volume is an introduction to the relationship between psychoanalysis and literature. Jean-Michel Rabaté takes Sigmund Freud as his point of departure, studying in detail Freud's integration of literature in the training of psychoanalysts and how literature provided crucial terms for his myriad theories, such as the Oedipus complex. Rabaté subsequently surveys other theoreticians such as Wilfred Bion, Marie Bonaparte, Carl Jung, Jacques Lacan, and Slavoj Žižek. This Introduction is organized thematically, examining in detail important terms (...) like deferred action, fantasy, hysteria, paranoia, sublimation, the uncanny, trauma, and perversion. Using examples from Miguel de Cervantes and William Shakespeare to Sophie Calle and Yann Martel, Rabaté demonstrates that the psychoanalytic approach to literature, despite its erstwhile controversy, has recently reemerged as a dynamic method of interpretation. (shrink)

This (1982) essay sets out the claim that psychoanalysis is a cogent extension of the intuitive common sense psychology by which we naturally understand human action. In this psychology explanation proceeds by relating actions to the logically and causally cohering desires and beliefs of agents. As Freud showed, this kind of explanation is systematically deepened and extended by the explanation of dreams, the symptoms of mental disorder, and other related phenomena via the Freudian concept of wish fulfilment, which (...) was later extended to the more inclusive post-Freudian concept of phantasy. In this extension everyday actions, such as Freud's writing up his patient Irma's case history on the day before his dream of Irma's injection, are seen to be rooted in the same unconscious motives as are represented as fulfilled in dreams and symptoms -- e.g., in this case, by unconscious stirrings of deep guilt on the topic of injection, of which Freud was unaware until he analysed the dream. As this illustrates, the understanding of wishfulfilments and other formations of phantasy enables us fill out our account of agents and their actions by adding a stock of previously unacknowledged desires and modes of expression of desire. These are seen to cohere with, and also to deepen, our previous understanding: after understanding Freud's dream, we also have a deeper and firmer (and so more cogent) understanding of his behaviour on the previous day. In this way Freud effected an extension of our everyday mode of understanding that was cogent, cumulative, and radical, as illustrated further by examination of Freud's case history of the patient described as the Rat Man. (shrink)

Unconscious Thought in Philosophy and Psychoanalysis explores concepts throughout the history of philosophy that suggest the possibility of unconscious thought and lay the foundation for ideas of unconscious thought in modern philosophy and psychoanalysis. The focus is on the workings of unconscious thought, and the role that unconscious thought plays in thinking, language, perception, and human identity. The focus is on the metaphysical and philosophical concepts of unconscious thought, as opposed to the empirical or scientific phenomenon of 'the unconscious.' The (...) book argues that the metaphysical concepts still played an important role in the psychoanalysis of Sigmund Freud and Jacques Lacan. The book looks at the relation between unconscious thought and conscious thought, different kinds of thinking, and the relation between thinking and perceiving. Chapters focus on the philosophies of Plotinus, the Peripatetics and Scholastics, Immanuel Kant, Schelling and Hegel, and Freud and Lacan, among others. (shrink)

The article focuses on how Michel Foucault made use of psychoanalysis, of which he was a great reader in the 1950s, mainly Freud. If the psychoanalysis is sometimes enrolled in a “psy-function” and is not the subject of a specific course at the Collège de France like psychiatry, it nevertheless appears as a long-standing problem, a reference that persists throughout Foucault’s work, even if it is approached in a very pointillist way. In this sense, it has a separate status (...) within this function, sometimes contradictory, sometimes quite obscure, sometimes the matrix of all disciplinary institutions, sometimes the form of depsychiatrization outside asylum. Alongside an “instrumental” use that is bound to the problem of knowledge-power, there are some quite singular uses. Foucault thus manipulates the concept of the unconscious to the point of making it completely heterogeneous to the knowledge developed by Freud and revised by Lacan. (shrink)

In recent years, commentators have begun to re-examine the proximity of Frantz Fanon's and Jacques Lacan's work — a proximity which has traditionally been underappreciated. This article adds to these voices, demonstrating the reciprocal intellectual relationship between these two figures. It develops five interrelated arguments to chart this proximity. First, it emphasizes Lacan's and Fanon's connections through their ontological perspectives on madness. Second, it arbitrates the two theorists’ criticisms of the limits of Western psychoanalysis. Third, it shows the importance (...) placed by both on social structures in determining mental illnesses. Next, it demonstrates the centrality of their common understanding of psychosis. Finally, it argues that Lacan's argument in The Sinthome concerning the colonizer's power is inherited from Fanon's Black Skin, White Masks — itself influenced by Lacan's early theory of language. The article does not attempt to cast Fanon as an apprentice Lacanian but rather to argue that reciprocity helped shape both oeuvres. (shrink)

In hyper-modern society, food has become a source of endemic discontent. Many food products are seen as ‘tainted’; literally, figuratively or both. A psychoanalytic approach, I will argue, may help us to come to terms with our alimentary predicaments. What I envision is a ‘depth ethics’ focusing on some of the latent tensions, conflicts and ambiguities at work in the current food debate. First, I will outline some promising leads provided by two prominent psychoanalytic authors, namely Sigmund Freud (...) and Jacques Lacan. Subsequently, I will elucidate why our chronic dependency on high-tech food production apparently fails to meet consumer needs, focusing on some scenarios of escape, such as anorexia, cultured meat and ersatz food. And I will use ‘genres of the imagination’ to flesh out how food consumption has become a podium for enacting cultural symptoms, moral outcries, provocative identities and practices of the Self. Notably, I will discuss a story by Franz Kafka, a painting by Pablo Picasso and a food novel by Margaret Atwood. (shrink)

Roland Végső opens up a new debate in favour of abandoning the very idea of the world in both philosophy and politics. Opening with a reconsideration of the Heideggerian critique of worldlessness, he traces the overlooked history of worldlessness in Hannah Arendt, Sigmund Freud, Jacques Lacan, Jacques Derrida and Alain Badiou.

In a highly original rereading of the writings and seminars of Jacques Lacan, together with works of Freud and others, Cassin shows how psychoanalysis, like the sophists, challenges the very foundations of scientific rationality. In taking seriously equivocations, jokes, and unfinishable projects of interpretation, the analyst, like the sophist, allows performance, signifier, and inconsistency to reshape truth.

The romanticization of the ‘non-human’ which implicitly ideologizes and transhumanizes modern thought in the form of all that is associated with object-oriented ontology, builds not only on obvious starting points (‘deep ecology’, the philosophy of Deleuze and Guattari), but also tries to rethink ‘in its favor’ antagonistic paradigms and discourses. These include the Freudian-Lacanian psychoanalysis. In this article, we will show that not only an external orientation, but also internal gaps, can create an impetus for such a ‘neutralization’. Jacques (...) Lacan’s attempt to remain ‘loyal’ both to the ‘classical subject of the soul’ and to the Real (pre-/beyond-subjective, residual) has resulted in a contradictory concept of desire, having a paradoxical implosive potential which, in turn, was unlocked by the new-materialist, post/transhumanist reading of Lacan. The analysis of desire topic, fundamental to Lacan’s clinical methodology, shows how fragile and susceptible to external attacks is the hermetic conceptual apparatus developed for purely clinical purposes. Based on the logic of Lacan himself, who defined psychoanalysis as a symptom of a concomitant era, we have to state that formal attempts to dissociate oneself from ‘ordinary reality’ cannot save one from the crucible of history, and this fatality is always present in inescapable traps of language. In the vein of psychoanalysis understood as an ‘impossible profession’, the attempt to dialecticize Freud’s thermodynamic ‘biologism’, the fiasco of the Western subject ‘after Auschwitz’ and the belief in the immanence of interpersonal communication, has turned out to be an ‘impossible project’ for Lacan. (shrink)

This paper compares the free energy neuroscience now advocated by Karl Friston and his colleagues with that hypothesised by Freud, arguing that Freud's notions of conflict and trauma can be understood in terms of computational complexity. It relates Hobson and Friston's work on dreaming and the reduction of complexity to contemporary accounts of dreaming and the consolidation of memory, and advances the hypothesis that mental disorder can be understood in terms of computational complexity and the mechanisms, including (...) synaptic pruning, that have evolved to reduce it. (shrink)

The main concepts of the free energy (FE) neuroscience developed by Karl Friston and colleagues parallel those of Freud's Project for a Scientific Psychology. In Hobson et al. ( 2014 ) these include an innate virtual reality generator that produces the fictive prior beliefs that Freud described as the primary process. This enables Friston's account to encompass a unified treatment—a complexity theory—of the role of virtual reality in both dreaming and mental disorder. In both accounts the brain (...) operates to minimize FE aroused by sensory impingements—including interoceptive impingements that report compliance with biological imperatives—and constructs a representation/model of the causes of impingement that enables this minimization. In Friston's account (variational) FE equals complexity minus accuracy, and is minimized by increasing accuracy and decreasing complexity. Roughly the brain (or model) increases accuracy together with complexity in waking. This is mediated by consciousness-creating active inference—by which it explains sensory impingements in terms of perceptual experiences of their causes. In sleep it reduces complexity by processes that include both synaptic pruning and consciousness/virtual reality/dreaming in REM. The consciousness-creating active inference that effects complexity-reduction in REM dreaming must operate on FE-arousing data distinct from sensory impingement. The most relevant source is remembered arousals of emotion, both recent and remote, as processed in SWS and REM on “active systems” accounts of memory consolidation/reconsolidation. Freud describes these remembered arousals as condensed in the dreamwork for use in the conscious contents of dreams, and similar condensation can be seen in symptoms. Complexity partly reflects emotional conflict and trauma. This indicates that dreams and symptoms are both produced to reduce complexity in the form of potentially adverse (traumatic or conflicting) arousals of amygdala-related emotions. Mental disorder is thus caused by computational complexity together with mechanisms like synaptic pruning that have evolved for complexity-reduction; and important features of disorder can be understood in these terms. Details of the consilience among Freudian, systems consolidation, and complexity-reduction accounts appear clearly in the analysis of a single fragment of a dream, indicating also how complexity reduction proceeds by a process resembling Bayesian model selection. (shrink)

Did Freud present a scientific hypothesis about the unconscious, as he always maintained and as many of his disciples keep repeating? This question has long prompted debates concerning the legitimacy and usefulness of psychoanalysis, and it is of utmost importance to Lacanian analysts, whose main project has been to stress Freud's scientific grounding. Here Jacques Bouveresse, a noted authority on Ludwig Wittgenstein, contributes to the debate by turning to this Austrian-born philosopher and contemporary of Freud for (...) a candid assessment of the early issues surrounding psychoanalysis. Wittgenstein, who himself had delivered a devastating critique of traditional philosophy, sympathetically pondered Freud's claim to have produced a scientific theory in proposing a new model of the human psyche. What Wittgenstein recognized--and what Bouveresse so eloquently stresses for today's reader--is that psychoanalysis does not aim to produce a change limited to the intellect but rather seeks to provoke an authentic change of human attitudes. The beauty behind the theory of the unconscious for Wittgenstein is that it breaks away from scientific, causal explanations to offer new forms of thinking and speaking, or rather, a new mythology. Offering a critical view of all the texts in which Wittgenstein mentions Freud, Bouveresse immerses us in the intellectual climate of Vienna in the early part of the twentieth century. Although we come to see why Wittgenstein did not view psychoanalysis as a science proper, we are nonetheless made to feel the philosopher's sense of wonder and respect for the cultural task Freud took on as he found new ways meaningfully to discuss human concerns. Intertwined in this story of Wittgenstein's grappling with the theory of the unconscious is the story of how he came to question the authority of science and of philosophy itself. While aiming primarily at the clarification of Wittgenstein's opinion of Freud, Bouveresse's book can be read as a challenge to the French psychoanalytic school of Lacan and as a provocative commentary on cultural authority. (shrink)

The question of “time” is a worthy topic of psychoanalytic inquiry, concerning at least three different levels: technical, epistemological, and existential. However, if subjective well-being is the ultimate purpose of the analytic experience, it is immediately clear that the last level also defines the previous ones. In this perspective, we can attribute an innovative role to Lacan’s inquiry on time, in receiving the Freudian psychoanalytical legacy and in participating in the contemporary thought about subjective consciousness of time. Indeed, starting from (...) the paper entitled “Logical time”, Lacan completely abandons a linear notion of time: what concerns psychoanalysis is not the “real” past sequence of events in themselves, but the way these events exist “now” in memory, and the way the patient reports them. This dynamic idea of subjective temporality was immediately received not only by clinical therapy but also by other branches of knowledge. Nevertheless, in his late teaching Lacan directly engages the epistemological level of time analysis, trying to offer constants to the dynamic of time consciousness. Therefore, in the last years of his Seminar, he introduces into his work the mathematical concept of topological space, and begins to delineate a close relationship between time and space from the immanent point of view of discourse theory. If “rhythm” seems to be the ultimate horizon opened by Lacan’s teaching on time toward the end of his career, this perspective could mark the definitive return to Freud and anticipate some of the current most valid research in semiotics and physics. Unfortunately, the death of the French psychoanalyst resulted in this perspective remaining only barely sketched out. (shrink)

1900 was a remarkable year for science. Several ground-breaking events took place, in physics, biology and psychology. Planck introduced the quantum concept, the work of Mendel was rediscovered, and Sigmund Freud published The Interpretation of Dreams . These events heralded the emergence of completely new areas of inquiry, all of which greatly affected the intellectual landscape of the 20 th century, namely quantum physics, genetics and psychoanalysis. What do these developments have in common? Can we discern a family (...) likeness, a basic affinity between them, so that we can use the one to deepen our understanding of the other? One common denominator is that they open up realms of inquiry that are significantly different from the world of everyday experience, namely the realm of elementary particles, of genes and genomes, and of the unconscious. But to what extent can we meaningfully argue, for instance, that the genome is the biological unconscious, and the unconscious the psychic genome? To address these questions, I will build on the work of two key intellectual figures who have explored the affinities of these developments in depth, namely Erwin Schrödinger (a quantum physicist and avid reader of Schopenhauer who initiated molecular biology) and Jacques Lacan (who reframed the specificity of psychoanalysis with the help of 20 th century science: the era of structural linguistics, but also of quantum physics, molecular biology, bioinformatics and DNA). (shrink)

The convergences in approach between Freud's psychoanalysis and Husserl's phenomenology are elaborated. These include philosophical roots in Brentano's teachings; the primacy of direct observation over construction and theory; a conviction about the irreducibility of mentality to nature; the project of a "pure" psychology; the bracketing of theories, preconceptions, and the natural attitude; the necessity of self-reflection and empathy; a relational theory of meaning; receptivity to human subjects as teachers; and the methodological value of fiction for scientific truth. It is (...) argued that divergences between psychoanalytic and phenomenological theory have obscured profound agreement in the approach, subject matter, and methods of these two schools of psychology. (shrink)

Malcolm MacNaughtan Bowie, a Fellow of the British Academy, was appointed from an assistant lectureship at the University of East Anglia to one in the University of Cambridge in 1969. At Cambridge, he worked as a specialist in difficult poets in French beginning with ‘M’, particularly Henri Michaux and Stephane Mallarmé. These are writers of involuted complexity, to read whom both a sensitivity to how word play plays and to how French prosody in poetry or prose works were essential. These (...) studies by Bowie were followed by work on mind-altering psychoanalysis: on Sigmund Freud and Jacques Lacan. He was the first director of the Romance Languages Institute, ran its vigorous seminar programme, and gave this a strong international profile by his invitations. At the University of Oxford, Bowie set up the European Humanities Research Centre, followed by an associated publishing venture, Legenda. (shrink)

Wrestling with the Angel is a meditation on contemporary political, legal, and social theory from a psychoanalytic perspective. It argues for the enabling function of formal and symbolic constraints in sustaining desire as a source of creativity, innovation, and social change. The book begins by calling for a richer understanding of the psychoanalytic concept of the symbolic and the resources it might offer for an examination of the social link and the political sphere. The symbolic is a crucial dimension of (...) social coexistence but cannot be reduced to the social norms, rules, and practices with which it is so often collapsed. As a dimension of human life that is introduced by language--and thus inescapably "other" with respect to the laws of nature--the symbolic is an undeniable fact of human existence. Yet the same cannot be said of the forms and practices that represent and sustain it. In designating these laws, structures, and practices as "fictions," Jacques Lacan makes clear that the symbolic is a dimension of social life that has to be created and maintained and that can also be displaced, eradicated, or rendered dysfunctional. The symbolic fictions that structure and support the social tie are therefore historicizable, emerging at specific times and in particular contexts and losing their efficacy when circumstances change. They are also fragile and ephemeral, needing to be renewed and reinvented if they are not to become outmoded or ridiculous. Therefore the aim of this study is not to call for a return to traditional symbolic laws but to reflect on the relationship between the symbolic in its most elementary or structural form and the function of constraints and limits. McNulty analyzes examples of "experimental" (as opposed to "normative") articulations of the symbolic and their creative use of formal limits and constraints not as mere prohibitions or rules but as "enabling constraints" that favor the exercise of freedom. The first part examines practices that conceive of subjective freedom as enabled by the struggle with constraints or limits, from the transference that structures the "minimal social link" of psychoanalysis to constrained relationships between two or more people in the context of political and social movements. Examples discussed range from the spiritual practices and social legacies of Moses, Jesus, and Teresa of Avila to the political philosophy of Hannah Arendt and Jacques Rancière. The second part is devoted to legal and political debates surrounding the function of the written law. It isolates the law's function as a symbolic limit or constraint as distinct from its content and representational character. The analysis draws on Mosaic law traditions, the political theology of Paul, and twentieth-century treatments of written law in the work of Carl Schmitt, Walter Benjamin, Sigmund Freud, Pierre Legendre, and Alain Badiou. In conclusion, the study considers the relationship between will and constraint in Kant's aesthetic philosophy and in the experimental literary works of the collective Oulipo. (shrink)

Que Wittgenstein ait été un admirateur de Freud n'est pas surprenant, puisque Freud possédait au plus haut point une qualité que Wittgenstein considérait comme fondamentale en philosophie, à savoir l'aptitude à proposer des analogies nouvelles et éclairantes pour la compréhension de faits qui sont à la fois familiers et énigmatiques. Ce que fait Freud consiste pour lui essentiellement à proposer d'excellentes comparaisons, comme par exemple la comparaison d'un rêve et d'un rébus. Mais les mérites de Freud (...) ne vont pas au-delà de ce qu'on peut exprimer en disant qu'il nous fournit une " représentation des faits " dont personne n'avait eu l'idée avant lui et qui est, en tout état de cause, extrêmement convaincante. Ce que Wittgenstein n'accepte pas est l'aspect proprement explicatif de la théorie, c'est-à-dire, en fin de compte l'inconscient lui-même. Freud a tort de s'exprimer comme s'il avait découvert qu'il y a dans l'esprit humain des haines, des volitions, etc., " inconsciente ", ce qui est tout à fait trompeur, parce que nous pensons à la différence entre une haine " consciente " et une haine " inconscientes ", comme à celle qui existe entre une chaise " vue " et une chaise " non vue ". Freud nous a appris à discerner un but, une intention ou un sens dans des phénomènes qui, comme le rêve ou le lapsus, semblaient à première vue n'en avoir aucun. Mais il les a, pour ce faire, simplement placés dans une perspective entièrement différente de celle à laquelle nous étions habitués. Il commet, selon Wittgenstein, une confusion philosophique caractérisée, lorsqu'il estime avoir mis en évidence l'existence d'une activité psychique inconsciente qui constitue la cause supposée des phénomènes en question. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:The Pain in the Patient’s KneeMary Jacobus* (bio)We know very little about pain either.—Sigmund Freud, Inhibitions, Symptoms, and AnxietyPain cannot be absent from the personality.—Wilfred Bion, The Elements of Psycho-AnalysisBetween Therapy and HermeneuticsWhat is the place of a psychoanalysis that exists “between” therapy (considered both as a theory and a practice, but also as a theory of practice) and hermeneutics, or the theory of interpretation and understanding? (...) How do we understand psychoanalytic “understanding” itself, as a mental process that involves both the analyst and the analysand in the analytic encounter? I want to approach these related questions by way of the writing of the British psychoanalyst Wilfred Bion (1897–1979). Bion is best known outside the psychoanalytic profession as a pioneer of the so-called leaderless group and a theorist of group process [see Bion, Experiences in Groups]. But his collected theoretical and clinical oeuvre represents—especially in its “epistemological” period during the early 1960s, from Learning from Experience (1962) to Transformations (1965)—the most systematic, original, and philosophical revision of psychoanalytic theory since Melanie Klein’s controversial development of Freudian ideas during the middle decades of this century.1 Consequently, Bion’s influence pervades, and in some cases underpins, the rethinking of psychoanalytic theory and practice that characterizes British object relations in the wake of Klein. In particular, it gives contemporary post-Kleinian analysis its distinctive focus on (not) learning, (non)meaning, and (un)knowing, with an accompanying emphasis on the destruction of the links that make thought possible, as well as on the importance of being able to learn from experience and being able to bear not knowing. In other words, it brings to the fore difficulties associated specifically with questions involving interpretation and understanding in an analytic context.Bion’s writing is noted for its paradoxical combination of directness and difficulty, and for its emphasis on primitive emotional states and experiences, on the one hand, and epistemology and consciousness, on the other. Rigorous in its clinical focus, it also makes [End Page 99] frequent reference to philosophy, mathematics, and other branches of contemporary science. André Green, in the context of the new impetus that Bion gave to orthodox Kleinianism by linking it back to Freud, suggests that his particular contribution lay in realizing that the unconscious phantasies and archaic anxieties emphasized by Klein coincided with thought processes. Finding in Bion “an author who could measure up to Lacan,” Green saw the two as engaged in the common project of “reformulating psychoanalytic theory within a contemporary epistemological framework.” But for Green, “Lacan made the error of excessive abstraction, whereas Bion, with his constant reference to affect and the process of transformation, is the more authentically intellectual” [10–11].2 Although Bion’s writing is read wherever the theory and practice of British object relations psychoanalysis is seriously taught and studied, for the most part it remains surprisingly unknown within the academy. This is especially the case in America—even when it comes to literary critics and theorists with an interest in the “authentically intellectual,” who are often, by contrast, steeped in Lacan and well versed in recent Continental psychoanalytic writing. If only for this reason, but also because Bion’s work is particularly relevant to issues involving the relation between therapy and hermeneutics, I want to focus on the culminating book of Bion’s “epistemological” period during the early 1960s, Transformations—so called because of Bion’s analogy between the psychoanalyst’s representation of the experience of the analytic encounter and the artist’s transformation of the experience of what he sees.Bion’s writing, although terse and at times humorous, makes considerable demands on the reader, particularly on the capacity of the mind to entertain a new thought or consider it from a radically new perspective. He places pressure on thinking (including his own), as well as attempting to communicate the seeming incomprehensibility or hallucinatory dimensions of psychotic thought processes (which are often continuous with normal thought processes). In what follows, I will address both the kind of communication made by Bion himself—which is subject to its own interpretive difficulties and obscurities—and the relation between therapy... (shrink)

In what arrived belatedly as an announced, but delayed, preface to Marquis de Sade’s Philosophy in the Bedroom, Jacques Lacan interrogates the relations Sade could be said to have had with, on the one hand, Sigmund Freud, and, on the other, Immanuel Kant.1 Despite the presuppositions at the time of its writing, the text was first published as “Kant avec Sade” in the journal Critique in 1963 and only later reappeared as the preface it had been conceived (...) as: announcing the dogma of de Sade as an introduction to one of his key works. What had happened in the meantime, Lacan cryptically suggests, is that his – Lacan’s – collection of lectures and essays, Écrits, had arrived with a certain acclaim on the French cultural scene, and what had at first appeared to the publisher as inconsequential ravings had morphed into a profound and potentially significant enframing of de Sade’s “philosophy.” -/- What is it we find here? It is stupid, says Lacan, to pronounce – as too many “literary types” do – that de Sade’s perversions prefigured Freud’s interrogation of sexual mores. True, they both have the appearance of schooling, and so serve to prepare, Lacan informs us, the way for a new science. To understand the difference between them we need to arrive at some conception of Freud’s ethics of pleasure. -/- With what is known as the pleasure principle – announced in 1911 – Freud ordained a mechanism whereby pleasure is maintained at the lowest possible level.2 Lacan elsewhere referred to this principle as a homeostatic device, since it seeks to secure the functioning of the organism with as little excitement as possible. -/- Freud’s principle is different from traditional ethics in that it doesn’t disallow some sexual practices that had hitherto been condemned as wrong. However, such a realization doesn’t relieve us from approaching the principle as ethical. To Lacan, Freud’s homeostatic device is what “preordains the creature to its good.” In other words, it is by indulging in just enough pleasure to avoid unpleasure, either by becoming abstinent or consumptive, that we maintain our experience of goodwill. -/- What is remarkable, Lacan notes in his foreword to de Sade, is that Freud did not find it necessary to explicitly refer to this principle as an ethical prerogative. The only reason we can find for this, Lacan claims, is the 19th century obsession with the theme of “happiness in evil.” -/- The “happiness in evil” – or, as we should say, happiness in the will – has its precursor in Kant’s Critique of Practical Reason, which was published eight years prior to de Sade’s Philosophy in the Bedroom.3 To Lacan, de Sade subverts the Enlightenment directive inaugurated by Kant, and it is as such that it is possible to say that de Sade offers the truth of Kant’s Critique. -/- This “happiness in evil” becomes de Sade’s Being-Supreme-in-Wickedness. Recall that this is quite a different notion of perversion – of which the Marquis figures as the first and predominant example in Lacan – from that which reigned in the “literary” epoch, i.e., prior to Freud, as well as from Freud’s own inflection of the term. Perversion is no longer reducible to a catalogue of abominations – whipping, homosexuality, you name it – such as was the case prior to Freud, nor to a more select line of such – Freud famously excluded homosexual love from the list, while retaining sadomasochism. Lacan would draw the conclusion of Freud’s tentative first step by positing that perversion is a position, and specifically a location in relation to the phallus. -/- The novelty and force of this perspective should become clear to those who study the present volume. It is not a clinical attempt, nor the final word on a philosophy of mind without psychoanalysis. Rather, it should be regarded as situated in between these two domains, and with eyes to both. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Wilhelm Griesinger: Psychiatry between Philosophy and PraxisKatherine Arens (bio)AbstractThis essay discusses Wilhelm Griesinger’s seminal work on mental illness, Mental Pathology and Therapeutics (1867, trans. 1882), in the context of transcendental idealism, as an outgrowth of the work of Kant, Herbart, and Hegel. Griesinger drew on an adaptation of Hegel’s dialectical model of history and science to offer both a new way to interpret mental illness as (...) a product of an individual’s long-term interactions with both nature and culture and a new norm for therapeutic practice based on the patient’s role in his community and history.Mental Pathology and Therapeutics rests on Griesinger’s adaptation of the Hegelian dialectic to the context of pragmatic science, first by adopting its model of the mind, then by describing the etiology of mental disease and a taxonomy of its forms. Griesinger’s work thus stands in a largely unacknowledged tradition alive as late as Sigmund Freud and Jacques Lacan.KeywordsGriesinger, history of psychiatry/psychology, idealism, Hegel, dialecticIn the nineteenth century, Wilhelm Griesinger (1817–68) emerged as a leader in a range of fields: modern-day psychiatric clinical practice, neuropathology, and diagnostics of mental diseases. 1 Griesinger was a theoretician, a clinician, a textbook author, and the founding editor of major professional organs in his field during the political and social ferment in the German-speaking world that allowed new, more socially responsible institutional practices to be considered by intellectual communities. As a consequence of 1849 German civil reforms, theory and practice became mutually enlightening, actually allowing Griesinger to implement his theories into concrete institutional reforms in the German mental health system.Wilhelm Griesinger’s education and career were in many ways typical for his generation. He enrolled at the University of Tübingen in 1834 as a medical student; there, he became politically active (as a member of a forbidden fraternity), and, like many of his contemporaries, became familiar with Hegelian philosophy. After holding several private positions, he was appointed an associate professor (ausserordentlicher Professor) for pathology, “materia medica” and history of medicine at Tübingen in 1847. In 1848, he was called to Kiel; in 1850, to Egypt. Tübingen reappointed him as a full professor for clinical medicine and head of the university clinic in 1854. By 1860, he had moved to Zurich in a professorship for the medical clinic, where, starting in 1863, he was a key person in the planning of a new clinic for mental diseases—the Burghölzli, where Jung later worked. By 1865, he went to Berlin, as director of the Charité (mental institution), among other positions, and he wrote extensively about reform in asylum practice until his premature death in 1868.To a degree, the eminence of this career is contradicted today by his reputation. Contemporary wisdom describes Griesinger as a synthesizer [End Page 147] rather than an innovator, a man who mixed medical psychology with psychology and psychiatric practice, allowing neurology to take a major role in the treatment of mental disease. 2 In one version, Griesinger simply pulled the clinic and the laboratory together, and so bridged Romanticism (i.e., speculative natural philosophy) and materialism (i.e., empirical science) while failing to effect crucial modern reforms. 3 In other descriptions, Griesinger is identified as an activist (Doerner 1981), a key player in the debates between the Hegelian left and right about the reformulation of public institutions (cf. Verwey 1985), 4 or a typical (but effective) member of the intellectual elite of his age. 5 None of these options explains the attractive or threatening aspects of his clinical practice, or suggests why a psychiatrist of his rank could have been so thoroughly refuted after his death. 6The discussion which follows will try to remedy this lack by setting Griesinger’s approach to mental illness in the context of a transformation of a model from philosophy into medical practice. Griesinger’s scientific context strongly combined philosophical theorizing and empirical practice, a synthesis that later generations tended to denigrate as a “speculative” approach to a branch of medicine that required a more empirical foundation. Drawing on an adaptation of Hegel’s dialectical model of history and... (shrink)

Architecture and Deconstruction Case of Peter Eisenman and Bernard Tschumi -/- Introduction Towards deconstruction in architecture Intensive relations between philosophical deconstruction and architecture, which were present in the late 1980s and early 1990s, belong to the past and therefore may be described from a greater than before distance. Within these relations three basic variations can be distinguished: the first one, in which philosophy of deconstruction deals with architectural terms but does not interfere with real architecture, the second one, in which (...) a collaboration between Jacques Derrida and a group of architects interested in his concepts is commenced, and the third one, in which completed or only designed objects or new concepts of deconstruction created by architects gain their supremacy over philosophy. The following book analyses these three possible ways, first of all with the reference to Peter Eisenman and Bernard Tschumi. -/- Peter Eisenman -/- Misreading… and Other Errors -/- The issue of relations between Peter Eisenman’s work and philosophy of deconstruction may be referred to his activity more than ten years preceding his direct collaboration with Jacques Derrida (in 1985) and organisation of the exhibition Deconstructivist Architecture at Museum of Modern Art in New York (in 1988). As soon as at the stage of designing the first houses (House I-III, 1967-1970), which almost entirely inscribed in formalistic aesthetics of Modernism, the architect analysed the problem of architecture dependence on its assumptions. All his later designs may be treated as consequence of this initial interest in relations between practice and theory, and at the same time as an introduction to manipulations later on led at the level of metaphysics of architecture. Beginning with the issue of presence, considered in comments to House VI (1972), the number of ideas having their analogies in philosophy of deconstruction increased. The text entitled The End of the Classical: The End of the Beginning, The End of the End (1984), in which Eisenman criticised questions of representation in architecture, its delusive strive for truth and comparably unattainable attempts at ultimate definition of elementary rules, should be acclaimed the breaking point. This attitude was extended by numerous strategies disturbing architecture rules defined at metaphysical level in an essay Moving Arrows, Eros, and Other Errors: an Architecture of Absence (1986). The issue of Eisenman’s passage from formalism to deconstruction has already been much discussed in the literature (Rosalind Krauss, Thomas Patin among others), still it should be mentioned that the threads similar to Derrida’s concept included in Eisenman’s writing reveal untranslatability of architecture and philosophy. -/- Choral Works or Separate tricks -/- In 1985-1986 a series of seven disputes between Jacques Derrida and Peter Eisenman took place. The pretext for them were designs concerning Parc de la Villette in Paris. The situation of many months of collaboration between a notable philosopher of the second half of the 20th c. and an architect that already had a huge theoretical oeuvre, ended up with a publication of a large volume entitled Chora L Works and it became at the same time a vast study area for historians of contemporary architecture and philosophers. Derrida’s contribution to concept works were his considerations over the idea of chôra, the properties related to this concept were about to be reflected in shapes of the park. Therefore, Chora L Works became an example of the abilities of contemporary art, both in its capability of translation from philosophical ideas to artistic forms and its resistance to tradition of representing in architecture some phenomena and values originating outside this discipline. In the final period of their collaboration both interlocutors started to polemicise with each other more decidedly, what became a separate part of their thought exchange. The exchange of letters between Derrida and Eisenman at the turn of 1989 ended up the period of their direct contacts, nevertheless, at this time precisely a large group of experts in issues of deconstruction joined the discussion and extended the revealed in the former dispute problems into more than ten years of further considerations and publications. Except for a long text by Jeffrey Kipnis, who had participated in the meetings of the philosopher and the architect, there appeared also comments of researchers of artistic theories (K. Michael Hays, Thomas Patin), philosophers (Andrew Benjamin), and even experts in Greek literature (Maria Theodorou or Ann Bergren). Following these debates a contemporary reflection on architecture has saturated with indeed numerous concepts originating in philosophy of deconstruction. -/- Architecture which imitates mute philosophy -/- The series of Jacques Derrida and Peter Eisenman meetings, which took place in the period of 1985-1987, induced many authors to make comments. Some of them (Jeffrey Kipnis, Ann Bergren, Maria Theodorou) developed the subject of chôra which was introduced to the discussion by Derrida. The problem that was about to be solved was the question of tying up the concept of chôra with architecture, including Eisenman’s architecture and the series of meetings within frames of Chora L Works project. Kipnis on this occasion paid attention to chôra and its character of anachronia which infects any being created within chôra. In other words any event has its counterpart (analogon) in another, earlier event. He demonstrated the similarity of structure of many events and statements from the times of Derrida and Eisenman’s meetings to the almost identical behaviour of figures in Plato’s dialogue Timaeus. The loss of beginning present in this phenomenon was appropriate to both features of chôra and the effects of typical analyses of philosophy of deconstruction. Bergren’s analyses focused on accentuating gender of chôra, which, according to this author, had been neglected hitherto in discussions. She collated chôra descriptions with characteristics of women in myths, early Greek epic and philosophy and she arrived at a conclusion that chôra has features of a single woman and a married one at the same time. And yet Theodorou’s studies showed that in the Homeric epics chôra is not treated as an idea but is related with single things and events. The other part of the comments (represented by Andrew Benjamin and K. Michael Hays’ utterances) concerns Eisenman’s attitude to tradition which was treated as a variety of iteration understood philosophically. Benjamin commenced his considerations at the point of closeness between a definition of tradition and a concept of chôra understood as perpetuation (placement). A problematic issue was for him Eisenman’s complex relation to tradition based on its contest and affirmation at the same time. Overcoming the simple subordination to tradition – according to Benjamin – was based on awareness of the role of repetition in culture not known before. Hays made an attempt to explain the pleasure and torment of repetition with the support of Sigmund Freud and Roland Barthes’ concepts. According to Hays repetitions are attempts of a single being to a certain primal state perceived as free of any tension. In a similar way Rosalind Krauss explained a motif of a grate present in Modernistic art and also exceptionally frequent in Eisenman’s work. -/- Annex Architecture is still writing Balzac novels. Peter Eisenman and literature -/- Architecture’s approach to writing, script or literature, present within Peter Eisenman’s work, is an exceptional phenomenon, furthermore a complex one. The article considers four possible relations. The first one relates to Eisenman’s characteristics as a person extremely gifted with the ability to wordplay, which very ‘play’ reveals skills to create architectural images. In the second approach the attention has been paid to Eisenman’s interests – in the first period of his oeuvre – in linguistic works by Noam Chomsky and his transformational-generative grammar. The third kind of relations applied to overcoming the need for autonomy of architecture (and of modernist aesthetics at the same time) and renew interests in questions of meaning in architecture. The fourth sort of relations occurred when Eisenman started to create reflections of historic or literary narrations in architecture – ‘stone stories’ and architectural fictions of their kind. -/- Bernard Tschumi -/- From perversion to deconstruction In Bernard Tschumi’s writings from the 1970s and 1980s we can find a transposition of important threads of post-structuralist ideas deriving from Georges Bataille, Roland Barthes and Jacques Derrida’s works. The analysis of the architect’s writings also shows roots in Phillippe Sollers, Michel Foucault and Denis Hollier’s works. The analysis of borrowed elements from the beginnings of Tschumi’s theoretical activity may be helpful in explaining the contents of his later writings motre inspired by philosophy of deconstruction. The set of his earliest views was inspired by Marxism, Neo Marxism and French Structuralism, mainly by the writings of Henri Levebre and Guy Debord. From the thought of Levebre Tschumi took interest for city as not only a question of urbanistics but also a political issue. From Debord’s concepts he borrowed a conviction about the role of situational violation for changes in the society structure. Some of these beliefs were preserved in his own concepts of architecture as an event. From this period derived also his will to change conservative elements of social structure not by means of political revolution but of theoretical and creative activity. Tschumi acknowledged that the effective way of the proceedings towards achieving his aims would be accepting the role of both a critical intellectualist and architecture expert who would not hide away his left-wing orientation. The speculations defined by the architect as ‘revolting analyses’ were about to characterise contradictions which tear the society apart, penetrate architecture and constitute the basis of culture. Spreading away of the conscience of false assumptions hidden away in various disciplines could have weakened cohesion of a conservative society and influence the will to change among the elites. This way the beginnings of political revolution were rooted in philosophy of architecture. In 1977 Tschumi published his text entitled The Pleasure of Architecture inspired by Roland Barthes’s The Pleasure of the Text, it also included some concepts derived from Georges Bataille and Jacques Derrida. First of all the author used Barthes’s concept which made an assumption that literary activity is pervaded by the spirit of resistance towards social rules, and Tschudi transferred this remark onto architecture. From the ideas of Bataille, acquainted via Holier’s work, he derived his belief that two concepts of space, a conceptual one (defined as Pyramid) and a sensual one (defined as Labirynth), not losing their distinct features, they join in the concept of experienced space which exceeds contradictions. The exceeding itself was defined as the basic rule of architecture and it was referred to situations in which architecture not only negates social needs, but also disavows its own tradition. Crossing the borders applies not only to political issues or permanent rules of the very discipline but also interfering with other fields (especially literature and film). The fact that architecture is associated with organising events turned Tschumi’s attention to questions of violence that result from upsetting architectural order of a given building by its users and the one hand, and on the other from forcing the users to specific acts imposed by this very order. The analysis of the concepts used by Tschumi in his early writings indicates that they are close to definitions that would occur in his reflection in the following years influenced by philosophy of deconstruction. -/- Approaching deconstruction Tschumi in his theories developed in the 1980s presumed that the current social world had undergone a deep process of decay, and the reaction against which ought to be based on ordering-up actions, and also preserving the main outline of disintegration of the whole and its elements in the state of conflict. The statements concerning the nature of the contemporary to Tschumi social relations were applied by him to the world of architecture, this led him to coming up with designing strategies that took into consideration the destabilised character of conditions in which works of architecture were created. New ways of conduct invented by Tschumi drew their inspiration from literature and research on literature, psychoanalysis, structural linguistics, structuralism and post structuralism, and eventually also deconstruction philosophy. The proposed methods were opposed by their author both to functionalism continuity trends and postmodern architecture. Tschumi’s proposals contradicted any forms of conservatism or traditionalism in political sphere as well as in reference to tendencies in architecture. They were not simple contradictions of social or architectural rules, they intrude them from the inside, weaken or escalate the already existing incongruities, they move the boundaries between the areas. Revolutionary illusions about the possibility of radical changes were replaced with strategies which completed, tainted or test former rules in the series of formal games of permutation and combination. Quite different from avant-garde formalism Tschumi’s games were not about maintaining the autonomy of a given area, but on the contrary – polluting it with other areas’ influences. Tschumi enjoyed demonstrating illusions of architecture concerning simple relations between form and function, or between form and meaning. Making use of Freud, Lacan and Foucault’s research he introduced a category of “madness” into architecture allowing an observation that the recognised norms are nothing but merely ones of many possible principles of behaviour, and their recognised status resulted from unjustified hindering innovativeness which is crucial for architecture. To reborn architecture’s capability of changing Tschumi also made use of Barthes’s discoveries concerning rules of narration and works by writers who applied in their writing knowledge on linguistics. Making a work’s author unclear by various mechanical transformations of its elements was however apparent only, and formal rigours imposed on the process of designing liberated possibilities difficult to obtain in more traditional creative action. Another mode of acting introduced by Tschumi was combining his work of elements deriving from outside architecture; joining space records with notation of motion and events accompanying architectural objects among others. These architectural and extra-architectural elements were not unified, on the contrary their heterogenous and conflictual character was stressed. This is how shock, anxiety and instability, typical for live in great metropolises, infiltrated architecture. Taking some ideas of deconstruction philosophy as a pattern Tschumi also took into critical consideration in his essays traditional in architecture oppositions between form and figuration, or theory and practice. By combining various inspirations he eventually worked out an idea of architectural event, which he understood as a series of actions contesting its own field, redefining its sources, principles and elements. An event, understood in this way, was not so much producing works as rather creating conditions of their production and at the same time designing the society different from a hierarchic one. -/- Park of deconstruction Among numerous philosophical strategies of deconstruction most frequently used was questioning the practice of strong opposition of two reasons. In many cases Bernard Tschumi’s writings just consider functioning of the conflict juxtaposition of the ideas of structure and ornament or theory and practice in history of architecture. Violation of traditional relations between terms of this kind, both old and modern, raised Jacques Derrida’s objections, when he was induced for the first time to co-operate with architects’ milieu. During this long lasting thought exchange the philosopher eventually acknowledged Bernard Tschumi’s arguments for reasoning the encroachment of architecture’s fundamental rules. Deconstruction applied in architecture was not a simple transposition or analogy of practices that had been applied by philosophy of deconstruction. We may even say that considering architectural terms became an important formula of deconstruction. Architecture understood in philosophical way became something beyond the practice and theory of its own discipline, a sort of metaphysics of both philosophy and architecture. The deliberate encroachment of simplicity of dividing architecture into theory and practice, for the first time became a clear aim for Tschumi in his drawings and texts entitled The Manhattan Transcripts. The contents of this series of works was a record of characteristic features of this New York district in such a way that not only objects were the subject of the record but also relations between objects, people and events. The record was about to take into consideration a conflict character of elements of this representation and at the same time to avoid applying to them the rule of mimetism. The record became a form of reflection over the very record by an increased control over the ways of representation. Architecture which was considered in the The Manhattan Transcripts was not directed to fulfill the needs of inhabitation or production, it was rather related with hitherto usually marginalised liminal situations: building ostentatiously big monuments, religious cult, war etc. Architecture operating in these relations focused also the attention on the included in it continuous tendency to overpass its own restrictions, the role of violence as its not recognised factor, or the meaning of excess and shock in its operation. Architecture moving from reason towards madness became even more visible in the design of Parisian Parc de la Villette, whose pavilions were defined as folies (in French it means both small park buildings and follies). The park was supposed to be on the one hand a reflection of traditional society disintegration while on the other it questioned basic rules of producing a work of architecture. The traditional rules of designing, based on ordering up, were replaced with the strategies of dysfunction and dissociation. In Tschumi’s opinion methods of this kind may be equivalent of what Derrida named différance. Instead of aiming at mergence, any diversity, plays or variations were strengthen. Tschumi’s texts, in which he explained his attitude, were completed by Derrida’s extent statement entitled Point de folie – Maintenant l’architecture. Derrida’s article is the most significant of all his statements on architecture as a form of thinking and activity. According to the philosopher, architecture should divide space (in French defined as espacement), what enables both thinking and action – it arranges the space of an event. Tschumi’s buildings, defined as folies, in an essential way destabilise any created order, and at the same time they refresh it. Derrida’s statement suggests that architecture may become both metaphor of an order merging a language or a society but also of inner forces which deconstruct and reconstruct it. Therefore architecture is at the same time a construction, a deconstruction and a reconstruction. Parc de la Villette stands out in this system with its attempt to step beyond the scheme of an easy repetition and its heading for chances of achieving more radical otherness. -/- Conclusion Destruction as construction. Paradoxes of deconstruction in architecture -/- Scepticism about persistence and common importance of fundamental values of human culture evinced in philosophers and writers’ works as early as in Greek antiquity, nevertheless it was not expressed so strongly as in the second half of the 20th century. Especially in Heidegger’s work Being and Time (although originated in 1927, still influential in all later philosophy) the following states were characterised: the state of losing the ground (Abgrund), of being out of sight (Unheimlichkeit) and of being out of dwelling (Un-zuhause-sein) – as the basis of self-confidence of conscious being there (Dasein). The entire criticism of philosophy of home and dwelling draws the inspiration from this early writing of the German philosopher, it combines crisis of basic terms of metaphysics with social conditions which are dictated by living in large metropolis. The crisis of both metaphysical foundation and home appears to be similar to the situation of weakening the relations between a man and his dwelling in extensively expanding cities. Whereas philosophy, as well as many disciplines of social sciences, have diagnosed for a long time the destabilisation of fundamental ideas of Western culture and crucial changes in the ways of dwelling, architecture itself occurred to be “the last fortress of metaphysics” (J. Derrida). Among contemporary architects, Peter Eisenman and Bernard Tschumi were the ones who engaged most decidedly in the issues of critical analysis of architecture foundation and its social role. Both the architects noticed new formulas of contemporary social and individual existence, tremendously different from the entire history, and at the same time they affirmed lack of adequacy of architecture concepts to new situations. Both Eisenman and Tschumi used to describe the existing architecture as a tool for consolidation of highly integrated and hierarchised societies, and also as a discipline extremely uncoincidental with the current character of social life based on ideas of freedom and diversity. The means to transform architecture and make a factor of further social changes out of it, was a concept that accentuated revealing the inner contradictions of this discipline, and considering them in designing strategies. Eisenman’s activity, in regard of what has just been noticed, was focused on questioning the basic rules of traditionally comprehended architecture, especially the rule of purpose. The American architect noticed that the concept of architecture as fulfilment the need of location, hides away the fact that the location has to be constantly reconsidered, and hence it is overtaken by change (dislocation). Therefore new concept of architecture propounded architectural activity to translocate the concept of location – more than before – but also to change its status perpetually. Such comprehended architecture should claim, as its main purpose, the constant revision of this purpose and create itself anew permanently. Even Eisenman’s earliest designs of houses nos. I-IV broke with such values as the sense of safety, closeness and familiarity, and just on the contrary they accentuated senses of strangeness, homelessness and loss of confidence. The contradictions within architecture noticed by Tschumi referred to combination of intellectual and sensual values in architecture, when their non-appropriation was defeated by an additional condition, namely the way of experience based on pleasure of excess, marked by insanity. The features of folly were especially visible in his designs of gardens, where the order of planning was mixed with sensual experience introduced by particular elements (both the ones created by nature, and the buildings defined as folies). Parc de la Villette designed by the French architect in Paris put in question not only the common understanding of purpose in architecture but also the ideas of order and integrity, as its plan was based on the combination of independent layers with records of grids of points, various lines and planes. The architecture that collides inadequate elements with each other was supposed to be a kind of an event with no beginning and no end. The architecture treated as an event became a form of a space weakened articulation that maintains its diversity and lack of accordance of the elements building it up. The analyses of Eisenman and Tschumi’s theoretical writings indicate how much the aims of architecture have actually changed; instead of supporting social persistence, the architecture is rather intensifying contradictions, and instead of providing people with the sense of safety, it sublimes danger. From simple acts of defamiliarisation, increasing the distance to itself and enhancing the role of theory, through discomfort, anxiety, not feeling someone at home, weirdness, excess, shock and violence, architecture reached the edge of stability and uncertainty, only to make an attempt at penetrating what is impossible and unutterable, and recording what cannot become the subject of any records. -/- . (shrink)

In lieu of an abstract, here is a brief excerpt of the content:diacritics 30.2 (2000) 113-126 [Access article in PDF] Dissenting Words:A Conversation with Jacques Rancière 1 Davide Panagia:In your writings you highlight the political efficacy of words. In The Names of History, for instance, this emphasis is discussed most vividly in terms of what you refer to as an "excess of words" that marks the rise of democratic movements in the seventeenth century. Similarly, in On The Shores of (...) Politics, you begin your discussion with an excursus on the end of politics as the end of the promise. Finally, in Dis-agreement you speak of "the part of those who have no-part" as voicing a "wrong" for the sake of equality.In each of these instances, however, your treatment of words (and language more generally) is very different from those thinkers of the "linguistic turn" in political philosophy who expound on an ethics of deliberation as the first virtue of modern democracies. For that matter, your approach is quite different from those thinkers who focus on the aporias of language as such.Could you discuss this thematic of the proliferation of words in your thinking about democratic politics?Would it be fair to characterize your research on and exposition of democratic thinking as a "poetics of politics"?Rancière's Reply:In order to address your question adequately, it would be wise to enlarge the sense of "linguistic turn" you invoke. In its most generally accepted sense, the linguistic turn in philosophy consists in ascribing to linguistic processes certain phenomena and specifiable modes of relating objects attributed, in a previous instance, either to factual processes or lines of thought. This approach is not limited to the two figures you invoke in your question. The linguistic turn also has two stages of development that, from my experience, have been more noticeable in France than in the United States. The first phase, then, emerged with Lévi-Strauss and his structural approach to social relations founded on a linguistic model of relationality, subsequently reprised in Lacan's psychoanalytic notion that "the unconscious is structured like a language" that, in its turn, conjoins the energetic mental processes Freud discusses to linguistic practices. The primacy of "the linguistic" thus granted language all the properties of the Freudian unconscious [End Page 113] along with those of a Marxist notion of infrastructure. The Saussurian opposition between langue and parole provided a privileged status to a linguistic model whose role was that of a general law that unconsciously structures the behavior of individuals and societies. It is on the basis of these parameters that the structuralist moment of the linguistic turn was constituted. At one and the same time, the analysis of speech acts became first and foremost a "symptomatic" analysis of those procedures of misrecognition that linguistically structured both the behavior of individuals and social relations. When we "read" Le Capital with Althusser, the interpretive and methodological schema for linguistic phenomena operated like a kind of "policing of the enunciated": that is, a search for those unsuccessful (i.e., inadequate) modes of expression that exemplify such symptomatic procedures of misrecognition.The second phase of the linguistic turn constituted itself more ambiguously. For those who shared intellectual experiences similar to my own, this version involved a critique of the langue/infrastructure model; that is, a further and more favorable consideration of the value of the political and the linguistic games therein that, according to the Althusserian/Marxist model (and, indeed, with structuralism more generally), were to be treated as ideological artifacts. In a very real sense, it all began with the May '68 assertion that "we are all German Jews"--an entirely ideological statement, the validity of which, if analyzed at the level of its content, one finds to rest entirely on the capacity to overturn the political relationship between the order of designations and that of events by emphasizing the gap that separates subject and predicate. From there, an entire field of understanding speech acts as political gestures opened up: a field that reconfigured the division between words and things while rearranging the distinction between legitimate... (shrink)

Freud (and later commentators) have failed to explain how the origins of psychoanalytical theory began with a positivist investment without recognizing a dual epistemological commitment: simply, Freud engaged positivism because he believed it generally equated with empiricism, which he valued, and he rejected ‘philosophy’, and, more specifically, Kantianism, because of the associated transcendental qualities of its epistemology. But this simple dismissal belies a deep investment in Kant’s formulation of human reason, in which rationality escapes natural cause and thereby (...) bestows humans with cognitive and moral autonomy. Freud also segregated human rationality: he divided the mind between (1) an unconscious grounded in the biological and thus subject to its own laws, and (2) a faculty of autonomous reason, lodged in consciousness and free of natural forces to become the repository of interpretation and free will. Psychoanalysis thus rests upon a basic Kantian construction, whereby reason, through the aid of analytic techniques, provides a detached scrutiny of the natural world, i.e. the unconscious mental domain. Further, sovereign reason becomes the instrument of self-knowing in the pursuit of human perfection. Herein lies the philosophical foundation of psychoanalytic theory, a beguiling paradox in which natural cause and autonomous reason — determinism and freedom — are conjoined despite their apparent logical exclusion. (shrink)

Transference, as well as counter-transference are both central to the praxis of psychoanalytical therapy. They emerge from the encounter with the patient who is caught in libidinal conflicts (Freud) and in the imaginary chain of signifiers (Lacan). Affective effects stemming from transference must, therefore, be taken into account in order to clarify their unconscious connection to the symbolic as well as to the real. Phenomenologically speaking, this corresponds to an original dimension of being-affected, a dimension prior to any sort (...) of interpretation. It aims at liberating desire (désir) by making jouissance possible as an act that does not lead to a hypostasis of the law (Phallus). (shrink)