This article examines the Phitsanulok Dhammakaya inscription of 1549 and other sources for the anonymous post-canonical recitation text called Dhammakaya. It discusses the significance of their paratextual framing and the conclusions that can be drawn from it. An annotated transcription and translation of the text is provided. We argue that the inscription provides the earliest objectively verifiable date for the traditional or non-reform type of Theravada practices elsewhere called boran (ancient) practices. These practices include a specific pre-modern form of boran (...) kammatthan (ancient meditation), Buddha image consecration and/or recitation. The article examines in some detail the context of the patronage and installation of the inscription, and includes a review of the historical evidence for this period, showing unambiguously that this form of Theravada received royal patronage in Siam during the Ayutthaya period in the sixteenth century. This is consistent with recent findings that establish its continued royal patronage in Ayutthaya and then Kandy two centuries later. The article is split into four sections: 1. the boran kammatthan context; 2. the Dhammakaya text; 3. the historical context for the inscription; 4. conclusions regarding its significance. (shrink)

This article announces the discovery of a Sinhalese version of the traditional meditation ( borān yogāvacara kammaṭṭhāna ) text in which the Consciousness or Mind, personified as a Princess living in a five-branched tree (the body), must understand the nature of death and seek the four gems that are the four noble truths. To do this she must overcome the cravings of the five senses, represented as five birds in the tree. Only in this way will she permanently avoid the (...) attentions of Death, Māra, and his three female servants, Birth, Sickness and Old Age. In this version of the text, when the Princess manages not to succumb to these three, Māra comes and snatches her from her tree and rapes her. The Buddha then appears to her to explain the path to liberation. The text provides a commentary, padārtha , which explains the details of the symbolism of the fruit in terms of rebirth and being born, the tree in terms of the body, etc. The text also offers interpretations of signs of impending death and prognostications regarding the next rebirth. Previously the existence of Khmer and Lānnā versions of this text have been recorded by Francois Bizot and Francois Lagirarde, the former publishing the text as Le Figuier a cinq branches (Le figuier à cinq branches, 1976). The Sinhalese version was redacted for one of the wives of King Kīrti Śrī Rājasiṅha of Kandy by the monk Varañāṇa Mahāthera of Ayutthayā. This confirms earlier speculation that this form of borān/dhammakāya meditation was brought to Sri Lanka with the introduction of the Siyam Nikāya in the mid-eighteenth century. It also shows that in Sri Lanka, as in Ayutthayā, this form of meditation—which in the modern period was to be rejected as ‘unorthodox’—was promoted at the highest levels of court and Saṅgha. (shrink)