Radical contextualists have observed that the content of what is said by the utterance of a sentence is shaped in far-reaching ways by the context of utterance. And they have argued that the ways in which the content of what is said is shaped by context cannot be explained by semantic theory. A striking number of the examples that radical contextualists use to support their view involve sentences containing color adjectives ("red", "green", etc.). In this paper, I show (...) how the most sophisticated analysis of color adjectives within the explanatory framework of compositional truth conditional semantics--recently developed by Kennedy and McNally (2010)--needs to be modified to handle the full range of contextual variation displayed by color adjectives. (shrink)

Are color adjectives ("red", "green", etc.) relative adjectives or absolute adjectives? Existing theories of the meaning of color adjectives attempt to answer that question using informal ("armchair") judgments. The informal judgments of theorists conflict: it has been proposed that color adjectives are absolute with standards anchored at the minimum degree on the scale, that they are absolute but have near-midpoint standards, and that they are relative. In this paper we report two experiments, (...) one based on entailment patterns and one based on presupposition accommodation, that investigate the meaning of scalar adjectives. We find evidence confirming the existence of subgroups of the population who operate with different standards for color adjectives. The evidence of interpersonal variation in where standards are located on the relevant scale and how those standards can be adjusted indicates that the existing theories of the meaning of color adjectives are at best only partially correct. We also find evidence that paradigmatic relative adjectives ("tall", "wide") behave in ways that are not predicted by the standard theory of scalar adjectives. We discuss several different possible explanations for this unexpected behavior. We conclude by discussing the relevance of our findings for philosophical debates about the nature and extent of semantically encoded context sensitivity in which color adjectives have played a key role. (shrink)

Radical contextualists have observed that the content of what is said by the utterance of a sentence is shaped in far-reaching ways by the context of utterance. And they have argued that the ways in which the content of what is said is shaped by context cannot be explained by semantic theory. A striking number of the examples that radical contextualists use to support their view involve sentences containing color adjectives ("red", "green", etc.). In this paper, I show (...) how the most sophisticated analysis of color adjectives within the explanatory framework of compositional truth conditional semantics—recently developed by Kennedy and McNally (Synthese 174(1): 79-98 2010)—needs to be modified to handle the full range of contextual variation displayed by color adjectives. (shrink)

In this paper, I report new empirical data on folk semantic intuitions concerning color adjectives in so-called context-shifting experiments. Contextualists present such experiments — that is, they describe different conversational contexts in which a given sentence is uttered — in order to argue that context can shape meaning and truth conditions to such a degree that competent speakers would give opposite truth evaluations of the same sentence in different contexts. The initial findings of Hansen and Chemla (2013) suggest (...) that laypersons’ semantic judgments are sensitive to context in the same way that is predicted by contextualists. In this paper, I focus on context-shifting experiments that involve color adjectives; also, I present experiments that are a partial replication and methodological extension of Hansen and Chemla’s study. One aim of my study was to corroborate these authors’ findings using a bigger sample (total N = 1128), but the main goal was to test the stability of results in different methodological variants of empirical adaptations of context-shifting experiments. This part of the study addresses the issues pointed out in my earlier paper (Ziółkowski 2017), where I argued that certain experimental settings (within-subjects) might bring data that is more favorable to contextualism than other settings (between-subjects). My study compares three different experimental settings: within-subjects (with randomized order of context presentation), between-subjects (where participants evaluating different contexts aredistinct groups), and “contrastive design” (where both contexts are presented side by side on the same screen). My results are highly consistent across the methodological variants I employed, but while they show some of the effects expected by contextualists, it is disputable whether they bring strong support to contextualism with respect to color adjectives. (shrink)

The colour adjectives and have been discussed by R. Strömberg, who has removed misconceptions about their meaning. So has been shown to mean, not ‘quite white’, but a faded white, or one which has lost its essential whiteness: so often where the ‘natural colour has yielded to a dull dirty whitish colour’.

Color adjectives have played a central role in work on language typology and variation, but there has been relatively little investigation of their meanings by researchers in formal semantics. This is surprising given the fact that color terms have been at the center of debates in the philosophy of language over foundational questions, in particular whether the idea of a compositional, truth-conditional theory of natural language semantics is even coherent. The challenge presented by color terms is (...) articulated in detail in the work of Charles Travis. Travis argues that structurally isomorphic sentences containing color adjectives can shift truth value from context to context depending on how they are used and in the absence of effects of vagueness or ambiguity/polysemy, and concludes that a deterministic mapping from structures to truth conditions is impossible. The goal of this paper is to provide a linguistic perspective on this issue, which we believe defuses Travis’ challenge. We provide empirical arguments that color adjectives are in fact ambiguous between gradable and nongradable interpretations, and that this simple ambiguity, together with independently motivated options concerning scalar dimension within the gradable reading accounts for the Travis facts in a simpler, more constrained, and thus ultimately more successful fashion than recent contextualist analyses such as those in Szabó (Perspectives on semantics, pragmatics and discourse: A festschrift for Ferenc Kiefer, 2001) or Rothschild and Segal (Mind Lang, 2009). (shrink)

We performed three experiments to investigate whether adjectives can modulate the sensorimotor activation elicited by nouns. In Experiment 1, nouns of graspable objects were used as stimuli. Participants had to decide if each noun referred to a natural or artifact, by performing either a precision or a power reach‐to‐grasp movement. Response grasp could be compatible or incompatible with the grasp typically used to manipulate the objects to which the nouns referred. The results revealed faster reaction times (RTs) in compatible (...) than in incompatible trials. In Experiment 2, the nouns were combined with adjectives expressing either disadvantageous information about object graspability (e.g., sharp) or information about object color (e.g., reddish). No difference in RTs between compatible and incompatible conditions was found when disadvantageous adjectives were used. Conversely, a compatibility effect occurred when color adjectives were combined with nouns referring to natural objects. Finally, in Experiment 3 the nouns were combined with adjectives expressing tactile or shape proprieties of the objects (e.g., long or smooth). Results revealed faster RTs in compatible than in incompatible condition for both noun categories. Taken together, our findings suggest that adjectives can shape the sensorimotor activation elicited by nouns of graspable objects, highlighting that language simulation goes beyond the single‐word level. (shrink)

An important challenge to color objectivists, who hold that statements concerning color are made true or false by objective facts, is the argument from interpersonal variation in where normal observers locate the unique hues. Recently, an attractive objectivist response to the argument has been proposed that draws on the semantics of gradable adjectives and which does not require defending the idea that there is a single correct location for each of the unique hues Noûs 50: 3–40),. In (...) ), I argued that the recent objectivist response doesn’t apply to comparative occurrences of color adjectives, so a revised, comparative, version of the argument from interpersonal variation remains a powerful objection to certain types of objectivism. In this paper, I address several unsatisfactory objectivist replies to the comparative version of the argument from interpersonal variation, and offer what I think is a more plausible objectivist reply to the comparative argument from interpersonal variation. (shrink)

0. Abstract In this paper, I argue that although the behavior of adjectives in context poses a serious challenge to the principle of compositionality of content, in the end such considerations do not defeat the principle. The first two sections are devoted to the precise statement of the challenge; the rest of the paper presents a semantic analysis of a large class of adjectives that provides a satisfactory answer to it. In section 1, I formulate the context thesis, (...) according to which the content of a complex expression depends on the context of its utterance only insofar as the contents of its constituents do. If the context thesis is false, the content of some complex expression is not compositionally determined. In section 2, using an example due to Charles Travis, I construct an objection to the context thesis based on the behavior of the adjective ‘green’. In section 3 and 4, I look at some of the difficulties surrounding the semantics of ‘good’, which provide the motivation for the thesis that most adjectives are contextually incomplete one-place predicates. In section 5, I discuss how ‘green’ and other color adjectives can be treated within such a semantic theory. Since this theory is compatible with the context thesis, the objection against the compositionality of content looses its force. (shrink)

Recent experimental work has shown that the truth-value judgments of color predications, i.e. utterances of the form “the leaves on my tree are green” or “these walls are brown,” are influenced by slight changes in the context of utterance (Hansen and Chemla 2013, Ziółkowski, 2021). Most explanations of this phenomenon focus on the semantics of color adjectives. However, it is not clear if these explanations do justice to the nuances of the empirical data on context-sensitivity of (...) class='Hi'>color predications (Ziółkowski, 2021). In contrast to the adjectival explanations, Agustin Vicente (2015) has recently proposed that the context-sensitivity of color predications can be explained by invoking the polysemy of the noun. In this paper, we present the results of three studies designed to empirically test this hypothesis: a traditional survey experiment (Study 1), an exploratory correlational study inspired by the semantic integration paradigm (Study 2a), and a follow-up experiment (Study 2b) that was designed to mitigate possible shortcomings of Study 2a. The results of our studies present preliminary evidence against Vicente’s theory. (shrink)

I offer a new objectivist theory of the contents of color language and color experience, intended especially as an account of what normal intersubjective variation in color perception and classification shows about those contents. First I explain an abstract account of the contents of color and other gradable adjectives; on the account, these contents are certain objective properties constituted in part by contextually intended standards of application, which are in turn values in the dimensions of (...) variation associated with the adjectives. Then I propose an explanation of normal variations in linguistic color classification; these are postulated to be effects of differences in intended standards for the color adjectives appearing in the classifying predicates. Next, I consider a potential objection to this explanation, based on the suggestion that contextual content should be more accessible than the explanation predicts. In reply, I point out that contextual content is occasionally opaque to unsophisticated reflection. Finally, I present a companion account of the contents of color experiences on which these represent an object as lying on certain salient intervals in the chromatic dimensions, and I show how the account accommodates intersubjective variation in color perception. (shrink)

The purpose of this paper is to describe the use of cognitive convenience in color naming and to find possible cognitive, physical, pragmatic, and logical reasons for such a phenomenon. By the term cognitive convenience, we mean the naming of or referring to objects of a certain color, for which their hue is not as important as their brightness, in which case, they might fall under another focal color. For example, in various languages, grapes are “white” and (...) “black”, even though their real hue is usually a certain shade of green or purple. Along with a brief typological comparison of examples of cognitive convenience in unrelated languages, we report the results of a survey demonstrating that vagueness and brightness context influenced color naming, thus confirming our main hypotheses. We concluded that in conversation, the main criterion for choosing and identifying a referent of an NP with a color adjective—when the choice is based on color—is the proximity of its shade to the prototypical shade of the named color. In this process, contextual factors may affect the speaker’s and hearer’s preciseness. We claim that this phenomenon can be explained not only from a philosophical and pragmatic standpoint, but from an information-entropy standpoint as well. For an overall unifying theory, we will connect the informational entropy to the pragmatic notion of semantic vagueness and then inspect the overall choice of a fuzzy predicate logic that is able to incorporate such references. (shrink)

This paper focusses on colour terminology as a tool for achieving ἐνάργεια in the Latin poetry of the first century c.e. After briefly outlining the developments in the concept of ἐνάργεια from Aristotle to Quintilian, the paper considers the use of Latin terms for black in three descriptive passages from Statius’ epic poem, the Thebaid. It is observed that the poet privileges the juxtaposition of the two adjectives ater and niger in a pattern of uariatio, where ater often carries (...) a figurative meaning and repeats established poetic clichés, while niger is part of unparalleled collocations that evoke a material notion of blackness. Further analysis of the uariatio in the context of each passage reveals that the juxtaposition of the two-colour terms enhances the vividness of the objects described not only by increasing their chromatic impact but also by establishing connections with other parts of the poem, and by inviting a reflection on the competing practices of imitation and transgression of poetic models. The analysis of one stylistic feature shows that this stylistic feature is used by Statius for achieving ἐνάργεια as an artistic effect, for reflecting on ἐνάργεια as an instrument through which poetic models are challenged, and for tying his own poetic practice to contemporary rhetorical discussions. (shrink)

Les comparaisons figuratives peuvent être introduites en anglais non seulement par des comparatifs mais aussi en combinant un nom et un terme de couleur pour former un adjectif composé du type "lily-white" ou "hearse-black". Ce travail étudie ce type de comparaisons figuratives dans un corpus de fiction britannique du 19e et du 20e siècle en se focalisant sur leur structure et leur contexte d’utilisation. Plus concrètement, il s’agit de déterminer si, tant au niveau de leur distribution que de leur emploi (...) stylistique, ces termes de couleur se distinguent des comparaisons figuratives traditionnelles employant des couleurs. En outre, il est proposé une classification de ces adjectifs de couleur en fonction de leur originalité. (shrink)

I describe a new, comparative, version of the argument from interpersonal variation to subjectivism about color. The comparative version undermines a recent objectivist response to standard versions of that argument (Gómez-Torrente 2014).

A pragmatic account of referential communication is developed which presents an alternative to traditional Gricean accounts by focusing on cooperativeness and efficiency, rather than informativity. The results of four language‐production experiments support the view that speakers can be cooperative when producing redundant adjectives, doing so more often when color modification could facilitate the listener's search for the referent in the visual display (Experiment 1a). By contrast, when the listener knew which shape was the target, speakers did not produce (...) redundant color adjectives (Experiment 1b). English speakers used redundant color adjectives more often than Spanish speakers, suggesting that speakers are sensitive to the differential efficiency of prenominal and postnominal modification (Experiment 2). Speakers were also cooperative when using redundant size adjectives (Experiment 3). Overall, these results show how discriminability affects a speaker's choice of referential expression above and beyond considerations of informativity, supporting the view that redundant speakers can be cooperative. (shrink)

This paper concerns the central method of generating evidence in support of contextualist theories, what we call context shifting experiments. We begin by explaining the standard design of context shifting experiments, which are used in both quantitative surveys and more traditional thought experiments to show how context affects the content of natural language expressions. We discuss some recent experimental studies that have tried and failed to find evidence that confirms contextualist predictions about the results of context shifting experiments, and consider (...) the criticisms of those studies made by DeRose (forthcoming). We show that DeRose's criticisms are incomplete, and we argue that the design of context shifting experiments he proposes is itself subject to some of the same problems as the studies he criticizes. We propose a refined approach to the design of context shifting experiments that addresses these problems and which allows us to to investigate the effect of context on both positive and negative sentences. This aspect of our design allows us to control for several forms of bias, including a particular form of "truth bias" that favors positive over negative sentences. We then deploy our improved design in an experiment that tests a large number of scenarios involving different types of expressions of interest to contextualists, including "know" and color adjectives like "green". Our experiment (i) reveals an effect of changing contexts on the evaluation of uses of the sentences that we examined, thereby overturning the absence of results reported in previous experimental studies (so-called null results) and (ii) reveals previously unnoticed distinctions between the strength of the contextual effects we observed for scenarios involving knowledge ascriptions and for scenarios concerning color and other miscellaneous scenarios. (shrink)

I reply to comments and criticism of my book Roads to Reference by Scott Soames (on the referents of ordinary substance terms and the conventions governing reference fixing for demonstratives, proper names, and color adjectives), Panu Raatikainen (on the exact scope of my critique of descriptivism and on the relation between referential indeterminacy and ‘‘partial reference’’), and Michael Devitt (on the role of referential intentions and anti-descriptivism in the metasemantics of demonstratives).

Previous research has shown that language comprehenders resolve reference quickly and incrementally, but not much is known about the neural processes and representations that are involved. Studies of visual short-term memory suggest that access to the representation of an item from a previously seen display is associated with a negative evoked potential at posterior electrodes contralateral to the spatial location of that item in the display. In this paper we demonstrate that resolving the reference of a noun phrase in a (...) recently seen visual display is associated with an event-related potential that is analogous to this effect. Our design was adapted from the visual world paradigm: in each trial, participants saw a display containing three simple objects, followed by a question about the objects, such as Was the pink fish next to a boat?, presented word by word. Questions differed in whether the color adjective allowed the reader to identify the referent of the noun phrase or not (i.e., whether one or more objects of the named color were present). Consistent with our hypothesis, we observed that reference resolution by the adjective was associated with a negative evoked potential at posterior electrodes contralateral to spatial location of the referent, starting approximately 333 ms after the onset of the adjective. The fact that the laterality of the effect depended upon the location of the referent within the display suggests that reference resolution in visual domains involves, at some level, a modality-specific representation. In addition, the effect gives us an estimate of the time course of processing from perception of the written word to the point at which its meaning is brought into correspondence with the referential domain. (shrink)

The past eighteen years witnessed the rapid development of experimental philosophy of language. Adopting a bibliometric approach, this study examines the research trends and status quo of this burgeoning field based on a corpus of 237 publications retrieved from PhilPapers. It is observed that experimental philosophy of language has undergone three stages, the initiation stage, the development stage, and the extension stage, across which there is a clear upward trend in the annual number of publications. Michael Devitt, Edouard Machery, John (...) Turri, Nat Hansen, et al., are found to be the most productive philosophers, testifying their leading positions in this field. Journals, instead of books, are the major homes of works in this area. The analysis also yields a list of influential works, including the seminal work “Semantics, Cross-cultural Style” and other significant publications on the semantics of various types of expressions. Relatedly, the major research themes are found to include not only intuitions about the reference of proper names, but also a wide array of philosophically and linguistically interesting issues like the meaning of color adjectives, epistemic modals, and predicates of personal taste, the norms of assertions and the essence of lies, etc. These findings showcase that experimental philosophy of language has broadened the research territory and offered deep insights into central issues of philosophy of language that are beyond the reach of the conventional armchair methodology. (shrink)

Odd and memorable examples are a distinctive feature of Charles Travis's work: cases involving squash balls, soot-covered kettles, walls that emit poison gas, faces turning puce, ties made of freshly cooked linguine, and people grunting when punched in the solar plexus all figure in his arguments. One of Travis's examples, involving a pair of situations in which the leaves of a Japanese maple tree are painted green, has even spawned its own literature consisting of attempts to explain the context sensitivity (...) of color adjectives ("green", e.g.). For Travis, these examples play a central role in his arguments for occasion-sensitivity, which he takes to be a pervasive feature of how we understand natural language. But how, exactly, do these examples work? My aims in this paper are to put Travis’s examples under the microscope, using recent experimental studies of Travis-style cases to raise worries about aspects of the way Travis's cases are informally presented, but then show how his examples can be redesigned to respond to these doubts. (shrink)

This body of work is motivated by an apparent contradiction between, on the one hand, Darwin’s testimony in his autobiographical text about a supposed perceptual colour blindness before the aesthetic magnificence of natural landscapes, and, on the other hand, the last paragraph of On the Origin of Species, where he claims to perceive the forms of nature as beautiful and wonderful. My aim is to delve into the essence of the Darwinian perception of beauty in the context of the Weberian (...) concept of “disenchantment of the world”, assumed as a possible conceptual axis that enables the unravelling of the core of this contrast of perceptions. In acknowledging the theory of evolution as one of the most prominent scientific theories likely to have contributed to disenchantment, a number of questions arise: Is disenchantment compatible with aesthetic experience and sensibility before natural beauty? Was it Darwin’s disenchanted conception of the world that led him to believe he was colour blind? To answer these questions, a computer-assisted semantic analysis of lexical frequency and variability, most especially focused on aesthetic-emotional and religious or spiritual adverbs and adjectives, has been undertaken across the six editions of The Origin. The semantic analysis demonstrates that, although disenchanted, Darwin’s descriptions of, mainly, the adaptational excellence of living beings, reflect an aesthetically enriched perception of nature. It is concluded that Darwin’s perceptual colour blindness, then, might be based on a confusion rooted in the equation of equality between aesthetic sensibility in nature and the perception of its beauty as part of the vestigia Dei. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Minerva Rava An Torva?Anastasios G. Nikolaidis1. Ovid Ars 2.659: Si paeta est, Veneri similis, si torva, Minervaetorva Merkel: flava R in marg. cum plerisque codd.: rava Heinsius: parva R cum aliquot dett.: fulva F.2. Priapea 36.4: Minerva torvo lumine est, Venus paetotorvo scripsi: flavo libri edd. vett.: flava et post hoc verbum commate interpunxit De Rooy (probant Vollmer, Clairmont, Parker): ravo Haupt: glauco Antonius.IMost codices for line 2.659 of (...) Ovid's Ars amatoria give flava in place of torva, but this reading does not suit the context (Ovid is suggesting ways of moderating the flaws of one's puella), which requires a word with a negative connotation.1 Among the proposed emendations, Heinsius' rava has been adopted by almost all editors of the Ars, but the elusive meaning of this adjective, in conjunction with its very limited use by the Latin poets and some other considerations that I explore below, allow us to look at this emendation afresh. In fact, apart from its appearance in the two lines under discussion, ravus seems to have been employed only on two other occasions, and only by Horace; and in one of them it is not the only codices reading (see note 11 below).2As a color term, ravus suggests a grey-yellowish or grey-bluish tinge, which corresponds to the implications of the Greek.3 The Greek word, however, was more extensively employed (see the respective [End Page 81] entries in LSJ and OLD) and more varied in meaning. With reference to eyes, for example, charopos appears to denote either the color of the iris (mostly in prose) or the flash, the glow of the gaze (nearly always in poetry; see note 5), which in turn may be due either to exuberant joy4 or-albeit not as frequently-to unrestrained fury.5 It appears, however, that in reference to human eyes charopos is a more or less complimentary term,6 whereas in reference to the eyes of animals, it carries rather negative overtones, whether it describes the color of the eyes or thegleam in them.7 We can thus account for the last explanation of charopos in Hesychius' Lexicon (). It seems that the connotation of the fierce glare, the awe-inspiring gaze, passed, at least to a small extent (see references in LSJ), from animals to humans, so that in a Lucian passage the goddess Athena is disparagingly depicted as charope (Dial. deor. 23.1: ).8 [End Page 82]It would follow, then, that rava, as applied to Minerva in the Ars amatoria passage, cannot refer to the color connotations of charopos (for these are positive)9 but only to the notion of a fierce glare, as is indeed appropriate to the warlike Athena.10 It may not be accidental, after all, that just before the first appearance of Athena in Homer (A 206), it is the glaring eyes of the goddess, not their color, that we encounter: (A 200; cf. Eustathius's commentary).11 On the other hand, one could argue that the eye color that the Greeks liked (charopon) was one that the Romans disliked (in which case rava would be appropriate), but the only evidence for this comes from the two passages we are discussing here.12 [End Page 83]In my view, the shortcoming in the puella that Ovid wants moderated is her grim, sullen countenance, her glaring look, not the color of her eyes. This is somewhat corroborated by the paeta of the first hemistich (again a kind of look, not color)13 and the comparison with Athena, who, as a war goddess, would have looked fierce. Yet, the adjective rava is not only used nowhere else by Ovid in any context;14 it is never attributed to Athena/Minerva/Pallas throughout Latin poetry.15 Even in Lucretius 4.1161, where the context is almost identical with that of Ars amatoria 2.659, Athena is only indirectly described as caesia (which translates see Aul. Gell. 2.26.19 and cf. André 1949, 178f.), a quality that is actually never attributed to Minerva by Latin poets (see Carter 1902, 113).16 By contrast, the adjective torvus... (shrink)

The construction assumed for the first sentence in this passage is that adopted by Verrall and Headlam, apart from some differences in detail. It seems unlikely that δών can refer to what precedes, as some have thought; for it can hardly be supposed that the poet, who is using speed and economy , would pause to tell us that the great Seer merely ‘sees’ two distinctively coloured birds which ‘have appeared near by in a conspicuous station’ compare Homer's method . (...) Also it would involve us in the doubtful construction Ατρεϊδας έδάη λαγοδαίτας for ‘he knew the . to be the λ.’ ; the nearest parallel to this would appear to be Xen. Anab. 1. 7. 4 οους γνώσεσθε τοùς νθρπονς, where the adjective makes some difference. (shrink)

In an article on ‘The Name of the Euxine Pontus’ in C.Q.xxxiv , pp. 123 ff., A. C. Moorhouse rejects the suggestion made by M. Vasmer and supported by Boisacq that the original Greek title ξενος was a popular rendering of the Avestan adjective αχṦαệνα, ‘of dark colour’. Moorhouse raises the following objections to this theory: i. There is no direct evidence of the Avestan adjective ever being applied to the Black Sea. ii. In historical times ‘Avestan is a long (...) way from Greek’ and in prehistorical times it is doubtful whether the speakers of Avestan had any close connexion with the Black Sea. iii. Assuming πόντος to denote ‘way’, ‘the dark way’ would be a fantastic name for any sea. iv. The early Greek form is ξενος, and only metri gratia ξεινος, whereas if the word is a loan from αχṧαēνα we should expect the phonetically closer form ξενος. (shrink)

Dummett defines a ‘predicate’ as that which combines with one or more singular terms to form a sentence. His account of ‘singular term’ is syntactical, involving three necessary conditions. He discusses a fourth, ‘Aristotelian’, criterion before propounding a criterion of predicate quantification which he claims to be superior to it. He tentatively proposes that the three necessary conditions plus the criterion of predicate quantification yield sufficient conditions for being a singular term. I show that Dummett’s necessary conditions fail with regard (...) to referentially opaque contexts, negative existentials and wide-scope negations, and that he overlooks an important class of predicative expressions that satisfy his three supposedly necessary conditions for singular terms, namely, those that may appear either as adjectives or as nouns. I argue that Dummett cannot use the ‘Aristotelian’ criterion without circularity; and that, in any case, the ‘Aristotelian’ criterion fails dramatically. I also show that his criterion of predicate quantification fails with regard to expressions for colours. I end by casting doubts on the adequacy of any purely syntactical approach. (shrink)

The aesthetically optimistic view of life in the last paragraph of Darwin’s On the Origin of Species contrasts with the evidence in his autobiography of a supposed perceptive colour blindness to the magnificence of nature. Accepting the theory of evolution as one of the scientific theories that has contributed to disenchantment, my aim is to delve into the Darwinian perception of natural beauty and solve this contrast of perceptions within the framework of the Weberian concept of “disenchantment of the world.” (...) To do this, I have carried out a computer-assisted study of Darwin’s language focusing on the frequency of aesthetic-emotional and religious adjectives and adverbs in the six editions of the Origin. A semantic analysis of the lexicon shows that, although disenchanted, Darwin perceives nature as aesthetically enhanced. I arrive at the conclusion that Darwin’s alleged colour blindness does not come from a loss of his capacity to aesthetically perceive nature, but from his loss of religious belief. (shrink)

In Hurrian, timer/timar ‘dark’ appears exclusively in the phrase timerre eženi “the dark earth”. It has been suggested that this phrase and its reflexes in Hittite and Greek derive from the common religious trope of “the devouring earth” originating in northern Mesopotamia, with Hurrian providing the first attestation. However, the atypical morphology of the adjective, which cannot be derived from a noun and does not have the normal VC root pattern of Hurrian, and the semantic field, with Hurrian having borrowed (...) many words for colors, make a native Hurrian origin for timer/timar unlikely. It is suggested instead that the adjective, as well as its counterpart timiraš ‘a dark/black color ’ in the Kassite language, was borrowed from Indo-Aryan *tam-[e]r, probably as a result of a shared Indo-Aryan cultural superstratrum. While no alternatives are offered, such an etymology calls into question a Hurrian origin for the religious concept of “devouring earth.”. (shrink)

This article discusses irony as an aesthetic, therefore affective, value, as exemplified in Stendhal’s irony. Affective phenomena vary in nature and intensity, and one same emotion can be coloured differently (adjectives indicate its nuances, as, for example, in “sweet nostalgia” or “desperate nostalgia” etc.). Irony involves a very complex gamut of aspects and degrees: it can be satiric, comic, tragic, nihilistic, paradoxical etc. I first consider what kinds of irony Stendhal avoided. He discarded both the tragic satire of Chateaubriand (...) and Romantic nihilistic irony. Then I look at Stendhal’s theory of laughter, as hinted at in several of his writings where he reflects upon various forms of comedy while developing his own ideal of comedy as it will appear in his major novels (see Journal littéraire, Histoire de la peinture en Italie, Racine et Shakespeare, and Correspondance). Dissatisfied with Hobbes’ definition of laughter as involving a feeling of superiority, he considered two conditions for the comic effect: clarity and suddenness. Both become fundamental in his literary style. At the same time Stendhal was convinced of the affective superiority of the moderns over the Ancients: only the moderns, forged by Christian sensitivity, experienced tender emotions. Tenderness should color everything: the novel should aim at the ideal of opera-bouffe, where comedy is “a mixture of gaiety and tenderness,” while the writer masks his tenderness by using a “sweet” (douce) irony towards his favourite characters. (shrink)

A Naive Realist Theory of Colour defends the view that colours are mind-independent properties of things in the environment, that are distinct from properties identified by the physical sciences. This view stands in contrast to the long-standing and wide-spread view amongst philosophers and scientists that colours don't really exist - or at any rate, that if they do exist, then they are radically different from the way that they appear. It is argued that a naive realist theory of colour best (...) explains how colours appear to perceiving subjects, and that this view is not undermined either by reflecting on variations in colour perception between perceivers and across perceptual conditions, or by our modern scientific understanding of the world. A Naive Realist Theory of Colour also illustrates how our understanding of what colours are has far-reaching implications for wider questions about the nature of perceptual experience, the relationship between mind and world, the problem of consciousness, the apparent tension between common sense and scientific representations of the world, and even the very nature and possibility of philosophical inquiry. (shrink)

In The Subjective View,' I defended (unoriginally) a dispositional theory of color and drew out some consequences of that theory. The dispositional theory (DT) maintains, roughly speaking, that for an object to instantiate a color property is for it to have a disposition to cause experiences as of an object having that property in normal perceivers in normal conditions. This theory has notable merits in capturing (assuming one wants them captured) the subjectivity and relativity of ascriptions of (...) class='Hi'>color, while allowing that it is external ob- jects themselves that are colored. It makes colors both sense depen- dent and object qualifying.2 But it runs into prima facie problems in giving a plausible account of the phenomenology of color percep- tion, as I ruefully observed in my earlier book (op. cit., pp. 132-37). (shrink)

where _x_ stands for a visible object and _y_ for a perceiving subject (the reference to a time may be neglected).¹ I take here ”character” in the sense of Kaplan (1977) as substantiated by Haas-Spohn (1995 and Chapter 14 in this book)). The point of using Kaplan’s framework is simple, but of utmost importance: It provides a scheme for clearly separating epistemological and metaphysical issues, for specifying how the two domains are related, and for connecting them to questions concerning meaning (...) where confusions are often only duplicated. All this is achieved by it better than by any alternative I know of.². (shrink)

What is "race"? What role, if any, should race play in our moral obligations to others and to ourselves? Ethics along the Color Line addresses the question of whether black Americans should think of each other as members of an extended racial family and base their treatment of each other on this consideration, or eschew racial identity and envision the day when people do not think in terms of race. Anna Stubblefield suggests furthermore that white Americans should consider the (...) same issues. She argues, finally, that for both black and white Americans, thinking of races as families is crucial in helping to combat anti-black oppression. Stubblefield is concerned that the philosophical debate—argued notably between Kwame Anthony Appiah and Lucius Outlaw—over whether or not we should strongly identify in terms of race, and whether or not we should take race into account when we decide how to treat each other, has stalled. Drawing on black feminist scholarship about the moral importance of thinking and acting in terms of community and extended family, the author finds that strong racial identification, if based on appropriate ideals, is morally sound and even necessary to end white supremacy. (shrink)

One of the most important objections to sense data theory comes from the phenomenon of indeterminate perception, as when an object in the periphery of one’s visual field looks red without looking to have any determinate shade of red. As sense data are supposed to have precisely the properties that sensibly appear to us, sense data theory evidently has the implausible consequence that a sense datum can have a determinable property without having any of its determinates. In this article, I (...) show that a parallel objection applies to standard forms of colour relationism. In light of the phenomenon of indeterminate perception, the colour relationist must either reject intuitively obvious claims about the determinate–determinable structure of colour space or reject the plausible and widely accepted principle that nothing can have a determinable without having one of its determinates. (shrink)

This paper considers Kamp and Partee's account of graded membership within a conceptual spaces framework and puts the account to the test in the domain of colors. Three experiments are reported that are meant to determine, on the one hand, the regions in color space where the typical instances of blue and green are located and, on the other hand, the degrees of blueness/greenness of various shades in the blue–green region as judged by human observers. From the locations of (...) the typical blue and typical green regions in conjunction with Kamp and Partee's account follow degrees of blueness/greenness for the color shades we are interested in. These predicted degrees are compared with the judged degrees, as obtained in the experiments. The results of the comparison support the account of graded membership at issue. (shrink)

Johnston famously argued that the colors are, more or less inclusively speaking, dispositions to cause color experiences by arguing that this view best accommodates his five proposed core beliefs about color. Since then, Campbell, Kalderon, Gert, Benbaji, and others, have all engaged with at least some of Johnston’s proposed core beliefs in one way or another. Which propositions are core beliefs is ultimately an empirical matter. We investigate whether Johnston’s proposed core beliefs are, in fact, believed by assessing (...) the agreement/disagreement of non-philosophers with them. Two experiments are run each with large sample sizes, the second designed to address criticisms of the first. We find that non-philosophers mostly agree with the proposed core beliefs, but that they agree with some more than others. (shrink)

Naturalistic experiments of color perception are critically evaluated. The review concludes that they fail to confirm a natural determination of color perception. Rather than demonstrating universal sensitivity to focal colors, the experiments actually yielded enormous cultural variation in response. This variation is interpreted as supporting a sociohistorical psychological explanation of color perception.