As a study of the scholastic sources of Malebranche's thought, this book contains a discovery of considerable importance. Connell has shown that the logical structure of Malebranche's initial demonstration of the theory of vision in God in La recherche de la vérité corresponds to the structure of discussions of angelic knowledge of matter in the Suarezian treatise De Angelis. This correspondence, together with a more general similarity of some philosophical themes, casts welcome light on Malebranche's argument. It also lends (...) support to Connell's further claim that Augustine was not a substantive influence upon the first formulation of the theory of vision in God. It seems to this reviewer that Connell is too direct in his assessment of the substantive influence of scholasticism upon Malebranche's meaning. He maintains that the first version of the theory depends upon a conception of ideas which renders them equivalent to the scholastic universal species, granting ambiguities attributable to Cartesianism. Texts cited in support of this thesis, however, do not contain a single unambiguous instance of the scholastic view as Connell presents it. At the same time, the book as a whole suffers from imbalance in exposition. The guiding principle of Connell's concern with Malebranche is stated only in the General Conclusion, following more than 350 pages of dense argumentation. Connell accuses Malebranche of a specifically modern heresy: ontologism. Consequently, if the pitfalls of his system can be shown to result from the subjection of scholastic insights to Cartesian philosophy, it follows that the philosophical thinking of Augustine is exonerated. It is not so much that Malebranche did not begin as an Augustinian as that Augustine is not responsible for the errors of Malebranche. But what is ontologism? Connell does not explain. He gives only the briefest of definitions in his conclusion. Also, from a few nominal references to it in the text of his exposition, one gathers that it has something to do with "idealism" and "pantheism." This hardly increases the reader's confidence in the general interpretation of the development of Malebranche's thought from the greater predominance of realistic tendencies to an almost unabashed idealism. In any case, it seems unfortunate that Connell's use of his discovery should have taken this rather special turn. Malebranche is not widely read outside the Continent, and yet deserves to be. There are few books about him in English, and this one is large and imposing.--M. S. (shrink)

Berkeley, Malebranche, and Vision in God NICHOLAS JOLLEY IN THE SECOND of the Three Dialogues Hylas, the materialist, asks Philonous: "But what say you, are not you too of opinion that we see all things in God? If I mistake not, what you advance comes near it."' In the first edition of the Dialogues Philonous's response was a temperate one; he expressed his agree- ment with Malebranche's emphasis on the Scriptural text that in God we live, move, and have (...) our being, and confined his disagreement with Malebranche to pointing out that, for him, the things we perceive are our own ideas. In the third edition, by contrast, Berkeley inserted a lengthy and rather ill-tempered expression of his differences from Malebranche: Few men think, yet all will have opinions. Hence men's opinions are superficial and confused. It is nothing strange that tenets, which in themselves are ever so different, should nevertheless be confounded with each other by those who do not consider them attentively. I shall not therefore be surprised, if some men imagine that I run into the enthusiasm of Malebranche, though in truth I am very remote from it. He builds on the most abstract general ideas, which I entirely disclaim. He asserts an absolute exter- nal world, which I deny. He maintains that we are deceived by our senses, and know not the real natures or the true forms and figures of extended beings; of all which I hold the direct contrary. So that upon the whole there are no. (shrink)

Of Malebranche's many famous doctrines, his “Vision in God” (VIG) surely ranks among the most interesting. Inspired by Augustine and Descartes, he argues for it vigorously and gives it a prominent place in his system of thought. And although it won no converts it did win many critics, who, in criticizing, were compelled to clarify their own theories of cognition. Thus VIG is of interest for its own sake, for its role in Malebranche's philosophy, and for its general influence (...) in the early modern period. (shrink)

Remarks on the Structure of the Recherche de la Verité: The Role of Vision in God: The present article will discuss the argumentative context in which Nicolas Malebranche presents the doctrine of the vision in God in his work, Recherche de la Verité. Malebranche is known for this doctrine about human cognition, and also for his occasionalistic view of causality, and such positions are only properly understood when put in the argumentative context designed by the author, which is (...) not usually seen in commentaries. With this goal, we intend to look into the precise position of the vision of God in the Recherche and to identify the argument of the work as a whole. Thus, by seeing how the malebranchean theory of cognition fits in his philosophical project, we will be able to adequately reconstruct this important and influential philosophical doctrine of the seventeenth century.Keywords: Nicolas Malebranche. Recherche de la Verité. Vision in God. Considerações sobre a Estrutura da Recherche de la Verité: O Papel da Visão em Deus Resumo: No seguinte artigo abordamos o contexto argumentativo em que se insere a doutrina da visão em Deus de Nicolas Malebranche na sua obra, Recherche de la Verité. Ainda que Malebranche seja conhecido tanto por essa doutrina acerca da cognição humana, quanto pela sua visão ocasionalista da estrutura causal, tais posições só são adequadamente compreendidas quando as colocamos no contexto argumentativo projetado pelo autor, o que costumeiramente não é feito. Com isso, pretendemos situar a posição da visão em Deus na Recherche partindo, em um primeiro momento, da análise do fio condutor da obra. Desse modo, ao vislumbrarmos de que modo uma teoria da cognição se encaixa no projeto filosófico malebranchista, seremos capazes de reconstruir adequadamente essa importante e influente doutrina filosófica do século XVII.Palavras-chave: Nicolas Malebranche. Recherche de la Verité. Visão em Deus. Remarques sur la Structure de la Recherche de la Verité: Le Rôle de la Vision em Dieu Résumé: Dans l’article suivant, nous abordons le context argumentative dans lequel la doctrine de la vision en Dieu de Nicolas Malebranche est insérée dans la Recherche de la Verité. Bien que Malebranche soit connu à la fois pour cette doctrine de la cognition humaine et pour sa perspective ocasionelle de la structure causale, de tells positions ne sont correctement comprises que lorsque nous les plaçons dans le context argumentative conçu par l’auteur; ce qui n’est généralement pas fait. Avec cela, nous avons l’intention de situer la position de la vision en Dieu dans la Recherche comme fil conducteur de l’oeuvre. De cette façon, lorsque nous entrevoirons comment une théorie de la cognition s’intègre dans le projet philosophique malebranchiste, nous serons en conditions de reconstruire correctement cette important et influent doctrine philosophique du XVIIe siècle.Mots-clés: Malebranche. Recherche de la Verité. Vision em Dieu. Data de registro: 04/05/2020Data de aceite: 26/08/2020. (shrink)

In this volume Samuel Parkison explores the significance of the doctrine of the beatific vision for the life of the church. Engaging in close readings of biblical texts and ancient, medieval, early modern, and modern theologians, Parkison shows that the beatific vision - that ultimate hope of seeing and being in the presence of God - is a central Christian conviction shared across the history of the church. Parkison not only invites readers into the wide-ranging developments of the (...) doctrine, but shows us the implications of the Beatific Vision for how the church envisions itself today. (shrink)

This essay seeks to scrutinize Kierkegaard’s critical philosophical theology. The intent is to demonstrate how his religious thought, especially on God’s relation to the world and to the human being, can contribute to generating a cogent response to the challenges presented by our accelerating secular world. Apart from the narrative on the Dane’s passionate reflections, I employ two other narratives to facilitate this inquiry into Kierkegaard. The first of these facilitating narratives comes from highlighting the work on the concept of (...) resonance by the social theorist Hartmut Rosa. Rosa’s rich analysis of our contemporary situation provides a persuasive case for the accelerating pace of our secular world, the complex dynamics of alienation that are at play within it, and the need for social transformation that creates space for increasing resonance within personal and social relationships and structures. The second facilitating narrative centers on the notion of dancing in God, which I believe holds promise for effectively communicating moving, bodily, rhythmic, passionate, and responsive thoughts and actions concerning God’s engagement in our contemporary world. I hope to show that these three complementary discourses together provide a provocative religious discourse and vision that can prove helpful in addressing many of the challenges of our time. (shrink)

Introductory -- The study of nature and the vision of God -- The metaphysic of Spinoza -- Plato and the founding of idealism -- The completing of idealism -- Erigena : the division of nature -- The theism of St. Thomas --Conclusion.

The beatific vision is central to St. Thomas Aquinas’ doctrine of the soul’s enlightenment. In its vision of the essence of God, the soul/intellect achieves its telos, its highest goal. But the resurrection of the body is a central dogma of the Christian faith, so the main question of this essay concerns the manner in which the resurrected body of the blessed benefits from the soul’s apprehension of the beatific vision. For St. Thomas, the physical eyes do (...) not see the beatific vision, since they can only see magnitude and proportion, and God is beyond both. The soul is the body’s substantial form, and a person is not fully a person without the union of soul and body. As the body’s substantial form, the soul/intellect has the beatific vision as its substantial form. The result of the enlightened intellect with the resurrected body will be that the physical eyes will be able to see more readily the glory of God in creation and in redeemed humanity, and more supremely in the incarnate Christ himself. (shrink)

Malebranche's proof of the existence of God "by mere sight" is opposed to Descartes' a priori proof. Its origin as the origin of vision in God is in the theory of beatific vision developed by Aquinas.

In lieu of an abstract, here is a brief excerpt of the content:Coleridge’s Intellectual Intuition, the Vision of God, and the Walled Garden of “Kubla Khan”Douglas HedleyIn his seminal work of 1917 Das Heilige Rudolph Otto quotes a number of passages as instances of the “Numinose.” Alongside those quotations from more conventional mystics, Plotinus, and Augustine, Otto refers to Coleridge’s “savage place” in Kubla Khan. 1 It is also pertinent that, when trying to define Romanticism, C. S. Lewis appeals (...) to the longing for the “unnameable something” fired by “morning cobwebs in late summer” or the “opening lines of Kubla Khan.” 2 Perhaps it is a mere coincidence that two of the most penetrating and influential scholars of religion in the twentieth century should appeal to Coleridge and his poem “Kubla Khan.” I wish to suggest reasons why the link between the imagery of “Kubla Khan” and a mystical experience of transcendence is not merely fortuitous. Indeed the connection between Coleridge’s mature writing and the imagery of the poem shows that we have good reason for seeing him as consciously writing, both as a poet and as a philosopher, within a visionary mystical tradition. I propose that it is no accident that Coleridge’s most visionary poem draws upon the central Christian image of paradise: the walled garden.This is an attempt not to interpret “Kubla Khan” but rather to suggest Coleridge’s place in the history of ideas as a Christian poet and philosopher. He is best described as an essentially speculative and mystical philosopher-theologian. 3 [End Page 115] By “speculative” I mean a theology inspired by those Church Fathers who emphasize the “vision” of God as an intellectual contemplation (speculari) of the transcendent Absolute, the prius of all being. The scholastics, the medieval German mystics, the Cambridge Platonists, and some of the German Idealists have all been influenced by such a speculative impulse. 4 Hegel uses the term “speculative” for his Dialectic. 5A philosophical or “speculative” approach to theology has invoked hostility from Tertullian onwards. Coleridge’s philosophy of religion often excited the fear of the new pantheistic German theology. John Henry Newman castigated Coleridge’s speculation as more heathen than Christian. Yet the speculative movement in theology spawned both a radical and a conservative wing, and we have to judge Coleridge’s thought in the light of the more conservative branch of nineteenth-century Idealism. D. F. Strauss jettisoned the transcendent “yonder” of traditional theology in favor of his philosophical or “scientific” approach to Christianity. Coleridge, however, could not adhere to theology of immanence; he wished to present a theology of an adamantly transcendent character.The walled garden is an eminently appropriate image of transcendence and was used as such by the fifteenth-century Christian Platonist Nicholas of Cusa, who is one of the links between Patristic theology and German Idealism. I shall draw upon his book The Vision of God as a paradigm of the sort of speculative mysticism which informs Coleridge’s metaphysics and much of his poetry. 6 Reflection upon an exotic poetic image may help us to clarify one of Coleridge’s philosophical tenets; the walled garden can be seen to symbolize that transcendent numinous reality, which the soul inchoately and barely consciously seeks and strives for.Coleridge’s “Mysticism” and the Imagery of “Kubla Khan”Richard Holmes claims that the “Kubla Khan” provides evidence of a transition in Coleridge’s interests and presents this switch from “classical and religious mythology” to the “drama of self-knowledge... the growth of consciousness and civilisation” as a key to Coleridge’s poetry. Holmes writes: [End Page 116][H]is instinct that the modern Epic subject must now centre on “the mind of man,” through “travels, voyages and histories,” shows a shift of poetic focus characteristic of the new Romantic age. The Epic could no longer draw on classical or religious mythology for the framework of its action. It must become contemporary with the world of scientific, anthropological, and psychological exploration: it must centre in some way on the drama of self-knowledge, on the growth of consciousness and civilisation. 7Coleridge would not have seen a conflict between the drama of self-consciousness and classical and religious mythology. In “Kubla... (shrink)

In the ancient conversation between Western philosophy and Christian theology, powerful contemporary voices are arguing for monologue rather than dialogue. Instead of these two disciplines learning from and mutually informing each other, both philosophers and theologians are increasingly disconnected from, and thus unable to hear, what the other is saying, especially in Anglo-American scholarship. Some Christian philosophers are now found claiming methodological authority over doctrine, while some Christian theologians even deny that philosophy has its own integrity as a separate discipline. (...) Against these trends, David Brown has argued over the past thirty years that philosophy and theology are both necessary in order to grapple with the reality of divine mystery and Christian faith. Neither discipline can be reduced to the other, and each has its own contribution to make for a full understanding of what Brown describes as 'a single vision' of God. In this volume, Brown addresses some key topics in philosophical theology, including the created order, experience and revelation, incarnation and redemption, and heaven and our communal destiny. Combining analytic clarity, doctrinal substance, and historical depth, this volume exemplifies Brown's project of truly integrating philosophy and theology. It thus provides an ideal introduction to this vital conversation for undergraduate and postgraduate students, as well as a connected argument of interest to specialists in both disciplines. (shrink)

These, Bishop Kirk's Bampton Lectures of 1928, have been recognised as amongst the most important and readable works of moral theology published in the ...

The theology of God in the scholarship of John Haught exemplifies rigor, resourcefulness, and creativity in response to ever-evolving worldviews. Haught presents insightful and plausible ways in which to speak about the mystery of God in a variety of contexts while remaining steadfastly grounded in the Christian tradition. This essay explores Haught's proposals through three of his selected lenses—human experience, the informed universe, and evolutionary cosmology—and highlights two areas for further theological development.

The concept of ‘world visions’, first elaborated in the early work of Georg Lukàcs, is used here as a tool whereby the similarities between Pascal’s Pensées and Kant’s critical philosophy are contrasted with the rationalism of Descartes and the empiricism of Hume. For Lucien Goldmann, a leading exponent of the most fruitful method of applying Marxist ideas to literary and philosophical problems, the ‘tragic vision’ marked an important phase in the development of European thought from rationalism and empiricism to (...) the dialectical philosophy of Hegel, Marx and Lukàcs. The book is not a collection of isolated essays on Kant, Pascal, Racine, the status of the legal nobility in seventeenth-century France and the exact nature of the religious movement known as Jansenism, but an attempt to formulate, by an examination of these different topics, a general approach to the problems of philosophy, of literary criticism, and of the relationship between thought and action in human society. (shrink)

The aim of this essay is to give a high-level overview of Irenaeus’s beatific vision, and to suggest that for him, the beatific vision has a temporal dimension (now and future) and a dimension of degree (lesser now, greater in the future). His beatific vision is witnessed as it intersects with at least four main ideas in his writing—the Trinity, anthropology, resurrection, and his eschatology. Irenaeus famously held that ‘the glory of God is living man, and the (...) life of man is the vision of God’ (AH 4.20.7), which speaks to the reality of seeing God in the present, but he could also look forward in anticipation to beholding the face of God in the resurrected body in the new creation. What made the latter possible is the gradual beholding of God in the present that makes one prepared to see God’s glory in the future. Additionally, the visio Dei is Trinitarian. We behold God in Christ, since God the Father is invisible, and it is the Holy Spirit who prepares us incrementally to see God. (shrink)

Philosophers of today are easy to stupefy. Try suggesting that some situations, such as enjoying a chess problem, really are in themselves better than others such as being burned alive: in themselves better in the sense that situations of the first sort would be preferable to those of the second if they existed all alone, so that one did not need to take consequences into account, and really better much as Africa is really bigger than Iceland, so that talk of (...) real betterness is not just a genuine, wholehearted act of prescribing, or an expression of personal taste like the remark that mustard really is nasty. You will stupefy many a philosopher. (shrink)

Although a conventional environmentalism focuses on the health of ecological systems, Pope Francis’s 2015 environmental encyclical Laudato Sí invokes St. Francis of Assisi to emphasize God’s love for the individual organism, no matter how small. Decrying the tendency to regard other creatures as mere objects to be controlled and used, Pope Francis urges our enactment of a ‘universal communion’ governed by love. I suggest, however, that Laudato Sí’s animal ethic, as focused on ordering human and animal need, is inadequate to (...) its overarching vision of cross-species communion. This vision requires the sort of cross-species relational bridge implicit in Maurice Merleau-Ponty’s view of agency as an irreducibly ‘animate’ expression of choice and afforded further definition in Kenneth J. Shapiro’s conception of a ‘kinesthetic empathy.’ As the phenomenological epistemology underlying both discourses makes possible a rough correspondence, I put these in conversation to demonstrate that a Merleau-Pontyan and reciprocal agency is a constitutive aspect of the fullest sort of cross-species relation, such that recognition of this agency can both deepen our understanding of ‘universal communion’ and foster engagement in its practice. (shrink)

In this presentation, I set out to clarify, first, what the Jewish tradition finds in the life of Abraham that accords special value to rational reflection and even philosophical inquiry. Second, I examine a specific example of how this characterization and valuation of Abraham plays out within the tradition of medieval Jewish scholastic theology in tenth-century Baghdad by examining Sa‘adia Gaon’s famous “Argument from Time” to establish both the creation of the universe in time and, by implication, the existence of (...) a Creator God. From there, I show how he draws upon the work of John Philoponus in constructing his argument. Third, I present and analyze a well-known philosophical parable that Moses Maimonides, representing the tradition of religious philosophy, introduces early on in The Guide of the Perplexed. This parable deals in a subtle and suggestive way with the possibilities and limitations of trying to free people from perplexity and guide them towards wisdom. It owes a great deal to the work of Abū Bakr ibn al-’ Ṣā’igh, otherwise known as Ibn Bājjah. I conclude with a number of observations on how Maimonides may have interpreted his sources so as to develop his distinctive view of God and how the pursuit of philosophical wisdom is compatible with the love of God. (shrink)

Mullah Khalil al-Siirdī, who lived between the years 1750-1843, is a distinguished scholar that contributed to the intellectual life of his age with his life, works, and ideas. He attracted the attention of the madrasah members and intellectual milieu of his era through his scholarly writings. He affected the formation of the educational and intellectual life of masters and students. In this article, we have examined Mullah Khalil’s approach toward the issue of “ru’yat Allāh” by consulting, particularly his books and (...) other sources written on this matter, such as books, theses, encyclopedia entries, articles, etc.. At the beginning of the essay, we have presented brief information about Mullah Khalil’s life, education, and writings. Afterward, we have attempted to establish the lexical and terminological meanings of the term “ru’yat Allāh” and sects’ views regarding thereof. According to Mullah Khalil, even though it is theoretically possible to see God in this world with the naked eye while awake, it has not taken place [actually]. Prophet Moses wanted to see God while he was awake, but he could not do so. Mullah Khalil, based on Prophet Moses’ wish, believes the possibility of the vision of God and claims that it would not be appropriate for a prophet to ask for something impossible. Taking this possibility into consideration, Mullah Khalīl states that human beings can also see God in their dreams. (shrink)

Boethius and Augustine of Hippo are two of the fountainheads from which the long tradition of regarding God’s existence as timelessly eternal has flowed, a tradition which has influenced not only Christianity, but Judaism and Islam, too. But though the two have divine eternality in common, I shall argue that in other respects, in certain crucial respects, they differ significantly over how they articulate that notion.

This is much more than a sensitive study of Pascal and Racine. Using Lukács concept of a world vision—"the psychic expression of the relationship between certain human groups and their social or physical environment"-Goldmann applies a dialectical method to the interpretation of what he calls "the tragic vision." This is a coherent world vision expressed in the works of Pascal, Racine, Kant, and the Jansenists. Goldmann argues that this coherent vision supersedes rationalism and empiricism and is (...) at the same time the forerunner of the dialectical vision of Hegel and Marx. The work is rich in insights and provides an excellent occasion for evaluating Marxist interpretation at its best.—-R. J. B. (shrink)

There has long been a curious fascination with eyes and mirrors as evident throughout art, film, and literature. From fantastical characters who shoot lasers from their eyes to those whose memories are altered visually, the way in which a story portrays the function of the eyes demonstrates the way the storyteller imagines the character's relationship to the world. Is the character powerful or powerless? Does she impact her world or is she impacted by that world? The storyteller's portrayal of (...) class='Hi'>vision answers those questions and reveals deeper assumptions about the individual and her ability to move within and to know her world. While eyes are associated with interacting with this world, mirrors are distinctly associated with interacting with some other world. Mirrors function as portals to other worlds, windows that glimpse an alternate reality, or harmful traps that hide sinister intentions. How an author portrays eyes reveals how she understands the world, while how she portrays mirrors reveals how she imagines the unknown. (shrink)

In the Bible, the human God-relationship is typically established through and by the phenomenon of “calling”. However, for much subsequent theology, this has been displaced by “vision”, “taste” or “feeling”. Referring to the notion of an inner word, the paper follows Kierkegaard's treatment of silence as, alternatively, a mode of inattention and attention to such an inner word. With Heidegger, the paper turns to the notion of vocation, both as in the discussion of the call of conscience in Being (...) and Time and the poetic vocation exemplified in the figure and poetry of Hölderlin. Finally, it considers the possible difference between such a poetic vocation and a divine calling. (shrink)

In medieval epistemology, self-examination is intimately tied to the search for a knowledge that transcends the self. Introspection can lead to intellectual and spiritual ascent. The “inward journey” of a poem like Piers Plowman is directed not only inward but also outward and upward, toward the external and transcendent. Self-exploration, however, is not universally depicted as leading to ascent: it is dangerous, beset by narcissistic traps, by the possibility that the self will seem an end sufficient to itself and become (...) the sole and ultimate object of its own attention. The medieval status of self-examination is, in other words, strongly ambivalent, as we see in treatments of that instrument of self-reflection par excellence, the mirror. The story of Narcissus and its cautionary lessons were well known to the later Middle Ages. But medieval authors had access not only to narcissistic mirrors. Holy Scripture and the ordered universe are mirrors reflecting the divine plan, and the self's place within that plan. The human soul is sometimes figured as a mirror in which God can be known. Looking in mirrors we see not only ourselves but a broad range of phenomena beyond the self. (shrink)

This article traces the development of European ideas of peace and unity from the time of Desiderius Erasmus to Immanuel Kant. The argument will be made that these ideas, which were initially strongly determined by Christian religious thinking, gradually changed, and from the seventeenth century onwards were put forward in more political and legal terms. Erasmus's way of reasoning about peace and war was still strongly influenced by his firm orientation on the New Testament and the teachings of Jesus Christ. (...) Emeric Crucé, a French writer, was of the opinion that all human beings in the end had God in common, and so had to live peacefully together. Duc de Sully was one of the first not to argue as a religious man but as a politician: a system of balance of power could bring international stability. According to the English Quaker William Penn and the French Abbé de Saint-Pierre only the acceptance of international rules of justice could produce everlasting peace. Immanuel Kant finally directed attention to the form of government and to the founding of a federation of free republics. So God seems to have disappeared from Europe???but with what consequences for today? (shrink)

Iris Murdoch thinks that ‘the activity and imagery of vision is at the centre of human consciousness’, ever re-orienting us to ‘reflection, reverence, respect’ for reality. Murdoch believes that Buber’s emphasis on the ‘I-Thou’ relation conflicts with this morally re-orienting power of the visual. Buber thinks that his language of encounter and dialogue makes space for the moral challenge of the other, and for growth, movement, creative response in human life, in a way shouldered out by ‘visual metaphysics’. Murdoch’s (...) privileging of ‘the visual’ is a source of her moral objections to Buber’s I-Thou God, and of her objections to his language of encounter and dialogue more generally. I mount various criticisms of Murdoch’s championing of the visual and of her broader critique of Buber. (shrink)

In God, Morality, and Beauty, Randall B. Bush argues that a Trinitarian vision of reality, combined with the disciplines of aesthetics and ethics, is the most satisfactory way to address questions pertaining to the philosophy of value that are currently being debated in the social sciences and humanities.

This chapter examines the mystical and erotic in Hillman’s early thought through the influence of the ancient Greek god Dionysus. With a focus on the embodied, emotional, and erotic nature of Dionysus, I will show how these qualities came to formulate the core theoretical vision of Hillman’s archetypal hermeneutic and served as a critique of traditional psychological epistemologies, as well as of normative scholarly approaches in both the humanities and sciences. In “saving” image, symbol, and even the “mystical,” from (...) an analytic, disembodied, and misogynist reductionism, Hillman’s archetypal psychology champions a form of transformational subjectivity, and personally redemptive mysticism, through an ontological affirmation of what Jung understood as the reality of the psyche. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Between God and the President: Literature and Censorship in North AfricaHafid Gafaiti (bio)Assassination is the extreme form of censorship.—George Bernard ShawThose who fight with the pen will perish by the sword.—Slogan of the Algerian Muslim fundamentalistsIf you speak up, you die. If you don’t speak up, you die. So, speak up and die!—Tahar Djaout, the first writer assassinated in the context of the current Algerian political crisisIn the West, (...) censorship has been understood for the most part as the state’s control over cultural production. Many critics in the postwar period, however, have argued that other forms of censorship, such as market censorship, are comparable to the actions of the state. The Christian right’s attacks on art in the United States in the 1980s and early 1990s together with Congressional moves to disempower and dismantle the NEA have generated a new set of debates about censorship in this country. It was understood that the extreme right sought to repress cultural productions carrying a message of ethnic and sexual difference, targeting the works by rappers, the photographer Mapplethorpe, Madonna’s music videos, and so on. The right provided rhetoric to support the privatization of public space, the control of language and public images, and the promotion of “safe” art.While many critics refer to this as the “new censorship,” structurally it is exactly the same as the “old” censorship, that is, state control intervening in the liberal subject’s absolute right to free expression. It appears that the dichotomy between the left’s claim for the absolute freedom of the artist and the right’s attempt to repress it is most often conceived in moral terms and is paradigmatic of the Western liberal oppositional categories used to describe censorship.This position views the relationship between art and censorship as either a bourgeois romantic opposition to political order or a corrupt collaboration by opportunistic apparatchiks. It leaves no room for what Michael Holquist, for example, calls “negotiation.” Moreover, it does not take into account the fact that—in Third World or socialist contexts, for example—the way certain intellectuals view their role vis-à-vis the state, society, and/or the people determines their degree of cooperation with censorship mechanisms.The problem with this Manichean vision is that it implies a notion of censorship that is ahistorical: it posits that there is an essential distinction between the censor and the [End Page 59] creator or free mind. On the one hand, as Miklos Haraszti accurately outlines, at least until very recently in the Eastern European context:Censorship is no longer a matter of simple state intervention. A new aesthetic culture has emerged in which censors and artists alike are entangled in a mutual embrace. Nor is it as distasteful as traditional critics of censorship imagine. The state is able to domesticate the artist because the artist has already made the state his home.[5]On the other hand, as Richard Burt rightly suggests:What counts as censorship is not always clear. Indeed, it is hard to see how one could call many contemporary cases censorship without either seriously distorting the traditional understanding of the term or redefining it to include so many practices—ranging from institutional regulation of free expression, market censorship, cutbacks in government funding for controversial art, boycotts, lawsuits, and marginalization and exclusion of artists based on their gender or race to “political correctness” in the university and the media—that the term is overwhelmed, even trivialized, its usefulness as a tool of cultural criticism called into question.[xiii]Recent events, not only in the United States but also in other parts of the world such as Algeria, the case on which I will concentrate, show that one cannot seriously conceive the question of censorship along the lines of closed, distinct, conceptual categories expressing absolute oppositions. In other words, it is necessary to take the concept of censorship out of the realm of morality and locate it in the world of history, to displace it from the framework of philosophy and move it to the context of culture.In this essay, I will analyze the exercise of censorship in Algeria in... (shrink)