A team of twenty-five renowned scholars have ventured on this unique endeavour to come to terms with the notions of Consciousness and Reality. The wide variety of subjects and disciplines reflects Dr. Izutsu's incredible scope of interests. He is however always focussing on the basic theme of the relationship between philosophical thinking and mysticism, which arises from an awareness of the problem of contemplative experience lying concealed in the depths of philosophical thinking. This book is a vital (...) contribution to our understanding of Islam and Intercultural Dialogue. (shrink)

In this deeply learned work, Toshihiko Izutsu compares the metaphysical and mystical thought-systems of Sufism and Taoism and discovers that, although historically unrelated, the two share features and patterns which prove fruitful for a transhistorical dialogue. His original and suggestive approach opens new doors in the study of comparative philosophy and mysticism. Izutsu begins with Ibn 'Arabi, analyzing and isolating the major ontological concepts of this most challenging of Islamic thinkers. Then, in the second part of the (...) book, Izutsu turns his attention to an analysis of parallel concepts of two great Taoist thinkers, Lao-tzu and Chuang-tzu. Only after laying bare the fundamental structure of each world view does Izutsu embark, in the final section of the book, upon a comparative analysis. Only thus, he argues, can he be sure to avoid easy and superficial comparisons. Izutsu maintains that both the Sufi and Taoist world views are based on two pivots--the Absolute Man and the Perfect Man--with a whole system of oncological thought being developed between these two pivots. Izutsu discusses similarities in these ontological systems and advances the hypothesis that certain patterns of mystical and metaphysical thought may be shared even by systems with no apparent historical connection. This second edition of Sufism and Taoism is the first published in the United States. The original edition, published in English and in Japan, was prized by the few English-speaking scholars who knew of it as a model in the field of comparative philosophy. Making available in English much new material on both sides of its comparison, Sufism and Taoism richly fulfills Izutsu's motivating desire "to open a new vista in the domain of comparative philosophy.". (shrink)

The true man without any rank.--Two dimensions of ego consciousness.--Sense and nonsense in Zen Buddhism.--The philosophical problem of articulation.--Thinking and a-thinking through kōan.--The interior and exterior in Zen.--The elimination of color in Far Eastern art and photography.

A leading Japanese philosopher and author explores the deep structures of Zen Buddhist, Taoist and Confucian philosophies. Izutsu compares the concepts of the three disciplines regarding time, metaphysics and visionary experiences, and more.

Shinpi tetsugaku: The Birth of a Poet-Philosopher -- The Encounter with Islam -- Russia: The Spirituality of Night -- A Contemporary and the Biography of the Prophet -- Catholicism -- Words and WORD -- Translator of the Heavenly World -- Eranos-Dialogue in the Beyond -- Consciousness and Essence -- The Philosophy of Mind.

This chapter discusses the comparative philosophies of two premier comparativists of postwar Japan, Nakamura Hajime and Izutsu Toshihiko. Both were known as accomplished scholars within their respective fields—Buddhist studies and Indology for Nakamura, and Islamic studies for Izutsu—when they initiated their comparative projects. Each had a distinct vision of what comparison entails and the sort of philosophy it would produce. Nakamura’s project was a world history of ideas that uncovers basic patterns in the unfolding of human thought. (...) Izutsu aims to reconstruct Oriental philosophy on the basis of certain key concepts common to the traditions. The chapter covers the aims, methods, and philosophical achievements of their comparative projects. In their juxtaposition, it makes evident significant differences in their projects, methods, and results. (shrink)

In The Ethico-Religious Concepts in the Qur'án Toshihiko Izutsu analyses the guiding spirit of the Islamic moral code, the basic ethical relationship of man to God. Izutsu asserts that, according to the Qur'anic conception, God is of an ethical nature and acts upon man in an ethical way. The resulting implications for man are enormous, requiring devotion not merely to God but to living one's life ethically.Izutsu shows that for the Qur'an our ethical response to God's (...) actions is religion itself; it is at the same time both ethics and religion. Izutsu explores these themes by employing ethnolinguistics, a theory of the interrelations between linguistic cultural patterns, to analyse the semantic structure of major concepts in the Quar'an. Islam, which arose in the seventh century, represents one of the most sweeping religious reforms ever to appear in the East.The Quar'an shows in vividly concrete terms how time-honoured tribal norms came into bloody conflict with new ideals of life, and finally yielded to the rising power. This transitional epoch is of particular importance in the whole of Islamic thought, a time during which the key terms of a traditionally fixed system of values were transformed in their connotative structure, modified in their combinations, and finally integrated into an entirely different system.Originally published in 1959 as The Structure of the Ethical Terms in the Koran and revised under the current title in 1966 this 2002 reprint makes this classic work of Islamic studies once again available. (shrink)

1. Shinpi tetsugaku -- 2. Isurāmu bunka -- 3. Roshia-teki ningen -- 4. Imi no kōzō -- 5. Isurāmu tetsugaku -- 6. Ishiki to honshitsu -- 7. Kōran -- 8. Kōran o yomu -- 9. Tōyō tetsugaku -- 10. Sonzai ninshiki no michi -- 11. Rūmī goroku -- [12] Taidan teidanshū, chosaku mokuroku.

In order to re-examine what role Plato gives to images in the Republic, this chapter argues against modern commentators’ views and demonstrates that for Plato, images represent reality in special ways and that the simile is not simply a didactic method of explaining familiar objects, but is an effective method of inquiry to reveal a reality unknown to us. First it shows that Plato ascribes to images a special role of transforming our souls, by examining the famous story of Gyges’ (...) ring; second, by analysing the simile of the Sun, it shows that images are real in the sense that they reveal to us the world beyond sensible things. These two examples represent two important aspects, namely, a psychological exercise for changing ourselves and an ontological possibility for such images. In order to rehabilitate our conception of the image, the chapter considers views on images by Japanese philosophers, Megumi Sakabe and Toshihiko Izutsu. (shrink)

Arabia tetsugaku -- Higashi Indo ni okeru Kaikyō hōsei (gaisetsu).

1. Shinpi tetsugaku -- 2. Isurāmu bunka -- 3. Roshia-teki ningen -- 4. Imi no kōzō -- 5. Isurāmu tetsugaku -- 6. Ishiki to honshitsu -- 7. Kōran -- 8. Kōran o yomu -- 9. Tōyō tetsugaku -- 10. Sonzai ninshiki no michi -- 11. Rūmī goroku -- [12] Taidan teidanshū, chosaku mokuroku.

ESSAY I THE AESTHETIC STRUCTURE OF WAKA In the tradition of Japanese poetry, there evolved several genres, of which the most representative are waka ...

The Basic Structure of Metaphysical Thinking in Islam hat I am going to say might seem to have no direct connection ...

Japanese translation of the author's major works in English published during the 1950s and the1980s.

Although Plato studies occupy an important place in academia, the empiricist stance in considering reality, the modern epistemology of the self-identical ego, the devaluation of the image and imagination, and the restrictions on philosophy within academic research sometimes cause us to lose sight of the essence of Plato's texts and thought when analysing them. Discussing Plato from a Japanese perspective, this paper will introduce three Japanese thinkers, Sakabe Megumi, Izutsu Toshihiko, and Ino-ue Tadashi, who have critically examined modern (...) Western philosophy from their own philosophical backgrounds and provided valuable suggestions. Taking into account the arguments of these Japanese thinkers, this paper emphasizes the notions of separation, purification, and transcendence as core concepts of Plato's philosophy. (shrink)

The history of philosophical hermeneutics is one of expanding scope—moving from the interpretation of religious texts, to all texts, to understanding in the human sciences, to all understanding. As its scope expands it intersects with a wider range of philosophical traditions; only by making these intersections explicit can the key themes of philosophical hermeneutics come forward. I consider two central hermeneutic claims—that nature can be thought of as a text and that insights drawn from understanding texts (...) illuminate all understanding. These ideas have roots in the Liber Naturae, especially in the writings of Hugh of St. Victor and of Robert Boyle. Understanding how they each see nature as a text enables us to clarify how Hans-Georg Gadamer must see it and draws our attention to his neglected phenomenology of reading. (shrink)

Xenocrates of Athens was a sculptor and theoretician of the 3rd cen. B.C., whose now lost writings were used as basic sources by Pliny the Elder in his 34th and 35th Books of Natural History, about Sculpture and Painting respectively. It is strongly believed that the progressive model of the development of art in both books has Xenocratian origins: influenced by the tradition of Democritus, Xenocrates had explained the evolution of art as a process of resolution of artistic problems. His (...) narrative was, though, a descriptive one without a theoretical or philosophical background. A similar case had prevailed in the Historiography of Art for many centuries, up to the beginnings of the 20th cen., when the rise of Philosophical Hermeneutics changed the picture. Art Historians began to create theories and methods trying for the first time to explain at a theoretical level the phenomena both of the development of art and of the capability of later perceivers to understand previous artworks and their changes through time. Ernst Gombrich’s theory that combines modern and postmodern ideas is to be understood as influenced both by the Xenocratian idea that there is always an innovative person who first overcomes traditional methods triggering the progress of art’s development and by the Popperian notion of “trial and error” as the main schema for the development of science. (shrink)

This essay deals with two poetics of distinctly different traditions that arrived at the same concept of literary art, one in which the reader of, or listener to, a poem shares in the creative process with the poet. The first tradition I will examine is the that of the pre-Hispanic Mexican poets of the Cantares mexicanos and the 20th- century appropriation of their work by two of Mexico's most distinguished poets, Octavio Paz (1914–1998) and ]ose Emilio Pacheco (1939–2014), both awarded (...) the Premio Cervantes, and Paz, the Nobel Prize. The second part of this essay examines the contemporary Continental tradition of philosophical hermeneutics that began with Martin Heidegger (1889–1976) and Hans-Georg Gadamer (1900–2001) and culminated in the work of Paul Ricoeur (1913– 2005). Although Heidegger is now well known among philosophers throughout the world, it should be noted that ]ose Gaos of the National University of Mexico, an exile from Spain, completed the first translation of Heidegger's Sein und Zeit in 1951, more than a decade before the English and French translations appeared. (shrink)

The paper begins with an overview of the historical roots of philosophical hermeneutics grounded in the work of Husserl and Heidegger. It goes on to explore the philosophical hermeneutics of Hans Georg Gadamer as a philosophy useful to nursing research. The four concepts of prejudice, the fusion of horizons, the hermeneutic circle and play are discussed, as are the implications these concepts have for nursing research. These concepts have been utilized in the author's own research and examples (...) from this research are given to illuminate how these concepts can be shaped to the purposes of nursing research. While the concepts discussed stem from the work of Gadamer, the ways they have been utilized by the author do not represent a Gadamerian method. Gadamer's project is purely philosophical. (shrink)

This excellent collection contains 13 essays from Gadamer'sKleine Schriften,dealing with hermeneutical reflection, phenomenology, existential philosophy, and ...

In comparing humans and animals, we may use humans as the standard to measure animals, or conversely, animals as the standard to measure humans. While most philosophers have adopted the former approach, David Hume is among those few who use the comparison with animals as means to throw light on human nature. I focus on Hume’s treatment of human and animal reason. The cognitive processes and states that Hume holds to be common to humans and animals may be called situated, (...) that is, embedded in the process of guiding actions that is actually going on and consequently relative to the agent’s current position in space-time. Hume’s treatment of causal reasoning underlines the centrality of situated cognition in the workings of human, as well as animal minds. Taking situated reasoning and beliefs as the paradigm of human cognition enables us to look from an alternative point of view, at the features supposedly unique to human cognition, like the use of general words and concepts. Thus we can find a confirmation of the practical import of general words and concepts in Hume’s account of the obligation of promises, where words play an essential role in extending our control over objects and actions beyond what is present and particular into what is absent or not yet actualized. This is also a confirmation of how deeply our cognitive abilities in general are rooted in our practical needs. (shrink)