Results for 'Stavrogin'

10 found
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  1.  44
    Stavrogin and His Soul, or: The Transformation of Skepticism in the Digital Age.Boris I. Pruzhinin, Tatiana G. Shchedrina & Irina O. Shchedrina - 2022 - Russian Studies in Philosophy 60 (1):40-59.
    It is not by chance that the title of this article paraphrases Gustav Gustavovich Shpet’s article “The Skeptic and His Soul”. Is Stavrogin a skeptic? Yes, and the novel Demons is a narrative...
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  2. Stavrogin: A Critical Study of an Amoralist.Charles Pigden - 1988 - Critical Philosophy 4:28.
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  3.  17
    Responsible and irresponsible liberalism: Dostoevsky's stavrogin.Harry Neumann - 1993 - History of European Ideas 16 (4-6):569-575.
  4.  11
    The generation and suspension of meaning in Dostoevsky’s Demons.Satoshi Bamba - forthcoming - Studies in East European Thought:1-7.
    This paper examines the relationship between the generation and suspension of meaning in Dostoevsky’s Demons with reference to Bakhtin’s thesis that one’s meaning is defined by someone else’s answer. By generation I mean both the generational conflict between fathers and children and the generative power of language. It is the division between what one says and what one means that troubles Stavrogin. He has his authorship usurped by others and is not in control of his own discourse. Although the (...)
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  5.  19
    “Fyodor Mikhailovich Dostoevsky and European Culture: On the 200th Anniversary of the Great Russian Writer” International Scientific Conference.Евгения Александровна Солошенко - 2023 - Russian Journal of Philosophical Sciences 66 (1):148-159.
    The article provides a summary of “Fyodor Mikhailovich Dostoevsky and European Culture” International Scientific Online Conference, held by the International Laboratory for the Study of Russian-European Intellectual Dialogue of the National Research University Higher School of Economics in cooperation with the Dostoevsky’s Moscow House Museum Center. At the conference, leading experts in various fields of the humanities presented various reports on the mutual influence of Dostoevsky and European culture. Research attention was paid to the problem of the influence of the (...)
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  6.  82
    The individual and nothingness.Sławomir Mazurek - 2010 - Studies in East European Thought 62 (1):41-54.
    This study is an attempt to reconstruct and sum up philosophical interpretations of Stavrogin, the main hero of the classic Dostoevsky’s novel “The Devils”, given by the outstanding Russian religious thinkers in the twentieth century. The author emphasizes that, however different can be their philosophical premises, the discussed interpretations of Dostoevsky’s hero are compatible and complementary. Confronting and, above all, synthesizing different points of view, he tries to grasp the basic historiosophical, anthropological and religious ideas of Russian renaissance.
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  7.  41
    Breaking Bad, Dostoevsky, Nihilism, and Marketplace Morality.Thomas F. Connolly - 2022 - The European Legacy 28 (2):173-185.
    From the perspective of the television series Breaking Bad (2008–2013), Walter White, its antihero, is not just an “angry middle-aged white guy”. He represents the repressed rage of countless ill-used Ph.Ds. This is why “he is the danger.” The cultural moment of Breaking Bad may serve for us in Siegfried Kracauer’s term as a “close-up shot or establishing shot.” The series is an index of Kracauer’s “law of levels.” White has lived his life according to what he thought was standard (...)
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  8.  66
    Dostoevsky and Schiller: National renewal through aesthetic education.Susan McReynolds - 2004 - Philosophy and Literature 28 (2):353-366.
    In lieu of an abstract, here is a brief excerpt of the content:Dostoevsky and Schiller:National Renewal Through Aesthetic EducationSusan McReynoldsDostoevsky's novels pivot upon scenes of spiritual transformation, moments of revelation that resolve dilemmas for which no logical solution can be found. Raskolnikov, for example, analyzes his crime from philosophical and sociological angles until he almost dies; he is saved by his dream of the plague and by the image of Sonia's face. When insight and progress come to Dostoevsky's fictional characters, (...)
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  9. (1 other version)Motive of the Predetermined Duel in Novels by Balzac, Lermontov and Dostoevsky.R. G. Nazirov - 2014 - Liberal Arts in Russia 3 (5):312--320.
    The article introduces to the domestic reader an unknown French work of Romain Nazirov titled ‘Trois duels ‘. Nazirov compares the variations of the theme ‘barren omnipotence‘ in the novel ‘The magic skin‘, ‘A Hero of Our Time‘ and ‘Demons‘, considering the episode of ‘predetermined duel‘ as the climax of the of the theme development. Comparative analysis gives the author a reason to believe that Lermontov describing duel in the ‘Hero of Our Time‘ was under the influence of a similar (...)
     
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  10.  59
    From nimrod to the grand inquisitor: The problem of the demonisation of freedom in the work of Dostoevskij.Mikhail Blumenkrantz - 1996 - Studies in East European Thought 48 (2-4):231-254.