Introduction to the symposia on Pragmatism and Perfectionism appered on the European Journal of Pragmatism and American Philosophy, vol. 2 issue 2, 2010.

Journal of Philosophy of Education, Volume 55, Issue 1, Page 263-281, February 2021.

Philosophe française contemporaine, Sandra Laugier a ouvert de nouveaux champs intellectuels au cours des trente dernières années en se faisant la passeuse et la penseuse de la vie ordinaire. Passeuse, avec ses traductions de Stanley Cavell (1926-2018) dans la suite du grand philosophe américain Ralph Waldo Emerson (1803-1882). Penseuse par l'édification de son domaine de réflexion propre. Elle a aussi bien exploré la philosophie analytique que la philosophie morale, les potentialités de la désobéissance civile comme celles de l'éthique (...) féministe du care, ou la radicalité aux États-Unis sur les questions de genre et de race. Son analyse de la culture populaire, à travers l'étude qu'elle a faite des séries télévisées, est elle aussi significative.00Aujourd'hui, la philosophe dresse un premier bilan raisonné de sa trajectoire. Pour ce faire, elle a choisi la forme du dialogue qui sied à sa démarche. Cette conversation menée par le journaliste Philippe Petit nous aide à mieux la connaître.00Une biographie existentielle et intellectuelle. (shrink)

This article aims at putting in context and at pursuing the concept elaborated by the later Putnam of an ethics without ontology, which I associate with certain other contemporary philosophers like Stanley Cavell and Cora Diamond; and in general of a philosophy without ontology. Putnam’s ambition is to get rid of ontology by refocusing reflection on ethics in a realistic spirit. This calls for a reappraisal of the entirety of Putnam’s evolution after the 1980s, especially his “Wittgensteinian turn,” which has (...) sometimes been underappreciated. To say that ethics has nothing to do with ontology is to make a claim not only about ethics, but also about realism. That is why Putnam’s later work matters today, especially his radical break with the fact/value distinction. This does not only concern ethics, for as Diamond has said and as Putnam reiterates in his own style and culture, we must refocus reflection on ethics and on the place of ethics in our forms of life and of language. (shrink)

"It's not TV, it’s HBO" was the slightly pretentious slogan offered by the cable channel in 1997, in what now appears to have been a golden age of the TV series. Sex and the City (1998-2004), The Sopranos (1999-2007), Six Feet Under (2001-2005), Entourage (2004-2011), and The Wire (2002-2008) were series that have changed our way of seeing the world, as well as the social status of these singular works, which have often been neglected on account of their mass-market appeal. (...) After a short period during which it seemed as though the channel might be overtaken by other networks (AMC with Mad Men, 2007-2015 and Breaking Bad, 2008-2013), HBO regained its control of the series culture with Girls (2012-2017) and Game of Thrones (2011-) – two series that are really unlike all others. However, I am discussing Game of Thrones (G oT) here, because you do not have to be a fan of medieval fantasy, bloody fights, dragons, or soft porn; you do not need to love the sagas of George R.R. Martin to be a fan of Game of Thrones. You do not even have to like "series.". (shrink)

Pierre Hadot, professor of ancient philosophy at the Collège de France, published, in the late 1950s and early 1960s, some of the earliest work on Wittgenstein to appear in French. Hadot conceived of philosophy as an activity rather than a body of doctrines and found in Wittgenstein a fruitful point of departure for ethical reflection. Hadot's understanding of philosophy as a spiritual exercise — articulated through his reading of ancient philosophy but also the American transcendentalists Henry David Thoreau and Ralph (...) Waldo Emerson — will find an echo in Wittgenstinian thinkers such as Stanley Cavell and Cora Diamond. Ultimately philosophy for Hadot is a call to personal and political transformation. (shrink)

This paper aims at elucidating the present strength of the social and political ideas one can draw from Wittgenstein’ later work, rooting in it his conception of the subjectivity of language and of the speakers’ authority and voice; of the I and the us. The article uses the concept of forms of life – understood, following Stanley Cavell and Veena Das, not only in the social sense but also in the natural sense, as life forms. – in order to rearticulate (...) the natural and conventional and to perceive, as Cavell puts it, “the mutual implication of the natural and the social” in the constitution of us – and in a renewed, ordinary conception of democracy. (shrink)

My paper focuses on the theme of visibility by teasing out some paradoxes of invisibility. In the ordinary social world, what is said to be invisible is generally what is here, right before our eyes, but to which we pay no attention. Care is invisible because it goes on without us seeing it. By suddenly making visible what is ordinarily invisible, the COVID pandemic has been a strange pedagogical moment, making visible the people who take care of “us”, and revealing (...) our entire society’s ignorance of what allows it to live—whether in the context of everyday life or in the urgency of the risk of death. The grammar of care has thus imposed itself on everyone, because care is never so visible as in those situations where a form of life is shaken. Care work has been revealed as invisible work that keeps everyone going. “Invisible” does not refer to a difficulty in perceiving but rather a refusal to see. A refusal to see something that is not hidden, but which we do not see precisely because it is right before our eyes. Invisibility is thus denial, in both the social and the theoretical realms, especially when care work is envisioned in the terms of the further invisibilization of care work when it is done for the benefit of women as in the “care drain” from poor to rich countries. The asymmetry in the relations between North and South is part of the invisibility of what sustains societies. The invisible chains of care reveal the extent to which the question of service is the fundamental question of social invisibility. (shrink)

This is the first book to explore the hold of TV series on our lives from a philosophical and ethical perspective. Sandra Laugier argues that this vital and ubiquitous expression of popular culture throughout the world is transformative in its effects on the activity of philosophy in everyday life. Drawing on Stanley Cavell’s work on film and ordinary experience, Laugier contends that we are deeply affected by the formative role played by the TV series we watch, and (...) by the ways they become interconnected with our daily lives. The philosophical thinking embodied in series empowers individuals in their capacity to experience, understand and appropriate elements of the world, and to educate themselves. Through our relationships with TV series, we develop our own tastes and competences, which are constitutive of our distinct experience of life. ‘Series-philosophy’ is thus a democratizing force. It also offers us a new ethics, for morality can be found not in general rules and abstract principles but in the narrative texture of characters in everyday situations facing particular ethical problems, and with whom we form attachments that result in our moral education—in sometimes surprising ways. (shrink)

In this paper, I confront various conceptions of meaning and articulate them to anthropological styles of thought: W.V. Quine’s thesis of the indeterminacy of translation, Wittgenstein’s conception of meaning as use, Cavell’s philosophy of ordinary language, of ‘what we say’; Barbara Cassin’s Dictionary of Untranslatables where I approached English terms as inherently untranslatable; attention to details and to human vulnerability through the ‘textures of the ordinary’ Veena Das teaches us to observe. All these approaches to meaning as agency, vs. meaning (...) as a determined entity shared and expressed by different languages, lead to renew our concept of the global. (shrink)

J.L. Austin’s insight that language should be treated as a domain of human action, rather than merely as a tool for the transmission of information, has been enormously influential. His analysis of speech acts continues to be widely utilised in a vast number of fields, from the philosophy of language to social and political philosophy, the philosophy of law, gender and literary studies, as well as a variety of social sciences. Yet scholars have so far focused on performative utterances and (...) illocutionary acts, while the perlocutionary dimension of speech has generally been dismissed as unessential. This special issue, drawing inspiration from Stanley Cavell’s seminal work on passionate utterance, aims to shed new light on the philosophical, moral and political relevance of the perlocutionary. (shrink)

New words have found their way into the public sphere: we now commonly talk about “confinement”, “barrier-gesture” or “distancing”. The very idea of public space has been transformed: with restrictions on movement and interaction in public; with the reintegration of lives (certain lives) into the home (if there is one) and private space; with the publicization of private space through internet relationships; with the cities’ space occupied, during confinement, by so-called “essential” workers; with the restriction of gatherings and political demonstrations (...) in public space. With these and other recent changes, it is imperative to revisit the concept of public space, which continues to be used as if it were self-evident, despite its profound transformation over the past few decades, in a process of realization and “literalization”. No longer just a comfortable metaphor for reasonable debates, public space has become a concrete reality in the 21th century. This transformation in the various phenomena, such as the occupation of squares and public spaces; the demand for spaces of conversation and expression for those without a voice; the transition of private matters into the public realm through verbal expression; and the expression and circulation of public issues within popular cultures. As a result, the question of public space is increasingly intertwined with that of private spaces, such as the home or individual subjectivities, forming an internal, logical relationship. (shrink)

TV series are gaining increasing attention in current research. However, their aesthetic potential for visualizing ethical issues and both forming and facilitating collective inquiry into democratic values has not yet been fully appreciated. Because of their format (weekly/seasonal regularity, home viewing) and the participatory qualities of Internet usage (tweeting, chat forums), series allow for a new form of education by expressing complex issues through narrative and characters. This education is both political and moral. This topical issue elucidates the power, diversity, (...) and richness of TV series and their moral and political purpose. TV series provide common reference points, which populate ordinary conversations and political debates. They become shared representations of moral reasoning and feelings. They arouse ethical reflection in their viewers – in the spirit of philosophy. (shrink)

For Stanley Cavell, the specific and contemporary theme of the ordinary sets off from America and the transcendentalism of Emerson and Thoreau, in order to reinvent itself in Europe with ordinary language philosophy – Wittgenstein and Austin. But in order to understand this, it is necessary to perceive what Cavell calls, inspired by Wittgenstein and Thoreau, “the uncanniness of the ordinary,” inherent to its anthropological thematization. In his preface to the recent work of Veena Das, Life a...

The paper aims to present and defend Cavell’s reading of moral perfectionism as an alternative political approach. For several decades, Stanley Cavell has been working to make Emerson’s voice reheard in the core of American philosophy. This activity, though, is not simply historical rehabilitation. What appears very clearly in, e.g., his 2003 collection Emerson’s Transcendental Etudes, but as early as in the 1990 work Conditions Handsome and Unhandsome, is that Cavell also wants to make heard the present-day political pertinence of (...) Emerson’s thinking and conception of democracy. Cavell wants to criticize either the interpretation of Emerson’s tonality which would make him a precursor of liberal individualism, or a precursor of progressive rhetoric, à la Dewey. Cavell has given himself the task of clearly differentiating Emerson from these trends. The author wants to show, however, that transcendentalism and pragmatism together as inheritors of Emerson’s voice allow us to rediscover something essential to democracy: possession of one’s voice – a question equally at the heart of Emerson’s philosophy, under the form of our capacity to speak, to stand up and speak, for oneself or for others as the very demand to trust oneself, which Cavell later calls the “arrogation of voice”. (shrink)

Ce volume permet de faire le point sur les interprétations récentes de Wittgenstein tout en fournissant une introduction aux problématiques centrales de son œuvre critique de la métaphysique et retour au langage ordinaire, redéfinition de la signification en termes de jeu de langage, émergence d'une anthropologie et d'une conception sociale du langage, mise en question du langage privé et déplacement de l'idée de subjectivité. Il suit un principe interprétatif commun à la plupart des nouvelles lectures de Wittgenstein, qui est d'instaurer (...) une continuité forte entre ce qu'on appelle le premier et le second Wittgenstein. L'ensemble de ces développements permet de mettre en œuvre une nouvelle description de Wittgenstein, à la fois innovante et accessible : elle concerne les étudiants et enseignants de philosophie qui veulent connaître et approfondir tes thèmes les plus importants de l'œuvre de Wittgenstein, et les lecteurs d'autres disciplines qui veulent découvrir son actualité. (shrink)

This chapter explores mutations in conceptions of popular culture brought by attention to one’s experience of its objects. According to Stanley Cavell, the value of a culture lies not in its “great art” but in its transformative capacity, the same capacity found in the “moral perfectionism” of Emerson and Thoreau. Cavell was the first to account for the necessity of theory and criticism brought about by reflection on Hollywood film. However, he is less concerned with reversing artistic hierarchies or inverting (...) the relation between theory and practice than with the self-transformation required by our encounters with new experiences, what he defines as the “education of grownups”. This does not imply a false revolutionary inversion of aesthetic values but rather a new assessment of importance, which Wittgenstein called for when he asserted the importance of ordinary language philosophy and attention to ordinary practices and life. (shrink)

Livre fondateur de R. Carnap, "Der logische Aufbau der Welt" (1928) est une oeuvre philosophique allemande centrale du XXe siècle.Cet ouvrage veut montrer l'actualité de l'"Aufbau" tout en présentant la logique de pensée de Carnap et ses conséquences philosophiques.

L'auteur prend pour point de départ l'articulation centrale du rapport mutuel de Husserl et Frege : la notion frégéenne de Sinn et, spécifiquement, certains usages qui en ont été faits dans la tradition analytique, qui montrent le caractère ambigu et multiforme de la notion. Ce trait joue certainement un rôle dans la constitution de l'idée contemporaine d'un sens perceptuel, commune à la phénoménologie et aux théories de la perception. L'auteur tente ici, en se fondant notamment sur la philosophie du langage (...) ordinaire d' Austin, de renverser l'idée de sens perceptuel, ou de la perception comme donation ou constitution de sens, et de redéfinir l'idée austinienne d'une « phénoménologie linguistique ». The author takes as a starting point a central articulation of the Husserl -Frege relation, that is, the notion of Sinn, specifically, some uses of the notion within the analytical tradition, which may show the ambiguity and plasticity of the term. This feature, probably due in part to the translation of : Sinn into English, is responsible for the constitution of the contemporary idea of a perceptual sense, an idea shared by phenomenology and some theories of perception. The author aims here to criticize the idea of a sense as being given or discovered or constituted in perception, with the help of J.L. Austin 's ordinary language philosophy, and thus to revive Austin s intriguing idea of a « linguistic phenomenology ». (shrink)

Henry David Thoreau simultaneously worked out an understanding of ecology, of nature and of disobedience by moving to Walden Pond. The choice of « life in the woods » was a return to lost nature, but also a withdrawal from society. Civil disobedience then reveals itself for what it still is today, a specific technique of environmental struggle and a model of relation to society as conversation and democratic expression: a natural circulation of speech where no one is a minority, (...) where no one is without voice, and where every claim must be heard, without prior justification or articulation according to rules of language or principles of participation. (shrink)

La question importante, ici, n’est pas l’intérêt philosophique des séries télévisées mais l’intimité mutuelle des séries et de la philosophie : comment peut-on trouver dans la philosophie le traitement de la forme de sensibilité qui a été formée par le fait de regarder des séries? Pour cela il faut transformer la philosophie, en faire une éducation de soi, comme une autobiographie esthétique. Stanley Cavell prenait son point de départ, dans La Projection du monde (1971), dans le caractère « populaire » (...) du cinéma, en l’articulant à l’intégration du cinéma à la vie ordinaire du spectateur. Ce que Cavell revendiquait du cinéma grand public de Hollywood s’est transféré aux séries télévisées, qui l’ont relayé, sinon remplacé, dans la tâche d’éducation morale et dans la constitution de l’imaginaire des humains. La culture populaire se révèle lieu de « l’éducation des adultes », d’une forme de culture de soi – une subjectivation opérée par la mise en commun, par le partage et le commentaire d’un matériau public, intégré dans la vie ordinaire. (shrink)

SANDRA LAUGIER. — Quel a été le contexte du surgissement d’Attac, et à quel besoin répondait l’association ? Une nouvelle volonté de critique sociale, de résistance à diverses formes de domination ?CHRISTIAN CELDRAN. — Attac est apparu comme une nécessité par rapport à un certain type de critique qui était la critique présentée..

Il est d’usage, en France, de présenter la plupart des théories féministes américaines comme grotesques, et de dénigrer de même tout ce qui peut ici s’en rapprocher – par l’accusation de « différentialisme » notamment. Un tel dénigrement est conforté par les considérables difficultés d’ordre théorique que posent beaucoup de positions féministes telles qu’elles se..

Drawing on J. L. Austin and the later works of Ludwig Wittgenstein, she argues for the solution provided by ordinary language philosophy—a philosophy that trusts and utilizes the everyday use of language and the clarity of meaning it ...

L’article examine l’usage qui peut être fait aujourd’hui de la théorie des actes de langage d’Austin ; outre la pertinence d’Austin, mise en évidence par Charles Travis, pour reconcevoir une théorie de la vérité, on peut aussi suggérer, par-delà la philosophie du langage, et en suivant certains éléments de l’approche de S. Cavell dans son récent livre Un ton pour la philosophie, une capacité de la théorie d’Austin à repenser la notion d’acte elle-même, et l’idée d’agency du sujet.

Un élément constant de la pensée de Stanley Cavell est sa façon de prendre au sérieux le cinéma, notamment hollywoodien, non comme objet philosophique, mais comme philosophie, comme ayant un contenu et un enseignement philosophique. Cavell, après un ouvrage général sur l’ontologie et l’expérience du cinéma,...

The author wishes to rehabilitate a form of individualism qui would be defined by a capacity to speak out, by the possession of a subjective voice and by what R. W. Emerson called self-reliance. In this approach, radical democracy can be defined in linguistic terms, those of expression and individual action, made possible by consent, as well as by the possibility of dissent and disobedience to the rule. Individuality can then be redefined in terms of difficulty of expression and obscurity (...) to oneself and to others, rather than in terms of evidence and clarity. (shrink)

This paper studies the concept of form of life as central to ordinary language philosophy : philosophy of our language as spoken ; pronounced by a human voice within a form of life. Such an approach to Wittgenstein’s later philosophy shifts the question of the common use of language – central to Wittgenstein’s Investigations – to the definition of the subject as voice, and to the reinvention of subjectivity in language. The voice is both a subjective and common expression: it (...) is what makes it possible for my individual voice, or claim, to become shared and for our forms of life to be intertwined with a lifeform. (shrink)

Un élément constant de la pensée de Stanley Cavell est sa façon de prendre au sérieux le cinéma, notamment hollywoodien, non comme objet philosophique, mais comme philosophie, comme ayant un contenu et un enseignement philosophique. Cavell, après un ouvrage général sur l’ontologie et l’expérience du cinéma,..